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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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As Australian Jews call for action on antisemitism, prime minister unveils moves to curb hate speech
(JTA) — Australian Prime Minister Anthony Albanese has announced a slew of changes meant to curb antisemitism, including a crackdown on hate speech by extremist clerics.
The announcement comes four days after two gunmen killed 15 people at a Hanukkah celebration on Bondi Beach in Sydney. Many Australian Jews said they had feared such an attack after years of surging antisemitism and what they said had been an inadequate government response.
Albanese acknowledged the criticism during an address in Canberra, Australia’s capital.
“More could have been done, and I accept my responsibility for the part in that as prime minister of Australia, but what I also do is accept my responsibility to lead the nation, and unite the nation,” he said.
“Anyone in this position would regret not doing more, and any inadequacies which are there,” Albanese added. “But what we need to do is to move forward.”
The new policies would heighten penalties for speech that incites violence, including online; increase the government’s latitude to block or rescind visas for those who spread hate; and penalize organizations whose leaders engage in hate speech.
As is the case in England, where two of the largest police forces announced on Wednesday that they would begin arresting people who use protest slogans seen by many as antisemitic, Australian authorities said they aimed to tip the scales against the kinds of speech that had long been treated as just shy of criminal.
“There have been organizations which any Australian would look at and say their behavior, their philosophy and what they are trying to do is about division and has no place in Australia,” Home Affairs Minister Tony Burke told reporters at Albanese’s press conference. “And yet for a generation, no government has been able to successfully take action against them because they have fallen just below the legal threshold.”
Albanese also pledged to enact a 13-point plan that his antisemitism envoy proposed earlier this year and announced a task force to ensure that Australian schools respond adequately to antisemitism. The moves follow a pledge made in the immediate aftermath of the Bondi Beach attack to tighten access to guns, which one of the alleged attackers had obtained legally.
Albanese’s announcement comes as Sydney is in the midst of days of funerals for the victims, who included rabbis, a Holocaust survivor and a 10-year-old girl. While some local officials have attended the funerals, he has drawn criticism for staying away. Burke was heckled when he visited a vigil at Bondi Beach, with some in attendance shouting, “Blood on your hands!”
Prior to the shooting, Australian Jews were distressed by a string of arson and vandalism attacks on Jewish sites, as well as rhetoric in pro-Palestinian demonstrations seen as stoking antisemitic violence. Officials attributed some of the most searing attacks to criminals working indirectly on behalf of Iran, and Albanese ejected the Iranian ambassador in retaliation earlier this year.
Now, Albanese’s new moves have drawn criticism and concern from some on the left, including a progressive Jewish group, about their implications for free speech. But the main body representing Australian Jews, which on Sunday called for “decisive leadership and action now,” said it wanted more.
The Executive Council of Australian Jewry said in a statement that it would reserve a fuller judgment until after the funerals were over and more information was available but indicated that it was not satisfied. Albanese said it could take months to draft legislation to match his commitments.
“We will need to see the details before making an assessment as to whether the measures are likely to live up to their billing,” the council said. “This suite of measures can only be regarded as a first step, but it is an essential one.”
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I’m a 25-year-old semi-Zionist. Here’s what that means this Hanukkah.
I do not look Jewish. I do not wear a kippah. I wasn’t even truly connected to this identity until after Oct. 7. This isn’t to say I never felt Jewish; when I was a kid, I used to light LED Hanukkah “candles” with my father while giving my grandfather a “Chag Sameach” phone call. I used to hope for chocolate coins and Hot Wheels cars for my ever-growing collection. As an adult I have a much different hope. I hope for peace, for all Jews, everywhere.
When I was a child, I treated the existence of our homeland as a constant, something unshakeable, “There’s a Jewish homeland just like there’s a homeland for everyone else, just like there are Jews everywhere,” I thought. But since Oct. 7, I’ve realized just how fragile our existence is. I understand the concerns with Israel; I firmly believe that Benjamin Netanyahu and Itamar Ben-Gvir committed a genocide in our name and used our trauma to justify it. But I don’t think dismantling the country is a way to solve the problem.
This is why I describe myself as a “semi-Zionist.”
