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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?

(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.

The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.

But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?

The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.

That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.

Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.

“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”

Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.

Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.

“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”

Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.

“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.

Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.

“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”

Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.

Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)

Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.

“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.

Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”

Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.

The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.

“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.

Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.

“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”

Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”

However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.

“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”


The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.

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How I learned to stop worrying and love my Jewish curls

When I was a kid, my hair was a constant battle. By the time I was in elementary school, my hair went past my waist, and every time my parents decided it was time for a trim — which my dad performed — I resisted strenuously, and after just a few inches were removed, I often cried that it was too short. Every day, one of my parents fought through my hair’s snarls with an old, wooden-handled boar-bristle brush. At least every day until the handle snapped off mid-yank. Then we used a newer, but just-as-fine-bristled version.

But even after I started doing my own hair, and eventually cut it to a more reasonable length, the battle about presentability continued. My mom nagged me constantly, before every event, every dinner party and every time I left the house, to brush my hair. She carried around a purse-sized brush that folded up for her own mid-day hair-brushing needs, and for a while, I did the same. At some point in high school, I got a flat iron to better tame the frizz and messiness that I was constantly trying to brush out, and wound it into a tight, coiled bun while it was still soaking wet to let it dry ruthlessly contained. (This worked, but meant it took about 12 hours to dry.)

My mother treats her hair with the same frustration she had towards mine. She still regularly pulls out that purse brush and frowns at herself in a compact mirror as she pulls it through her hair. My entire life, she has complained that her hair is too big, too frizzy. She reminisced about her year clerking for a judge in Los Angeles, where there wasn’t so much humidity and her hair would finally stay flat.

I thought we both had straight hair that, frustratingly, never acted straight. Or, perhaps more accurately, I had internalized that it would be better if I had straight hair, so much better that the idea it might not be straight never even crossed my mind. This was the ‘90s and early 2000s, and there was an obvious ideal we were both striving for: the kind of straight, glossy hair in TV ads for shampoo. The hair of Jennifer Aniston in Friends. (I got “the Rachel” at one point. Unsurprisingly, it never looked quite right.)

But as I came to realize — in what, looking back, was an astonishingly slow process given the evidence at hand — my hair is not straight. It’s curly! Brushing it never tamed it or helped with frizz, because if you brush out curls, they simply grow larger and frizzier.

In retrospect, this shouldn’t have been so surprising. While there’s no one way to look Jewish and plenty of Jews don’t fit the stereotypes — I’m blonde! — curly hair is a common part of the profile, hence longstanding stereotypes about Jewfros and big, curly Jewish hair are there for a reason. Those negative stereotypes are part of why Jewish women have attempted for decades to fight their hair with keratin treatments or flat irons so that they could look more “American,” more professional, more groomed, more “normal.” Much in the same way that, for several generations, nose jobs have been de rigueur for many Jewish women.

Slowly, I started to realize that maybe my hair wasn’t actually straight, and would look better if I started trying to enhance my curls instead of working against them. I started getting compliments. In college, for her art major thesis project, one of my friends asked if she could draw my hair, sketching out each individual strand.

I wish that I’d figured my hair out earlier; it would have saved me some awkward phases and, more importantly, some resentment about why my hair never looked like it was “supposed” to. I don’t purport to have the same kind of hair trauma as Black girls, some of whom grew up getting burned by hot combs and chemical straightening treatments, or who have been forbidden from wearing their natural hair in schools or workplaces. Nevertheless, the underlying idea is the same: that curlier hair is not neutral. It’s messier or, as my mom put it when I called her to fact check this piece, “less polished.”

These ideas are nothing new; they’ve been passed down through the generations. My grandmother certainly always wanted to seem sophisticated, and she didn’t associate that aesthetic with Jewishness; though her mother spoke Yiddish, she exorcised it from her own vocabulary to such an extent that she used to joke that I knew more Yiddish than she did. She got rid of her Jewish nose, too, and got her hair professionally washed and blown out every week with such devotion that I have no idea what its natural state was. She passed the same ideas down to my mom, who still uses that flat iron I bought in high school.

