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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.
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Sheila Reich, beloved LA Yiddish teacher, has died
שיינדל „שילאַ“ רײַך, אַ פּאָפּולערע לאַנגיאָריקע ייִדיש־לערערין אין לאָס־אַנדזשעלעס, איז לעצטנס אַוועק אין דער אייביקייט. זי איז געווען 80 יאָר אַלט.
איך האָב געקענט שילאַן במשך פֿון מער װי אַ פֿערטל יאָרהונדערט אָבער בײַ מיר האָט זי געהייסן בלויז שיינדל. ערשט הײַיאָר, אויף איר 80סטן געבורירן־טאָג האָב איך אױסגעפֿונען אַז בײַ אַלע אַנדערע האָט זי געהײסן „שילאַ“.
יאָרן לאַנג איז שײנדל געװען אַ ייִדיש־לערערין אין פֿאַרשידענע אינסטיטוציעס איבער לאָס־אַנדזשעלעס. איך אַלײַן בין קיין מאָל נישט געווען בײַ איר אין קלאַס אָבער מײַן װײַב טעמע האָט זיך יאָרן לאַנג געלערנט בײַ איר. אַלס לערערין איז שײנדל געװען אויסערגעוויינטלעך. אין אַ טיפּישן קלאַס זענען די סטודענטן געווען אױף פֿאַרשידענע ניװאָען, פֿון אַבסאָלוטע אָנהײבער ביז אַװאַנסירט. דאָך האָט זי זיך אָפּגעגעבן מיט יעדן אײנעם באַזונדער. ווי אַ רעזולטאַט האָט די ייִדיש־קענטעניש בײַ יעדן סטודענט זיך פֿאַרבעסערט.
װי איך אַלײן, און ווי אַ סך פֿון אירע סטודענטן, איז שיינדל געװען אַ קינד פֿון דער שארית־הפּליטה. זינט די קינדעריאָרן האָבן מיר בײדע גערעדט ייִדיש מיט אונדזערע טאַטע־מאַמע. (זי האָט אויך גערעדט ייִדיש מיט איר זון, אַבֿי.) פֿאַקטיש איז ייִדיש פֿאַר אונדז בײדן געװען די ערשטע שפּראַך. אַן אונטערשייד פֿון צען יאָר צווישן אונדז, איז שיינדל אין מײַנע אױגן געװען די עלטערע שװעסטער װאָס איך האָב נישט געהאַט. אין אונדזערע פֿיל שמועסן האָבן מיר גערעדט אױף מאַמע־לשון. חס־וחלילה מיר זאָלן רעדן אױף דער גױישער שפּראַך! אַזױ װי איך, האָט זי געקענט צענדליקער, אױב נישט הונדערטער יִידישע אױסדרוקן, שפּריכװערטער און חכמות. מיר האָבן אָפֿט זיך געטיילט מיט די אויסדרוקן און תּמיד הנאה געהאַט ווען מיר האָבן זיך דערוווּסט אַ נײַ ווערטל.
יאָרן לאַנג איז שײנדל אויך געװען אַ מיטגליד פֿון אונדזער לײענקרײַז אין לאָס־אַנדזשעלעס. טראָץ דעם װאָס זי איז געװען אַ ייִדיש־לערערין האָט זי זיך קיין מאָל נישט געהאַלטן העכער פֿון אונדז. . אָט זענען עטלעכע:
„זומער און װינטער ליגט אים אין מױל“ — אַ פּאַטאַלאָגישער ליגנער. דער ליגן בלײַבט אין זײַן מױל אַ גאַנץ יאָר.
„עס גײט מיר אן אַזױ ווי דער פֿאַריאָריקער שנײ.“
„איך האָב נישט אַפֿילו קײַן כּוח צו חלשן.“
„קושװאָך“ — „האָנימון“. איז דאָס נישט חנעװדיק?
שײנדל איז געװען אַן אשת־חיל, מיט אַ פֿינקל אין אױג. איך, צוזאַמען מיט די מיטגלידער פֿון אונדזער לײענקרײַז און די אָנצאָליקע סטודענטן במשך פֿון די יאָרן, װעלן שטאַרק בענקען נאָך איר. כּבֿוד איר אָנדענק!
The post Sheila Reich, beloved LA Yiddish teacher, has died appeared first on The Forward.
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Do European Nationalists Really Love Israel?
A police officer stands at the scene, after a man was arrested following a stabbing incident in the Golders Green area, which is home to a large Jewish population, in London, Britain, April 29, 2026. Photo: REUTERS/Hannah McKay
For decades, major pollsters around the world have conducted surveys on attitudes toward Jews. For decades, these surveys have produced more heat than light.
“Thinking of Jews, is your attitude generally positive or negative?” — that is the typical formulation. Time after time, pollsters found that in the West in general, and in the Anglosphere in particular, negativity toward Jews was low. Perhaps 10–15% of the Western public would openly state that they see Jews negatively.
