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‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
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Former UPenn President, Who Resigned in Disgrace Amid Antisemitism Crisis, Hired as Dean of Georgetown Law
Former University of Pennsylvania President Liz Magill at the US Capitol, in Washington, DC, on Dec. 5, 2023. Photo: Graeme Sloan/Sipa USA via Reuters Connect.
Georgetown University in Washington DC has hired Liz Magill, the former president of the University of Pennsylvania (Penn) who resigned in disgrace amid backlash over her handling of antisemitism on campus, as the new dean and executive vice president of its law school.
“We are honored to welcome Liz Magill as the new dean of Georgetown Law,” interim Georgetown president Robert M. Groves said in a statement. “Liz is the right person to lead Georgetown law. She is a distinguished legal scholar and an accomplished administrator who brings a values-driven vision to Georgetown Law. We are excited to see her take the herm and join our vibrant community.”
As previously reported by The Algemeiner, Magill’s resignation from Penn in December 2023 followed growing calls from donors, students, and university leaders, as well as US lawmakers, for her to step down after refusing to say during a US congressional hearing that calling for the genocide of Jews would not constitute a violation of school rules. Instead, she argued, the question of whether to punish a student for such a genocidal call would be a “context-dependent decision.”
The statement precipitated a scandal which led to Penn’s losing the philanthropic support of many its most generous donors and being denounced across the country for its handling of campus antisemitism.
Magill resigned from the office three days after the gaffe.
Then in August 2024, Harvard University hired Magill as a visiting fellow, and she also signed a three-year contract with the London School of Economics to teach as a visiting professor.
As president of Penn, Magill had several opportunities throughout her tenure at Penn to denounce hateful, even conspiratorial, rhetoric directed at both Israel and the Jewish community. However, Magill repeatedly declined to respond to the mounting incidents of antisemitism, especially anti-Zionism, on campus, according to an analysis by The Algemeiner of public statements she had issued since July 2022, when she assumed the presidency at Penn.
Only once did she comment on issues of race and identity, addressing in June 2023 the US Supreme Court’s restricting of race-conscious admissions programs through affirmative action. Up to that point, her public statements were limited to discussing climate change and marginal university business despite an anti-Zionist group, Penn Students Against the Occupation (PAO), regularly distributing literature blaming Jews for the world’s social problems and inviting to campus a speaker, Mohammed El-Kurd, who accused Israel of harvesting Palestinians’ organs.
Even the school’s hosting known antisemites at the “Palestine Writes Literature Festival,” which took place on campus from Sept. 22-24 in 2023, did not immediately move her to address antisemitism. When she did, she defended the event — whose itinerary listed speakers such as Palestinian researcher Salman Abu Sitta, who previously said during an interview that “Jews were hated in Europe because they played a role in the destruction of the economy in some of the countries, so they would hate them” — as an expression of free speech rather than cancel it and protect the university from extremists whose intellectual credentials were suspect and whose utterances violated principles of “diversity and inclusion” the school purported to uphold.
Georgetown’s decision to hire Magill comes at a time when the school is facing scrutiny over its foreign funding, which, according to experts, could impact how the school approaches antisemitic discrimination, anti-Zionist extremism, and classroom discussions of the Israeli-Palestinian conflict.
A new report released in January by the Middle East Forum, a prominent US-based think tank, describes how Qatar has allegedly exploited and manipulated Georgetown since 2005 by hooking the school on money that buys influence, promotes Islamism, and degrades the curricula of one of the most recognized names in American higher education.
“The unchecked funds provided by Qatar demonstrate how foreign countries can shape scholarship, faculty recruitment, and teaching in our universities to reflect their preferences,” the report says. “At Georgetown, courses and research show growing ideological drift toward post-colonial scholarship, anti-Western critiques, and anti-Israel advocacy, with some faculty engaged in political activism related to the Israeli-Palestinian conflict or anti-Western interventionism.”
Georgetown is hardly the only school to receive Qatari money. Indeed, Qatar is the single largest foreign source of funding to American colleges and universities, according to a newly launched public database from the US Department of Education that reveals the scope of overseas influence in US higher education.
