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‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023
(JTA) — Itamar Moses was 10 years old when he watched “An American Tail” at his Jewish day school in California. He was struck by the 1986 film, an animated musical about a family of Russian-Jewish mice who immigrate to America. Even though he was surrounded by Jewish classmates and teachers, he had never seen a cartoon with Jewish protagonists.
“Watching this mainstream hit American animated movie where the central character and the central family were specifically Jewish — it was unusual,” Moses told the Jewish Telegraphic Agency. “I think there was something that felt inclusive to us about that.”
Now a Tony Award-winning playwright, Moses has adapted the children’s classic for the stage. “An American Tail the Musical” will premiere at the Children’s Theatre Company in Minneapolis on April 25 and run through June 18. Along with writing by Moses, who won his Tony for a Broadway adaptation of the Israeli film “The Band’s Visit,” the new production features familiar songs such as “Somewhere Out There” and new music and lyrics by Michael Mahler and Alan Schmuckler (“Diary of a Wimpy Kid the Musical”). The team hopes to tour the show if it has success in Minneapolis.
The original film created by Don Bluth and Steven Spielberg follows the journey of a young, tenacious mouse named Fievel Mousekewitz. Fievel’s family lives below the human Moskowitz family in Shostka, a city in the Russian Empire, in 1885. Spielberg, who had yet to make “Schindler’s List” or widely address his Jewish family history, named the character after his maternal grandfather — Phillip or “Fievel” Posner — an immigrant from Russia.
The movie begins with the Mousekewitzes and the Moskowitzes celebrating Hanukkah when Cossacks tear through Shostka in an antisemitic pogrom, together with their animal counterparts — a battery of evil cats. The Mouskewitzes flee Europe and board a ship to America, where Papa Mouskewitz (voiced by Nehemiah Persoff) promises “there are no cats” and “the streets are paved with cheese.” But a thunderstorm at sea washes Fievel overboard, leaving his devastated parents and sister to arrive in New York City without him. Although they believe he did not survive, Fievel floats to shore in a bottle and sets out to find his family.
Of course, he quickly learns there are cats in America — along with corruption and exploitation. Fievel is sold to a sweatshop by Warren T. Rat, a cat disguised as a rat. A crooked mouse politician called Honest John (a caricature of the real Tammany Hall boss John Kelly) wanders Irish wakes, scribbling dead mice’s names in his list of “ghost votes.” But Fievel finds camaraderie with other immigrant mice rallying for freedom from the cats’ attacks and Warren T. Rat’s extortion. He befriends Italian mouse Tony and Irish mouse Bridget, who join the quest to reunite his family.
The film’s metaphors will be presented similarly in the stage version, which is also set in the 1880s, although Moses has expanded its lens on the immigrant groups that populated New York at the time. The musical will incorporate more “mice” communities, such as Chinese, Caribbean and Scandinavian mice, along with African Americans and former slaves.
A scene from rehearsal. (Kaitlin Randolph)
“An American Tail” was part of a shift in mainstream media toward Jewish representation, said Jennifer Caplan, an assistant professor of Judaic Studies at the University of Cincinnati who has studied this cultural change.
“It came out in 1986, and then ‘Seinfeld’ premiered in 1989,” Caplan told the JTA. “People point to 1989 as this moment when representations of Jews changed. There was this feeling in the late ‘80s that people were looking for new, different, possibly even more explicit representations of Jews.”
Yet despite the movie’s resonance with children like Moses, some film critics complained that it wasn’t Jewish enough. Critics Gene Siskel and Roger Ebert gave the film “two thumbs down” on a 1986 episode of their program “At The Movies,” calling it “way too depressing” for children and arguing that it “chickened out” of an explicitly Jewish story. Ebert noted that while most adults would understand the Mousekewitzes were Jewish, the word “Jewish” never appears in the film, potentially leaving young audiences in the dark.
“This seems to be a Jewish parable that doesn’t want to declare itself,” he said at the time.
