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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.
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Why this Zionist Israeli is running with an Islamist party
(JTA) — KIBBUTZ EIN HAHORESH, Israel – He’s been called a “terror supporter” and a “traitor,” and even accused of devious steps to enable Islamists to “infiltrate” Israel’s next government. But Yoav Segalovitz, the Jewish parliamentarian who recently broke strict taboos by teaming up with an Arab Islamist party, is unperturbed.
“There are always crazy people, and it doesn’t matter what they say on television; I think when you’ve chosen your path, you just have to ignore it all,” he said in a recent interview with the Jewish Telegraphic Agency.
It has been just over a month since Segalovitz, 67, a veteran member of Israel’s parliament, the Knesset, made his unprecedented decision to leave the centrist Yesh Atid party for Ra’am, an Arab-Israeli party with roots in the Muslim Brotherhood, in the hopes of bridging the gap between Jews and Arabs in Israel.
“Are all the old patterns going to change in the coming month? Absolutely not,” Segalovitz, a former deputy minister for public security and a former police investigator, said. “But I’m thinking long term, not just about these particular elections. From my perspective, this is a long-term story. It’s not about the here and now.”
At a recent campaign event in the well-worn communal dining room of Kibbutz Ein Hahoresh, an agricultural community in the Emek Hefer region of central Israel, Segalovitz explained to a group of around 80 Jewish voters why he made the radical decision as a self-declared Zionist to team up with an Islamist party.
“I wanted to have an impact,” he said, describing how he knew it would somehow be related to the Arab community in Israel that makes up around 21% of the total population.
“I knew I wanted to break down the paradigms that exist; I wanted to cross the bridge; the only question was how I could do this,” Segalovitz said, speaking to the small crowd of kibbutz members and residents of the surrounding communities.
Microphone in hand, the neatly dressed former police officer described how, when tensions were high and societal divisions deeper than ever during the final days of the previous Knesset, he asked himself how he could make a meaningful difference in Israeli society.
Segalovitz said that at first he considered creating a brand new joint Israeli-Arab party. But he quickly realized that he could make greater change by joining forces with Ra’am, an Arab party whose leader, Mansour Abbas, is already known for his own paradigm-breaking political moves.
Abbas, a deeply religious conservative Muslim who, in his own words, identifies as a Palestinian citizen of Israel, was the first Arab party leader to join an Israeli government, breaking deep-rooted taboos in his own community. In 2021, his bold move to join former prime ministers Naftali Bennett and Yair Lapid in a ruling coalition helped to briefly oust Prime Minister Benjamin Netanyahu from power.
While the move signaled an unprecedented shift in Israeli politics, it was also fraught with tension and ultimately proved to be deeply unpopular with much of the Israeli public and some in the Arab community. Ultimately, Ra’am’s inclusion in the Bennett-Lapid government was one of the factors that led to its rapid downfall.
If including an Arab party in the government was controversial before Hamas’ attacks on Oct. 7, 2023, today it is close to unthinkable. In the run-up to the Oct. 27 election, most predominantly Jewish parties have avoided saying publicly that they would consider including Ra’am, or any other Arab party, in a future coalition. And, beyond Ra’am, the other Arab party – the Joint List – remains emphatically against any such alliance.
But recent polls suggest that bringing Arab parties into a governing alliance could be the only way to secure the parliamentary majority needed to form a new government. With Segalovitz now running on Ra’am’s list, such a prospect may be slightly more realistic.
However, the challenges of reaching such an arrangement were evident at the recent Kibbutz Ein Hahoresh meeting.
An aging audience of casually dressed kibbutzniks sauntered into the sparse hall curious to hear Segalovitz’s story. They gave him a warm and polite reception, and grilled him with questions after listening to him speak. But most said they were not swayed to vote for him.
“He’s very brave for doing what he did,” said Elie Aloni, 80, a resident of nearby Beit Herut. But she continued to say that she would not vote for Ra’am because she’s already committed to the left-wing Democrats Party.
Aloni said her party’s leader, Yair Golan, had already stated that he wanted to see Ra’am join the government, and she hoped that would happen. She was also hopeful that having an Israeli Jew on Ra’am’s list would make it easier for the party to be included in the next coalition.
But she acknowledged that, after Oct. 7, including Arab parties in a government could prove difficult.
