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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.
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82 years after his plane was shot down in China, Jewish WWII pilot Morton Sher is laid to rest at home
An American Jewish fighter pilot whose plane was shot down in the Chinese theater during World War II was given a proper burial 82 years after his plane went down, according to the United States Department of Defense.
The remains of Lt. Morton Sher, identified earlier this year, were buried in Greenville, South Carolina on Dec. 14 — what would have been his 105th birthday.
Sher was a member of the pilot group known as the “Flying Tigers” — formed to protect China from Japanese invasion following the assault on Pearl Harbor in 1941. He was piloting a P-40 Warhawk when he was shot down by Japanese bombers on Aug. 9, 1943. His mother Celia received Sher’s Purple Heart that same year.
Sher’s squadron put up a memorial stone at the crash site in Xin Bai Village, and a postwar army review in 1947 concluded that his remains had been destroyed and were assumed to be unrecoverable.
The remains of Morton Sher were returned to Greenville, North Carolina and buried on Dec. 14, 2025. (Courtesy Department of Defense)
Two attempts were made to locate his remains in 2012 and 2019, but neither was successful. A breakthrough came in 2024 when a Defense POW/MIA Accounting Agency excavated a crash site in the province where Sher’s plane fell, and then in April 2025, when DNA analysis was conducted. The match was confirmed in June.
Sher was born in Baltimore, Maryland on Dec. 14, 1920, and his family later moved to Greenville where they became members of the Conservative synagogue Congregation Beth Israel. In high school, he was a member of the aviation club and enrolled in ROTC. Sher was a founding member of B’nai B’rith Youth Organization’s Aleph Zadik Aleph chapter in Greenville, according to the funeral home that organized his burial.
“He dreamed of being a pilot,” Sher’s nephew, Steve “Morton” Traub told Greenville’s local NBC station. “This guy did a lot for his country. He was my hero.”
Traub, who never met his uncle, but heard stories and read his letters, was raised by Sher’s father, David.
“I wish I had known him, but if he had, I wouldn’t have been named after him. I feel like I knew Mason because I knew Papa,” Traub said.
This article originally appeared on JTA.org.
The post 82 years after his plane was shot down in China, Jewish WWII pilot Morton Sher is laid to rest at home appeared first on The Forward.
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Trump administration Christmas messages emphasize Jesus in overtly religious terms
The Trump White House marked Christmas with a formal message that celebrated “the birth of our Lord and Savior, Jesus Christ,” extending a week of overtly religious holiday communications from federal agencies and prompting renewed debate over church-state boundaries.
“The First Lady and I send our warmest wishes to all Americans as we share in the joy of Christmas Day and celebrate the birth of our Lord and Savior, Jesus Christ,” the presidential message, posted on the White House website on Thursday, began.
The statement went on to recount the Nativity story in devotional language, calling Jesus “the Light of the World, the source of eternal salvation, and the living Son of God,” and praising “the graces of Christ’s life, death, and resurrection.”
While previous presidents have routinely issued Christmas greetings, they have typically emphasized themes of charity, family and goodwill in language meant to include Americans of many faiths. The White House message this year asserted a specifically Christian vision of faith and national identity.
The presidential message followed a series of social media posts from federal departments that also invoked Jesus directly. Defense Secretary Pete Hegseth wrote, “Today we celebrate the birth of our Lord and Savior, Jesus Christ.” The Department of Labor posted, “Let Earth Receive Her King.” A video from the Department of Homeland Security declared, “We are blessed to share a nation and a Savior,” alongside images of a Nativity scene and the American flag.
The president of Americans United for Separation of Church and State, Rachel Laser, who is Jewish, called the messaging “divisive” in a statement to The New York Times, saying that citizens “should not have to sift through proselytizing messages to access government information.”
Some Jewish commentators reacted with unease, saying the cumulative effect of the posts was to define the American “we” in explicitly Christian terms. Critics see something closer to Christian nationalism, the idea that the United States is fundamentally a Christian nation and should be governed accordingly.
“This is not a comforting message for American Jews,” one Jewish writer posted in response to the Homeland Security video.
Others emphasized that the objection was not to Christmas itself, but to the government’s role in promoting religious belief. Seth Abramson, an author and political commentator who is Jewish, wrote on X that while he enjoys celebrating Christmas with relatives, “separation of church and state is vital.”
The First Amendment prohibits the government from establishing a religion or favoring one faith over others. Jewish organizations have historically viewed that principle as a key protection for religious minorities. As of Friday afternoon, major Jewish groups had not issued statements specifically addressing the Christmas messages.