Unlike in Art Spiegelman’s graphic novel “Maus,” where Jews are mice and Nazis are cats, the cat-and-mouse metaphor of “An American Tail” is expansive. The cats represent a universal force of oppression — Cossacks in Russia or capitalists in America — while the mice encompass all persecuted immigrants, regardless of their religion, ethnicity or national origin.
Caplan admitted that some might not have seen it as a Jewish story at the time.
“In 1986, we’re right at the birth of the multicultural push in American schools,” said Caplan. “You’ve got kids who are learning about the melting pot. I think if you are not looking for the coded Jewishness and you’re not familiar with it, then this just seems like a movie about immigrants.”
But Moses, who said the movie held a “mystical place” in his imagination, did not view the story’s broad allegory as a shortcoming. Instead, he saw an opportunity to pull its continuous thread for a message he hopes will feel relevant today: that while immigrants discover inequality and abuse in America, the forces of injustice are changeable, and that people can overcome life’s harsh realities through “grit and hard work and coming together.”
“That message is always timely, but definitely coming out of the last few years and the conversations that America is having about immigration,” said Moses. “I wanted to tell this story that’s really a fable, so you can get at these ideas indirectly as opposed to in a dry, didactic way.”
Jodi Eichler-Levine, a Jewish studies professor at Lehigh University, argued the tale’s success lies in being a “story of Jewish immigration that appeals to non-Jews as well” and called the movie a “fairytale about America.” It premiered 100 years after the Statue of Liberty’s dedication in 1886, amid centennial celebrations of the country’s immigration history. In the film, the statue comes alive, winking at Fievel and his sister once they find each other and look west at the vast expanse of the United States.
Itamar Moses won acclaim for adapting “The Band’s Visit” for Broadway. (Courtesy of Moses)
Whether viewers still buy into the optimistic crescendo of “An American Tail” remains to be seen. Do Americans still believe, as Moses hopes, that immigrants and oppressed peoples can unite to overthrow the tyrants of unfettered capitalism? A Gallup poll from February showed that Americans’ satisfaction with the country’s level of immigration has dropped to 28%, the lowest point in a decade.
Moses is betting that children’s theater has a way of refreshing themes adults have exhausted with political discourse. Children want to grapple with the ideas at the core of the show, he said, such as “the needs of the individual and the needs of the collective, the need to go out on your own but still remain connected to your family and your background.”
“The most successful material for kids tends to engage with real things that they’re thinking about and worrying about,” he said.
Today, another wave of families has fled Fievel’s hometown: though Shostka was part of the Russian Empire in the 19th century, it is now in the Sumy region of northeastern Ukraine. The Sumy Oblast was among the first regions stormed by Russian forces in February 2022 and continues to suffer daily shelling. Eichler-Levine expects that global refugee crises will only continue to broaden the appeal of a migration story.
“The ideas [in An American Tail] are sadly relevant for most of the planet right now, given that climate change and devastation from war are leading to another tremendous wave of global migration,” said Eichler-Levine.
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The post ‘An American Tail’ musical adaptation hopes its Jewish immigration story will resonate in 2023 appeared first on Jewish Telegraphic Agency.
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Should we be comparing ICE agents to Hitler’s ‘Brownshirts?’
In February of 1933, less than a month after Hitler became chancellor, Hermann Göring ordered the creation of a new 50,000-man “auxiliary police” force to combat what he called “organizations hostile to the state.” He built it by deputizing the Nazi Party’s most violent formation — the storm troopers, or Brownshirts — effectively turning a partisan militia into a state security arm.
Using similar framing, Donald Trump has declared that America’s greatest threat is “the enemy from within,” and he has found his own instrument to root them out: Immigration and Customs Enforcement, along with its partner agency, Customs and Border Protection.
In his second term, Trump has borrowed so many pages from the authoritarian playbook that it’s difficult to keep count. He has moved to purge civil servants who are not loyal to him, ban books, target political opponents, muzzle the press, rewrite history, and use extortion against institutions — universities, law firms, nonprofits — that he believes stand in his way.
