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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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Candace Owens and the Dangerous Myth of ‘Talmudic Jews’
In a recent viral video responding to Ben Shapiro’s accurate description of her long-standing pattern of spreading baseless fear and animus, Candace Owens urged her audience to “wake up” about Jews, Judaism, and what she called “Talmudic Jews.”
As part of that exhortation, she recommended a book titled The Talmudic Jew, presenting it not as a historical artifact, but as a suppressed key to understanding not only Shapiro, but Jewish behavior and morality writ large.
This is not a new genre of argument. It is one of the oldest weapons in the antisemitic arsenal.
Owens’ framing follows a familiar script: for those predisposed to view Jews as powerful, alien, or suspect, the explanation is presumed to lie hidden in Jewish religious texts.
The Talmud, in this telling, is not a complex legal and ethical corpus but a secret code — one that allegedly explains Jewish behavior and justifies suspicion toward Jews as a group. Owens’ invitation for non-Jews to “wake up” is actually an invitation to stop seeing Jews as human beings — let alone as neighbors or fellow citizens — and to begin seeing them as something else entirely: a threat.
In the same video, Owens widens the accusation. She urges viewers to believe that Jews are behind conflicts pitting “Christian against Christian” and “Christians against Muslims” around the world — an echo of a medieval antisemitic fantasy that casts Jews as the hidden engineers of war and civilizational collapse. This trope, documented for centuries, has no basis in history. Its function is not explanation but absolution: it diverts responsibility away from actual political, religious, and imperial actors, and deposits it onto a convenient, ever-available scapegoat.
Owens then extends this logic further, telling Black audiences that “white people” were not responsible for the Transatlantic slave trade — or slavery more broadly — and that Jews were. This claim is not merely false; it is grotesque.
The Transatlantic slave trade was a European enterprise, driven by explicitly European Christian empires — British, Dutch, Spanish, Portuguese, French, and later American — whose colonial economies depended on enslaved labor. Likewise, the vast Saharan and Indian Ocean slave trades were driven primarily by Arab-Muslim empires and traders over many centuries. Between roughly the 7th and 19th centuries, European and Arab imperial systems conquered and controlled much of the known world — and they were the principal engines of slavery wherever it was practiced. Jews, overwhelmingly a tiny, marginalized minority without imperial power, were not — and could not have been — the drivers of these systems.
The Talmudic Jew, the book Owens cites approvingly as the purported “key” to understanding Jews, was written by August Rohling, an Austrian, German-language Catholic theologian of the late 19th century whose work relied on mistranslations, selective quotation, and outright fabrication. Rohling did not attempt to understand rabbinic Judaism. His aim was polemical: to portray Judaism as inherently immoral and hostile toward non-Jews, and to argue that Jewish emancipation in Western Europe had been a catastrophic mistake.
Rohling’s book was discredited even in his own time. Contemporary scholars demonstrated that he mistranslated Hebrew and Aramaic texts, stripped legal debates of context, treated marginal opinions as binding doctrine, and in some cases invented quotations outright. Yet the book endured because it served a purpose: it gave readers permission to see Jews not merely as wrong, but as inherently dangerous.
That durability proved deadly. In the 20th century, Rohling’s arguments were revived and repurposed by Nazi ideologues, who cited anti-Talmud literature like The Talmudic Jew as supposed evidence that Jewish tradition itself justified exclusion, persecution, and annihilation. The book did not cause the Holocaust — but it helped supply the intellectual scaffolding that made genocide conceivable.
Owens’ amplification of Rohling is therefore not incidental. It places her squarely within a long and infamous lineage of antisemitic accusations that treat Jews as the hidden hand behind social conflict, moral decay, and historical evil.
When Owens speaks of “Talmudic Jews,” she is not describing a religious practice. She is issuing an indictment: that Jews are governed by a hidden code that renders them morally alien and hostile to the societies in which they live. That indictment depends on a fundamental misrepresentation of the Talmud itself.
The Talmud is not a single book or a secret code. It is a sprawling legal record spanning centuries, comprising 63 tractates and more than 2,700 folio pages, dense with debate, disagreement, and layered interpretation. It preserves arguments rather than decrees, questions rather than answers, and features minority opinions alongside majority rulings. To lift a line from this corpus and present it as “what Jews believe” is not scholarship. It is distortion.