Today, there’s a whole world of videos online of products and routines meant to deal with various types of curls. I get served videos about different types of curls I am pretty sure were invented in the last two years — “Irish curls” and “Appalachian curls” — and how to perfect the Curly Girl Method to define your exact pattern of waves or coils. Society seems to be more willing to embrace different hair textures (and, not unrelatedly, unique facial features like arched noses too).

These days, I find curly hair beautiful; if anything, I wish my curls were curlier. I use a curl serum. I scrunch my hair up to help my curls take shape instead of trying to stretch them down and flatten them. Now my hair is a mix of ringlets and waves, and my hair stylist always asks me if I want her to blow it out straight or style it curly and natural; I always choose the latter. I don’t even own a brush anymore — I just detangle my curls with my fingers.

Every time I see my mom, though, she still tells me to brush it.

The post How I learned to stop worrying and love my Jewish curls appeared first on The Forward.

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In upcoming Israeli election, Netanyahu is preparing to blame a loss on conspiracy

On the morning of Oct. 7, 2023, retired Maj. Gen. Yair Golan woke to sirens and reports of something terrible happening in southern Israel. At around 8 a.m., as the scale of the Hamas invasion was becoming clear, the former deputy chief of staff told his wife he had to go back to the army, found his old military gear, got dressed and left home. He first drove to the Home Front Command headquarters where he grasped the dimensions of the catastrophe, obtained a weapon, vest and helmet, and continued south in his private car.

Eventually Golan began receiving the locations of young people hiding from Hamas gunmen around the Nova music festival and drove into the fields looking for them. Oz Davidian, the farmer who became one of the civilian heroes of Oct. 7, encountered Golan in a tiny Toyota Yaris that could not cross a ravine. Davidian helped him across in his truck; Golan covered him with his rifle, and together they went looking for three young people hiding from terrorist fire. Golan would ultimately rescue six survivors in three trips.

His actions became one of the day’s extraordinary stories of individual initiative amid the collapse of the Israeli state: a 61-year-old retired general – who currently heads the Democrats, a liberal opposition party dedicated to peace with the Arabs – put on his uniform, climbed into a Toyota and went looking for kids who needed saving. Israeli Prime Minister Benjamin Netanyahu, on that dark Saturday, was not heard from until the evening.

Almost three years later, Sara Netanyahu has discovered something sinister in this story.

“When you’re a military man of such high rank,” the prime minister’s wife said in an interview Monday on the fiercely pro-Netanyahu Channel 14, “already early in the morning you were there, already dressed and ready at a very, very early hour when others didn’t know, such as the prime minister?”

She followed this with a sarcastic question: “Who is the prime minister anyway to know that a war is breaking out? Why let him know?”

Asked directly about the increasingly popular theory that there had been “treason” from within Israel on Oct. 7, she left the possibility hanging, saying she wanted a genuine commission of inquiry to establish what happened.

It is the prime minister, of course, who has blocked an inquiry commission. It’s also Netanyahu who in the months preceding the attack refused to meet with the heads of the military, the Mossad and the Shin Bet, who were desperate to warn him that the uproar created by his authoritarian reforms was projecting weakness and inviting attack. Netanyahu is the author of the theory that there is value in Hamas ruling Gaza, since it undermines the West-Bank-based Palestinian Authority. It was his far-right political allies who were planning provocations against Palestinians in the West Bank on Oct. 7, causing the military to divert massive resources there, leaving the Gaza border catastrophically under-guarded.

With the Oct. 27 election fast approaching, Sara Netanyahu’s interview has become the talk of Israeli politics. In the strange calculus of the Netanyahu machine, it hardly matters that the claims make no sense – since there is no dispute about Golan’s aim that day: to fight Hamas and not assist it. There is a bizarre value in the very incoherence – the more confusion, somehow, the better (even if the cost is undermining public faith in the security establishment, in a country facing existential security threats).

