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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?

(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.

The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.

But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?

The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.

That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.

Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.

“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”

Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.

Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.

“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”

Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.

“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.

Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.

“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”

Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.

Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)

Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.

“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.

Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”

Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.

The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.

“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.

Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.

“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”

Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”

However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.

“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”


The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.

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A Jewish lawyer sued Henry Ford and changed how we think about hate speech

When Jewish lawyer and labor leader Aaron Sapiro sued Henry Ford for libel, he was doing more than trying to save his own reputation. Described by Jewish history professor James Loeffler as “the first modern hate speech trial in America,” the case disrupted Ford’s ability to publish antisemitic conspiracies in his paper The Dearborn Independent.

Sapiro took Ford to court in 1925 for publishing 21 articles attacking him as a “globalist” Jew trying to take over the agriculture industry. In the documentary Sapiro v. Ford: The Jew Who Sued Henry Ford, directors Carol King and Gaylen Ross explore the case through  archival materials, interviews with historians, and Sapiro’s own writings, recited by actor Ben Shenkman.

“It’s a David and Goliath story,” King said in an interview. “He took on the most powerful, richest man in America at the time.”

The Dearborn Independent was once the second largest circulating newspaper in America, spreading Ford’s antisemitic theories across the country. The legacy of his antisemitism was so strong that Ross’ “family never had a Ford car” when she was growing up in the 1950s. King is not Jewish but was raised in Detroit, where Ford’s company was headquartered. She said his antisemitism “was always talked about as sort of a quirk.”

Sapiro himself didn’t understand the gravity of Ford’s words at first.

“He thought, ‘Who’s gonna believe that stuff? It’s so outrageous,’” King said. “As it turns out, a lot of people did believe it.”

King remembered Ford’s “weird ideas” such as that baseball and jazz were rotting American society — and he blamed their popularity on the Jews. His words had a global impact: Hitler praised Ford in Mein Kampf and, at the Nuremberg trials, Baldur von Schirach, former head of the Hitler Youth, credited Ford with inspiring his own antisemitism.

A graphic about the trial that appeared in ‘The New York Evening Globe.’ Courtesy of Michael Rose Productions

When Jewish merchants told Sapiro that Ford’s articles were driving away their customers, Sapiro realized he had to try to stop the conspiracies.

“This was one person who stood up, not just for himself, that was important, but also for his community, for his fellow Jewish people,” King said.

King started working on the film over a decade ago with her husband Michael Rose, a filmmaker who provided archival material for Michael Moore’s Roger & Me and worked on the documentary Who Killed Vincent Chin? They spent ten years researching the Sapiro case and gathering archival materials, but when Rose became sick with leukemia, the project went on indefinite hiatus. He passed away in September of 2020.

Before he died, he had shown Ross, known for her documentary Killing Kasztner, an extended trailer for the project. Ross later offered to help King complete the film.

“How could I say no? It was a gift to me at a time when I needed something badly,” said King.

Ross was particularly interested in making Sapiro’s story more widely known.

“Sapiro, in the Jewish canon, didn’t exist,” Ross said. “He was essentially erased.”

Born to a poor family in San Francisco in 1884, Sapiro survived being abandoned in an orphanage and overcame financial hardship to eventually graduate from the University of Cincinnati College of Law. He worked with the National Farmers Union and introduced a new method of agricultural unionizing that allowed farmers to pool their resources and have collective market power.

Because the Model T had also revolutionized farming, Ford saw himself as the champion of the American farmer and was alarmed by Sapiro’s sudden influence. He was particularly troubled by Sapiro’s visits to farmers in Canada.

“Sapiro could organize farmers and cooperatives all over the country,” Ross said. “But crossing the border made him an example of international Jewry and the conspiracy that Ford believed in.”

Sapiro was targeted in 21 articles in ‘The Dearborn Independent.’ Courtesy of Michael Rose Productions

The film brings Sapiro to life using Shenkmen to recite his speeches and writings, although it omits some aspects of his life, such as his association with Al Capone that made him the subject of trade racket investigations in Chicago.

Ross and King say Sapiro’s story has implications for understanding modern hate speech. An opening montage of antisemitic headlines from the 1920s — “The Jewish Control of the American Press,” “Jews Are The Curse Of America” — is promptly followed by footage from recent neo-Nazi and white supremacist rallies, offering a warning about what happens when bigotry goes unchecked.

“Not only was he prophetic in worrying about what would happen in a society that condemned not only the Jewish community, but people who were different and refugees,” Ross said of Sapiro. “But his focus on democracy — and he says it strongly — that democracy is not just about politics; it’s about how you live your life and how you collaborate and work together.”

