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At an American Jewish conference in Tel Aviv, protesters are driving the energy
TEL AVIV (JTA) — At a marquee conference of American Jewish leaders that kicked off tonight in Tel Aviv, the loudest cheers were for anti-government protesters, most of the energy could be found outside of the convention center’s gates, and the biggest news was who didn’t show up.
The General Assembly, the signature conference of the American Jewish organizational world, was meant to be a celebration of Israel’s 75th birthday and a testament to the enduring strength of ties between Israel and Diaspora Jewry. Sunday’s opening event, the Jewish Federations of North America said, was meant to pay tribute to that relationship — and feature speeches by Israeli President Isaac Herzog and Prime Minister Benjamin Netanyahu.
But in the face of loud protests outside the event, Netanyahu abruptly canceled his appearance on Sunday, citing a full schedule ahead of Israel’s Independence Day on Wednesday. Over the course of a series of speeches by international Jewish dignitaries, his name was not mentioned once.
Instead, both inside and outside the conference walls, the tone of the evening was set by the protesters. They gathered by the hundreds opposite one of the convention center’s entrances — and in smaller clusters around the building — giving the thousands American Jewish visitors a taste of the protest culture that has developed this year in Israel as huge numbers Israelis have taken to the streets to oppose Netanyahu’s sweeping proposals to sap the power of the judiciary.
From the stage, the Jewish Federations of North America General Assembly in Tel Aviv was mostly business as usual — except that the prime minister backed out of attending. (Courtesy JFNA)
Protesters waved Israeli flags, chanted the word “democracy” syllable by syllable, and blew into small plastic horns whose blaring sound carried remarkably well — permeating the walls of the conference plenary session. An entrepreneur standing at a card table was selling packages each containing a horn and a small Israeli flag for, depending on who asked, either 20 or 30 shekels (roughly $5.50 or $8).
The most direct route from the train to the conference was blocked off, owing to Tel Aviv’s ongoing attempts to build a citywide light rail system. So, with roads closed, the best way to get from the train station to the event was to follow the protesters — identifiable by the huge Israeli flags they carried or wore around their necks. Many were also pushing strollers or walking dogs.
“Israel must be a free democracy,” protesters chanted as attendees exited the event. “Please help us. Fascism shall not pass.”
Most of the protesters were gathered far from the gate where conference participants actually entered. But they got a shout out in the conference program as well. Julie Platt, the Jewish Federations’ board chair, drew a sustained round of applause and whooping from the 2,000 attendees when she spoke about how inspiring the protests were.
“What is clear is how passionate we all are about Israel and how central Israel is to our lives,” Platt said. “Its struggles our are struggles, its success is our success, and its debates are our debates. To the leaders of Israel, including those attending tonight, we stand united in our support of dialogue and broad consensus based on mutual respect.”
Then, she added, “To the protesters exercising their democratic rights, we see you, we hear you and we are inspired by your love of Israel.”
When the Jewish Federations last held the General Assembly in Israel, in 2018, Netanyahu sat onstage for a Q&A with the group’s chairman for more than half an hour. In Netanyahu’s absence this year, the night’s keynote speaker was Israeli President Isaac Herzog. His role is largely ceremonial, but he has been spearheading dialogue about the judicial overhaul — as well as issuing dire threats about what may happen if that dialogue fails.
Herzog repeated a version of those warnings Sunday night, portraying the debate over judicial reform as a cautionary tale about the dangers of polarization.
“The fierce debate over Israel’s direction in recent months is a striking example of the ways that alienation between different groups, and polarization that festers for years, becomes corrosive and weakens the pillars that hold our nation together,” he said. “I am convinced that there is no greater existential threat to our people than the one that comes from within.”
In his speech, Herzog announced an initiative called “Voice of the People” that will be aimed at fostering dialogue between Jews of differing opinions across Israel and the Diaspora. That initiative will be anchored by a conference he called the “Jewish Davos,” in a nod to the Switzerland-based annual economics conference that is seen as a global meeting of the minds.
“Nonpartisan, apolitical, Voice of the People will be a collaborative forum — one that can hold and reflect the full and diverse range of Jewish voices,” he said. “It will be a place where we can engage in serious, sensitive and strategic discussions on the most complex and pressing issues facing our people.”
If that conference happens, it would not be the first of its kind. Israeli President Shimon Peres, who served from 2007 to 2014, held an annual conference featuring famous names discussing hot-button issues. And historically, the federations’ General Assembly itself has been viewed as an ecumenical Jewish conference to discuss a wide range of issues.
Aside from that, the night’s program featured mainstays of traditional American Jewish gatherings celebrating Israel: a video with black-and-white stills from the country’s founding years, testimonials from Jewish immigrants to Israel from around the world, a performance by a musical group composed of Israeli soldiers. The conference will continue with a full day of sessions on Monday.
Near the end of the night, as the festivities were winding down, two people in the audience held up Israeli flags. One of them, in the corner, featured a quote from Israel’s national anthem that has become a protest slogan: “Free in our land.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