“I’m a peace activist, but even I have become disillusioned,” she said. “After Oct. 7, it has become more difficult to trust the Arabs. But they are not going to disappear, and neither are we.”
Segalovitz knows that his support is unlikely to come from Jewish voters. Instead, he has been focusing on reaching the Arab community and encouraging them to exercise their democratic rights.
Since joining Ra’am in early September, he has traveled around the country to address Arabic-speaking audiences – Muslims, Christians and Druze – about why he joined the party and what he hopes to achieve. The meetings are conducted in Hebrew because, as he admits, he does not speak a word of Arabic.
Segalovitz told JTA that despite the cold reception, including some outright attacks, from Israeli Jews, the Arab community has overwhelmingly embraced him – even though there is some skepticism.
Michael Milshtein, head of the Palestinian Studies Forum at the Moshe Dayan Center at Tel Aviv University, who has researched political trends in Israel’s Arab community for years, called Segalovitz’s decision to join Ra’am “pioneering.”
However, he noted that the Jewish MK has also faced attacks from within the Arab community from those who struggle to accept an openly Zionist Israeli joining their political ranks.
Although there are some Jewish Israeli members of Arab parties, namely the communist-leaning Hadash, they often identify as anti-Zionist. Segalovitz’s arrangement with Abbas is slightly different. He has not formally joined the Islamist party but rather forged an agreement whereby he will retain the freedom to vote independently on issues including religion and state, national security and LGBTQ rights.
“His move is revolutionary; he is not a post-Zionist or an anti-Zionist like some Jewish members of Hadash,” Milshtein said. “He [Segalovitz] is creating connections with a traditional religious party and it’s just bizarre.”
Segalovitz’s presence in Ra’am, which emerged from the southern branch of the Islamic Movement in Israel, historically linked to the Muslim Brotherhood, has also prompted questions across the Arab world about how Abbas can continue to be associated with the movement that also includes more extreme groups such as Hamas, Milshtein said.
But Milshtein said the two men were “pioneering” in much the same way.
“It’s kind of a mirror: Mansour breaks all kinds of taboos, and so does Segalovitz,” he said, adding that many Jews respected Segalovitz, and even supported his decision, “even if they won’t end up voting for him.”
Ra’am’s changes started in the 1990s when Israel’s Islamic Movement split into two, enabling the southern branch, the political home of Ra’am, to seek political engagement with state institutions as a way to make changes within the community. Abbas’s ascent to the leadership brought Ra’am’s current goals into even sharper focus.
Abbas, 52, a dentist by training, succeeded in breaking the party’s organizational ties with the religious leadership, allowing it to work even more harmoniously with institutions in Israel and focus on improving life for the country’s Arab citizens.
At this point in Ra’am’s history, Segalovitz’s arrival could be a significant political asset. The party’s focus is on improving life for Israel’s Arab community, and Segalovitz brings experience tackling violent and organized crime, one of the sector’s most pressing concerns.
As head of the Israel Police’s Investigations Unit from 2009 to 2013, and as deputy public security minister from 2021 to 2022, Segalovitz focused on violent crime. As deputy minister, he headed a government program aimed at addressing violent crime, successfully reducing homicides in the Arab sector by some 16%, the lowest level since 2014.
After Netanyahu’s return to office in 2022, Segalovitz’s program was scrapped. Since then, the murder rate has soared, with organized crime reaching beyond the Arab community. According to statistics compiled by the Abraham Initiatives, the number of murders in the Arab sector more than doubled between 2022 and 2025, rising from 116 to 252.
“Today, Israel has similar crime rates to those in South American countries,” said Segalovitz, referring to the organized crime that has been surging in the Arab community. He pointed the finger at Netanyahu and his government for failing to address deeper social and economic problems in Arab society.
Segalovitz is also a firm believer in some type of national community service for the Arab sector, akin to the mandatory military service most Jewish Israelis must undertake.
“Arabs make up 21% of Israel’s population,” Segalovitz said. “They are involved in every area of daily life in Israel, in medicine, economics, education and more. We live together with one another, and we need to decide how to manage a future partnership.”
“Our future does not allow us not to work in partnership with each other,” he said. “We have partnerships in all areas of life, except in politics.”