The federal dashboard shows Qatar has provided $6.6 billion in gifts and contracts to US universities, more than any other foreign government or entity. Of the schools that received Qatari money, Cornell University topped the list with $2.3 billion, followed by Carnegie Mellon University ($1 billion), Texas A&M University ($992.8 million), and Georgetown ($971.1 million).
“Qatar has proved highly adept at compromising individuals and institutions with cold hard cash,” MEF Campus Watch director Winfield Myers said in a statement. “But with Georgetown, it found a recipient already eager to do Doha’s bidding to advance Islamist goals at home and abroad. It was a natural fit.”
Follow Dion J. Pierre @DionJPierre.
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Jewish Women Expelled From Madrid Museum After Antisemitic Harassment, Sparking Outrage
Illustrative: Anti-Israel demonstrators release smoke in the colors of the Palestinian flag as they protest to condemn the Israeli forces’ interception of some of the vessels of the Global Sumud Flotilla aiming to reach Gaza and break Israel’s naval blockade, in Barcelona, Spain, Oct. 2, 2025. Photo: REUTERS/Nacho Doce
Three elderly Jewish women, including a Holocaust survivor, were forced to leave a national museum in Madrid on Saturday after being verbally harassed for openly displaying Jewish symbols, with officials now facing mounting backlash for shielding the aggressors rather than the victims.
First reported by the Spanish news outlet Okdiario, the three women were visiting the National Museum Reina Sofía in central Madrid when other visitors spotted them wearing a Star of David necklace and carrying a small Israeli flag.
At that point, a group of people started attacking them verbally, shouting antisemitic insults and calling them “crazy child killers.”
Rather than intervening against the instigators, museum officials expelled the Israeli women, telling them to leave because “some visitors were disturbed that they are Jewish.”
A security guard also told the group to hide their Jewish symbols, insisting they could not be displayed inside the museum.
Even though one of them pointed out that Spanish law allows people to wear religious symbols and carry national flags in public institutions, they were still forcibly removed from the building despite not breaking any rules.
The incident has sparked public outrage, with museum personnel leaving the victims even more exposed and vulnerable, and no action taken against those who hurled insults and provoked the disruption.
As a state-affiliated cultural institution under Spain’s Culture Ministry, the Reina Sofía is internationally recognized as one of the country’s leading contemporary art museums.
In the past, the museum has also faced criticism for hosting anti-Israel demonstrations and presenting an exhibition titled “From the River to the Sea,” a popular slogan among pro-Palestinian activists that has been widely interpreted as a genocidal call for the destruction of the Jewish state, which is located between the Jordan River and the Mediterranean Sea
The European Jewish Congress (EJC) strongly condemned the latest incident at the museum, calling it “deeply troubling and unacceptable,” and urged authorities to take immediate steps to protect Jewish visitors and ensure such harassment does not happen again.
“Instead of protecting those subjected to antisemitic abuse, the apparent decision to remove the victims raises serious concerns about discrimination within a public cultural institution,” EJC wrote in a post on X.
“Jewish identity must never become grounds for exclusion. Such conduct demands full clarification, clear accountability, and decisive action to ensure that antisemitism is confronted without ambiguity,” the statement read.
The expulsion of three elderly Israeli visitors, including a Holocaust survivor, from Madrid’s Reina Sofía museum after they were insulted as “child killers” and targeted for displaying Jewish symbols is deeply troubling and unacceptable.
The women were reportedly asked to leave… pic.twitter.com/KA9UixCYvz
— European Jewish Congress (@eurojewcong) February 16, 2026
The Action and Communication on the Middle East (ACOM) group, a leading pro-Israel organization in Spain, also condemned the incident and announced it will pursue legal action against the Museum Reina Sofía, alleging discrimination and the promotion of hate from a public institution.
“The legal action will be directed both at the institution and its top official, the museum director, Manuel Segade,” ACOM wrote in a post on X, adding that the museum’s actions reflect “a persistent pattern of using political agendas, engaging in discrimination, and promoting narratives of hate against the State of Israel and the Jewish-Israeli community from a publicly funded institution.”
“A public institution should never be used as a platform for sectarian activism,” the statement continued.