Golan threatened to sue Netanyahu for 2.5 million shekels (about $800,000) for defamation and demanded an apology. Netanyahu responded with a demand that Golan apologize to her and threatened a million-shekel countersuit. Opposition politician Avigdor Lieberman, the former defense minister, congratulated Golan for fighting back and described people who spread such conspiracy theories as “psychopaths.”

The uproar reflects a common understanding of the insinuation: Sara Netanyahu was invoking a conspiratorial universe that has been expanding on the Israeli right since the massacre. According to this conspiracy, Oct. 7 represented something more sinister than a catastrophic intelligence and military failure. In this universe, somebody inside Israel betrayed the country.

The theory comes in many variations. Senior officers knew what was coming. The Shin Bet knew. The generals deliberately kept Netanyahu in the dark. Leaders of the anti-government protest movement were somehow involved. Elements of a hostile “deep state” wanted Hamas to humiliate Netanyahu and bring down his government. The genuine mysteries, warnings and failures preceding the massacre supply endless material from which insinuations can be fashioned, transforming the most devastating security failure in Israeli history into a story of deliberate betrayal by Netanyahu’s domestic enemies.

The betrayal theory has steadily traveled from social media and fringe broadcasters toward the political mainstream. A Reichman University survey previously found that almost a third of Israelis believed to some degree that elements within Israel assisted Hamas in order to harm Netanyahu. Likud Knesset member Tally Gotliv has accused security officials, protest leaders and other political enemies of varieties of treachery, while the prime minister’s son Yair has repeatedly promoted suspicions about the security establishment’s conduct surrounding the attack.

From conspiracy to campaign

This week brought the conspiracy theory directly into the election campaign. Channel 12 political correspondent Daphna Liel reported, citing a Likud source, that an intentional campaign is underway to promote Oct. 7 conspiracy theories in order to distance Netanyahu from responsibility for the massacre “at all costs.”

Golan himself described the same pattern after Sara Netanyahu’s interview, arguing that the remarks represented a planned effort in which Netanyahu’s political opponents are branded as traitors and conspiracy theories supply the evidence.

This fits neatly into Netanyahu’s fixation with avoiding the blame for Oct. 7 – and it comes amid a wider context: The Netanyahu political machine has spent years cultivating distrust of the police, prosecutors, judges, journalists, civil servants and military commanders who come into conflict with the prime minister. The Oct. 7 betrayal narrative folds the greatest catastrophe in Israeli history into this already familiar worldview.

The episode fits an election campaign already distinguished by extraordinary personal ugliness. Netanyahu has circulated an AI-generated video depicting his principal challenger, former IDF chief Gadi Eisenkot, running toward a young man wearing a shirt bearing the words “Israeli unity,” only to run past him and embrace Mansour Abbas, leader of the Arab Ra’am party. The young man in the commercial bore sufficient resemblance to Eisenkot’s son Gal, who was killed fighting in Gaza in December 2023, provoking outrage over what many Israelis saw as an exploitation of Eisenkot’s bereavement. The underlying message of the video was that Eisenkot’s willingness – very much felicitous in a country whose population is one-fifth Arab – to cooperate politically with Arab Israelis amounted to treason.

The same campaign has returned repeatedly to the proposition that Netanyahu’s opponents depend upon hostile or alien forces. A Likud billboard displayed New York Mayor Zohran Mamdani alongside the leaders of Iran, Hezbollah and Turkey beneath the slogan: “They want Netanyahu to lose. Don’t let them win.”

Former Netanyahu allies from the right increasingly describe a political culture in which ordinary democratic rivalry has been replaced by a language of enemies, traitors and conspirators amid an obsession to cling to power.

Naftali Bennett, another former leader of the Israeli right, has warned that the “poison machine” surrounding Netanyahu has grown sufficiently toxic to create the possibility of physical violence against political opponents.

Lieberman’s furious response to the Golan affair comes from the same place. The strategy presents an obvious electoral paradox. Netanyahu enters this campaign needing precisely the voters this rhetoric is likely to repel. Polls have repeatedly given the parties opposed to him a substantial advantage, with most surveys forecasting the broader anti-Netanyahu bloc above 70 of the Knesset’s 120 seats – a landslide by Israeli standards.

