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As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline?
(JTA) — After five seasons, 20 Emmy awards and plenty of Jewish jokes, “The Marvelous Mrs. Maisel” airs its final episode on Friday.
The lauded Amazon Prime show from Amy Sherman-Palladino has enveloped viewers in a shimmering, candy-colored version of New York during the late 1950s and early 1960s — a world in which “humor” has meant Jewish humor and “culture” has meant Jewish culture.
But as it comes to an end, the show’s Jewish legacy is still up for debate: Did its representation of Jews on mainstream TV make it a pioneer of the 2010s? Or did it do more harm than good in the battle for better representation, by reinforcing decades-old comedic tropes about Jews?
The comedy-drama followed the vivacious Midge Maisel (Rachel Brosnahan) on a journey from prim Upper West Side housewife — left in the lurch after her husband has an affair with his secretary — to ambitious, foul-mouthed comic fighting her way through the male-dominated standup comedy industry. Her New York Jewishness colored her jokes, her accent, her mannerisms and much of her daily life.
That’s because the whole landscape of the show was Jewish, from the well-to-do, acculturated intelligentsia (such as Midge’s parents) to the self-made garment factory owners (such as her in-laws). Even the radical Jewish comic Lenny Bruce, a countercultural icon of the midcentury, appeared as a recurring character who propels Midge’s success.
Henry Bial, a professor specializing in performance theory and Jewish popular culture at the University of Kansas, said the emergence of “The Marvelous Mrs. Maisel” in 2017 exemplified a shift to more overt portrayals of Jews on TV — especially on streaming services. Although Jewish characters featured in TV shows throughout the 20th century, such as “The Goldbergs” in the 1950s, “Rhoda” in the 1970s and “Seinfeld” in the 1990s, their Jewishness was often more coded than explicit. Network television, seeking to attract the majority of Americans coveted by advertisers, feared alienating audiences who couldn’t “relate” to ethnic and racial minorities.
“If there are only three things you can put on television at 8 o’clock on Tuesday night, then there’s a lot more incentive for networks and advertisers to stay close to the herd, because you’re competing for the same eyeballs,” said Bial. “But when people can watch whatever they want whenever they want, then it opens up for a much wider range of stories.”
Other shows such as “Transparent,” “Broad City” and “Crazy Ex-Girlfriend,” which debuted in 2014 and 2015, are often cited alongside “Mrs. Maisel” as part of a new wave of Jewish representation.
Riv-Ellen Prell, a professor emerita of American studies at the University of Minnesota, argued that Midge subverts the stereotype of the “Jewish American princess.” At the start of the show, she appears to embrace that image: She is financially dependent on her father and husband and obsessive about her appearance, measuring her body every day to ensure that she doesn’t gain weight. Despite living with her husband for years, she always curls her hair, does her makeup and spritzes herself with perfume before he wakes up.
“She looks for all the world like the fantasy of a Jewish American princess,” said Prell. “And yet she is more ambitious than imaginable, she is a brilliant comic who draws on her own life. You have Amy Sherman-Palladino inventing the anti-Jewish princess.”
Bial said that Midge’s relationship with her Jewishness defies another stereotype: That identity is not a source of neurosis or self-loathing, as it often appears to be in the male archetypes of Woody Allen and Larry David, or in Rachel Bloom’s “Crazy Ex-Girlfriend.” Through the spirited banter, the pointed exclamations of “oy,” the titillation over a rabbi coming for Yom Kippur break fast — Midge’s Jewishness is a source of comforting ritual, joy and celebration.
“She has anxieties and issues, but none of them are because she’s Jewish,” said Bial.
Some critics argue the show’s depiction of Jewish culture relies on shallow tropes. In a 2019 review, TV critic Paul Brownfield said “The Marvelous Mrs. Maisel” repurposed stereotypes to appear “retro chic.” He pointed to a consistent contrast between the Weissmans (the assimilated, cultured Jews of the Upper West Side) and the Maisels (the boorish, money-focused Jews of the Garment District), arguing that these superficial types replace an exploration of what the period was actually like for American Jews.
