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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?

(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.

The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.

But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?

The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.

That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.

Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.

“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”

Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.

Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.

“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”

Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.

“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.

Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.

“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”

Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.

Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)

Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.

“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.

Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”

Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.

The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.

“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.

Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.

“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”

Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”

However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.

“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”

—
The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.

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In Israel’s mixed cities, the future of coexistence is already being tested

Human ingenuity has equipped us with technology to connect individuals in a way once unimaginable. But, in the past two decades, we have used that power to find ever more things that we hate about each other.

Since modern society has become remarkably proficient at manufacturing polarization, we need to learn from places where people already live alongside those they have been taught to regard as fundamentally different. Not because those places have solved the problem, but because they have no choice but to confront it.

Israel’s so-called mixed cities are among those places.

In Split: Life in the Israeli Mixed Cities, filmmakers Shady Srour and Dina Zvi Riklis examine the fragile arrangements through which Jewish and Arab Israelis inhabit the same urban spaces. The documentary focuses on five cities — Acre (Akko), Ramla, Haifa, Lod (Lydda) and Jaffa — that are defined as “mixed” by Israel’s Central Bureau of Statistics because “a significant majority of Jewish residents lives alongside a significant minority of Arab residents.” Each of these cities, though, has a distinct history, demographics and political reality which resists the reassuring simplicity of the official designation.

Mixed implies that ingredients combine to produce something new. These cities are, however, more accurately described as shared, contested or, as the film’s title suggests, “split.” (The full title is in Arabic and Hebrew — Fasl Mukhtalat: Chatzuyot.) Their residents live along the same streets but do not necessarily inhabit the same understanding of what those streets mean. According to Adam Raz, one of many experts and residents interviewed in the film, families living a mere 100 meters apart often have an entirely different worldview because they consume completely opposing narratives — with a Jewish home watching Israel’s Channel 12 while an Arab neighbor watches Qatar’s Al Jazeera.

Artistic collaborators, Samira Saraya and Neta Weiner make music together in Jaffa to try to bridge the gap. Saraya sings a fragment of Hayim Nahman Bialik poem “To the Bird” about the beauty of Israel while on a car trip with Weiner. It lands poignantly and defamiliarized, given her Arab identity. She says “the word ‘mixed’ is taking two things and putting them together, but ‘blended’ means people live together and speak the language of both groups.” She describes Jaffa as “truly a mixed city.”

“It’s the only place,” she says, “where I can breathe and just be.”

In a country whose population is roughly four-fifths Jewish and one-fifth Arab, the question of how these communities live together is not incidental to Israeli democracy; it is fundamental to its survival. Srour and Riklis ask experts, including politicians, professors and theater directors, about the history of the conflict and the challenges facing the cities. Mostly they cut between historical footage of events and interviews they have shot with Arab and Jewish experts as well as locals of all genders and ages on their streets and homes. This constant weave of testimony across lived, cultural and political experience leads to a rich density of overlapping concern and anxieties, though it does mean that the cities blur into each other.

One interview takes place in a Ramla kitchen where Jalal Habit is preparing the food for his restaurant. Photo by Alma FIlms

One interview takes place in a Ramla kitchen where Jalal Habit discusses the situation and his life with energy and passion all while sporting an “Ich bin hummussexuelle” t-shirt and preparing the food for his restaurant. He seems angry at the Jews, but in a chef’s businesslike way. He recounts how he was complaining to his friend that the Jews have taken everything from the Arabs, land, hummus, falafel, and how his friend demurred, no they haven’t taken anything, they are  “building everything for us and soon they’ll leave and they’ll leave everything to us.”