That number may still sound high to some. But what does it actually mean in terms of the potential for rapid political mobilization? Nobody really knows. Yet much of the academic research on antisemitism — conducted in major universities and sponsored by well-meaning donors — never seriously bothered to ask the crucial questions: what does this figure mean, and is it a lot or a little?
But there is another puzzle hiding in plain sight, equally gracefully ignored. The trend in negativity toward Jews is flat. If surveys are to be believed, not much has changed in the minds of Westerners over the past decade, and possibly longer. And yet, with reports constantly highlighting a global surge in antisemitic incidents reported by Jews to the police, one is tempted to ask: who is lying? Jews who report incidents to the police and Jewish communal bodies? The police? Or the surveys?
I have an answer: the surveys are. Or rather, the surveys are asking the wrong question.
What they should be asking, and some do, only less enthusiastically than they should, is whether the Western public is negative toward Israel.
And this is emphatically not because what people feel about Israel is an objectively true measure of Jews’ status, or even Israel’s status, in the Western imagination. It is because attitudes toward Israel function as a mirror: they reveal the respondent’s own identity, the way they see themselves, and their hopes for their society. In a way, Jews and Israel can almost be forgotten. They are only needed as instruments to tease out people’s real political selves.
Have you noticed a finding that some consider “strange,” others applaud, but nobody explains convincingly? When surveys ask about attitudes to Israel and also ask about political affiliation — and when the responses are cross-classified — it turns out that nationalist circles in the West are often quite pro-Israel.
In a recent YouGov survey in Britain, for example, 39% of Reform UK supporters (the most nationalistic large British party) identified as pro-Israel, and only 13% said they were anti-Israel.
Contrast this with the currently surging far-left force, the Green Party: only 4% of Green supporters were pro-Israel, while 60% were anti-Israel. The British political old-timers — the Conservatives and Labour — show similar dynamics in essentials. While the traditionally nationalistic Conservatives lean more pro-Israel than anti-Israel, Labour leans in the opposite direction.
These findings are not new. Nor are they limited to a single pollster.
It is true that the British political map has been redrawn in recent years. The old two-party dynamic — similar to what exists in the US — no longer holds, at least for now. The Conservatives and Labour are no longer the uncontested icons of Right and Left. Instead, both look like spent forces. British politics now has clearer, more sharply defined right-wing and left-wing agendas, represented by Reform UK and the Greens. But the basic pattern — the positivity of nationalists toward Israel and the hostility of socialist circles toward it — has existed for years. It is traceable back at least a decade.
The lack of serious commentary on this is astonishing, especially given that both radical left and right-wing forces are rising across Europe. So what is happening to the nationalists? Do they really care about Israel? And should this be celebrated by those who care about Israel?
My answer, from the crossroads of demographic and historical research, is simple: British nationalists care first and foremost about themselves. They are pro-Israel because Israel is useful to their self-understanding.
The way European nationalists see Israel is simply the way they want to see themselves. Israel, in their eyes, is a Western country — close in manners and sensibilities to their own. It is a muscular Western democracy, defending its citizenry and saying a decisive “yes” to prosperity and innovation, and a decisive “no” to attempts to valorize terrorism or relativize good and evil.
While such games could be played for a while in the West, Israel did not have the luxury of indulging in them for long. And so, not by design but by historical slippage, Israel became the version of the West that Western nationalists crave but can no longer see around them. At the same time, Israel’s neighbors and insurgents are associated with anti-Western sentiments and terrorism — and, more broadly, with what is not the West. The very West of which Britain is a formative part, and which nationalists believe deserves celebration.
In a recently published feature refreshingly titled “Zionism for Everyone,” Alana Newhouse proposes a simple test of national wellbeing. Can a country maintain its demographics? Can it defend itself? Are its people happy?
In Israel’s case, the answer to all three questions is a resounding yes. Israel’s population grows naturally. Israel fights wars — not without successes, to put it mildly. And Israelis report some of the highest levels of happiness in the Western world. Zionism, Newhouse argues, is a recipe for everyone.
Is this merely wish-casting — an expression of the author’s political preferences? Not so fast. It looks like large swathes of European nationalists feel similarly. Listening to their critiques of their own societies, it is procreative confidence, pride, muscularity, and optimism that they identify as both lacking and desirable.
And what of British Jews?
Their politics is also being redesigned. Like the rest of the UK, they are increasingly interested in the newly popular right-wing and left-wing forces — Reform UK and the Green Party. Like the rest of the UK, they are less interested in the old political brands, Conservatives and Labour. Recent surveys of British Jews make this clear.
Yet British Jews are not overwhelmingly aligned with Reform UK. The extent to which nationalist pro-Israel sentiment affects Jewish voting behavior remains unclear. At the risk of sounding dramatic, this resembles unreturned love.