Add to the list Trump’s transformation of ICE and CBP into something resembling an American version of the Brownshirts. The pattern is visible nationwide, but nowhere more starkly than in Minneapolis, where ICE operations have already produced a body count: two defenders of immigrants’ rights shot dead on the street.
Last fall, speaking to America’s top military brass, Trump warned that he might have to deploy the armed forces to Democratic-led cities to eliminate the so-called “enemy” by which he meant Americans protesting his immigration crackdown. That battle has already begun. It is not the military carrying it out, but federal immigration officers acting as soldiers, persecuting and attacking Americans who dare to stand against Trump’s authoritarian project.

To be sure, the Brownshirts and America’s immigration enforcement agencies have origins and histories that are completely dissimilar. ICE and CBP were created within a democratic system, staffed by career civil servants, and bound — at least in principle — by constitutional limits and judicial oversight. They were never conceived as a party militia, never designed to enforce ideological conformity, and never meant to serve as the armed wing of a political movement.
The Brownshirts, on the other hand, were explicitly created as a paramilitary arm of the Nazi Party — a street fighting militia whose purpose was to intimidate opponents, terrorize minorities, silence dissent, and make democratic life impossible through orchestrated violence. Hitler and the Brownshirts were linked from the beginning. When Hitler launched his failed Beer Hall Putsch in Munich on Nov. 8, 1923, he was supported by hundreds of armed storm troopers, who terrorized the city.
Starting with just 800 members in Munich, the SA expanded rapidly during the Great Depression and after Hitler’s rise to power — totaling nearly 3 million in early 1934. Their presence on the streets — marching, beating, threatening, killing — helped convince millions of Germans that the Weimar Republic was collapsing and that only the Nazis could restore order. Once Hitler took power, the SA’s role only intensified; they ran makeshift detention and torture centers, carried out mass arrests, and terrorized Jews, leftists, and anyone deemed “un-German,” all while enjoying political protection from the new regime.
Nine decades later, videos of violence on American streets posted each day on social media evoke the terror and intimidation carried out by the Brownshirts.
In Hitler’s Germany, storm troopers assaulted Jews, trade unionists, socialists, Communists, and others deemed by the Nazi leader to be enemies of the state. In Trump’s America, federal immigration agents have imprisoned innocent foreigners and attacked American citizens who have mobilized to defend immigrants’ constitutional rights.
The tipping point was the Minneapolis shooting of Alex Pretti, the ICU nurse who stepped in to help a protester confronted by federal immigration agents. Multiple bystander videos captured federal officers wrestling Pretti to the pavement, striking him, then firing several shots at him at close range. Federal authorities later claimed Pretti had approached them with a gun, but the videos — clear, close, and filmed from multiple angles — showed that assertion to be false.
Just a few days earlier, allegations arose that ICE had used a 5-year-old Minneapolis-area boy as bait to lure his Ecuador-born father out of the family home. Both the boy and the father were taken into detention.
As immigration officers have carried out Trump’s massive immigration crackdown, there have been many confrontations between federal officials and protesters, and with public officials who have gone to immigration courts to make sure immigrants’ rights aren’t violated. But Trump turned Minneapolis into something resembling a battle zone by unleashing a surge of federal immigration agents whose tactics blurred the line between policing and political repression.
Efforts to blame Alex Pretti and Renee Macklin Good — shot dead in her car by an ICE agent in Minneapolis 17 days before Pretti was gunned down — for their own deaths have backfired spectacularly. Statements made by Homeland Security Secretary Kristi Noem and Stephen Miller, Trump’s deputy chief of staff, were part of an effort to provide cover for the federal agents on the scene — as was the administration’s decision to shut out state and local law enforcement from any investigation. Covering up for the misdeeds of security forces was a hallmark of the Nazi state.