The Hebrew word du-kiyum, coexistence, is invoked throughout the film. Beyond the Kulna Yachad school in Jaffa where children learn together, however, it mostly describes a hope or a transient memory rather than a concrete way of being. What makes Split compelling is its attention also to the conversations that coexistence often requires people not to have. Jewish and Arab neighbors may work together, maintain friendships and cooperate on municipal initiatives. They can agree about schools, garbage collection, traffic and the everyday business of keeping a city functioning. Yet the larger questions — of history, dispossession, national belonging and competing loyalties — remain unspoken. Split gives those questions a tentative voice.

The alternative to such imperfect arrangements has sometimes been catastrophic. Split does not draw the comparison, but when British India was partitioned in 1947, over 15 million people were displaced, and massacres killed hundreds of thousands. Neither in India nor the Middle East did partition eliminate competing identities. It converted them into borders, refugees and inherited grievances. Despite accepting the partition plan and taking billions of dollars in aid from America and the West, the Islamic Republic of Pakistan has lurched from military coup to corrupt civilian governance without ever safeguarding the rights of women, LGBTQ individuals, or religious minorities.

The relative economic success, and demographic tolerance of Israel’s mixed cities has led to their own challenges. They contain communities with their own histories of war, displacement, and social transformation, particularly from the aftermath of World War II. The filmmakers catch a Jewish resident of Acre as she’s inspecting an abandoned bomb shelter. In a perfect distillation of traumatized Israeli Jewish identity she explains how she sees herself descended from the Shoah and from Ottoman Jews:

My personal story contains the story of my grandmother from Germany and that of my grandfather from the Jewish Quarter in ’48 and it’s a story that passes down, and it’s in my DNA. The experience of the surviving Jew, it’s an existential experience of a people and the desire to annihilate us. And we’re facing it again all over the world. 

Meanwhile, different Arab families explain in affecting terms how their families were dispossessed by the State of Israel during the Nakba, from Haifa which became a battlefield, from Acre, and from Jaffa. Ghassan Mounir from Lod gives an extended account of the ongoing challenges placed in his way by the Jewish state: from the attacks on his family in 1948, to the refusal to give him the same building rights as the army veterans and Haredim who surround him. This is the historical context of a state that was nominally set up establishing rights “without distinction of religion or race” and “without domination or subjugation”

We have been in Lod since the 12th century. I grew up on this street, this is my home. [In 1948] the Jews … gathered [the whole village] in the square of the church and the mosque and expelled them to Abdullah. That march — thousands, thousands of people [were forced to make it] in the middle of July while fasting for Ramadan. They walked to Ramallah, some survived and some died.

Nothing of the present situation can be understood without those histories, however differently their residents describe them.

Edited down from a three-episode docuseries that premiered in Haifa, to a 90-minute documentary, Split is unhurried but urgent. It traces family histories as exemplars of different communities’ experiences and also the history of eruptions of urban violence throughout the history of the state. It calmly shows what it’s like to be in a minority where the majority is blasé about its ignorance of your culture.

At times, the movie veers close to despair — the heartfelt testimony of Ilham and Omar Siksik in Jaffa leaves it teetering on the edge. But their hope along with the testimony of Danny Rabinowitz (a Jewish anthropologist) and Mustafa Abbasi (an Arab-Israeli historian of Palestine) holds out the possibility that somehow rival national narratives might coexist in the same physical space. Rabinowitz says he still longs for hope, but without knowing exactly where to look for it. He is waiting for “leaders of vision and courage” from both sides. In the words of Abbasi:

There are those on both sides who believe that there is no shared future. I tell them, the future belongs to coexistence, and there is no solution other than mutual understanding.

When Hanna Safran and Nabila Espanioly — two veterans of the feminist struggle, one Jewish, one Arab — argue about political agency, Espanioly points out how obvious it is in the feminist context that freedom to be yourself is a sine qua non of being free politically. It’s a clear point and one given further depth and richness later by the testimony of Ayat Abu Shamis who is a mother, a resident of Jaffa, and an Arab who writes poetry in Hebrew. She reads her poem in Hebrew about coexistence as part of her interview.