Put more analytically: British Jews, and Diaspora Jews more broadly, do not share a single unified vision of their host societies — or of themselves. People often speak of “Jewish interests.” Perhaps the only idea that unites both antisemites and philosemites is the belief that Jews have some collective “interest” that they coordinate politically. The difference is that antisemites describe this alleged interest in sinister terms, while philosemites relate to it with sympathy. Both miss the point.
Jewish political instincts do not boil down to guarding some uniquely defined and unambiguous “Jewish interest.” Jews are as divided over what is good for them as their host societies are. And that is perhaps the best-kept secret about Jewish politics.
So what are these competing visions of society now being contested in Britain?
One vision, promoted by British nationalists, holds that nations are natural units of human existence. Their elites, however flawed, should take care of them. Borders should be guarded. National identity should be celebrated. In that broad family of nations, Britain, Israel, and the West more generally are benevolent forces — associated with lifestyles conducive to freedom and prosperity.
An opposing vision, promoted by the far left and expressed eloquently by the leader of the British Green Party, Zac Polanski, is one in which no country has a right to exist. Similar sentiments have been voiced before. In this worldview, individuals — not nations — are the natural units of humanity. Nations are retrograde, perhaps ridiculous. End of story. Full stop.
From this menu of national versus post-national dishes, the whole of the West — majorities and minorities alike, including Jews — is now choosing. These choices dictate voting behavior and political rhetoric.
If we adopt this framework, the nationalists’ love of Israel at this particular historical moment, as well as Jewish ambivalence toward nationalist parties, becomes simultaneously explainable. Until now, both the nationalist affection for Israel and Jewish lack of enthusiasm for nationalists have seemed puzzling. But a single explanation that solves several puzzles at once is usually the strongest explanation — assuming Occam’s razor still holds.
In today’s West, broadly speaking, whoever loves the West loves Israel. The two loves are connected because Israel is perceived as the West — condensed, sharpened, and made morally legible. By extension, whoever cannot tolerate the West cannot bear Israel.
And so, as long as the West remains capable of self-love at all, Israel will remain acceptable in its books.
Dr. Daniel Staetsky is an expert in Jewish demography and statistics. He is based in Cambridge, UK.
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Exposing The New York Times’ Tucker Carlson Interview
Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect
Like everyone who has sat down in recent months to interview Tucker Carlson, The New York Times’ Lulu Garcia‑Navarro too often allowed him to do what he does best: answer anything and everything with a mixture of sophistry, dishonesty, and vagueness.
Overall, she did a better job than most. Economist editor‑in‑chief Zanny Minton Beddoes, for example, all but avoided Carlson’s most insidious claims about Israel and Jews in her own interview, preferring to spar with him on safer, domestic territory.
Garcia‑Navarro, by contrast, doesn’t duck the subject at all.
Naming the Trope Without Truly Challenging It
She pointedly asked him about “rhetoric where everything is blamed on Israel, where Israel is seen as the core of all of these problems,” and notes how his rhetoric “has echoes of the Protocols of the Elders of Zion,” rhetoric that “opens the door to this idea that there is a very powerful sect of Jewish people who want global war and global conflict.”
She challenged his platforming of Nick Fuentes and tied it to Holocaust denial and to the way dehumanizing language paves the way for mass violence.

“The Holocaust didn’t start with the gassing of Jews. It started with the dehumanization of Jews, with the way that they were spoken about, with the language that was used,” she told him. It is a powerful line.
But she followed it with a curiously soft question: “Why do you think you get tagged so often with antisemitism?”
“Tagged” as antisemitic? Why ask Carlson how he feels about the label rather than confront him with his own words?
Why press him him on his claim that Dick Cheney’s office was “completely controlled … by people who were putting Israel’s interests above America’s interests,” or his description of Donald Trump as a “slave” to Benjamin Netanyahu and his “advocates in the United States,” and ask him directly how that is not trafficking in classic antisemitic narratives about Jews driving wars?
Why not force him to account for his line that “Israel pushed the United States president” into war with Iran and sought to keep the conflict going until Iran was “destroyed and chaotic, which is the Israeli goal”?
The Question Garcia-Navarro Never Really Asked
What Garcia‑Navarro too often failed to do is what so many interviewers before her have also failed to do: ask Carlson for evidence and stay on the claim until he either substantiates it or admits he cannot. When he portrayed Trump as a “hostage” and “slave” to Netanyahu and suggested Israeli leaders drove both the Iraq and Iran wars, she largely let those claims stand without demanding proof in the moment.
At his most evasive, Carlson falls back on one of his most familiar tactics: either feigning ignorance or retreating into an undefined “they.”
To her credit, Garcia‑Navarro did at one point press him on that famous “they” — asking him explicitly who “they” are when he talks about shadowy forces pushing Trump toward war. That, precisely, is what a good interviewer should do.