The outrage over what’s been happening in Minneapolis is so great that even some Republicans have said that ICE and CBP have gone too far. The Republican candidate for Minnesota governor, Chris Madel, pulled out of the race, calling ICE’s Operation Metro Surge “an unmitigated disaster” and denouncing the GOP’s “retribution on the citizens of our state.” Other Republicans have voiced similar dismay.
Trump is scrambling to contain the political damage. He has removed Gregory Bovino as commander of Operation Metro Surge and distanced himself from the derogatory and untrue statements made by Miller and Noem.
Trump told Fox News on Tuesday that he plans to “de-escalate a little bit” in Minneapolis, while at the same time asserting that the surge of immigration officers has been a success. Gov. Tim Walz said that in a phone conversation with Trump on Monday, the president “agreed to look into reducing the number of federal agents in Minnesota and working with the state in a more coordinated fashion on immigration enforcement regarding violent criminals.”
But who really knows what Trump will do next? Whatever it is, Trump being Trump, you can count on it being self-serving.
Authoritarian leaders often rein in their own enforcers when public backlash threatens their power. Hitler did it in 1934, when the Brownshirts’ zeal for mayhem and murder began to alienate the public and undermine his control. With the intense backlash over the deaths of Renee Good and Alex Pretti, Trump now faces a similar moment — a choice between escalating the violence or curbing it to preserve his political standing.
But remember this: The end of the Brownshirts’ street violence did not mean the end of the Hitler regime. In fact, it was just the beginning.
The post Should we be comparing ICE agents to Hitler’s ‘Brownshirts?’ appeared first on The Forward.
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A Millennial rabbi built a synagogue where others have closed. Her maverick ideas are becoming a model.
SOUTH PHILADELPHIA — On a cold weeknight, a few dozen people packed into a synagogue that defies every conventional rule of American Jewish life.
It is Orthodox and led by a woman. Its sanctuary is divided not into two sections, but three: men, women, and a small area for nonbinary congregants. It has no mandatory dues. And instead of struggling to survive, it is expanding so quickly that it has already outgrown its building.
Founded in 2019, the South Philadelphia Shtiebel has become a closely watched experiment in American Judaism — an urban congregation built from scratch in a neighborhood where no new synagogue had taken root in decades, and where most religious institutions had long since retreated to the suburbs.
A century ago, the idea of an Orthodox synagogue thriving in South Philadelphia would not have seemed unusual at all. In the early 1900s, the neighborhood was home to an estimated 150,000 Jews — mostly immigrants — packed into row houses within walking distance of work, markets and extended family.
Jewish life revolved not around grand sanctuaries but around dozens of small, informal prayer spaces known in Yiddish as shtiebels. More than a hundred of them dotted South Philadelphia’s blocks, often tucked into storefronts or private homes, intimate rooms where daily life and religious life blurred together.
Most of those shtiebels disappeared long ago, casualties of suburban flight and institutional consolidation. The South Philadelphia Shtiebel takes its name from that vanished landscape not as a reenactment, but as a wager.
The timing could easily have sunk the project. The Shtiebel launched only months before the COVID-19 pandemic upended communal life. Yet even during lockdown, around 40 people were still showing up each Shabbat. When the small Vespa scooter shop where the congregation first gathered became untenable due to the pandemic, the community improvised — meeting in backyards, public spaces and parking lots. Today, the congregation leases a two-story industrial building.

On a typical Shabbat morning, the sanctuary fills with roughly 175 people — a mix of young families, retirees, longtime Orthodox congregants and people still learning the prayers. And as attendance has grown, the question facing the Shtiebel is no longer whether it works, but what happens next, and whether this kind of community can scale without losing what makes it feel human.
What has emerged here is not a nostalgia project, but a congregation aligned with the DIY attitude of how people now choose institutions: voluntarily, relationally, and on their own terms.
Its growth has not been accidental. It reflects a series of choices — about space, ritual, leadership and belonging — made deliberately by its founder.