Watching Split and some of the ways Arab-Israelis were treated — specifically how former soccer commentator and MK Zuheir Bahloul talked of his constituents’ rights — reminded me of Count Stanislas de Clermont-Tonnerre’s famous statement of emancipatory racism. The identity prescribed by the State of Israel for Arab-Israelis carries a philosophical contradiction as old as modern Jewish citizenship. In December 1789, during the French Revolution, Clermont-Tonnerre articulated the bargain at the heart of Jewish emancipation: Jews should receive full rights as individuals but no separate political rights as a nation. The promise was equality. The price was the surrender of collective difference in the public sphere.

Israel reverses that historical equation in fascinating and uncomfortable ways. It was established to make Jewish collective identity politically sovereign. Yet within that Jewish state live Arab citizens who — until the passage of the 2018 Israeli Nation-State Law downgraded Arab identity in Israel from “equal” to “special” — had full rights as individuals, but whose own collective identity, history and national aspirations were, by and large, proscribed. The challenge is not merely to grant equal rights to individuals, essential though that is. It is to imagine a democracy capable of accommodating communities whose understandings of the state itself may be irreconcilable with each other.

In last month’s elections, Arab representation in the Knesset reached a record high, approximately one-sixth of its membership. Finally, Arab MKs are at a level approaching the proportion of Arab citizens in the electorate. That political presence matters. But parliamentary representation cannot by itself resolve the contradictions visible on a street in Lod or Jaffa. The novelist Amos Oz famously described the Israeli-Palestinian conflict not as a struggle between good and evil but as a tragedy of “right against right.” In that formulation he recognized that competing claims can possess equal moral force, even when they cannot both be satisfied completely.

Split brings that abstract proposition down to the municipal level, where coexistence is less a philosophical ideal than a daily negotiation. The film’s deeper question is not whether Jews and Arabs can learn to like one another. Some already do. Nor is it whether they can avoid discussing everything that divides them. Evidently, they sometimes must. It is whether a shared civic life can eventually become robust enough to accommodate the disagreements it currently suppresses.

The chef Habit is given the last word:  “But I don’t want the Jews to leave. If the Jews leave, it won’t be the same place. Jews and Arabs have to live together, they can live together. If I weren’t optimistic, I would’ve stayed in Ramla.”

As the world perfects the technology and politics of polarization, Israel’s mixed cities offer neither an easy inspiration nor a comforting warning but something more useful: evidence that people can remain profoundly divided while still sharing responsibility for the places they call home. The future depends on learning how to live with our differences — especially when the people across the street have every intention of staying.

“Split: Life in the Israeli Mixed Cities” has its U.S. premiere as part of the Other Israel: New Perspectives Film Festival. It will show on Mon, Nov. 9 at 7:30 PM at the Marlene Meyerson JCC Manhattan and again on Wed, Nov 11, 7:30 PM at the Brooklyn Heights Synagogue.

The post In Israel’s mixed cities, the future of coexistence is already being tested appeared first on The Forward.

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A staunch supporter of Israel, Hakeem Jeffries would lead a Democratic majority pushing for change in U.S. policy

(JTA) — When the next Congress convenes in January with a Democratic majority, it will likely be Rep. Hakeem Jeffries, the pro-Israel Democrat from Brooklyn, who leads the House of Representatives.

As House Speaker, Jeffries would play a key role in setting the House’s legislative agenda at a time when many Democrats have taken more critical stances on Israel and AIPAC, the pro-Israel lobbying group. Jeffries himself has asserted that a “change in direction is needed” for the U.S.-Israel relationship.

His support for Israel and ties to AIPAC have angered a number of progressives who want to see party leadership apply greater pressure on the Israeli government. Advocates have blasted Jeffries for opposing an amendment to end U.S. military assistance to Israel and pressured him to reject AIPAC’s support and criticize its election spending.

