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An ahead-of-its-time klezmer album will be performed live for the first time
(New York Jewish Week) — In 1955, a group of musicians gathered in a Manhattan recording studio and committed to tape 16 tunes. When the LP, “Tanz,” was released the following year, it barely made a splash.
Over the years, however, the recording would gain a reputation as a landmark klezmer album, years before the klezmer revival of the 1970s and ’80s. Recorded by the klezmer virtuoso Dave Tarras and a handful of respected New York jazz players, including brothers Sam and Ray Musiker, the record was a groundbreaking mix of the traditional Eastern European Jewish dance music and a jazz and big band sound.
And now, nearly seven decades later, the entire album will be performed before a live audience for the first time ever. On Thursday, Brooklyn-based clarinetist Michael Winograd will lead a band of klezmer all-stars as they play the music from “Tanz” (Yiddish for “dance”) at the Marlene Meyerson JCC on the Upper West Side.
“One of the things that I love about his compositions on ‘Tanz,’ is that they feel like they are both inside and outside the klezmer box,” Winograd told the New York Jewish Week. “They are so clearly klezmer, but they’re also pushing the boundaries so much and I think that came from his work as a jazz musician.”
Winograd completed the herculean task of transcribing all the instrumental parts of the album several years ago. He said that he originally transcribed “Tanz” as a technical exercise and initially had no plans to record or perform the material. But trumpeter Frank London of The Klezmatics convinced him to reconsider, Winograd said.
“Frank told me, ‘You have the music, you might as well perform it. It would be amazing,’” Winograd recalled.
In December 2018, he performed some of the tracks with two different klezmer bands in Berlin and New York. The upcoming JCC performance, however, is the debut performance of the album in full. Winograd is working with Aaron Bendich from the Borscht Beat record label and hopes to release a film of the JCC concert, which is co-presented by the Ashkenaz Festival, the Center for Cultural Vibrancy, the Center for Traditional Music and Dance and the Weitzman National Museum of American Jewish History.
The driving force behind “Tanz” was the late Sam Musiker, a fourth-generation klezmer musician born in New York. He and his younger brother, Ray, also a member of the “Tanz” ensemble, performed klezmer extensively starting as young musicians. On the album cover, the Musiker brothers got second billing to Sam Musiker’s father-in-law, the clarinetist Dave Tarras, a Jewish immigrant from Ukraine and the undisputed king of klezmer at the time.
Also playing on the album were drummer Irving Gratz, Tarras’s regular drummer; pianist Moe Wechsler, a Juilliard-trained musician who played in the big bands of Benny Goodman and Louis Prima; accordion player Seymour Megenheimer, a pianist who later became known as Sy Mann and is credited with recording “Switched-On Santa,” the first Christmas album to feature a Moog synthesizer; Mack Shopnick, a swing-era jazz bassist who was later active in the American Federation of Musicians union; and trumpeter Melvin Soloman, who played on a couple of Sarah Vaughan albums.
The musicians gathered at the former church that became Columbia Records’ 30th Street Studio to make the record. The studio opened after World War II and, until it closed in 1981, it was graced by some of the greatest musical talent of the 20th century, including Vladimir Horowitz, Dizzy Gillespie and Bob Dylan. Rehearsal and recording took place over two days, according to Ray Musiker, who had to take off a couple of days from his regular gig: teaching music at James Madison High School in Brooklyn.
Ray Musiker is the only surviving member of the original band, and earlier this month Winograd interviewed the 96-year-old at his home on Long Island, where they discussed how the record flopped when it was released by Epic Records in 1956. “It didn’t make an impact — there were too many things going on in the world of pop music,” Musiker told Winograd. “Judaism was Americanizing, the whole thrust was to assimilate. Klezmer music started to dwindle. They’re not living in the shtetl and they don’t want to hear shtetl music. It died out like [the Yiddish theater on] Second Avenue died out.”