Carlson’s “They” and the Return of Old Conspiracies
But then, at other moments, she let him wriggle away. She raised the Protocols of the Elders of Zion herself, clearly aware of how central that forged text is to the idea of a Jewish cabal manipulating global events. Carlson responds by saying he has merely “heard references to it” and that it is “like a Tsarist forgery or something.”
This is one of the most prominent right‑wing media figures in America, a man who opines constantly about antisemitism, Jews, and Israel. How is it conceivable that he has not properly “heard of” one of the foundational antisemitic texts of the last century? Why not simply ask that? Why not point out that he is disavowing knowledge of the book while reproducing its very structure in his claims about shadowy pro‑Israel forces controlling presidents and forcing wars?
Letting Conspiracy Theories Stand Unchallenged
Carlson deserves to be challenged at the level of evidence, not just rhetoric.
On Iraq, he made the claim that former Vice President Cheney’s office was being controlled before concluding, “I would say the Iraq war was to a great extent a product of that.” On Iran, he similarly claimed that “Israel pushed the United States president” and that Israeli strikes on civilians in Lebanon were designed to sabotage diplomacy and “keep this going until Iran was destroyed and chaotic, which is the Israeli goal.”
On the latter point, Garcia‑Navarro mostly restated his claims and tacitly accepted the framing by asking why Trump has been uniquely susceptible compared with previous presidents. On both wars, she never put to Carlson the obvious counter‑facts: post‑9/11 doctrine, US intelligence assessments, the role of Gulf states, or Iran’s own conduct. She never tests whether “Israel did it” is anything more than a monocausal conspiracy theory.
Israel’s Legitimacy Treated as an Open Question
The same pattern holds for Israel’s basic legitimacy. Carlson was allowed, repeatedly, to pivot to his preferred talking points. He questioned whether Israel has any “unique right to exist” based on scripture and whether “people whose ancestors didn’t live here now occupy the land.”
Garcia‑Navarro did note that this rhetoric veers into delegitimizing Israel as the homeland of the Jewish people, but she did not test his reasoning. Israel is not a case of “Bible or bust.” There are non‑theological bases for its legitimacy — UN partition, international recognition, state practice — that never entered the conversation.
By keeping the debate locked inside Carlson’s chosen frame — is Israel’s biblical claim valid? — the interview ended up treating the very question of Israel’s right to exist as an open, almost abstract dilemma.
Would Garcia‑Navarro ever entertain, in the same way, the question of whether Algeria or Pakistan “really” have a right to exist, on the grounds that their borders are disputed and their populations include people “whose ancestors didn’t live there” a hundred years ago?
The New York Times Problem
In that sense, Garcia‑Navarro becomes a proxy for broader New York Times tendencies. She is very good at naming labels: antisemitism, “cabal” tropes, the Holocaust, genocide, “delegitimizing Israel.”
But when Carlson made concrete empirical claims — that Israel decides US wars, that it deliberately targets civilians in Lebanon to blow up peace talks, that “hundreds” of people in Britain have been arrested simply for “criticizing Israel,” that Israel practices “collective punishment” — she rarely forced him to supply proof or confront counter‑evidence.
The Times is comfortable talking about antisemitism as a feeling or fear. It is much less comfortable adjudicating factual narratives about Israel, even when those narratives echo some of the oldest antisemitic myths in circulation.
Antisemitism as Rhetoric, Not Fact-Checking
That asymmetry runs through the interview. Throughout, Garcia‑Navarro seems more at ease challenging Carlson on certain narratives than others. She pushed repeatedly on his theological musings about Trump as a possible “Antichrist” and on Christian morality in the age of Trump. Yet she took a comparatively light touch toward Carlson’s sweeping claims about Israel’s agency and Israel as the prime driver of Middle Eastern conflict.
That choice is particularly striking because Garcia‑Navarro is not a novice on these issues. She has previously hosted ADL chief executive Jonathan Greenblatt to discuss antisemitism, anti‑Zionism, and “double standards” toward Israel, and she has reported extensively on Israel and the Palestinians. She knows that “Israel controls US policy” narratives are a staple of modern antisemitism. Precisely because she knows this, the decision to let so many of those claims pass without forensic challenge is important.
When Caveats Replace Journalism
When a platform as powerful as The New York Times invites Tucker Carlson to explain why Israel supposedly drives American wars, the minimum journalistic standard cannot be to name the antisemitic tropes and then leave his assertions hanging in the air.
It has to be to interrogate them, to demand evidence, and to put his story about Israel alongside the facts about how US policy is actually made. Otherwise, even a well‑meaning interview risks laundering a familiar narrative — that a small, uniquely suspect Jewish state and “its advocates” pull the strings — into the mainstream with only the thinnest of caveats.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