Hadar Susskind, president and CEO of the progressive group New Jewish Narrative, told JTA that Jeffries will have to navigate leading a caucus that includes “a much larger group of members who really care about this and feel like they need to deliver for their voters” on broader Israeli-Palestinian foreign policy.

Susskind pointed to the Stop the Settlements Act introduced by Texas Rep. Joaquin Castro as an example of where Jeffries will face more pressure than in past years to bring bills on the Israeli-Palestinian issue to a floor vote.

“He’s not the far left, he’s not rolling out a DSA agenda,” Susskind said. “But I think it is going to be a different agenda — not only than, of course, what we’ve seen from Republican Congress, but even than we’ve seen from past Democratic Congresses.”

But Jeffries, who would be the first Black House speaker in U.S. history, has retained AIPAC’s support and voted against an immediate cutoff of military aid to Israel. He has fostered close ties with a number of Jewish organizations and leaders.

The Jewish Community Council of Greater Coney Island’s executive director praised Jeffries’ role in securing $1 million for the organization in 2024. Jeffries also secured $850,000 for the Brighton Beach-based Shorefront Jewish Community Council.

Mark Treyger, CEO of New York’s Jewish Community Relations Council, called Jeffries a “dear friend” in an interview with the Jewish Telegraphic Agency. “This is an individual who, in my opinion, has been an unwavering ally to the Jewish community from his first day in Congress when I got to know him as a City Council member,” Treyger said.

Rabbi David Niederman, president of the United Jewish Organizations of Williamsburg, told Williamsburg 365 that his relationship with Jeffries “spans more than two decades, and throughout his rise to national leadership, he has remained firmly connected to his roots, his district, and the communities he serves.”

Jeffries grew up in Crown Heights, a Brooklyn neighborhood known for the close proximity of Black and Orthodox Jewish residents. Motivated in part by the 1992 acquittal of Los Angeles police officers who beat Rodney King, he decided to attend law school to fight for “liberty and justice for all, in the purest possible way.” He served three terms in the New York State Assembly representing Fort Greene, Clinton Hill, Prospect Heights and parts of Crown Heights and Bedford-Stuyvesant.

When Jeffries ran for Congress in 2012, he courted Jewish voters and drew endorsements from a number of Jewish leaders — including Rep. Jerry Nadler, who is retiring at the end of his term next month, and ex-Mayor Ed Koch. At the time, those leaders expressed concerns about his opponent Charles Barron, who in 2009 compared conditions in Gaza to Nazi death camps. The following year, Barron called Israel’s government “the biggest terrorist in the world.” Nadler specifically referred to Barron’s Nazi comparison in his endorsement of Jeffries.

New York Sen. Chuck Schumer, now the party’s leader in the Senate, lauded Jeffries as a “true blue friend of Israel” in his 2012 endorsement. Koch, meanwhile, taped an ad for Jeffries that played on post-Shabbos Jewish radio, the New York Observer reported at the time.

“Jeffries is great on the issues: job creation, affordable housing, protection of Social Security, Medicare, and education,” Koch said in the ad. “Oh, did I mention Israel? He’s a fierce defender of Israel.”

Jeffries arrived in Congress at an uneasy time for Jews in New York City. In 2013, teens were targeting Orthodox Jews with “knockouts,” an effort to knock victims unconscious with a single blow. As a freshman representative, Jeffries joined a group of Black and Jewish leaders in the Brooklyn neighborhood of Crown Heights to denounce the “game.”

The following year, Jeffries condemned the stabbing of a Chabad-Lubavitch man at the Hasidic movement’s Crown Heights headquarters, and urged people to “stand with” the Jewish community, which he called “an important part of the fabric of Crown Heights, where I grew up.”

Jeffries’ support for Israel has included a total of eight visits to the country, including at least once as an Assembly member with the JCRC, and six congressional delegations led by a nonprofit affiliate of AIPAC, the most recent of which took place in August 2023.