That distortion is not accidental. It is the engine of a genre designed to turn Jewish complexity into Jewish hate.
Candace Owens presents herself as a truth-teller urging her audience to “wake up.” What she is really doing is attempting to mainstream a discredited and dangerous form of antisemitic propaganda — one that history has already tested and found catastrophic. When such claims are broadcast by someone with her reach and influence, they do not merely misinform. They habituate. They train audiences to see Jews as a civilizational menace. And once a people are cast as a menace, cruelty is easily rebranded as responsibility — and even as self-defense.
Terrible moments in history do not repeat themselves automatically. They are repeated when influential figures persuade their followers that ancient libels are newly discovered truths.
Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, Zionism, antisemitism, and Jewish history. He serves on the board of Herut North America.
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We Need Elie Wiesel’s ‘Against Despair’ Right Now
The late Professor Elie Wiesel, speaking at the Algemeiner’s 40th anniversary gala, on April 22, 2013. Photo: Sarah Rogers / Algemeiner.
As antisemitism is again surging across the world, it can feel frightening and isolating to be Jewish.
The familiar question returns: how do we hold on to our identity and our pride, when the world seems intent on testing both?
Every generation of Jews has faced its own test of endurance. Ours is unfolding now, as antisemitism again plagues our streets, our campuses, and our interpersonal relationships. Many Jews feel vulnerable, isolated, and unsure how to respond.
In 1973, shortly after the Yom Kippur War, Elie Wiesel answered that question in a speech at the United Jewish Appeal’s National Conference.
Wiesel addressed a Jewish community grappling with fear and uncertainty, reeling from the surprise attack that cost the lives of more than 2,500 Israelis. Decades later, that speech, titled Against Despair, offers a roadmap for reclaiming our pride by drawing strength from our history and traditions.
Against Despair begins with a striking observation about our people: “To me, the essence of Jewish history is mystical and not rational. From the strictly rational viewpoint, we should have long ago yielded to the pressures and laws of the enemy … The mystery of our survival is matched only by our will to survive in a society embarrassed and annoyed by our presence.”
It is a reminder that Jewish endurance stems from the countless generations of Jews who chose courage over surrender. We survive because our history, culture, and traditions carry us forward in a world that has too often attempted to eliminate all three.
As he continues, Wiesel reminds us that no Jewish person is ever truly alone. He says, “When Jews are sad in Jerusalem, Jews everywhere reflect their sadness … An assault on Jews anywhere means an attempt to humiliate Jews everywhere.”
The individual may struggle, but we are connected across time and space. Facing adversity is not only about personal resilience — it is about our collective responsibility to safeguard the moral center of our people.
Professor Wiesel shows us how to confront despair head-on. He teaches that surviving and resisting antisemitic persecution while remaining Jewish is more than a physical phenomenon; it’s an existential one that has sustained Judaism across millennia, a way to honor all those who came before. He reminds us that choosing life is an active endeavor that takes precedence over mourning. Jewish joy and Jewish education are themselves acts of resistance.
“Faced with despair,” said Wiesel, “the most difficult but most beautiful [option] of all [is] to face the human condition and do so as a Jew … We shall resist them in our own Jewish way, which means that we will not allow them to tell us when to be joyous and when to mourn, when to sing and when to be silent.”
This is the heart of Wiesel’s thesis: Jewish identity is itself a moral stance. To live as a Jew is to face life, history, and human cruelty with awareness, integrity, and hope. Even when the world seems hostile, even when antisemitism threatens, Wiesel shows us that we are called to endure, to remember, and to celebrate Jewish life with pride.
Reading Against Despair is a practical guide for living proudly and resiliently in a difficult world. Ultimately, Wiesel asserts that despair is not an option. Jewish survival has always required vigilance, courage, and the refusal to let hatred define us.
“For this is the essence of being Jewish; never to give up — never to yield to despair.”
Every Jewish person should read Against Despair. Not simply to reflect on the past, but to understand how Jewish history, values, and traditions offer strength for the present. For Professor Wiesel, hope is not something one passively receives. Instead, it is a necessary asset we must create for ourselves, a personal duty we owe to our forebears and our children alike.