While running with Ra’am is his way of trying to change that, Segalovitz is under no illusion that his efforts will translate into votes. Instead, he sees his candidacy as a small first step toward a longer-term shift in Israeli politics.
This article originally appeared on JTA.org.
The post Why this Zionist Israeli is running with an Islamist party appeared first on The Forward.
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From Holocaust survivor to Nazi hunter to Entebbe hero
(JTA) — When Boaz Dvir flew from the United States to Israel in late September to screen his new film, “To Kill a Nazi,” he didn’t expect its story to become newly relevant. But just as Dvir arrived, the thwarting of an apparent hijacking of a flydubai flight bound for Israel offered an uncanny echo of the history his film recounts.
The film tells the largely overlooked story of Michel Cojot, a French Jewish Holocaust survivor and Nazi hunter who helped fellow hostages during the Entebbe hostage crisis and later provided intelligence that aided the Israeli rescue mission. For Dvir, the timing was striking.
“As I’m driving around, what do I hear?” he told the Jewish Telegraphic Agency. “Somebody tried to hijack a plane from Dubai to Israel and do a 9/11 type of terrorist attack? And the passengers saved the day? Ordinary guys?
“And of course, people brought it up everywhere I went, because the parallels are uncanny.”
Michel Goldberg was born in Paris in 1938. After the Nazis invaded, his father Joseph Goldberg was captured and sent to Auschwitz, where he was killed. According to his 1982 memoir “Namesake,” Michel was raised in France’s so-called “free zone,” which the Nazis would also occupy starting in 1942, and took his last name from his stepfather after his mother remarried.
Growing up to become a successful banker, Michel teamed with the famed Nazi-hunting couple Beate and Serge Klarsfeld and in 1975, while working in South America, embarked on a plot to find and kill Klaus Barbie, the Gestapo commander who had signed the arrest papers for Cojot’s father, and who was at that point hiding out in Bolivia.
Posing as a journalist, an armed Cojot met the “Butcher of Lyon,” but given the opportunity, Cojot failed to pull the trigger. In his memoir he writes that Barbie instead deserved to live in constant fear of reprisal, and that murder was a “Nazi” solution.
The year after his mission to Bolivia, Cojot and his son were on the fateful Air France flight that, bound from Tel Aviv to France, was hijacked by Palestinian terrorists and West German far-left radicals, with 102 Israelis on board. It led to the standoff at Entebbe International Airport in Uganda and the heroic rescue by Israeli commandos.
During the seven-day crisis, Cojot acted as a translator and go-between among the hijackers and passengers. When the Ugandan dictator Idi Amin spoke to the hostages, Cojot translated his English into French. He was even credited with persuading the lead hijacker, Wilfried Böse, to release the non-Israeli hostages. After his release, Cojot provided information to Mossad, including the layout of where the hostages were being held, which greatly assisted the Operation Thunderbolt rescue mission.
Cojot went on to write a book about Barbie’s crimes, and then testified in Barbie’s war crimes trial in the late 1980s. Barbie was sentenced to life in prison; he died of cancer in 1991. Cojot himself passed away in 1999. While the story of Entebbe is very well-known, Cojot’s role in it has often been left out of such tellings. None of the feature films about the rescue, most recently 2018’s “7 Days in Entebbe,” include him as a major character.
Divir hopes to give the forgotten hero the recognition he deserves. The grandson of Holocaust survivors who was born in Petah Tikva a few weeks after the Six-Day War in 1967, the filmmaker remembers the weeklong Entebbe crisis. He was nine years old then.
“I was like most Israeli kids at the time, outside most of the day and playing,” Dvir said. “But my brother and I, who was a year younger, decided that in solidarity with the hostages, we’re gonna ground ourselves, and so we did for that whole week.”
At the end of the week, he remembers his father waking him up and telling him, “The IDF did it.”
“We knew immediately what he meant, and of course we were thrilled for everybody, the released hostages, the military, but we’re also happy to be able to go outside again,” said Dvir.
While histories of the Entebbe affair omitted the actions of Michel Cojot, another Frenchman, pilot Michel Bacos, has often been recognized as a hero of the affair for having refused to be freed in the first release of the hostages. Most obituaries of Bacos, who died in 2019 at age 95, included this.
