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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.
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81 Years After the Holocaust, Antisemitism Pervasive in Germany, Poland
A demonstration in Schwerin, Germany under the slogan “All together to protect democracy”, with a banner reading “Against Nazis”. They want to demonstrate against new borders in Europe and protest against cooperation with right-wing extremists. Photo: Bernd Wüstneck/dpa via Reuters Connect.
Eighty-one years after the Holocaust, antisemitism remains rampant in the heart of the former Third Reich, with rising antisemitic hate crimes in Germany and incidents targeting Jewish communities in Poland drawing widespread condemnation.
On Tuesday, as the world marked International Holocaust Remembrance Day, a group of Orthodox Israelis waiting to board a flight to Israel at Krakow Airport in Poland were physically and verbally assaulted by an airport employee, in the latest antisemitic incident drawing condemnation from officials and community leaders.
The travelers were praying before boarding their flight when the employee noticed them and began shouting antisemitic slurs while demanding that they stop.
When the group members explained they were nearly finished, the assailant became even more aggressive, reportedly spitting on one person and pushing another.
As the situation escalated and the assailant grew more hostile, airport police intervened to control the scene, with the incident captured and widely shared online.
In videos circulating on social media, the airport employee is seen approaching the group aggressively, shouting, “Why are you in Poland? Go back to Israel.”
The group members are seen speaking in English, asking him to stop, as he persists in claiming that Poland is “his country.”
Go back to Israel, what are you doing coming to Poland”:
A group of Israeli ultra-Orthodox Jews who traveled to Poland were attacked by a local airport employee – but they didn’t stay silent: “Be quiet.” | video pic.twitter.com/vu0Iz3rSy6— daniel amram – דניאל עמרם (@danielamram3) January 27, 2026
According to local media, airport officials have yet to release a public statement, confirm whether the employee has been suspended or disciplined, or clarify if an investigation into the incident is underway.
The airport workers’ remarks were reminiscent of comments made by Polish lawmaker Grzegorz Braun, a far-right politician notorious for his repeated antisemitic statements and outspoken criticism of Israel.
“Poland is for Poles. Other nations have their own countries, including the Jews,” Braun said during a press conference in November in Oświęcim, a town in southern Poland that is home to the Auschwitz-Birkenau concentration camp memorial and museum. International Holocaust Remembrance Day is observed annually on Jan. 27, the date when Auschwitz, the largest and most notorious of the Nazi death camps, was liberated.
“Jews want to be super-humans in Poland, entitled to a better status, and the Polish police dance to their tune,” Braun continued.
Poland, like most countries across Europe and the broader Western world, has seen a rise in antisemitic incidents over the last two years, in the wake of Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel.
Germany has been one such country to experience a surge in antisemitism.
Most recently, unknown individuals vandalized the memorial at a local synagogue in Kiel, a city in the northwestern part of the country, destroying items left by people honoring the victims of the Holocaust — including a Star of David, candles, and a photograph.
“This attack is an utterly unacceptable act of antisemitic hatred and an affront to the memory of the crimes committed under National Socialism,” Daniel Günther, the minister-president of Schleswig-Holstein, a state in northern Germany, said in a statement. “Anyone who desecrates a memorial site like this violates historical responsibility and the core values of the state.”
“We are witnessing a growing number of antisemitic incidents. Ninety years ago, that hatred marked the beginning of the end,” he continued. “That is precisely why we cannot tolerate a single incident today. Every act must be investigated and punished under the rule of law.”
This latest antisemitic attack comes as the local Jewish community rallies to defend democracy and protest against antisemitism on International Holocaust Remembrance Day.
Observed each year on Jan. 27, the day honors the six million Jews and other victims killed by the Nazis and commemorates the liberation of Auschwitz in 1945.
“Holocaust survivors around the world are asking whether democracies and their citizens are sufficiently aware of the dangers posed by the hateful rhetoric of far-right and populist politicians and parties,” Christoph Heubner, vice president of the International Auschwitz Committee from Berlin, said in a statement.
“Antisemitism has an unfortunate characteristic: it serves as an ideological bridge between right-wing extremists, left-wing extremists, and Islamists alike,” he continued. “These forces will continue to grow stronger if, as a society, we do not stop these threatening developments.”