Against Despair is more than a speech; it is a call to action. It shows us how to meet the modern expressions of age-old antisemitism with the ideas that sustained Wiesel and other Survivors in the darkest of times.
Our very existence is proof that Jewish hope is not naive. It is our essence and our inheritance. We must follow Wiesel’s example by reminding ourselves and the world of how we’ve endured for millennia: taking pride in our Jewishness and fighting to ensure that our descendants have the opportunity to do the same.
Mike Igel is the Chair of The Florida Holocaust Museum’s Wiesel Archive & Legacy Council.
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If Israel Wants to Increase Immigration, It Should Take These Steps
New olim disembark at Tel Aviv’s Ben Gurion Airport on the first charter aliyah flight after he Oct. 7, 2023, Hamas attacks, arriving to begin new lives in Israel. Photo: The Algemeiner
Gideon Sa’ar, Israel’s Minister of Foreign Affairs, recently made an impassioned plea for Jews to “come home” in light of surging antisemitism around the globe, including the Bondi Beach massacre in Australia.
But antisemitism alone won’t trigger a mass exodus of Jews to Israel — at least not yet. If Israeli leaders really want to persuade large numbers of Jews, especially Jews in the West, to immigrate to Israel, they must make some fundamental changes to the country. Right now, there are too many aspects of life in Israel that make it unattractive to Western Jews.
For instance, the whole process of immigrating to Israel can be quite daunting, especially if Israeli authorities question your Jewishness.
While Israel’s Law of Return grants any Jew the right to come to the country as an “oleh” (immigrant), this isn’t what always happens in practice, particularly when radical rabbis get involved. Thus, a prospective oleh is often required to produce some sort of proof, such as a letter from a local rabbi, attesting to their religious involvement in the Jewish community, when all they should be legally required to produce is proof of their Jewish ethnicity.
Worse still, Israel doesn’t recognize many non-Orthodox streams of Judaism, which is extremely problematic considering that most Jews in the West are not Orthodox. In short, many Jews in the West won’t immigrate to Israel if the state doesn’t recognize them as Jews.
Many Western Jews who are secular also won’t want to live in a country where there’s no public transportation on Saturdays or other Jewish holidays and no civil marriage or divorce. Hence, if Israel’s leaders are intent on persuading Jews in the West to immigrate to the Jewish State, they should reform some of these onerous religious restrictions.
Another major impediment to persuading Jews in the West to “come home” is Israel’s living standards. Right now, most Jews in the West enjoy a better standard of living than Israel can offer. To improve Israel’s standard of living, the Bank of Israel, OECD, and Israel’s Ministry of Finance have made a number of recommendations, including increasing labor productivity by reducing regulation and encouraging more Haredi men and Arab Israelis to participate in the workforce.
One major problem with Israel’s living standards is the high cost of living, which is among the highest in the OECD group of countries. Few Jews in the Diaspora will want to immigrate to Israel if they know the country’s cost of living is so absurdly high. The solution advocated by the OECD, former Competition Authority heads, and social protest movements is increasing competition in the economy and reducing import barriers. Israelis pay high prices for many goods, especially food products, due to the dominance of large conglomerates and monopolies, as well as restrictions on imports.
Housing is also very expensive in Israel. In fact, housing costs are the single largest drag on household living standards in the country. To alleviate this, the Bank of Israel, State Comptroller, and housing task forces have recommended measures such as releasing more state land faster for residential development and speeding up the country’s planning and permitting process, which is among the slowest in the OECD.
Over the last few years, the government has made some reforms to lower the cost of living and raise living standards, but there’s still much more to be done. Change is slow due to many factors, including the nature of Israel’s fractured party politics and the difficulty of creating and maintaining coalition governments, as well as resistance to reform by powerful business interests. Furthermore, Israel’s immense security challenges consume budgetary resources, political attention, and bureaucratic capabilities.
Indeed, perhaps the biggest factor discouraging Jews in the West from immigrating to Israel is the security situation. After all, many Jews would be hesitant to leave the West, where the prospect of war is almost zero, and go live in Israel, a country surrounded by bloodthirsty enemies determined to wipe it off the map. Unfortunately, Israel’s ability to control its security situation is limited, because peace is simply not possible if Israel’s enemies don’t want it.