Welcoming the LGBTQ+ community
Rabbanit Dasi Fruchter grew up in Silver Spring, Maryland, the granddaughter of a rabbi who served pulpits across the country. She arrived in Philadelphia single and actively pursuing solo parenthood, but embraced the nonlinear turns of that journey, which led her to connect with and marry Daniel Krupka, a software engineer who had been serving as the congregation’s gabbai. Together they are raising a growing family.
She was ordained at Yeshivat Maharat, the Modern Orthodox seminary in the Bronx, and also holds a dual master’s degree from New York University in Jewish Studies and nonprofit management. She has been trained in community organizing, with an emphasis on relationships over programs.
She launched the Shtiebel with an acute awareness of how easily people fall through the cracks of Jewish life — not because they lack commitment, but because the systems around them are built for someone else.
“The approach here is that everybody is enough,” said Fruchter, 36. “We value the fact that you’re here and we’re not looking around at who’s not.”
Around 15% of the congregation identifies as LGBTQ+, Fruchter said. It’s a figure she offers not as a marker of ideology, but as a reflection of who has found their way into the room. That ethic is visible before a word is spoken. The sanctuary’s three sections all center around the bimah and are separated by a mechitza, or barrier, that still allows everyone to see, and hear, what is happening.
Fruchter is careful about how she describes the choice. It is not, she insists, an attempt to flatten difference or sidestep halacha, Jewish law, but an effort to acknowledge everyone. “We’re not trying to create a perfect solution,” she said. “We’re trying to create a place where people don’t have to disappear in order to pray.”
For Soren Simcha Barnett, a nonbinary congregant who uses they/them pronouns, that distinction mattered. When Barnett, 28, first arrived in early 2022, the idea of praying behind a mechitza was unfamiliar — and uncomfortable. “That would have been a red line for me,” they said. They had grown up in a Conservative synagogue and had never experienced gender-segregated prayer.
Still, they stayed.
What drew Barnett back was that they were taken seriously. They learned the melodies. On Shabbat mornings, they stand close enough to the action to help when the Torah is lifted off the bimah, hands ready, just in case. “I love being in the thick of it,” Barnett said. “We’re literally not in the margins.”
That sense of belonging, Barnett said, came with limits, though. About six months after they began attending regularly, Barnett asked Fruchter about expanding ritual roles for nonbinary congregants, such as leading services. Fruchter said no, a decision rooted in her reading of halacha.
“That hurt,” Barnett said. “I really wanted to be able to do everything I’m capable of.” But again, the disappointment did not send them away.
What mattered, they said, was not the answer but the process: that the question was taken seriously, and that the boundary was named rather than ignored. Barnett stayed. “I was willing to grapple with the complexity,” they said.
If Barnett’s story is about negotiation, Gary Saft’s is about commitment.
Saft, 35, a gabbai and the head of the Shteibel’s volunteer security team, is broad-shouldered, bearded, and impossible to miss. He grew up Reform and spent years assuming traditional Judaism had no place for him. “I didn’t see where I fit,” Saft said.

Saft began searching for a community after his father died in 2020, and he found it at the Shtiebel. Today, Saft prays daily, keeps kosher, walks to shul, and helps run services. “This shul is now a huge part of my life,” he said.
A sense of belonging
By all accounts, what holds the community together, more than anything else, is song.
For many congregants, music is the primary way in. Even those still learning Hebrew can participate fully, buoyed by a group that carries them along. Fruchter’s own voice is strong and steady, but it rarely stands alone. She sings with the room, not over it. Over time, congregants say, that has changed who feels comfortable raising their voice. Women sing loudly. So do people who might once have stayed quiet. Authority here is not projected; it circulates.
Lisa Levy, 66, a three-time cancer survivor, moved to Philadelphia after decades in New York City. She arrived newly retired and living alone. She describes herself as “conservadox” — committed to Orthodoxy, but wary of rigid lines.

What she did not encounter, she said, was pressure. “There are no dues,” Levy said. “You pay what you can afford. No questions.”
