Uncategorized
‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
—
The post ‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023 appeared first on Jewish Telegraphic Agency.
Uncategorized
Poland Returns Jewish Religious Objects to Greece Stolen by Nazis During WWII
A Torah scroll. Photo: Wikimedia Commons.
Poland on Wednesday returned 91 Jewish religious objects to Greece that were stolen by the Nazis from Greek synagogues and Jewish families during World War II.
The handover took place at a ceremony in Warsaw and marked the first time that Poland has repatriated cultural items illegally taken from their country of origin. The returned items included Torah scrolls, hanging ornaments, and fabrics.
The objects were stolen by the Einsatzstab Reichsleiter Rosenberg, a Nazi organization that focused on looting Jewish cultural items throughout Nazi-occupied Europe. The items were discovered in Poland after the war, and in 1951, the Polish Ministry of Culture transferred the Greek-Jewish artifacts to the Jewish Historical Institute in Warsaw, where they were stored until this week.
“These relics, which were removed from synagogues throughout Greece during the Second World War, are today on their way back to their homeland,” said Greece’s Minister of Culture Lina Mendoni. “These relics do not only have historical or artistic value. They are part of the memory of my country and of the Jewish Greeks. They are intertwined with narratives passed down by parents and grandparents. They connected with the memory of relatives who never returned from the camps, victims of the Holocaust … Their emotional weight is great and the desire of all of us for their return has been particularly intense.”
“In order to demand the return of what rightfully belongs to one, one must be ready to return what rightfully belongs to others, when there is a clear legal and moral obligation,” Mendoni added.
The Greek government officially requested the restitution of the Greek-Jewish artifacts in December 2024, and the World Jewish Restitution Organization worked with Greek and Polish authorities to organize the return of the items. The objects will now be transferred to the Jewish Museum of Greece in Athens.
“We have been waiting for this moment for many years,” said Poland’s Minister of Culture Marta Cieńkowska. “Today, we are living a historic moment. Thanks to the close and determined cooperation of our two ministries, to the systematic engagement of experts and researchers, in less than two years, we can deliver today this remarkable piece of history.”
Before World War II, approximately 77,000 Jews lived in Greece, according to Yad Vashem, Israel’s national memorial to the Holocaust. After Nazi Germany and its allies occupied the country, Greek Jews were deported to Nazi extermination camps and a total of 60,000 of the country’s Jewish population died in the Holocaust.
Uncategorized
Trump Seeks Kurdish Allies Against Tehran, but Analysts Say Plan Is Risky, Could Take Years
Iranian Kurdish fighters from the Kurdistan Freedom Party (PAK) take part in a training session at a base on the outskirts of Erbil, Iraq, Feb. 12, 2026. Photo: REUTERS/Thaier Al-Sudani
The Trump administration, weighing whether the war with Iran could eventually require US troops on the ground, has begun reaching out to Kurdish opposition leaders in Iran with an offer of “extensive US aircover” as it looks for ways to destabilize the regime while the American-Israeli campaign intensifies, an idea one analyst told The Algemeiner would be very difficult to translate into action.
The outreach comes amid reports from Iran that it had preemptively attacked Kurdish forces in Iraqi Kurdistan, claiming the strikes caused heavy losses.
According to The Washington Post, which cited people familiar with the matter, US President Donald Trump held calls with Kurdish minority leaders in Iraq, including Masoud Barzani and Bafel Talabani, as well as anti-regime Iranian Kurdish groups about taking control of areas in western Iran.
A senior official from the Patriotic Union of Kurdistan said Washington asked Iraqi Kurdish authorities to “open the way and not obstruct” and to “provid[e] logistical support” to Iranian Kurdish groups mobilizing in Iraq.
“He told us the Kurds must choose a side in this battle — either with America and Israel or with Iran,” the anonymous official told the paper.
Trump himself on Thursday encouraged Iranian Kurdish forces to go on the offensive but did not indicate whether the US has been coordinating with them.
“I think it’s wonderful that they want to do that; I’d be all for it,” the president told Reuters in an interview.
When asked if the US would provide air cover, Trump responded, “I can’t tell you that,” but noted that the Kurds’ objective would be “to win.”
“If they’re going to do that, that’s good,” he added.
Iran’s intelligence ministry said it had information that “separatist groups” intended to breach its western borders for an attack.
“We targeted the headquarters of Kurdish groups opposed to the revolution in Iraqi Kurdistan with three missiles,” the ministry said, according to a statement published by the state-run IRNA news agency.
Accounts diverged Wednesday night over whether an Iranian Kurdish ground invasion had begun. Fox News said Kurdish militias based in Iraq had crossed into Iran, but Tasnim, Iran’s semi-official outlet, reported via Reuters that its journalists in three border provinces found no evidence of an incursion. Israeli journalist Barak Ravid, who initially cited a US official as confirming the operation, later said reports were “conflicting,” adding that a senior official in one Iranian Kurdish faction also denied that any offensive was underway.