And yet, in recent years, “Tanz” has been reexamined and reappraised. According to Uri Schreter, a PhD student at Harvard who studies Jewish music during the postwar period, “Tanz” is one of the most important klezmer recordings of the latter half of the 20th century. With its brass-heavy big band arrangements, “Tanz” was klezmer’s “very significant and very deep step into the world of American popular music, specifically jazz and swing,” he told the New York Jewish Week.
“Tanz” was also unique in that it featured two lead clarinetists who were both virtuosos with distinctly different styles: Sam Musiker was the American-born klezmer jazzman who could swing — he played in the Gene Krupa Orchestra and served as a sideman to Roy Eldridge and Sarah Vaughan. Dave Tarras was the epitome of the Old World klezmer tradition, Schreter said. The two styles are in a kind of a competition, Schreter said, but are also in collaboration.
Winograd, 40, is capable of pulling off both styles, he added. “You can hear when he’s playing Sam Musiker and you can hear when he’s playing Dave Tarras,” Schreter said. “He’s always playing Michael Winograd, of course. And he doesn’t sound identical to them. He doesn’t want to.”
According to Hankus Netsky, founder of the Klezmer Conservatory Band of Boston and co-chair of the New England Conservatory of Music’s Contemporary Musical Arts program, Winograd is one of the most inspired klezmer musicians of his generation. “His current band is the best thing going at the moment,” said Netsky. “The level of Winograd’s cadre of musicians is kind of astronomical.”
The line-up for the JCC performance includes Marine Goldwasser on clarinet; Alec Spiegelman on saxophone and bass clarinet; Frank London on trumpet; Will Holshouser on accordion; Carmen Staaf on piano; Zoe Guigueno on bass; David Licht on drums, and Katie Scheele on English horn.
Virtuoso jazz and classical clarinetist Don Byron was in the Klezmer Conservatory Band from 1981 to 1987. He recalled when he first heard “Tanz”: in 1981, when his roommate, KCB bassist Jim Guttman, brought the LP from a used record store in Boston and asked him to have a listen.
“I listened to it once and I was, like, ‘We gotta play this,’” said Byron, who attended the Manhattan School of Music with Ray Musiker’s son, Lee. “Nobody [in the klezmer scene] knew anything about that record.”
The KCB played two selections from “Tanz” at every performance while Byron was in the band, though they removed the tunes from its repertoire when he left in 1987. Now, with Thursday’s performance, the full album will finally get its due. “Sam [Musiker] was one of my heroes,” Byron said. “To me, the tunes that he did [on ‘Tanz’] were some of the great achievements of modernism in the [klezmer] idiom.”
“Michael Winograd Plays ‘Tanz’: A Live Album Recreation” will take place at the Marlene Meyerson JCC Manhattan on Thursday, Feb. 16 at 7:00 p.m. Tickets, $10, and information here.
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Iran’s Soccer Federation ‘Negotiating’ With FIFA to Relocate World Cup Matches From US to Mexico
Soccer Football – FIFA World Cup 2026 – FIFA World Cup 2026 Draw – John F. Kennedy Center for the Performing Arts, Washington, DC, US – Dec. 5, 2025, General view as Draw Assistant Shaquille O’Neal draws Iran during the FIFA World Cup 2026 draw. Photo: REUTERS/Carlos Barria
Iran’s soccer federation said on Monday it is “negotiating” with FIFA to relocate the Islamic Republic’s first-round matches in the 2026 World Cup to Mexico from the United States to ensure the safety of its players.
“When Trump has explicitly stated that he cannot ensure the security of the Iranian national team, we will certainly not travel to America,” said Mehdi Taj, president of the Iranian Football Federation, in a statement shared on X by the Iranian Embassy in Mexico. “We are currently negotiating with FIFA to hold Iran’s matches in the World Cup in Mexico.”
The negotiations are taking place after the US and Israel launched joint airstrikes against Iran in late February, which led to the killing of Iranian Supreme Leader Ayatollah Ali Khamenei and several other high-ranking Iranian officials. Iran has since retaliated with attacks on Israel and US allies across the Middle East.