ACOM emprenderá acciones legales contra el Museo Reina Sofía por discriminación y posible promoción de odio desde una institución pública
ACOM anuncia que emprenderá acciones legales contra el Museo Nacional Centro de Arte Reina Sofía ante lo que considera una conducta…
— Acción y Comunicación sobre Oriente Medio – ACOM (@ACOM_es) February 16, 2026
Like most countries across Europe and the broader Western world, Spain has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Still, Spain stands out as one of the most extreme cases, with experts warning that antisemitic violence and anti-Zionist rhetoric have moved beyond a social phenomenon to, in many instances, being state-promoted and legitimized as a political tool.
In particular, Spanish Prime Minister Pedro Sánchez and several members of his left-wing party have come under mounting criticism from the country’s political and Jewish leaders, who accuse them of fueling antisemitic hostility.
Sánchez has repeatedly issued pro-Hamas statements, falsely accusing Israel of “genocide” and of violating international law in its defensive war against the Palestinian terrorist group Hamas.
“Protecting your country and your society is one thing, but bombing hospitals and killing innocent boys and girls with hunger is another thing entirely,” the Spanish leader said during a televised speech last year.
“That isn’t defending yourself – that’s not even attacking. It’s exterminating defenseless people. It’s breaking all the rules of humanitarian law,” he said.
Sánchez has also voiced solidarity with the “Palestinian people and their cause,” while praising anti-Israel demonstrations for championing what he called “just causes.”
Across the country, political leaders have accused Sánchez of exploiting the war in Gaza to deflect attention from his corruption scandals, recent electoral losses, and growing public dissatisfaction with his government.
According to the Spanish Observatory of Antisemitism, antisemitic incidents in Spain have surged by 567 percent from 2022 to 2024, with the trend expected to have continued into last year.
Since the start of the war in Gaza, Spain has launched a fierce anti-Israel campaign aimed at undermining and isolating the Jewish state on the international stage.
In September, the Spanish government passed a law to take “urgent measures to stop the genocide in Gaza,” banning trade in defense material and dual-use products from Israel, as well as imports and advertising of products originating from Israeli settlements.
Spanish officials also announced that they would bar entry to individuals involved in what they called a “genocide against Palestinians” and block Israel-bound ships and aircraft carrying weapons from Spanish ports and airspace.
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Olympic Store Worker Fired After Repeatedly Calling Out ‘Free Palestine’ to Israel Sports Fans
Milano Cortina 2026 Olympics – Bobsleigh – 2-man Heat 2 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – February 16, 2026. Adam Edelman of Israel and Menachem Chen of Israel react after their run. Photo: REUTERS/Athit Perawongmetha
An employee at an official store for the 2026 Milano Cortina Olympics in Italy has been fired after repeatedly called out “Free Palestine” to a group of Israeli sports fans, Olympic organizers said on Sunday in a statement to Reuters.
Milano Cortina Games organizers said in a statement they have taken action to maintain “a neutral, respectful, and welcoming environment” at the Olympics. They said the incident took place inside the official shop at the Cortina Sliding Center, the venue that is hosting bobsled, luge, and skeleton during the Winter Games this year. Israel competed in skeleton last week, among other sports, and its bobsled team had their first Olympic competition on Monday.
“It is not appropriate for Games staff or contractors to express personal political views while carrying out their duties or to direct such remarks at visitors,” Olympic organizers added about the incident. “Those involved were reassured, and the individual concerned was removed from the shift.”
The store employee was identified as Ali Mohamed Hassan, according to StopAntisemitism. On Friday, the watchdog organization shared on Instagram a video of the confrontation and said it took place earlier that same day.
The clip shows a woman inside an official Olympic retail store filming Hassan as she says, “What were you saying? Say it again.” Hassan is then heard repeatedly saying, “Free Palestine.”
“This is the Olympics. Israel is allowed to compete just like any other country; It’s not controversial; it’s not rage bait,” the woman who is filming tells Hassan in the clip, as he repeatedly says “Free Palestine.”
“OK, good for you, you did it, you freed Palestine, good job,” the woman tells Hassan before leaving the store.
“Police were called and a harassment investigation has been started, with possible charges forthcoming,” StopAntisemitism claimed in the caption for the video.
Israel has 10 athletes competing in the Milan Cortina Olympics. On Monday, AJ Edelman and Menachem Chen finished in last place out of 26 sleds in the two-man bobsled race. Edelman will be the pilot of his bobsled team when they compete in the four-man event later this week.