The route back to 61 – the number of seats Netanyahu needs to stay in power –  therefore runs through Israelis outside Netanyahu’s committed base, with voters who in many cases are security-minded, suspicious of the Palestinians, uncomfortable with the traditional left and deeply critical of the military and intelligence leadership for the failures of Oct. 7.

Netanyahu’s campaign increasingly appears designed to intensify the worldview of the committed rather than soften it for the persuadable. Persuadable voters can readily believe that generals failed catastrophically, that intelligence officials succumbed to groupthink, that the protest movement behaved irresponsibly or that Netanyahu’s opponents have pursued him obsessively. A claim that Yair Golan’s rescue missions indicate advance knowledge of the Hamas attack asks them to enter a considerably stranger universe.

Netanyahu has spent years turning political conflict into an existential contest in which his supporters defend their democratic choice against hostile “elites” and institutions. The betrayal theory takes this to its logical destination by placing the catastrophe of Oct. 7 itself inside the conspiracy.

Striking similarities

Here the comparison with Donald Trump goes considerably deeper than the familiar spectacle of a populist leader attacking judges, prosecutors or unfavorable election results. In both the United States and Israel, something profound has happened to the traditional conservative relationship with the state. Institutions once revered because they embodied national continuity — the military, intelligence services, law enforcement, the courts and the permanent civil service — increasingly become suspect whenever they demonstrate that their loyalty runs to the country and its laws rather than to the political leader who temporarily governs it.

For generations, the right in both countries occupied almost the opposite position. American conservatives wrapped themselves in the FBI, the armed forces and the authority of the state, while Israeli conservatives placed enormous cultural weight on the IDF and the security services as guardians of the Jewish state. The populist transformation has turned this on its head, producing a peculiar new mutation in which loyalty to the state becomes subordinate to loyalty to a leader who claims to embody the state.

Thus, a general who has devoted his life to Israel but challenges Netanyahu can become the target of a sinister conspiracy theory vehiculated by the prime minister’s wife on a propaganda channel.

The Oct. 7 conspiracy theories represent an especially extreme version of this logic. Israel’s military and intelligence establishment can be accused of having tolerated or even facilitated the greatest massacre in the country’s history because such a theory shifts responsibility away from Netanyahu and toward the institutions whose independence has become a political problem for him. Once such a proposition enters ordinary political discourse, distrust of judges, civil servants and election administrators requires a comparatively modest leap of imagination.

The connection to the coming election follows directly from this inversion. A public taught that generals and intelligence chiefs were capable of concealing an impending invasion from the prime minister has already been asked to believe in a conspiracy vastly more elaborate than anything required to manipulate an election.

A public taught that judges, prosecutors, police, journalists, civil servants and opposition politicians have joined a campaign to overthrow its chosen leader has been supplied with an explanation for almost any future defeat. Victory can be presented as the triumph of the people over the establishment; defeat can be interpreted as further evidence of the establishment’s power.

Israel already entered this campaign amid extraordinary anxiety about the integrity of the coming election. Earlier this summer, former Prime Minister Ehud Barak publicly warned that Netanyahu might attempt to sabotage it. Supreme Court Justice Noam Solberg, chairman of the Central Elections Committee, has discussed the narrow legal circumstances under which a genuine national emergency could justify postponing a vote. Golan has warned about attempts to alter election rules and announced plans for extensive monitoring of the vote. Scenarios that would have sounded fantastical during most of Israel’s history have entered ordinary political discussion as Netanyahu approaches an election that threatens to end his extraordinarily long political career.

Oct. 7 vs. Oct. 27

Trump’s experience shows how this political logic can operate when an election finally produces the wrong answer. His campaign against the legitimacy of American elections began years before Jan. 6, 2021, through the repeated proposition that an election system capable of producing his defeat must itself be fraudulent. By the time the 2020 election arrived, millions of supporters already possessed an explanation for a Trump loss. The epistemological groundwork had been laid. Victory demonstrated the people’s will, while defeat demonstrated the conspiracy.