Peshawar Hawramani, a spokesperson for the government in the federated Kurdistan region of Iraq, known as the Kurdistan Region of Northern Iraq, has released a statement denying involvement in any incursions or armament.
“[A]llegations claiming that we are part of a plan to arm and send Kurdish opposition parties into Iranian territory are completely unfounded,” Hawramani said, calling the reports “malicious.”
Reports that speak about a role of the Kurdistan Region and the allegations claiming that we are part of a plan to arm and send Kurdish opposition parties into Iranian territory are completely unfounded. We categorically deny them and affirm that they are being published…
— Peshawa Hawramani (@PHawraman) March 5, 2026
The London-based Asharq Al-Awsat outlet reported that Iranian Foreign Minister Abbas Araghchi and Ali Bagheri Kani, deputy secretary of Iran’s Supreme National Security Council, have pressed Iraqi officials for details about the phone calls between Trump, Barzani, and Talabani.
Iran also told Iraq’s federal authorities in Baghdad that it “must provide sufficient guarantees and take the necessary measures” to prevent Iraqi Kurdish groups from aiding Iranian opposition groups, the report said, citing unnamed sources.
Iran’s Kurdish population — estimated at roughly 8 million to 12 million people — lives largely in mountainous western provinces along the Iraqi border, where several armed opposition factions have long operated and where some Iranian Kurdish groups maintain bases across the frontier in northern Iraq.
The country’s Kurdish minority has a long history of political activism based on decades of rebellion against central rule, a dynamic that predates the Islamic Republic. Kurdish forces briefly established their own state in northwestern Iran, the Republic of Mahabad in 1946, before it was crushed, and Kurdish groups have periodically clashed with successive governments in Tehran ever since.
A day earlier, CNN reported that the CIA has been working for months with Iranian Kurdish groups to foment an uprising.
US Defense Secretary Pete Hegseth told reporters Wednesday: “None of our objectives are premised on the support or the arming of any particular force. So, what other entities may be doing, we’re aware of, but our objectives aren’t centered on that.”
Northern Iraq’s Kurdistan region has long served as a rear base for Iranian Kurdish dissident groups, but only so long as local leaders kept them from launching attacks into Iran. That delicate arrangement could unravel if fighters mobilize across the border as part of the wider war effort, said Seth Frantzman, a regional analyst who has studied Kurdish militant groups.
If Iranian Kurdish factions begin operating from Iraqi territory and the broader US-Israeli campaign fails to decisively weaken Tehran, Kurdish authorities in Erbil and Sulaymaniyah could find themselves exposed to retaliation from Iran, Frantzman said. Leaders in Iraqi Kurdistan “have tried for years to keep the balance” hosting Iranian Kurdish opposition groups while maintaining a working relationship with Tehran, he said.
Even if Washington were prepared to support Kurdish factions, turning them into an effective anti-regime force would take far longer than the current conflict timeline suggests.
Frantzman said any outside backing would take time to put in place, requiring logistics channels and training. “These types of programs, advising and assisting groups, or arming them, takes time,” he said, pointing to past US experiences from Afghanistan to Syria as examples.
Frantzman said Kurdish factions would be looking for assurances that outside support would last, wary of being pulled into an uprising only to be left exposed if backing fades and Tehran reasserts control.
“They would be very wary and skeptical of taking chances today, having already lost lives and lost territory,” he told The Algemeiner.
He pointed to several examples, most notably the US-backed Kurdish campaign against the Islamic State terrorist group in Syria, when Washington trained and equipped Kurdish fighters to form the backbone of the Syrian Democratic Forces in 2015. The campaign, which took more than four years, required sustained support and came at a heavy cost, with about 11,000 fighters killed.
Even that effort, he noted, which targeted a terrorist group in a limited area rather than an established state, took over four years to complete. Any comparable attempt inside Iran — a country of roughly 90 million people with a far larger military and security apparatus — would be far more difficult.
Uncategorized
Redeeming the Time, Rabbinically
Reading from a Torah scroll in accordance with Sephardi tradition. Photo: Sagie Maoz via Wikimedia Commons.
We live in a culture that is very good at avoiding ultimate questions. Death is kept offstage. Time is treated as infinite. The modern self is trained to strive, consume, showcase, curate, and distract, but not often to reckon. The deepest matters are postponed, not necessarily out of malice, but out of habit: there is always another headline, another obligation, another performance of busyness.
That is why Ben Sasse’s recent conversation with Peter Robinson at the Hoover Institution lands with unusual force. On its surface, it is an interview with a former senator and university president. In reality, it is something rarer in modern elite discourse: an unsparing confrontation with mortality.