During the 2014 Gaza war, Jeffries spoke at a rally in support of Israel outside the United Nations, declaring, “Israel today, Israel tomorrow, Israel forever!”

About five weeks after Hamas’ Oct. 7, 2023 attack, he did not mention a ceasefire but called for “a just and lasting peace between Israel and the Palestinian people” at the pro-Israel rally held at the National Mall in Washington. On numerous occasions, he has affectionately called Jerusalem “the sixth borough” of New York City.

Progressives have taken issue with Jeffries’ pro-Israel stance over the years and with his endorsement from AIPAC, which got him the nickname “AIPAC Shakur” from radio host Charlamagne tha God.

Multiple pro-Palestinian protests have been held outside Jeffries’ offices, including one NYC-DSA demonstration in November 2023 in which protesters demanded that he “stop supporting genocide.”

Some of the democratic socialist candidates who will enter Congress in January indicated that they would need Jeffries to back certain policies — including pushing the Block the Bombs Act — to secure their support in the election for House Speaker. But those politicians’ leverage diminished after Democrats secured a large House majority last week, giving Jeffries room to lose some votes from DSA and DSA-aligned members and still secure the majority of votes cast for named candidates to become Speaker.

Still, Jeffries is facing pressure from the left on issues including Israel, as well as what critics perceive as insufficient resistance to the Trump administration. Some House Democrats have been “inundated” with calls from constituents urging them not to elect Jeffries, Axios reported, while a petition calling for a different Speaker — which was shared by actor Mark Ruffalo, who has been a vocal advocate for Palestinians — has garnered more than 1 million signatures.

California Rep. Ro Khanna said last week that he would press Jeffries to commit to holding votes on eliminating military aid to Israel, defunding the Iran war and advancing Medicare for All. (Jeffries told CNN on Wednesday that Democrats will seek to end the Iran war as part of a sweeping affordability agenda.)

Treyger said he is confident that Jeffries, who voted against the Massie amendment to cut military aid to Israel this summer, will not waver.

“The person that I know is never a person that bends to pressure,” Treyger said. He pointed out that Jeffries’ vote came less than a month after left-wing supporters chanted “You’re next!” when Jeffries’ face appeared on screens at Rep.-elect Claire Valdez’s victory party.

In September 2025, J Street, the liberal Middle East advocacy group, endorsed Jeffries, just two years after the group’s president Jeremy Ben-Ami challenged Jeffries over the congressman’s comments that U.S. military aid should “remain ironclad” and not be conditioned over Israeli Prime Minister Benjamin Netanyahu’s radical judicial reform efforts.

“Our concern is that U.S. tax dollars shouldn’t be funding material and arms that facilitate the deepening of occupation and the permanent demise of a possible Palestinian state. That’s not in anyone’s security interest,” Ben-Ami said at the time.

Now, Jeffries is one of a dwindling group of Congress members supported by both AIPAC and J Street, two groups that went head-to-head in a number of races this year and have conflicting visions for military assistance and the U.S.-Israel relationship. He is also backed by Democratic Majority for Israel, whose CEO Brian Romick called Jeffries “a gifted consensus builder and a steadfast champion of the U.S.–Israel relationship” in an email to JTA.

In a statement to JTA on Thursday, Ben-Ami said that Jeffries “has been clear that, for the good of both Israelis and Palestinians, it is time for U.S. policy toward the Middle East to change.”

“We look forward to working with him to make that change a reality, including by passing the West Bank Violence Prevention Act, ending Trump’s war of choice with Iran, and ending unconditional military aid to Israel to ensure it is consistent with American laws and values,” Ben-Ami said.