The 2026 FIFA World Cup will take place from June 11-July 19 in cities across the US, Canada and Mexico. Iran qualified for the 48-team tournament through its participation in the Asian Football Conference and is set to compete in Group G at the World Cup. Iran’s national soccer team is scheduled to compete against New Zealand on June 15 and Belgium on June 21, both in Los Angeles, before going head-to-head against Egypt on June 26 in Seattle. Soccer fans from Iran are not allowed to enter the United States for the World Cup as part of a travel ban that the Trump administration imposed in June, but Iranian athletes and coaches are exempt from the ban.
Last week, US President Donald Trump wrote on the social media website Truth Social that Iran’s national soccer team is “welcome” to compete in World Cup, but he does not think “it is appropriate” for them to participate “for their own life and safety.”
The Iranian team responded to Trump’s post by saying in a statement on Telegram that a single person can not exclude a country from the World Cup. They also suggested the US “lacks the ability” to provide security for World Cup-participating teams.
“The World Cup is a historic and international event and its governing body is FIFA — not any individual country. Iran’s national team, with strength and a series of decisive victories achieved by the brave sons of Iran, was among the first teams to qualify for this major tournament,” the statement said. “Certainly no one can exclude Iran’s national team from the World Cup. The only country that could be excluded is one that merely carries the title of ‘host’ yet lacks the ability to provide security for the teams participating in this global event.”
However, Iranian Sports and Youth Minister Ahmad Donyamali reportedly told state television it is “not possible” for the country to participate in the World Cup this year because of the US airstrikes on Iran. “Due to the wicked acts they have done against Iran — they have imposed two wars on us over just eight or nine months and have killed and martyred thousands of our people — definitely it’s not possible for us to take part in the World Cup,” he said, according to the Associated Press.
Trump later posted again on social media about the World Cup. “The United States of America looks very much forward to hosting the FIFA World Cup. Ticket sales are ‘through the roof!’” he added. “It will be the Greatest and Safest Sporting Event in American History. All Players, Officials, and Fans will be treated like the ‘STARS’ that they are!”
FIFA President said in an Instagram post last week that he met with President Trump and the latter “reiterated that the Iranian team is, of course, welcome to compete in the tournament in the United States.” FIFA Chief Operating Officer Heimo Schirgi recently said the World Cup is “too big” to postpone amid the ongoing conflict in the Middle East. He added that the organization hopes “everyone can participate that has qualified.”
Meanwhile, the UEFA, Europe’s governing body of soccer, has cancelled the “Finalissima” match in Doha, Qatar, between Argentina and Spain’s national soccer teams following security concerns related to the ongoing war between Iran, Israel and the United States.
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Leqaa Kordia, the last Palestinian Columbia protester still in ICE detention, has been released
(JTA) — Leqaa Kordia, a Palestinian woman and the last person still detained in the Trump administration’s crackdown on pro-Palestinian campus protests last spring, was released from ICE custody on Monday.
Kordia’s release came weeks after New York City Mayor Zohran Mamdani petitioned President Donald Trump in person on her behalf. Mamdani celebrated the development in a statement.
“In my meeting with President Trump last month, we discussed ICE’s actions at Columbia University. I asked that the federal government release Leqaa Kordia and drop the cases against four others,” he tweeted. “I am grateful that Leqaa has been released this evening from ICE custody after more than a year in detention for speaking up for Palestinian rights.”
Kordia, 33, who immigrated to New Jersey from the West Bank in 2016, had been held in a U.S. immigration detention center in Texas since last March after she was arrested for her involvement in a pro-Palestinian protest at Columbia in 2024. Kordia had overstayed her student visa and was never a student at Columbia.
On Friday, an immigration judge ordered her release on $100,000 bond. It was the third time that the judge had ordered her release, which was granted after the government declined to appeal.