I believe that Jews have a claim to the land of Israel, that it is our ancestral homeland, and that yes, Jews were always in the region and had been in the region prior to 1917. I believe that we still have a right to Israel now, and that we always will.
Here’s why I’m “semi.” As a child I was taught that the ideal Jewish values are resilience, peace, and rationality. There is nothing resilient about denying food to starving people. There was nothing peaceful about laying waste to most of Gaza, and the acts of settler violence in the West Bank. And there is nothing rational about using the memory of a truly horrific atrocity to justify a campaign of hatred and fear. The very ideals of Zionism have been twisted by despicable people to turn from resilience to conquest.
It would be easy to blame antisemitism, including the terrorist attack at a Hanukkah celebration in Australia, on the actions of the Israeli government and their atrocities. What’s harder is thinking deeply and honestly about our own prejudices, who we blame, and what we do with our hate.
My hope for this Hanukkah is peace for everyone, everywhere, all Jews, and all people regardless of their faith. I hope for a time when the candles lit on Hanukkah are for celebration and not for mourning a senseless tragedy. I hope for a time when we can share our homeland with Palestinians instead of murdering them, because it is their homeland too. I hope for a time when Jews across the world can live freely without being persecuted for our beliefs or murdered just for existing.
But most of all, I hope for more Jews to have quiet Hanukkah nights like the ones I had, with fathers laughing about jokes their sons don’t understand, children pretending to like the taste of kugel, and lights that guide us toward a safe future.
The post I’m a 25-year-old semi-Zionist. Here’s what that means this Hanukkah. appeared first on The Forward.
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Ben Shapiro denounces Tucker Carlson at Heritage, urges policing of conservative movement
(JTA) — Ben Shapiro walked onto a Heritage Foundation stage Wednesday and used it to draw a line against Tucker Carlson and a strain of conservatism Shapiro warned is drifting toward conspiracy theories and antisemitism.
For a talk that lasted about an hour, Shapiro, one of the most prominent Jewish voices on the American right, denounced Carlson by name, arguing that the former Fox News host no longer belongs inside the conservative movement and urging the institution hosting him to enforce what he called “ideological border control.”
“A conservatism that treats Tucker Carlson as a thought leader is no conservatism,” Shapiro said. “If conservatives do not stand up and draw lines, conservatism and the dream of America itself will cease to exist.”
The speech was as notable for its venue as for its content. It was hosted by Kevin Roberts, Heritage’s president, who has come under fire in recent months for publicly defending Carlson after Carlson interviewed Nick Fuentes, a white nationalist and Holocaust revisionist. Roberts’ comments triggered resignations and criticism from Jewish leaders and former Heritage affiliates. Two more trustees of the foundation resigned this week over Roberts’ support for Carlson.
Despite the directness of Shapiro’s message, and his explicit call for Heritage to police the boundaries of the conservative movement, Roberts did not respond to the criticism or address antisemitism on the right during the event.
In his opening remarks, Roberts praised Shapiro as a “patriot,” a “man of faith” and a “trusted counselor,” and described Shapiro’s book as “a truly good book,” without mentioning Carlson, Fuentes or the controversy that has engulfed the organization. When Roberts moderated the discussion that followed, he pivoted to policy topics including immigration, housing affordability and elections, again avoiding any reference to Carlson or antisemitism.
Roberts also did not acknowledge the resignations or public criticism that followed his defense of Carlson, At the conclusion of the event, he broadly aligned Heritage with Shapiro’s message, telling the audience, “Count on Heritage to fight with you.”
In his speech, Shapiro accused Carlson of abandoning free-market principles, rejecting constitutional governance and advancing conspiracy theories that echo antisemitic tropes, particularly around Israel and Jewish influence. He cited Carlson’s repeated criticism of Israel, his suggestion of “nefarious Israeli influence in American government,” and his hostility toward Christian Zionists.
Shapiro also criticized Carlson for repeatedly platforming figures with extremist or antisemitic records, including Fuentes, whom he described as “America’s foremost Hitler apologist,” as well as Russian ideologue Alexander Dugin and revisionist historian Darryl Cooper. “None of this comports with traditional American values,” Shapiro said.
Shapiro framed the moment as a test of the conservative movement’s credibility. “Conservatism means something,” he said. “And if we refuse to stand for it and defend it, it will disappear.”
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