For Levy, that mattered. Many synagogues, she said, quietly assume a level of financial stability that leaves some people on the margins — especially older congregants or those navigating illness. At the Shtiebel, presence itself felt like the baseline contribution. “It’s more like a minyan than a shul,” said Levy, who lives three blocks away.
For Jamie Goldberg, 33, the Shtiebel became real when she started showing up pregnant.
Goldberg began attending in mid-2022, just before the birth of her first daughter. She and her husband, Stuart, had grown up in Reform and Conservative settings and spent years searching for something that felt both serious and accessible. “I learned the traditional prayers in my late 20s,” she said. “I didn’t grow up knowing how to follow along.”
Now she has two young daughters and serves on the Shtiebel’s advisory board. In the past year alone, she said, roughly two dozen babies have been born into the community. On Shabbat afternoons, families spill out to nearby playgrounds after naps, an informal ritual that has become its own gathering. Growth here is not abstract. It is measured in strollers.

That future comes with questions. There is no Jewish day school in South Philadelphia. Families will eventually have to drive children to the suburbs or help invent something new. After years of the Shtiebel’s children’s programming being volunteer-run, it’s now supported by a mix of people in paid positions and community members.
“It’s a place where people can grow,” she said.
Where the conversation never stops
During the week, the sense of belonging migrates online. The Shtiebel uses Slack, the messaging platform, as its connective tissue: organizing meal trains, coordinating who will read the Torah at services, sharing names of people who are ill and need prayers, checking in on each other, offering extra seats at Shabbat tables. There is no need for a printed directory or a hallway bulletin board.
Steve Schauder noticed that immediately.
Schauder, 61, the executive director of the Jewish Relief Agency, moved to South Philadelphia last spring after what he called a “trial Shabbat.” He had previously been a dues-paying member of synagogues across denominations. What struck him here was not just the warmth, but the infrastructure beneath it. “It never stops,” he said of the Slack messages. “I wander on every day, just to take a look.”
Schauder was also struck by what didn’t happen at the Shtiebel. The synagogue is intentionally apolitical. It’s careful about keeping partisan politics out of communal spaces. Congregants span the ideological spectrum, he said, and that diversity is treated as a given rather than a problem to solve. “You can walk in there whatever your background and politics are,” Schauder said.
On a Shabbat morning, a Donald Trump voter might be sitting next to a Zohran Mamdani supporter. What matters is not agreement, but a choice, Schauder said, to prioritize what he called “joyful Judaism” over the culture wars that have fractured so many other institutions.
The Shtiebel has taken shape amid the quiet collapse of many American institutions — houses of worship, unions, neighborhood associations — leaving fewer places where people are expected to encounter one another across differences.
In that sense, the congregation is not only a Jewish experiment but a civic one: an attempt to rebuild habits of shared life in a society that has grown increasingly siloed, polarized, and private. What happens inside the Shtiebel — negotiating disagreement, making room for difference, choosing presence over purity — mirrors a broader struggle over whether communities can still hold together without demanding sameness.

But Fruchter bristles at the idea that the Shteibel’s success can be reduced to a program, platform or politics. What she calls the synagogue’s “secret sauce” is not a tool so much as a discipline: “It’s being intentional about seeing and witnessing everybody with what they need,” she said.
Sometimes that attention registers in small ways. A congregant mentions liking Dr Pepper; it shows up at the kiddush they sponsor. Other times it demands structural work: rethinking seating for those with sensory needs, slowing down ritual explanations, or redesigning space so people who would otherwise drift away can stay. None of it is scalable in the abstract. All of it requires time, memory, and a willingness to keep revising.
“Folks who are stepping up and stepping in not only feel belonging,” Fruchter said, “but that they’re really being seen, cared for and nurtured.”
A model, and its limits
What Fruchter built has also reshaped the landscape beyond South Philadelphia. At a moment when many American synagogues are shrinking, consolidating, or aging in place, the Shtiebel has become an unlikely case study in what Jewish life looks like when it grows outward rather than inward.