“However ‘Jewish’ Sherman-Palladino wants the show to be, ‘Maisel’ fails to grapple with the realities of the moment in Jewish American history it portrays,” Brownfield wrote. “Which is ultimately what leaves me queasy about its tone — the shtick, the stereotypes, the comforting self-parody.”
Meanwhile, Andy Samberg took a jab while co-hosting the 2019 Golden Globes with Sandra Oh. “It’s the show that makes audiences sit up and say, ‘Wait, is this antisemitic?’” he joked.
Tony Shalhoub and Marin Hinkle, shown in a synagogue scene, are two of the show’s non-Jewish actors. (Nicole Rivelli/Amazon Studios)
Others have criticized the show’s casting: Its titular heroine, her parents Abe and Rose Weissman (Tony Shalhoub and Marin Hinkle) and Lenny Bruce (Luke Kirby) are all played by non-Jews. A debate over the casting of non-Jewish actors in Jewish roles has heated up in recent years, taking aim not only at Brosnahan as Midge Maisel, but also at Felicity Jones as Ruth Bader Ginsberg in “On The Basis of Sex,” Helen Mirren as Golda Meir in “Golda” and Gaby Hoffmann and Jay Duplass as the Pfefferman siblings in “Transparent.” Comedian Sarah Silverman popularized the term “Jewface” to critique the trend.
“Watching a gentile actor portraying, like, a Jew-y Jew is just — agh — feels, like, embarrassing and cringey,” Silverman said on her podcast in 2021.
Midge’s rise as a comedian is interlocked with her ally and one-time fling, the fictionalized Lenny Bruce. His character has a softened glow in the show, but in reality, Bruce was branded a “sick comic” for his scathing satire that railed against conservatism, racism and moral hypocrisy. Between 1961 and 1964, he was charged with violating obscenity laws in San Francisco, Los Angeles, Chicago and New York, and he was deported from England. At his Los Angeles trial in 1963, Bruce was accused of using the Yiddish word “shmuck,” taken as an obscenity to mean “penis.” He incorporated the charge into his standup, explaining that the colloquial Jewish meaning of “schmuck” was “fool.”
Driven to pennilessness by relentless prosecution, police harassment and blacklisting from most clubs across the country, he died of a morphine overdose in 1966 at 40 years old. The real Lenny Bruce’s tragedy lends a shadow to the fictional Midge Maisel’s triumphs.
The United States that he struggled with until his death also looks comparatively rosy through the lens of “The Marvelous Mrs. Maisel,” whose protagonist battles misogyny but takes little interest in other societal evils — including still-rampant antisemitism. Some critics have noted that she is oblivious to segregated facilities when she tours with Black singer Shy Baldwin, then nearly outs him as gay during her set.
“‘Mrs. Maisel’ takes place in a supersaturated fantasy 1958 New York, one where antisemitism, racism, homophobia and even sexism are barely a whisper,” Rokhl Kafrissen wrote in 2018.
Reflecting on the criticism that had piled up by 2020, Sherman-Palladino and her husband Daniel Palladino, also an executive producer and a lead writer for the show, told the Jewish Telegraphic Agency that trying to appease every Jewish viewer was a futile exercise.
“We knew that if we show a Jewish family at temple — if we show them and talk about Yom Kippur and all those kinds of things — there are going to be people who are going to nitpick at specifics that maybe we didn’t get exactly right,” said Palladino, who is not Jewish. “But a lot of the feedback that we’ve gotten has been ‘Thank you. Thank you for leaning into it and showing Jews being Jewish, as opposed to just name checking them as Jewish.’”
Sherman-Palladino added: “[T]here are many different kinds of Jews! To say, ‘oh, Jewish stereotypes,’ well, what are you talking about? Because we have an educated Jew, we have a woman who was happy to be a mother, we have another woman striking out as a stand up comic, and, you know, Susie Myerson’s [Alex Borstein’s character] a Jew! We’ve got a broad range of Jews in there.”
However “The Marvelous Mrs. Maisel” is assessed in the future, it will remain significant for thrusting a new kind of Jewish heroine into the mainstream consciousness, said Bial.