According to newly released figures from the German Ministry of the Interior obtained by the newspaper BILD, antisemitic incidents continued to rise last year, with 2,122 offenses reported in Berlin alome, including 60 violent attacks.
This represents a significant increase of 80 percent compared with the already high number of incidents in previous years, with Berlin police recording 901 such offenses in 2023 and 1,622 in 2024, BILD reported.
“The rise in these figures is alarming, but not surprising. When politicians allow antisemitic demonstrations to go unchallenged, it emboldens certain groups and reinforces their antisemitic attitudes and attacks,” Timur Husein, a member of Parliament from the CDU, Germany’s center-right Christian Democratic Union, who requested the data, told the German newspaper.
Husein also said that the CDU is looking to strengthen Germany’s assembly laws to ban antisemitic demonstrations, which he says are responsible for a significant share of these crimes.
Earlier this month, the commissioner to combat antisemitism in the German state of Hesse sounded the alarm after an arson attack on a local synagogue in the town of Giessen, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across Germany as Jews and Israelis continue to face an increasingly hostile climate.
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Minnesota, Rabbi Tarfon and the language of horror
I sat up when Senator Tina Smith of Minnesota described a “coalition of the horrified” that formed in response to this past weekend’s appalling shooting of a protester on a Minneapolis street — the second shooting of an American citizen there by ICE
“Coalition of the horrified?” I thought. “That’s a great phrase. And it can move people.”
“There’s sort of this coalition of the horrified that has developed around what’s been happening here in Minnesota. And it includes law enforcement,” Smith told the PBS News Hour. “It is people who care about Second Amendment rights — the level of rejection of this behavior of ICE is growing, not diminishing.”
Perhaps Republican politicians are finally horrified enough to talk with Democratic colleagues about how disproportionate all of this is.
While “horrified” is a relatively recent word, first used in 1791, the word “horror” is quite old, and its history helps explain what many of us are feeling.
The word “horror” comes from the Middle English orrour, horrour, which is borrowed from Anglo-French horrour, which is in turn borrowed from Latin horrōr.
According to Merriam-Webster, it means “standing stiffly, bristling (of hair), shivering (from cold or fear), dread, consternation.”
That “stiffness” seems apt.
In recent weeks, I have spoken to several friends and neighbors who could not figure out how to respond to the Trump administration’s most recent outrages.
“I just don’t know what to do,” a longtime neighbor and Democratic activist said.
“What can one person do about any of this?” an old friend commented sadly. “I feel powerless.”
In other words, stiffness had set in.
But Senator Smith’s apt language gives us all a starting point. Form a coalition. Join with others. Stand together.
And Jewish tradition has a deeper answer to the “what to do?” question. It comes from Pirkei Avot, or “Ethics of the Fathers.”
Rabbi Tarfon was discussing what to do when the day appeared short, but the to-do list was long. His famous comment — lo alecha ha’mlacha ligmor — is relevant now.
“It is not your duty to finish the work,” Rabbi Tarfon said. “But neither are you at liberty to neglect it,” Rabbi Tarfon said,
This is the same passage that Josh Shapiro, the Jewish governor of Pennsylvania, quoted when he was elected in 2022.
He quoted the same verse again after Minnesota governor Tim Walz was selected as the vice presidential pick. Shapiro had been a contender, but ultimately was not chosen.
What is important now is not only to know who we may be standing with, but also who we are not standing with.
We don’t stand with those who shoot protesters to death in the street. And we don’t have to complete everything — we don’t have to agree with fellow protesters on every political issue — but as Rabbi Tarfon explained, we do have to get in the fray.
We have to remember our tradition. Ben chorin, frequently translated as “at liberty” in the Rabbi Tarfon phrase, is actually an idiom meaning a free man.
If it sounds familiar, it may be because it’s the singular form of b’nei chorin, or “freeborn” in the plural, part of the famous avadim hayinu or “we were slaves” narrative in the Haggadah.
Once we were slaves; now we are free.
We cannot allow ourselves to be so stiff with horror that we become powerless. We cannot give up freedom for slavery.