But growth, Fruchter is quick to note, does not automatically produce stability.
Instead of mandatory dues, the Shtiebel operates on what she calls an NPR-style model, funded through voluntary monthly support. About 120 households currently donate each month, she said — including some supporters who don’t live in South Philadelphia but believe in the mission. Those recurring contributions cover about a quarter of the annual budget. The rest comes from a mix of larger individual gifts — typically in the $10,000 to $25,000 range — and national grants supporting the Shtiebel’s work, including initiatives around Orthodox feminism and efforts to reimagine synagogue life.
The result is a congregation that looks robust from the outside, but still operates like a lean startup on the inside. In its early years, Fruchter lived in the synagogue to keep costs down. “I think what happens with that kind of growth is that the infrastructure struggles to keep up,” she said.
One constant challenge, she added, is perception. “Sometimes we’re seen as being very flush because of our success.” The reality, she said, is more fragile: building governance, raising money, and maintaining a physical space while attendance climbs — all at once. “That footing takes time,” she said.
That tension, between visibility and vulnerability, is part of what other Jewish leaders have been watching closely.
Rabbanit Leah Sarna, the spiritual leader of Kehillat Sha’arei Orah in the Philadelphia suburbs, credits the Shtiebel with shifting expectations.
“In Philly, Dasi really normalized the idea of a Modern Orthodox shul led by a woman,” Sarna said. When her own congregation went searching for a spiritual leader and hired her in 2024, she said, opening the role to women did not trigger the kind of upheaval it might have elsewhere. Fruchter even spoke at Sarna’s installation. “By then,” Sarna said, “people had spent a Shabbat at Dasi’s shul. It wasn’t theoretical anymore.”
Sarna said that because the Shtiebel has no membership dues, inclusion comes first, and fundraising never really stops. “That model means you’re constantly in a fundraising stance,” Sarna said.
In a neighborhood of young professionals who want to live urban lives, and not decamp to the suburbs, Fruchter’s approach has been especially powerful. The two congregations, Sarna said, have even developed what she called “purposeful handoffs,” directing people to the other as life circumstances change: city to suburbs, suburbs to city. Rather than competing, they function as part of a shared ecosystem.
Much of the Shtiebel’s cohesion still runs through Fruchter herself — a concentration of responsibility that has fueled its growth, and may yet test its limits. Asked whether the Shtiebel model could be replicated elsewhere, Sarna paused. The structure, she said, might travel. The person at the center of it might not. “You need someone who’s as talented and warm and magnetic as she is,” Sarna said. “That part is the least replicable.”
The greater Philadelphia area, where the Jewish population hovers around 350,000 people, may be uniquely suited to such experiments. “America was founded here,” Sarna said. “It’s the birthplace of ideas.”
The experiment has, perhaps, yet another advantage. Chaim Saiman, a law professor at Villanova University in Philadelphia and a thought leader in the Modern Orthodox movement, believes congregations like the Shtiebel should also be seen as competing with Conservative shuls for a slice of the membership who may be looking for something more traditional.
“These sorts of shuls are often born on the decay of mainstream Conservative shuls, which are not growing or are hemorrhaging,” Saiman said. “There’s a market for a community with liberal sensibilities but whose liturgy and Shabbat and kosher practices are more traditional.”
The challenge ahead
For Fruchter, those dynamics are less abstract than personal. Many of the people who find their way to the Shtiebel arrive with long Jewish histories — years in Conservative congregations, half-finished religious journeys, fluency in tradition paired with frustration at the structures around it.
They haven’t rejected Judaism so much as struggled to find a community that fit the way they were living. The work of the Shtiebel, she said, has been to meet those people where they are, and then ask what kind of community they are willing to build together.
“In a shul today,” she said, “we shouldn’t bolt chairs to the floor.”
The post A Millennial rabbi built a synagogue where others have closed. Her maverick ideas are becoming a model. appeared first on The Forward.