“Because of its popularity, its longevity and frankly its quality, it’s going to be the example,” Bial said. “In the history of Jews and TV, this is going to be the chapter for the late 2010s and early 2020s — you have to mention ‘Mrs. Maisel.’ It is very clearly a landmark in Jewish representation, particularly for Jewish women.”
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The post As ‘The Marvelous Mrs Maisel’ ends, will its Jewish legacy be more than a punchline? appeared first on Jewish Telegraphic Agency.
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Everyone can be a war profiteer in Gaza or Iran, thanks to online betting markets
At any moment, an alert might pop up about a catastrophic world event. Maybe Israel has bombed Iran, or Iran has bombed Israel. Maybe the U.S. has bombed Iran’s nuclear programs, or its capital of Tehran. That’s the world we live in.
And, as long as things are so bad, you might as well profit on the start of World War III.
You may have noticed a sky-high number of ads for gambling sites. DraftKings, an online sports betting site, advertises during pretty much every game for every kind of sport. But the real game is on unregulated betting sites like Polymarket and Kalshi, where users can, from the comfort of their couches on their phones, bet on pretty much anything — what phrases Trump will use in his next social media post, or when the next snow will hit New York City.
Many of the bets are frivolous, but there’s a darker world. Betting on Middle Eastern geopolitics has become hot on the platform; the likelihood of the U.S. striking Iran is currently the top trending market on Polymarket, with $313 million wagered. Bets on Israel’s geopolitical moves are also hot.
Polymarket says its intent, “in gut-wrenching times like today,” is “to harness the wisdom of the crowd to create accurate, unbiased forecasts for the most important events to society.” (Kalshi has fewer Middle Eastern betting markets — though not none.)
But it all seems rather ghoulish. Sure, war always leads to some profiteering, but the prediction markets have made profiting on death pretty literal. Over $3 million has been placed on dates Israel might strike Gaza in the month of February, with Polymarket users hotly debating what, exactly, counts as a strike and celebrating drone hits with the hope of a payout. One commenter posted that they’d heard a Palestinian man was killed on Feb. 16; “Let’s hope,” another excitedly replied.
People who wagered on Israel striking Gaza have already won on nine different days in February. Rates depend on the bet’s odds when placed; shares are priced between 1 cent and $1 based on the going odds, with a payout of $1 a share for a win. Based on February’s odds, most people doubled or tripled their money.
There’s a lot of fine print, however. Artillery fire does not qualify as a “strike,” according to the rules of the market. Neither does a ground or naval invasion. The rules are extensive and include the types of sources that can count as confirmation — government confirmation or “a consensus of credible reporting” is required. Reporting exclusively from Palestinian outlets seems not to count, making the resolution to each wager a fraught issue.
And the markets are easy to manipulate or game with insider information. Two Israelis — a civilian and a reservist — were charged by the IDF for betting on a geopolitical market based on classified information. And Israel is investigating this as a wider problem after one user on Polymarket cashed out on numerous correct bets related to Israel’s June 2025 strike on Iran.
Shayne Coplan, the founder of Polymarket, has called the site a “truth machine,” framing it as a source of knowledge on world events. And, in some ways, the markets do have access to a certain type of truth: public opinion. One market on Kalshi, worryingly, is betting on whether Nick Fuentes will become president in the next 20 years. His chances are currently sitting at 16%.
Yet the wisdom of public opinion is fallible. People can only make their best guesses based on public information, which can lead to big losses; users lost hundreds of thousands of dollars on the Romanian presidential election. Some traders, who make a living on Polymarket and Kalshi, rely on short delays in confirmation, managing to sneak in on a bet after news has happened but before it is officially confirmed. The best way to win, however, is insider information — without regulation, there’s nothing to prevent, say, Trump’s speechwriter from wagering on what topics the president will cover in his State of the Union.
Still, there are some zealots who will always bet on their favorite, though, no matter how bad the odds. The devout have put Jesus at a 4% chance of returning before the end of the year.
Everyone else is happy to bet against it. Sure, it’s a safe bet, but the “no” bettors still made a tidy 5.5% return last year.