Netanyahu operates in a different political system and national culture, but his increasingly conspiratorial campaign is constructing a comparable political logic in Israel. The institutions capable of declaring that he has lost overlap increasingly with the institutions his supporters are being taught to distrust. The judges belong to the hostile legal establishment; the civil servants belong to the bureaucracy; the media cannot be believed; the security establishment might have betrayed the country on Oct. 7; political opponents may themselves have participated in the conspiracy. A movement immersed in this worldview enters Election Day with an explanation already available should the voters remove its leader.

The transformation of Yair Golan’s Oct. 7 story captures where these politics lead. On the worst morning in Israel’s history, thousands of citizens waited desperately for a state that had disappeared. Reservists, retired officers, farmers, police officers and ordinary people rushed south to fill the vacuum. Golan put on his uniform, found a weapon, climbed into his little Toyota and drove toward the massacre, eventually helping rescue young Israelis hiding from Hamas gunmen in the fields.

Three years later, the prime minister’s wife points to the speed with which he responded as grounds for suspicion, turning evidence of initiative into an insinuation of foreknowledge. The same political method turns military failure into treason, institutional independence into disloyalty and political opposition into subversion. Carried through an election campaign, the logic has one further destination: electoral defeat itself can become another suspicious event requiring explanation.

Much of the Israeli center recoiled from Sara Netanyahu’s interview because the innuendo seemed grotesque. The larger danger lies in the political culture being constructed around precisely such innuendo, one in which patriotism is measured by loyalty to a leader and every person or institution standing between Benjamin Netanyahu and continued power can be cast as part of the plot.

In this sense, Oct. 27 is emerging as a perhaps ever more fateful date than Oct. 7. If the Netanyahu machine is not decisively routed, it is not at all clear that the country can recover as a democracy where the discourse is sane.

The post In upcoming Israeli election, Netanyahu is preparing to blame a loss on conspiracy appeared first on The Forward.

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‘New year, play a happy tune’

צום נײַעם יאָר שיקן מיר אַ באַגריסונג צו די לייענער מיט אַ וווּנטש זיי זאָלן זיך אויסבעטן אַ גוט־יאָר — אַ יאָר פֿון גליק, געזונט, מזל און שלום. זאָל דעם ייִדישן פֿאָלק באַשערט זײַן צו לעבן אין פֿרידלעכע צײַטן און זאָל דער פֿאָרווערטס ממשיך זײַן, ווי ביז אַהער, זײַן ראָלע ווי אַ שײַנטורעם פֿון ליכט פֿאַרן ייִדישן פֿאָלק. מיר ברענגען ווײַטער עטלעכע מוסטערן פֿון דער פּאָעזיע וואָס ייִדישע פּאָעטן האָבן געשאַפֿן לכּבֿוד ראָש־השנה אין פֿאַרשיידענע צײַטן.
(ח. מ.)

 

לשנה טובֿה תּכּתבֿו
פֿון י. ל. פּרץ

לשנה טובֿה תּכּתבֿו!
אַלע, אַלע, וווּ איר זײַט!
צי אײַך האָט דאָס האַרטע מזל
אויף אַ וויסטן סטעפּ פֿאַרשפּרייט!

צי איר קילט די הייסע שטערן
בײַ דער נאַסער מערבֿ־וואַנט,
צי איר שיפֿט אײַך איבער ימען
צו אַ נײַ פֿאַרשפּראָכן לאַנד!

צי איר טראָגט דעם יאָך דעם שווערן
מיט אַ שמייכל: אײַ, ווי גרינג!
און איר קויפֿט די לופֿט צו לעבן
און איר צאָלט פֿאַר יעדן שלינג!

אַלע אײַך צום יאָר צום נײַעם —
יעדער שפּראַך און יעדעס קלייד —
לשנה טובֿה תּכּתבֿו!
אַלע, אַלע, וווּ איר זײַט!

ראָש־השנה
 פֿון ב. י. ביאַלאָסטאָצקי

עס קלאַפּט אין טיר אַ נײַער יאָר:
— איך קום צו אײַך מיט פֿריידן נאָר.

