Melanie Shiraz of Israel takes part in the National Costume show during the 74th Miss Universe pageant in Bangkok, Thailand, Nov. 19, 2025. Photo: REUTERS/Athit Perawongmetha

Miss Israel Melanie Shiraz had her national costume stolen shortly before she was set to debut the look in the Miss Universe 2025 pageant, her team revealed on Tuesday.

The Miss Universe competition concluded in Bangkok, Thailand, on Nov. 21 with Fátima Bosch from Mexico being crowned Miss Universe from a group of contestants representing more than 130 nations around the world. The first runner-up was Thailand’s Praveenar Singh followed by Venezuela’s Stephany Abasali as second runner-up.

Shiraz, 27, had designed the outfit she was set to wear for the national costume segment of the Miss Universe competition. Edgar Saakyan, national director of Miss Universe Israel, said in a released statement on Tuesday that a day and a half before Shiraz was set to take the stage in the national costume portion of the competition, the Miss Israel team was “misled by the costume constructor’s team, and the national costume was stolen.”

“A representative of the costume constructor arrived at the Bangkok airport under the pretext of ‘clarifying details,’ approached a member of our team, took the costume, and then stopped all communication – effectively stealing it and placing us in an extremely difficult position,” Saakyan explained. “We regard this as a deliberate act of harm, including damage to our intellectual property and reputation … This matter has been transferred to our legal team.”

Saakyan added that ultimately, a team of Thai costume makers made Shiraz a new look, based on her original concept, with only 10 hours left before the national costume segment of the Miss Universe contest. The costume was completed with “incredible support” from the Miss Universe and Miss Grand International teams, he said.

“This display of professionalism, grace under pressure, and human solidarity allowed us not only to take the stage – but to do so with honor, pride, and respect for the flag,” Saakyan noted. “We are grateful beyond words.”

Shiraz ended up wearing in the national costume segment a yellow floor length gown that also featured a yellow ribbon in honor of the murdered hostages still held in captivity and the former hostages who have returned home after being abducted by Hamas-led terrorists during their deadly rampage across southern Israel on Oct. 7, 2023. A crystal Star of David was displayed on her dress, and its train was adorned with red anemones, which is Israel’s national flower and also commonly found in southern Israel where the Oct. 7 attack took place. Shiraz paired the dress with a shawl and head covering. The costume was titled “The Light of Hope.”

“While many national costumes are joyful and celebratory, this year’s theme of peace, combined with all that our people have endured over the past two years, called for a more somber presence on stage,” Shiraz said in an Instagram post. “One that carries both remembrance and the hope for a more peaceful future. I designed this piece to honor our story, our grief, and the light we continue to hold onto. I couldn’t be more proud [sic] to wear it.”

Saakyan announced in his statement on Tuesday that next year, Shiraz will be the official national costume designer for Miss Israel. “We are confined this partnership will deliver not just visual beauty, but a meaningful cultural message to the world,” he said.

Miss Palestine Nadine Ayoub sparked controversy when she took the stage during the national costume segment of the Miss Universe competition wearing a robe that depicted the Dome of the Rock and the Church of the Holy Sepulchre in Jerusalem, alongside olive branches. Earlier in the competition, Ayoub uploaded a series of posts on social media that included lies about the Israel-Hamas war, such as one that inflated the number of Palestinian casualties and another that described Kfir and Ariel Bibas, the Israeli children murdered in Hamas captivity, as Palestinian victims of the war instead of victims of Hamas terrorism. Ayoub was the first-ever “Miss Palestine” contestant in the Miss Universe pageant.

After the New York Post revealed that Ayoub was married to the son of notorious Fatah terrorist Marwan Barghouti and even named a child after him, Shiraz called on Miss Universe organizers to strip Miss Palestine of her place in the top 30. “Miss Universe should not condone fraud, violations of its code of conduct and especially terror. I expect them to take corrective action,” Shiraz told the Post on Saturday. “I don’t need to act as the moral CEO of Miss Universe – they should be able to do that themselves.”

“It makes my skin crawl thinking we were in the same room so many times,” added Shiraz. “It’s shocking that we all shared a stage with someone with serious terror ties.”

Following the Miss Universe 2025 competition, Brigitta Schaback renounced her title of Miss Universe Estonia and Olivia Yacé, the pageant’s fourth runner-up, renounced her title as Miss Universe Africa and Oceania.

New York City Mayor Eric Adams meeting with Israelis during a reception in Jerusalem that was organized by the Combat Antisemitism Movement. Photo: Combat Antisemitism Movement’s X account

New York City Mayor Eric Adams announced on Tuesday the planned creation of a $3 million Holocaust memorial to commemorate the six million Jews murdered by the Nazis in World War II as well as the survivors who rebuilt their lives in New York City.