In fact, Dvir originally planned to make a documentary about Bacos. However, his research, including an interview with Bacos himself, led Dvir, a journalist and journalism professor at Penn State, to doubt Bacos’ version of the events.
But those former hostages kept mentioning another Michel, a genuine hero. “The story that I knew so well, Operation Thunderbolt, that I grew up with, now suddenly took on a whole new meaning,” Dvir said.
The film includes interviews with all four of Cojot’s children, including his son Olivier, who was with him in Entebbe, along with hostages and experts; Cojot himself appears in archival footage.
Dvir also composed the film’s music, which Penn State musicians perform on the soundtrack.
Dvir worked on the project for nearly a decade, even presenting it publicly as a work in progress as early as 2018.
“This project took a lot longer than most of my projects,” the director said.
A familiar voice narrates the film: Jason Alexander, the Jewish actor best known for “Seinfeld.” Dvir’s manager and business partner is a friend of Alexander’s, who agreed to narrate after viewing a rough cut.
“To Kill a Nazi” premiered at the Dances With Films festival in June. It has also screened at the Nashville Jewish Film Festival and the Croatian International Film Festival, and premiered in New York City on Oct. 16 at Regal Battery Park as part of the Chelsea Film Festival.
It’s also set to play the Austin Film Festival at the Boulder Jewish Film Festival, and the Silicon Valley Jewish Film Festival on Oct. 29; at the Galaxy Theatre in Austin, Texas on Oct. 31; and at the Harrisburg Jewish Film Festival on Nov. 12. Dvir hopes it will be picked up by a streaming service.
Some Jewish and Israeli filmmakers, especially since Oct. 7, have complained that they’ve had difficulty getting their films into festivals.
Dvir said that while “To Kill a Nazi” is “doing very, very well” and has been accepted to film festivals both Jewish and non-Jewish, “it’s been a little more of an effort than I’m used to putting in.”
“I don’t have any proof for it, but my sense is that there are some film festivals to which we submitted that may not have even really watched it or given it a fair shot,” said Dvir, who denounced the apparent boycotts of other films and artists. “At the end of the day, it really doesn’t matter. Because we can only do so many film festivals anyway. I’m very happy with what we got.”
This article originally appeared on JTA.org.
The post From Holocaust survivor to Nazi hunter to Entebbe hero appeared first on The Forward.
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Michigan’s El-Sayed doubles down: Israel ‘not an ally’
(JTA) — Abdul El-Sayed, the Democratic Senate nominee in Michigan, is doubling down on his view that Israel is not a U.S. ally as the Nov. 3 midterm elections draw closer.
El-Sayed, a vocal critic of Israel who faces former Republican Rep. Mike Rogers in one of the country’s most competitive Senate races, told ABC News on Monday that Israel is “not actually our friend.”
“An ally that takes your money to push you into wars you shouldn’t be fighting is not an ally,” said El-Sayed, referencing Israel’s reported lobbying of the United States to enter into a war with Iran.
He compared Israel with a friend who “keeps bumming off [your kid’s] money” and “talks about them behind their back and then gets them into fights with other friends.”
“What would you tell your kid to do with that friend? You’d probably tell them, maybe it’s not actually your friend,” he said.
El-Sayed made similar remarks in an interview with MS NOW on Thursday, saying that “the government of Israel has done nothing but use us” and “has done terrible things with our money.”
He added that he would continue to question whether Israel was an ally regardless of the outcome of Israel’s election on Oct. 27, as Prime Minister Benjamin Netanyahu, who has served as Israel’s leader for most of the past 18 years, seeks another term.
“Netanyahu is one part of it, but the Israeli military has done heinous things, like heinous things, full war crimes, genocide,” said El-Sayed. “So I think we got to just get serious about whether or not we as a country should be subsidizing that government.”
El-Sayed previously affirmed that he does not consider Israel an ally to the United States in his first bitter debate with Rogers on Oct. 8. The candidates will meet for a final debate on Wednesday.
He told MS NOW that he was “committed to the safety and security” of Jewish voters, some of whom have pressured him to moderate his views on Israel. “Now, we may have differences when it comes to Israel, but the things that unite us are a lot bigger,” he said.
This article originally appeared on JTA.org.
The post Michigan’s El-Sayed doubles down: Israel ‘not an ally’ appeared first on The Forward.