Sapiro v. Ford: The Jew Who Sued Henry Ford is showing at the New York Jewish Film Festival starting on January 21 and the Palm Beach Jewish Film Festival starting on Jan. 29.

The post A Jewish lawyer sued Henry Ford and changed how we think about hate speech appeared first on The Forward.

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British Jews could be offered asylum in the US, Trump’s UK-born Jewish lawyer says

(JTA) — The Trump administration might be considering granting asylum to British Jews, according to Trump’s personal lawyer, who said “the UK is no longer a safe place for Jews.”

Robert Garson, a Jewish attorney from Manchester, England, with rising influence in the Trump administration, said he proposed the move to the State Department in an interview with The Telegraph.

Garson said his proposal was well received despite the Trump administration’s general anti-immigration stance.

“I thought: Jews are being persecuted in the United Kingdom,” Garson said. “They fit a wonderful demographic for the United States. They are, on the whole, educated. They speak English natively. They’ve got businesses. They’re exactly the sort of immigrant the United States should want to attract. So, why not?”

Garson said his views on the future of Jews in Britain hardened after the terror attack on a synagogue in his hometown last year. Two people were killed at the Heaton Park Hebrew Congregation on Yom Kippur after a man rammed his car into a crowd of people and stabbed others.

In October, the White House announced that it would restrict the number of refugees admitted to the United States to 7,500 in 2026, mostly reserving those spots for white South Africans. The number represents a steep drop from former President Joe Biden’s ceiling of 125,000 in 2024.

The administration’s privileging of white South Africans has been widely criticized in South Africa, including by Jews. The country’s chief rabbi Warren Goldstein, otherwise a vocal Trump supporter, called the move a “mistake.”

Garson was hired by Trump in 2022 to sue investigative journalist Bob Woodward for $50 million over Woodward’s publication of Trump interviews in an audiobook. (The lawsuit was dismissed in July.) Donald Trump Jr. has also hired Garson as a lawyer for his publishing house, Winning Team Publishing, which has published the president, Charlie Kirk and other prominent conservatives.

Garson’s rise continued with an appointment to the United States Holocaust Memorial Council in May. He was among several Trump allies that the president named to replace members appointed by Biden, including Doug Emhoff, the Jewish husband of former Vice President Kamala Harris.

White House press secretary Karoline Leavitt said at the time, “President Trump looks forward to appointing new individuals who will not only continue to honor the memory of those who perished in the Holocaust, but who are also steadfast supporters of the State of Israel.”

Garson moved to New York in 2008 and now lives in Florida, where he is the head of armed security at his synagogue. After the Hamas attack on Israel on Oct. 7, 2023, Garson became a National Rifle Association-licensed instructor and has offered to train any Jews who are interested.

He believes that “if there had been 6 million guns in 6 million Jewish hands, there would have been 6 million fewer deaths” in the Holocaust, he told The Telegraph.

Garson laid much of the blame for dangers to British Jews at the foot of Prime Minister Keir Starmer, saying that he “allowed rampant antisemitism to become commonplace in society and has allowed it to come from those who really don’t have Britain’s best interests at heart.”

Garson has expressed particular concern about the influence of Muslim immigrants in England, charging that non-Jewish Brits would also soon face “sharia-compliant areas.” He said, “They are coming for the Jews and then they are coming for your pubs.”

Some British Jewish groups have rejected the idea that British Jews would seek to leave for the United States. The Community Security Trust, an antisemitism watchdog, told Haaretz that “Jews were murdered by hateful terrorists in the United States as well as in the United Kingdom” last year, so there was no refuge to be found there.

David Aaronovitch, a British journalist and broadcaster, also rebuked Garson’s proposal in a Jewish News op-ed addressed to Trump.

“British Jews wouldn’t be safer in the US, simply because no one is,” said Aaronovitch. “The homicide rate in your country is six times what it is here; in fact, in Mr Garson’s new domicile, Miami-Dade County, it’s over 20 times the rate here in London.”

He also noted the debate in Trump’s own party over its inclusion of avowed antisemites such as Nick Fuentes.

“It hasn’t escaped the notice of many British Jews that some of the most vocal and influential new media supporters of your administration have either given themselves over to overt, old-style antisemitism or have shown themselves happy to tolerate others who have,” said Aaronovitch.

Ofir Sofer, Israel’s minister of aliyah and integration, also responded dismissively to the idea that British Jews should leave for the United States. “The home of British Jewry, and of Jews around the world, is the State of Israel,” he said.

The post British Jews could be offered asylum in the US, Trump’s UK-born Jewish lawyer says appeared first on The Forward.