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‘Anne Frank was in Amsterdam legally,’ Trump antisemitism envoy says in refuting Walz’s ICE comparison
(JTA) — In the lead-up to International Holocaust Remembrance Day, both the State Department’s antisemitism envoy and the U.S. Holocaust Memorial Museum criticized Minnesota Gov. Tim Walz for invoking Anne Frank in discussions of federal immigration raids.
The remarks by Rabbi Yehuda Kaploun, the antisemitism envoy nominated by President Trump, that “Anne Frank was in Amsterdam legally and abided by Dutch law” added fuel to an ongoing debate over the appropriateness of modern-day comparisons to the Holocaust. Other Jewish leaders have mobilized in force against immigration agents in the state.
“Ignorance like this cheapens the horror of the Holocaust,” Kaploun tweeted Monday.
He was responding to Walz’s press conference over the weekend, in which the former Democratic vice-presidential candidate stated, “We have got children in Minnesota hiding in their houses, afraid to go outside. Many of us grew up reading that story of Anne Frank.”
Kaploun continued with a dig at the state’s large migrant community, the focus of chaotic Immigrations and Customs Enforcement activity that has prompted intense criticism and led to the shooting deaths of two protesters.
“Anne Frank was in Amsterdam legally and abided by Dutch law. She was hauled off to a death camp because of her race and religion. Her story has nothing to do with the illegal immigration, fraud, and lawlessness plaguing Minnesota today,” the envoy wrote. “Our brave law enforcement should be commended, not tarred with this historically illiterate and antisemitic comparison.”
His comments were followed two hours later by the Holocaust museum’s, which rebuked Walz while avoiding the subject of ICE operations. Walz, a former public school teacher, wrote his master’s thesis on Holocaust education.
“Anne Frank was targeted and murdered solely because she was Jewish,” the museum tweeted Monday. “Leaders making false equivalencies to her experience for political purposes is never acceptable. Despite tensions in Minneapolis, exploiting the Holocaust is deeply offensive, especially as antisemitism surges.”
CNN anchor Jake Tapper, who is Jewish, last week rebuked a guest for comparing ICE detention facilities to concentration camps.
But in the week since, even some conservatives have joined the voices comparing ICE to the Gestapo, as a backlash against ICE has brewed. That backlash appeared to escalate in the hours after the statements from Kaploun and the museum, including from within the Trump administration.
Gregory Bovino, the Border Patrol commander-at-large who has led federal immigration enforcement in Minneapolis and has himself decried growing comparisons between ICE and the Gestapo, is reportedly set to leave the city, and a judge has ordered acting ICE director Todd Lyons to appear in federal court. Pressure also continues to mount on other officials including Homeland Security Secretary Kristi Noem and Trump’s Jewish far-right immigration advisor Stephen Miller.
Kaploun’s comments about Anne Frank — echoed by other State Department officials — were the latest in years’ worth of controversies over whether her family are an appropriate analogue to modern-day immigration. The comparison also arose in response to the first Trump administration’s immigration crackdown and was incorporated into a 2021 animated adaptation of Frank’s diary.
Some historians pointed out that Kaploun’s remark that Frank “was in Amsterdam legally and abided by Dutch law” belies the fact that the Frank family had defied official papers ordering Anne’s sister Margot to report to a labor camp.
“The Frank family ignored their call-up, meaning they were officially in Amsterdam illegally from this point on,” Joel Swanson, a Jewish studies professor at Sarah Lawrence College, wrote on BlueSky. “The Trump administration is doing Holocaust revisionism to avoid the possibility of empathy for migrants.”
Others noted the escalation in Nazi race laws that progressively and systematically excluded Jews from public life in Europe.
“The German regime first created mass statelessness to facilitate the Holocaust,” historian and author John Ganz wrote in response to Kaploun. “In every European country occupied by the Nazis, collaborationist governments might nominally protect citizen Jews, but were happy and relieved to see stateless and ‘illegal’ immigrants disappear.”
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