We must instead use that horror to come together. I hope Senator Smith is right that at the leadership level, that is already happening. At the language level, at least, I can feel a turn.
The post Minnesota, Rabbi Tarfon and the language of horror appeared first on The Forward.
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San Diego Group Apologizes for Disinviting Rabbi From MLK Jr. Event Over ‘Safety Concerns,’ Pro-Israel Stance
The Martin Luther King Jr. Memorial in Washington, DC. Photo: Reuters / Allison Shelley.
Organizers of a Martin Luther King Jr. Day event in San Diego, California, have apologized for disinviting a rabbi from speaking due to his stance on the Israel-Hamas war and “safety concerns.”
Alliance San Diego made the apology in a released statement after receiving widespread criticism for its treatment of Rabbi Hanan Leberman, the leader of Tifereth Israel Synagogue in San Diego. He was originally scheduled to lead the closing prayer at the city’s 38th annual All Peoples Celebration at the Balboa Park Activity Center on Jan. 19.
In a description for the event, Alliance San Diego invited the public to “choose Courage; to decide, with intention, to do what is right even when the fear and opposition are loud. Now more than ever, our voices must rise above hesitation. We must claim our dignity and echo the notion that any attack on one, is an attack on us all.”
A day before the event, Leberman wrote in a Facebook post he was “deeply upset” to learn he had been disinvited from presenting at the ceremony because of his “connection to Israel.” Alliance San Diego claimed Leberman was instead invited to attend the program as a guest, but the rabbi said he ultimately decided not to attend the event at all.
The decision to disinvite Leberman from presenting at the event was condemned by a coalition of nearly four dozen community-based organizations, social service providers, and synagogues in a joint statement published on Jan. 18.
While apologizing for the move in a statement shared on Instagram, Alliance San Diego also explained its decision, saying that event organizers faced “major disruption over two speakers’ public stances on the conflict in Israel-Palestine.”
“We hear the community’s concern that this decision felt to some like an exclusion of Jewish identity echoing historical traumas and antisemitic patterns present in many public spaces today. This was not our intention, and we apologize for reinforcing this pattern,” the group said. “To protect the attendees at the celebration and keep the focus on Dr. King, we asked both speakers to attend as our guests instead of present on the program. Our decision was based solely on safety concerns and was communicated in person conversations with the speakers. We recognize, however, that intent does not erase impact, and we take responsibility for the hurt caused … A deep source of regret is that our missteps have distracted us from our core work of creating a San Diego that is safe for all people.”
Leberman was born in Chicago, raised in Philadelphia, and ordained as a rabbi in Israel, where he lived and worked before moving to San Diego, according to the website for Tifereth Israel Synagogue. He moved to Israel at the age of 20 and served three years in the undercover counter-terrorist unit Duvduvan of the Israel Defense Forces, often serving as the unit’s cantor. Leberman studied at the Jerusalem Academy of Music, and aside from being a cantor, he is also a professional opera singer. He served as a rabbi and cantor for the Masorti movement in Israel and led congregations as a guest cantor in Israel, England, and the United States.
Alliance San Diego said in an earlier statement that it asked two speakers to give up their speaking roles at the event “in response to concerns about potential disruption related to Zionism and anti-Zionism,” but noted they had not been disinvited. The other speaker was not publicly identified but also ultimately decided not to attend the event.
“At the time, we believed we were acting in the best interest of protecting attendees and preserving the spirit of the event,” the group said in its statement. “Our intention was never to exclude Jewish faith leaders or Jewish voices from this space. As an organization working across many communities under immense strain and confronting assaults on immigrant communities, including Jewish and Israeli immigrants at a time of rising antisemitism and fear, we acknowledge that our decision contributed to that pain rather than alleviating it.”
Leberman said in his Facebook post on Jan. 18 that disinviting him from speaking at the event “runs counter to Dr. King’s message — particularly at this moment in history, when Jews are experiencing the most significant rise in hate crimes of any group.”
“The decision to disinvite me is, in my view, a disservice to the legacy of Dr. Martin Luther King Jr,” he added. “I believe the organization would benefit from deeper education about what Zionism truly is and about what the Jewish community is facing today — from both the left and the right.”