“I don’t know what to say. I’m free! I’m free! Finally, after one year,” Kordia told reporters after being released from the detention center.
Kordia was among a number of people arrested last spring amid the Trump administration’s crackdown on noncitizens who had participated in anti-Israel protests, some of which drew allegations of antisemitism, on university campuses.
Among those arrested was Mahmoud Khalil, a Columbia University graduate whose release Mamdani also called for. Earlier this month, Khalil broke the Ramadan fast at Gracie Mansion with Mamdani and his wife Rama Duwaji. Duwaji, whose pro-Palestinian social media posts have increasingly drawn scrutiny, also celebrated Kordia’s release on Instagram.
The post Leqaa Kordia, the last Palestinian Columbia protester still in ICE detention, has been released appeared first on The Forward.
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For the first time ever, NBA game features 3 Jews — Deni Avdija, Danny Wolf and Ben Saraf
(JTA) — BROOKLYN — The Barclays Center had the energy of a bar mitzvah party on Monday night, as kippah-clad basketball fans and kids waving posters with Hebrew words of encouragement came to cheer on an NBA first: a game featuring three Jewish players — all Israeli citizens.
The Brooklyn Nets were hosting the Portland Trail Blazers — whose forward Deni Avdija recently became the first Israeli All-Star in the league.
He joined Danny Wolf and Ben Saraf, two Jewish players who have galvanized the Nets’ Jewish fanbase since joining the team this year. Saraf was raised in Israel and got his start in basketball there, while Wolf grew up in Illinois and secured Israeli citizenship to play for Team Israel in international competitions.
Avdija, who normally averages about 25 points per game, struggled to find a rhythm on Monday night, as did Wolf, who has intrigued scouts with the ball handling skills of a point guard despite his nearly 7-foot height. But Saraf impressed, scoring 15 points and notching four assists and four steals in 24 minutes of play.
Saraf’s efforts were not enough to buoy his team, though, and the Nets lost to the Trail Blazers, 114-95.
That hardly dimmed the enthusiasm of the crowd, who thrilled at seeing Avdija and Saraf hug on the court before the game and exchange jerseys after the game in a show of respect and friendship.
Some draped in shawls printed with a fusion of the Israeli and American flags lingered court-side for a chance to get Avdija’s attention. At times when the game was quiet, some fans could be heard shouting “Deni! Deni!” Some wore hats with “Brooklyn Nets” spelled in Hebrew.
Avdija said in a postgame press conference that he had been surprised to see the arena sold out and that the energy reminded him of the Menora arena when he played for Maccabi Tel Aviv.
“I haven’t fully processed it yet,” he said about the significance of having three Israelis on the court. “It’s tough that many people from Israel couldn’t come because of the war. I hope everyone is okay. Representing on the biggest stage — it’s emotional for me and for many others. One of the most fun nights I’ve had.”
Saraf, too, said the game was a highlight for him.
“A very emotional night. It’s too bad that we lost, but it’s bigger than that. The number of Jewish and Israeli fans here — when Deni was introduced, the whole crowd stood up. Every basket, it was emotional for me, for Danny Wolf, for everyone. It was a big event.”
He added, “Three Israelis on the court at the same time was something very special.”
It is possible that the trio represents not just all of the Israeli citizens but all of the Jews currently playing in the NBA. A fourth player was reportedly exploring converting to Judaism, but he has not publicly disclosed whether he completed a conversion.
The previous record for number of Israelis in an NBA game was two. It came on Oct. 30, 2023, when Omri Casspi and the Houston Rockets played the Dallas Mavericks and Gal Mekel, whom the Mavs had recently picked up, made his debut with the team. They were the first and second Israelis in the NBA.
The game also appears to tie the league record for the number of Jews in a single game, set on Nov. 10, 1953. In that game, Dolph Schayes scored 11 points for the Syracuse Nationals, while Irv Bemoras and Red Holzman both took the court for the Milwaukee Hawks.
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