Sasse has been diagnosed with stage-four pancreatic cancer. The question hovering over the exchange is not legislative strategy or partisan maneuvering, but what remains when the usual distractions and ambitions are stripped of their power. He speaks candidly about regret, forgiveness, prayer, and what he calls “redeeming the time”: learning, as life narrows, to hold ambition lightly and to love more deliberately.
It is a moving reflection. But it is also, in a deeper sense, an ancient one.
Judaism has long insisted that the awareness of death is not a morbid fixation but a form of moral clarity. Kohelet – the book of Ecclesiastes – offers the sober verdict that modern life works so hard to avoid: “Vanity of vanities; all is vanity.” Not because nothing matters, but because so much of what we chase is mist: acclaim, accumulation, the restless display of importance.
The rabbis sharpen the point further. “Repent one day before your death,” the Talmud teaches. The student, understandably, asks: But how can a person know the day of death? And the answer is the point: Precisely because no one knows, one must repent today.
In other words, the moral task is not postponed until the final crisis. The human condition is already one of finitude. The question is whether we live as if we remember it.
This is what the Jewish tradition calls cheshbon hanefesh — an accounting of the soul. Not an exercise in self-obsession, but in proportion. What matters? What endures? What have we mistaken for ultimate that is, in truth, only temporary?
Judaism’s most piercing liturgical moment, recited each year on Rosh Hashanah and Yom Kippur, makes the matter unavoidable: “Who shall live and who shall die … Who by water and who by fire…”
Unetaneh Tokef does not offer comfort through denial. It offers clarity through truth: life is fragile, time is borrowed, and our pretensions are thin.
What mortality does, what Sasse’s diagnosis forces into view, is the stripping away of the false absolutisms that so often govern modern life. Reputation becomes less urgent. The metrics of elite success begin to look strangely weightless. And what remains, if we are fortunate, is relationship: family, forgiveness, obligation, love, and the hope that one’s days have been oriented toward something beyond the self.
Sasse, in his own Christian idiom, is showcasing ideas that Judaism has long institutionalized: the urgency of finitude, the moral demand of time, the necessity of living now as if the horizon is real.
His reflections are poignant precisely because modern America is, in so many respects, a culture of evasion. We have constructed entire systems – technological, professional, political – designed to keep first things at bay. Attention is scattered. Status becomes performative. The self becomes a brand. Seriousness is treated as optional.
And nowhere is this evasion more concentrated than among the people who govern our institutions. Our ruling class speaks endlessly in the language of urgency – power, justice, crisis – while quietly building lives organized around careerism, self-protection, and distraction. We have created a secular priesthood of ambition that cannot speak honestly about death, judgment, or the limits of human control.
The rabbis would recognize the spiritual danger immediately. They were never sentimental about public striving. Honor, they warned, is intoxicating. Recognition is fleeting. The pursuit of status can become a kind of idolatry; not because achievement is evil, but because the modern temptation is to treat achievement as ultimate.
“It is not your duty to finish the work,” Pirkei Avot teaches, “but neither are you free to desist from it.” The line captures Judaism’s balance: responsibility without grandiosity, obligation without self-worship. The work matters, but the work is not God.
That balance is precisely what our age lacks. We live amid unprecedented technological abundance, yet also amid unprecedented distraction. The self is curated. Attention is monetized. Institutions are hollowed out not only by ideology, but by exhaustion and drift.
Nowhere is this more visible than in higher education itself. Our most credentialed institutions often train young people to speak endlessly about justice and power, while offering them remarkably little formation in humility, duty, or the permanent things. They produce graduates fluent in moral performance, yet increasingly incapable of moral seriousness.
Even politics, which once demanded sacrifice, is increasingly consumed as spectacle: another theater of resentment, branding, and noise.
And yet a republic cannot survive on noise. Democracies depend on citizens capable of restraint, gratitude, seriousness, and moral perspective. They require people who can locate politics within a larger horizon of obligation – family, faith, community, the inheritance of civilization itself. A nation that cannot distinguish the urgent from the ultimate will not remain healthy or free for long.
Sasse’s conversation is powerful not because it offers a novel insight, but because it forces an old truth back into view: time is not infinite, ambition is not redemption, and the ultimate questions cannot be deferred forever.
The High Holy Day liturgy does not ask whether we will die. It assumes it. It asks instead what we will do with the time we are given: “Who shall live and who shall die…”
Death is the one fact no algorithm can curate and no institution can evade. It strips away our distractions and reveals what is real. The question is not whether life is short. The question is whether we will go on pretending otherwise – until we no longer have the luxury.
“Teach us to number our days,” we regularly pray, “that we may gain a heart of wisdom.”
And wisdom begins when we stop confusing busyness for meaning, ambition for redemption, and noise for life.
Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.