Though Jeffries voted against the Massie amendment, he said that he would not be telling his colleagues how to vote, and wrote in a letter that “there are good faith reasons that will result in Members voting in a variety of different ways with respect to the amendment.” His letter also suggested that a new security arrangement after the current Memorandum of Understanding expires in 2028 could end direct military subsidies. Trump last week said he would wind down defense assistance to Israel, and Netanyahu has indicated he is on board with transitioning to a relationship where the two countries’ militaries remain closely aligned, but in which Israel does not depend on U.S. money.

When reached for comment, AIPAC pointed to its statement on X congratulating both Jeffries and Schumer “on the resounding victories for their caucuses.” It did not respond to a question about his support from J Street or view on military aid.

This article originally appeared on JTA.org.

The post A staunch supporter of Israel, Hakeem Jeffries would lead a Democratic majority pushing for change in U.S. policy appeared first on The Forward.

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Illinois voters pass proposals objecting to state anti-BDS law

(JTA) — Voters in eight municipalities in Illinois approved ballot measures last week registering formal objections to the state’s law barring state pension investments in companies that boycott Israel.

The ballot measures will have no effect on state policy. But pro-Palestinian groups are celebrating the wins as demonstrations of shifting public opinion against the law, first signed in 2015 to oppose the Boycott, Divestment, Sanctions movement.

The village of Oak Park and the townships of Champaign, Cunningham, DuPage, Kickapoo, Medina, Normal and Peoria all approved similarly worded ballot measures that urge the state to repeal its anti-BDS law or support specific state legislation that would do so. According to unofficial tallies, 65% of voters in Oak Park, a Chicago suburb whose local Jewish population mounted a sustained objection to the referendum, approved the measure there.

Jewish groups including the Jewish United Fund, Chicago’s federation arm, had campaigned against the ballot measure. The Illinois law, championed by JUF when it was first passed, was the first of what has become dozens of state anti-BDS laws in the country. First Amendment groups have challenged the laws.

“We would have much preferred a victory,” Dan Goldwin, chief public affairs officer for JUF, told the Jewish Telegraphic Agency on Monday. Yet Goldwin pointed out that Oak Park voters had approved the measure by smaller margins than their votes for top Democratic candidates including Illinois Gov. JB Pritzker and former presidential candidate Kamala Harris.

“Once people began to be exposed to the meaning of what the referendum was about, they moved against it. We just didn’t have enough time,” he said.

Some members of the Oak Park opposition had engaged in a drawn-out fight over the eligibility of the signatures the ballot measure activists had gathered. That time, Goldwin theorized, “was probably time better spent convincing people to vote against it.”

Separately, voters in Bloomington Township approved a measure stating that the federal government should “ban the transfer of weapons to any country that is a dictatorship, apartheid state or major violator of human rights.” The ballot language did not mention Israel, but pro-Palestinian activists have long maintained that Israel commits apartheid and that the U.S. should halt weapons sales to the country.

Local Jewish figures have said the campaign troubled them.

“It felt like it was a local chapter of a global movement to destroy the world’s only Jewish state, and I felt it personally and acutely,” Rabbi Adir Glick of Conservative Temple Har Zion in River Forest, which borders Oak Park, told the Wednesday Journal of Oak Park and River Forest about the campaign. “I know people who lost friendships in the last few months, and difficult moments with neighbors and colleagues, but it also galvanized our Jewish community.”

Goldwin said the measures’ passage wouldn’t change JUF’s own strategy opposing the repeal of the anti-BDS law at the state level. He noted that ballot measure activists, with the exception of Oak Park, largely didn’t target municipalities with large Jewish communities. In his view, those seeking the repeal of the law “are still a significant minority.”

The BDS movement had a more significant policy victory on election night with the passage of a binding ballot referendum in Providence, Rhode Island, to divest that city from “foreign countries conducting ethnic cleansing, apartheid, illegal military occupation, or genocide.” Proponents and opponents of the measure alike have said they believe the language and parameters of the question will include Israel.

This article originally appeared on JTA.org.

The post Illinois voters pass proposals objecting to state anti-BDS law appeared first on The Forward.

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