The post Everyone can be a war profiteer in Gaza or Iran, thanks to online betting markets appeared first on The Forward.
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Why the Jews Survived When so Many Civilizations Collapsed
Pro-Israel demonstrators gathered at Bebelplatz in central Berlin on Nov. 30, 2025, before marching toward the Brandenburg Gate. Participants held Israeli flags and signs condemning rising antisemitism in Germany. Photo: Michael Kuenne/PRESSCOV/Sipa USA via Reuters Connect
Arnold Toynbee, the great 20th century historian, devoted his life to studying civilizations — how they rise, how they flourish, and then, inevitably, how they fall.
His conclusion was disarmingly simple: Civilizations rarely collapse because they are conquered from the outside. They collapse because they fail to adapt. They mistake their moment in the spotlight — even if it lasts for centuries — for permanence.
And almost always, that confidence attaches itself to a particular place — a city, a capital, a sacred center that seems to radiate eternity.
For the Aztecs, that center was Tenochtitlan — an island city rising out of Lake Texcoco. Majestic white temples gleamed in the sun, with the great central shrine, the Templo Mayor, dominating the skyline.
Priests in feathered headdresses moved through the sacred area with ritual precision. This was an empire utterly convinced that heaven and earth met right there — in the middle of its city.
Then, in 1519, a few hundred Spaniards appeared on the horizon. At their head was Hernán Cortés, a young, ambitious, calculating adventurer who had no interest in the Aztecs’ view of themselves as an eternal people. Within two years, Tenochtitlan was rubble. The sacred precinct was stripped — its stones repurposed to build churches.
Today, if you stand in Mexico City, you can see excavated fragments of the Templo Mayor beside traffic lights and fast-food stands. The empire that believed it stood at the center of the world survives only in stone, in memory, and in the scattered descendants of a civilization that long ago lost its sacred center.
It’s a similar story with the Incas — a civilization of perhaps 12 million people stretching down the western spine of South America. They, too, had their version of eternity. Their bustling center, brimming with wealth, was Cusco, in the Peruvian Andes. Their vast empire stretched across mountains, deserts, and jungles — all radiating outward from Cusco, which they called the “navel of the world.”
Then, in the 1530s, another small Spanish expedition arrived, this one led by Francisco Pizarro. The timing could not have been worse. A brutal civil war was already tearing the Inca empire apart. Smallpox — a disease carried unknowingly by Europeans — had spread ahead of them, weakening the Inca population and destabilizing their leadership.
But even that did not prepare the Incas for the ruthless rampage of the conquistadores. Pizarro seized the emperor, Atahualpa, holding him hostage until an enormous ransom room was filled with gold and silver. The ransom was delivered as promised, but Atahualpa was executed anyway, and by 1533, Cusco was in ruins.
As in Mexico, temples were stripped of their treasures, and the gold was melted down and dispatched to Spain. Churches rose where sun temples once stood. The imperial order that seemed as solid as Andean granite unraveled with astonishing speed.
And this is not just a story about the New World. It is the rhythm of history. Mesopotamia believed itself to be eternal. Assyria did. Egypt did. Greece did. Carthage did. Rome certainly did.
Each, in its moment, assumed it stood at the gravitational center of human civilization. And then it didn’t. Monuments rise. Architecture declares permanence. Believers insist: “We are not going anywhere.” And then the center of gravity moves. It always moves.
The Jewish story should have followed the same pattern. In fact, by any reasonable civilizational metric, we were the least likely people to survive.
We began in Egypt as slaves. We wandered through the desert. We settled in the Land of Israel. We split into two kingdoms. We were exiled by the Assyrians. Conquered by the Babylonians. Rebuilt. Destroyed again by the Romans. Scattered across continents. Ruled by ruthless powers we did not control, living under laws we did not write.
No nation in history has experienced so many shifts in its center of gravity. And yet — we are still here. The question is not only why – it is how. The answer, I think, begins in Parshat Terumah. Before there was even a single stone laid on the Temple Mount, we were given something else — a sacred center that was real, but not fixed.