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How ‘a bundle of letters’ became a cornerstone of life advice for American Jews

January 20, 2026 marks the 120th anniversary of A Bintel Brief, the Forward’s advice column, launched in 1906 by the paper’s founder and publisher, Ab Cahan. Tackling the personal challenges of Eastern European Jewish immigrants, Cahan and the Bintel Brief columnists who followed him would dispatch their advice with humor, compassion, and honesty.

By 1906, Der Forverts, as the Forward is known in Yiddish, had grown over its initial three decades to become the leading Yiddish-language newspaper in the United States. But A Bintel Brief  — Yiddish for “a bundle of letters”  — was something the paper hadn’t tried before. Well, not exactly. 

In his introduction to the very first Bintel Brief, which is preserved online at the National Library of Israel, Cahan explained that the new column had been inspired by a section of the paper devoted to letters to the editor that launched three years earlier.

A Bintel Brief, however, would be an advice column, focusing on letters “that expressed issues of … human interest,” Cahan explained. He continued, “Readers will find in the Bintel Brief letters an interesting turning of pages from the Book of Life … Hundreds of diverse emotions, interests and lost opportunities will be expressed here. Hundreds of various vibrations of the human heart will be heard here.”

History would prove him right. Over the next 120 years, A Bintel Brief would explore the “various vibrations of the human heart” with homespun Jewish advice, tens of thousands of times over, and along with its contemporary advice columnists like Dorothy Dix inspire countless advice columns across U.S. newspapers, including “Dear Abby” and Ann Landers (née Esther Friedman).

First edition of A Bintel Brief, January 20, 1906.
First edition of A Bintel Brief, January 20, 1906. Courtesy of Der Forverts via the National Library of Israel

In his autobiography Pages from My Life, which Cahan published 100 years ago in 1926, he recalled, “I had always wished that the Forverts would receive stories from ‘daily life’ — dramas, comedies or truly curious events that weren’t written at a desk but rather in the tenements and factories and cafés — everywhere that life was the author of the drama … How to do this? Not an easy task — much harder than writing an interesting drama or comedy.”

“One day in January 1906,” he continued, “[my secretary, Leon] Gottlieb told me about three letters that had arrived which didn’t seem suited for any particular department … All three letters were of a personal nature rather than a communal one, and each told an individual story. I considered the three letters and my response was: Let’s print them together and call it A Bintel Brief.

There’s also the apocryphal version of the story, illustrated by cartoonist Liana Finck while working on a series of cartoons inspired by A Bintel Brief that eventually became a book in 2014. “Rumor has it, the letter on the top of the pile Abraham Cahan’s secretary brought him that strange day in 1906 was two feet long and sewn together with scraps of industrial thread. The spelling was atrocious, but the tears that spewed out of the letter were real — Cahan tasted them to make sure.”

While perhaps nothing more than a mayse, the story rightly captures the willingness of Forverts readers to share their individual problems with A Bintel Brief and seek advice.

And some of them still resonate today.

For example, in the first edition of the column, a bride-to-be reached out because of a debate that erupted with her fiancé after she suggested that mothers are more faithful to their children than fathers because they are the ones saddled with the responsibility of childcare, to which the fiancé angrily replied that women make too big of a deal of their role as caregivers, and that fathers are more dependable. Cahan replied that “smart, serious minded parents raise children that are both truly loyal and have both feet on the ground” like the mother and father. To this, he added, “It’s best for your future children that you read all you can, attend as many lectures as possible, and develop together and grow intellectually. That will create a pair of parents who best know how to raise their children and will be of service in their devotion and love.”

It also did not take long for questions regarding interfaith relationships to emerge in the column. One letter that same year featured a newlywed Jewish man describing the fraying relationship with his Christian wife over the first year of marriage. “Mixed marriage between a Gentile and a Jew is a complicated affair,” Bintel acknowledged, before putting a spin on the then-common story of Jewish parents sitting shiva for their son marrying a Gentile woman: “Not enough has been said about the Gentile family. For while the parents of the Gentile girl may accept the Jewish son-in-law and tolerate the marriage, the girl loses many of her friends, former classmates and relatives.”

Writing for the Forward in 2014 about Finck’s book, Yevegeniya Traps noted that letters like these offered “a succinctly potent representation of the lives of Eastern-European immigrants trying to make their way in early-20th-century New York.” She added, “No artist or journalist could render the doubt, uncertainty and backbreaking work of life in the New World as clearly and honestly as the words of sufferers seeking wisdom” from A Bintel Brief.

Or as Cahan concluded in his autobiography, “Everyone wrote about that which was closest to their hearts. The result was that the Bintel Brief would be assembled out of those letters that revealed the most interesting nooks of people’s souls.”

The post How ‘a bundle of letters’ became a cornerstone of life advice for American Jews appeared first on The Forward.

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