Supporters of the administration say its messaging is merely stating the obvious, and serving to restore space for faith in public life. According to an editorial in The Nevada Globe, “For many Nevadans — and millions of Americans nationwide — it was a welcome return to the simple truth of the season: Christmas is about Christ, family matters, faith still belongs in public life, and America is worth praying for.”
This article originally appeared on JTA.org.
The post Trump administration Christmas messages emphasize Jesus in overtly religious terms appeared first on The Forward.
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Mamdani Taps Anti-Israel Voices Ms. Rachel, Cynthia Nixon, Jewish Voice for Peace Director for Inaugural Committee
New York City mayor-elect Zohran Mamdani attends a press conference at the Unisphere in the Queens borough of New York City, US, Nov. 5, 2025. Photo: REUTERS/Kylie Cooper
New York City Mayor-elect Zohran Mamdani on Wednesday unveiled the members of his inaugural committee, and the list includes a slate of anti-Israel appointments, sparking renewed concerns over the incoming administration’s commitment to protecting the Jewish community.
Among the most controversial appointees are high-profile activists and cultural figures who have taken public anti-Israel positions or are affiliated with organizations sharply critical of the Jewish state, such as children’s entertainer Rachel “Ms. Rachel” Accurso and actress Cynthia Nixon. Another controversial name on the list is Beth Miller, political director at Jewish Voice for Peace (JVP), an organization that rejects Zionism and has defended protests targeting Israeli institutions.
In the two years following the Hamas-led Oct. 7, 2023, assault on Israel, Accurso has used her sizeable platform to launch an unremitting barrage of condemnation toward Israel, accusing the Jewish state of committing so-called “genocide” and starving children. She sparked backlash after posting about a three-year-old Gazan girl named Rahaf, who lost her legs in an Israeli airstrike. Accurso did not contextualize the situation by acknowledging that the Palestinian terrorist group Hamas often uses children as human shields during their operations, instead framing Rahaf’s injuries as a result of Israeli military malfeasance. She has also falsely accused Israel of purposefully triggering starvation in Gaza against the civilian population.
“We must not let one more baby or child die of starvation. This isn’t about politics, it’s about basic humanity,” she posted on Instagram.
Nixon has repeatedly lambasted Israel and signed a petition supporting South Africa’s genocide case against the Jewish state at the International Court of Justice.
Miller helps lead one of the most vocal anti-Israel organizations in the country. She recently shared a post on X which read that Israel has “starved, abducted, and displaced Palestinian children every day in 2025.” She also shared another post which characterized Israel’s military operations as “unfathomably evil” and wrote that Israel is “actively carrying out a genocide,” citing allegations from “Palestinian, Israeli, and international human rights organizations.” She even condemned outgoing New York City Mayor Eric Adams for visiting Israel, saying he “continues to demonstrate what it looks like to truly not give one single flying f–k about New Yorkers.”
Despite JVP’s name, a poll released earlier this year found that the vast majority of American Jews believe that anti-Zionist movements and anti-Israel university protests are antisemitic. The findings also showed that Jews across the US overwhelmingly oppose the views and tactics of JVP.
Meanwhile, StandWithUs (SWU), an organization which promotes a mission of “supporting Israel and fighting antisemitism,” released a report in January examining how the far-left JVP organization “promotes antisemitic conspiracy theories” and even partners with terrorist organizations to achieve its “primary goal” of “dismantling the State of Israel.”
According to the report, JVP weaponizes the plight of Palestinians to advance an “extremist” agenda which promotes the destruction of Israel and whitewashes terrorism, receiving money from organizations that have ties to Middle Eastern countries such as Iran.
JVP, which has repeatedly defended the Hamas-led Oct. 7 massacre, argued in a recently resurfaced 2021 booklet that Jews should not write Hebrew liturgy because hearing the language would be “deeply traumatizing” to Palestinians.
Critics of the organization often point out that many JVP chapters do not have a single person of Jewish faith. The organization does not require a Jewish person to found a chapter and has even helped orchestrate anti-Israel demonstrations in front of synagogues.
The new appointments cast doubt over whether the Mamdani administration will protect the city’s Jewish population amid a record wave of antisemitic attacks in the city. The mayor-elect has vowed to defend Jewish New Yorkers and attempted to mend relations with outreach to Jewish leaders. He has also expressed public grief over the recent Bondi Beach massacre targeting a Hanukkah celebration in Sydney, Australia.
Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.
Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.
A Sienna Research Institute poll released in early November revealed that a whopping 72 percent of Jewish New Yorkers believe that Mamdani will be “bad” for the city. A mere 18 percent hold a favorable view of Mamdani, according to the results, while 67 percent view him unfavorably.