At the beginning of Terumah, God commands the construction of a sanctuary — not a monumental edifice carved into mountains or anchored to bedrock, but something built of curtains and poles, rings and sockets, designed to be dismantled and rebuilt wherever the people found themselves.
You might imagine the Mishkan as a temporary solution — a stopgap until the “real” thing in Jerusalem could be constructed. But that is to misunderstand it entirely. The Mishkan was not a placeholder. It was a principle. Long before we had a permanent Temple, we were taught something far more revolutionary: Wherever you are, build Me a center there — and I will be among you. As the Torah puts it (Ex. 25:8): “Let them make Me a sanctuary, and I will dwell among them.” Not in it — but among them.
The Temple in Jerusalem would later become the focal point of Jewish life. It was magnificent. It was the beating heart of the nation. Pilgrims streamed toward it three times a year. The Divine Presence rested there in revealed intensity.
And yet here is the astonishing fact: When the First Temple was destroyed, and the nation was exiled across the Persian Empire, we survived. When the Second Temple was destroyed by Titus in 70 CE, and the nation was scattered across the Roman world, we survived again.
Civilizations do not usually survive the destruction of their sacred center. The Aztec temples fell — and their world collapsed. Cusco fell — and the Inca nation unraveled. When Jerusalem fell, the Jewish people did not disappear. We regrouped. In Yavneh. In Sura. In Pumbedita. In Toledo. In Aleppo. In Frankfurt. In Warsaw. In Vilna. In New York. Even in Los Angeles!
The Temple may have been our center of gravity, but it was never the source of our gravity. That source had been implanted much earlier — in the wilderness — in the Mishkan.
The Mishkan precedes permanence. Long before we possessed a fixed center, we were taught how to create one that moves with us. Portable holiness was written into Jewish DNA. While other civilizations anchored holiness to geography, Judaism anchored holiness to covenant.
This does not diminish our longing for the Temple in Jerusalem. We pray daily for its rebuilding, and we turn toward Jerusalem in every Amidah. The Temple matters profoundly. But our survival without it proves something radical: God’s presence — and our identity as God’s people — was never confined to masonry.
The prophet Ezekiel, speaking in exile, refers to the synagogue as a מִקְדָּשׁ מְעַט — a miniature sanctuary (Ez. 11:16). In other words, a Mishkan. Wherever Jews gathered — in Babylon or Spain, in Poland or America — the portable sanctuary reappeared. In a synagogue. In a study hall. Around a Shabbat table. And God dwelt in our midst.
Which is why it is no accident that our first national sanctuary was made of curtains and poles, dismantled and reconstructed again and again over 40 years of wandering. Exile was written into the Jewish story from the beginning — but so was the architecture of survival.
And so today, as the global center of gravity threatens to shift yet again, the Jewish people remain what we have always been: a nation capable of carrying its center with it.
Wherever Jews gather — in Los Angeles, New York, London, Sydney, in a grand synagogue or a makeshift minyan in a dorm room, a hospital ward, or even a military base — if there is prayer, if there is Torah, if there is yearning for God — then God dwells among us.
The author is a rabbi in Beverly Hills, California.
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Qatar’s Olympic Ambitions: Soft Power Meets Hard Questions
Qatari Prime Minister and Foreign Minister Sheikh Mohammed bin Abdulrahman Al Thani speaks after a meeting with the Lebanese president at the presidential palace in Baabda, Lebanon, Feb. 4, 2025. Photo: REUTERS/Emilie Madi
As athletes gather in Italy for the 2026 Winter Olympics, an unusual presence should be sparking concern. Over 100 Qatari public security officers, along with 20 camouflage SUVs and three snowmobiles, arrived in Italy this month to help safeguard the Winter Games, though the country has no athletes competing.
The presence of US Immigration and Customers Enforcement (ICE) officials in Italy has drawn much of the flack around the Olympic security forces. But on a global level, it’s the chasm between Qatar’s carefully cultivated image and its actual conduct that deserves greater scrutiny.
The Qatar contingent’s arrival in Milan – marked by the Qatari military cargo plane hitting a lighting tower upon landing – is the latest example of Doha’s expanding role in global sports event security. That role reflects a calculated strategy to position the small energy-rich Gulf state as securing global cultural events while obscuring a troubling record of supporting Islamic fundamentalism.