דאָס הויז ווערט אָנגעפֿילט מיט שײַן.
— לשנה טובֿה, קום אַרײַן!

און ס׳רעדט דאָס נײַע יאָר און זאָגט:
„— גענוג געוויינט, גענוג געקלאָגט.

איר האָט געליטן לאַנג, צו לאַנג,
שוין צײַט צו זינגען אַ געזאַנג.
איך ברענג אײַך גוטס, נאָר איר אַליין
דאַרפֿט זײַן אין האַרץ אויך גוט און ריין.

אַ מענטש צו מענטש דאַרף ברודער זײַן,
און אויס מיט קריג, און אויס מיט פּײַן.“

מיר הערן צו די רייד זיך צו,
דער שופֿר בלאָזט: טרו־טרו־טרו.

די באָבע בעט און מורמלט פֿרום:
לשנה טובֿה, קום שוין, קום.

לשנה טובֿה
פֿון ישׂראל גובקין

צי איר רעדט העברעיִש,
ייִדיש, אַראַמיש;
צי איר רעדט כינעזיש,
צי גאָר פּאָרטוגעזיש.

צי איר וווינט אין כינע,
צי אין אַרגענטינע;
צי איר וווינט אין בעמען,
צי אין ווײַטן יעמען.

וואָס איר זאָלט נישט רעדן,
וווּ איר זאָלט נישט זײַן,
ייִדן־קינדער זײַט איר,
קינדער קליין און פֿײַן.

שיק איך אײַך פֿון ווײַטנס
ברכות אָן אַ צאָל.
ווינטש איך אײַך שוין ווידער,
זאָג איך נאָך אַ מאָל:
לשנה טובֿה תּכּתבֿו!

ראָש־השנה
פֿון אַבֿרהם זאַק

ס׳קומט ווידער אונדזער ראָש־השנה,
אַ נײַער יאָר קומט ווידער —
מיט שאַל פֿון תּקיעות אין די שילן,
מיט אַלטע תּפֿילה־לידער.

עס שטייען ייִדן אין טליתים,
עס בעטן ייִדן פֿרומע,
און ס׳טראָגן זיך אַוועק די תּפֿילות
הויך צו די הימלען שטומע.

דער חזן זינגט — ס׳אַראַ מתיקות
נעמט דורך די גאַנצע עדה,
זינגט־מיט דער טאַטע אינעם טלית,
אין קיטל זינגט דער זיידע.

און אַלע זײַנען איצט מכוון:
אַ יאָר פֿון פֿרייד און פֿרידן —
פֿאַר אונדזער ייִדישער מדינה,
פֿאַר אַלע, אַלע ייִדן.

נײַ־יאָר
פֿון שמעון פֿרוג

נײַ־יאָר — שפּיל, מײַן אַלטע פֿידל!
שפּיל אַ נײַ, פֿריילעך לידל,
זינג אַ נײַעם, זיסן שיר —
דײַנע סטרונעס זאָלן קלינגען,
אַלע הערצער זאָלן זינגען,
זינגען, פֿרייען זיך מיט דיר…
און די פֿידל ענטפֿערט:
— אויף אַ בוים בײַם טײַך פֿון בבֿל
בין געהאָנגען איך אַמאָל,
און נאָר קלאָגן ווי אַן אָבֿל
קאָן פֿון דעמאָלט אָן מײַן קול…
ניין. איך האָב קיין נײַע לידער,
אַלטע קען איך, ליבע ברידער
דאָרט, בײַם גרויסן אַלטן טײַך
האָב איך זיי געהערט פֿאַרצײַטן
און אויף אַלע נײַע צײַטן
איינס נאָר ווינטשן וועל איך אײַך:
מיט זײַן ליבע, מיט זײַן טרײַהייט
זאָל גאָט שענקען אײַך צוריק
אײַער אַלטע קראַפֿט און פֿרײַהייט,
אײַער אַלטע גליק…

The post ‘New year, play a happy tune’ appeared first on The Forward.

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