Qatar has put in a lot of effort – and cash – to look like a solid Western ally, a respectable citizen of the world. But a closer look at the protection Doha has provided for terrorists over decades indicates that the respectability goes no deeper than a chicken costume worn by a fox – and is likely to prove at least as dangerous.
Qatar has made clear its interest in the soft power of global sporting events. In January, Sheikh Joaan bin Hamad Al Thani became president of the Olympic Council of Asia, and Qatar is bidding for the 2036 summer Olympics after hosting the men’s FIFA World Cup in 2022.
Those upstanding roles on the global scene run in parallel to blatant support of antisemitism. As Italy prepared for the Games, Qatar hosted the Web Summit tech conference, which showcased the creator of a new social media platform who told the audience he doesn’t need to rely on “Zionist money” and deployed the classic antisemitic trope that Jews control the media.
Corruption scandals abound, with Qatar standing accused of buying its way into hosting the World Cup. Former FIFA vice president Reynald Temarii was banned by soccer’s world governing body for eight years for accepting hundreds of thousands of euros from a Qatari billionaire, and was indicted by France in 2023 on charges of entering into a 2010 pact to support Qatar’s bid to host the 2022 World Cup. Qatari media also plays a part, with France investigating the role that a $400 million deal between FIFA and Al Jazeera, the flagship network of Qatar’s powerful media arm, may have played in the country’s selection as host.
Qatar’s support for terrorism goes back at least to the pre-9/11 era. Qatar has regularly been in the business of moving money to terror organizations, and was an early supporter of Al Qaeda founder Osama bin Laden, broadcasting his exhortations on Al Jazeera. Top Qatari government officials are thought to have tipped off 9/11 mastermind Khalid Sheikh Mohammed, allowing him to escape an FBI manhunt years before, when he was being investigated for his role in the 1993 bombing of the World Trade Center and plots to blow up international flights.
He was not the only terrorist the country accommodated. In 2013, Doha also became a safe haven for leaders of the Taliban, where they stayed as honored guests living in luxury even after exploratory peace talks with the US broke down, and of course for top Hamas leaders, including Khaled Meshaal, Khalil al-Hayya, and Hamas political chief Ismail Haniyeh.
Qatari officials have expressed support for Hamas, with the mother of the emir eulogizing the architect of the Oct. 7, 2023, massacre in southern Israel. Members of Qatar’s Shura Council declared that the events of Oct. 7 were merely a “preview.”
In another bid for an international leadership role, Qatar recently became a member of US President Donald Trump’s Gaza Executive Board, in one of the Gulf state’s latest attempts to build its reputation as a global keeper of the peace. But Qatar is not a neutral mediator. Giving Qatar a role in the future of Gaza means giving a role to a group that will likely support Hamas’s continued influence over Gaza. This is antithetical to Middle Eastern stability, which requires Hamas to be disarmed and removed from power. Giving Qatar a role perpetuates terrorism and corruption, and puts the security of the Middle East, the US, and the world at risk.
Qatar – which exports more liquefied natural gas than any other country and is one of the richest nations on earth – has managed to maintain good ties with the West, however, in part through the purchase of influence. For example, the US recently announced it will allow Qatar to build an Air Force facility in Idaho, and Doha is a major backer of US think tanks, universities, and politi
Soccer fields and ski slopes may seem like innocent enough playgrounds in which to let Doha romp. But such involvement only allows Qatar to polish its image and extend its influence, letting it build more empty legitimacy of the sort that allows it to be included in the Gaza peacekeeping force. Let’s also not forget that enabling Qatar to bill itself as a safeguard of international sporting events means that a committed sponsor of global terror is actively working to develop a reputation as a protector of some of the world’s most prominent terror targets. Before accepting the next offer of cash from Qatar or inviting the country to participate in peacekeeping activities, it’s well worth considering whether it’s really such a good idea to keep letting the fox guard the henhouse.
Dr. Ariel Admoni is a researcher specializing in Qatari policy at the Jerusalem Institute for Strategy and Security.