The “Queens Holocaust Memorial” will be located on the grounds of the Queens Borough Hall and include artwork as well as a commemorative garden. The process of selecting an artist for the memorial will be led by the New York City Department of Cultural Affairs’ “Percent for Art“ program in discussion with artists, historians, and Holocaust survivors.

The Queens Jewish Community Council, in partnership with local civic and faith leaders, originally proposed the idea for the memorial. The city and Office of Queens Borough President Donovan Richard Jr. allocated $3 million to support the development of the project, but the Queens Jewish Community Council will help raise additional funds to support the memorial’s design and construction.

A total of 14,700 Holocaust survivors live in New York, which is 50 percent of all survivors in the US, according to the UJA Federation New York. The new memorial will be the first major tribute to the Holocaust in the borough of Queens, which is where many Holocaust survivors settled when they moved to New York after World War II. The site will serve as a hosting ground for Holocaust remembrance ceremonies, educational programs for students, and community gatherings to promote solidarity across communities.

“It is not enough to say, ‘Never again’ — we have to live it with our actions too,” Adams said in a released statement. “By preserving the stories of both victims and survivors, by creating a permanent space for remembrance and reflection, by promoting understanding and solidarity across generations, this memorial will live out the meaning of ‘never again.’ As our city and our country confront the rising tide of antisemitism, our administration will not remain silent. We will use our office to call out hate wherever we find it, encourage compassion wherever we need it, and create a city where everyone can live side by side in harmony.”

Adams announced the creation of the memorial alongside Richard Jr. The latter said the Queens Holocaust Memorial “will not only pay a touching tribute to the six million innocent Jews murdered by the Nazis and the survivors who settled in our borough afterward, but it will also serve as daily inspiration for our fight to forge a future free of antisemitism.”

“No matter how much time passes since the evils of the Holocaust, New York City’s commitment to the pledge of ‘Never Again’ must never waver,” he added. “That is why, in the face of rising tides of heinous antisemitism and Holocaust denial across our society, I could not be prouder to lead this effort alongside the administration and the Queens’ Jewish community in creating this critically important memorial here at Queens Borough Hall.”

New York City Mayor-elect Zohran Mamdani, who was elected earlier this month, will take office and replace Adams in January. Adams recently expressed concern for the safety of Jewish communities in New York under Mamdani’s leadership.

Leading members of the Jewish community in New York have also raised alarm bells about Mamdani’s victory in the mayoral election.

During his four years in office, Adams created the first mayor’s office dedicated to combating antisemitism; signed an executive order adopting the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism; created the city’s first Jewish Advisory Council; and launched the New York City-Israel Economic Council.

Khazonim, or cantors, like Yossele Rosenblatt and Gershon Sirota — once household names that commanded massive respect and even bigger paychecks — have lost their luster since their heyday in the “Golden Age” of the early 20th century.

To the dismay of fans of khazones — the unique blend of traditional prayer and classical opera that once dominated the Ashkenazi synagogue and stage — few people today have the specialized cultural knowledge required in passing the musical tradition down from teacher to student.

Another traditional Jewish musical genre once found itself in a similar situation: klezmer music. Then, in the 1970s, the Balkan Arts Center of New York City, which later became the Center for Traditional Music and Dance, became the focal point for a remarkable klezmer revival. They recorded legends like Dave Tarras who taught new generations of musicians, and became a supportive ecosystem for a genre that had been nearly discarded.

Following this example, Jeremiah Lockwood and Judith Berkson, founders of the new Brooklyn-based record label Khazones Underground, are using a combination of recordings, concerts and community organizing to achieve a revival for this genre as well. They are well-qualified for this massive undertaking: Lockwood is the grandson of khazn Jacob Konigsberg, and a scholar. He is also the long-time frontman of the khazones-infused–rock group The Sway Machinery. Berkson is a cantor, composer and teacher.

Aside from a symposium and concert at the upcoming Yiddish New York festival, they have been teaching and writing about khazones, cultivating a new generation of dedicated performers from diverse backgrounds.

As part of their efforts, Lockwood and Berkson are officially releasing three albums on Dec. 1 that includes a reissue of an album of contemporary Hasidic cantors; an album from The Sway Machinery which uses surreptitiously-taken “bootleg” recordings of Golden Age cantors as jumping-off points, and perhaps most excitingly — an album of all-female cantors, or khazntes.

The album, The Return of the Immortal Khazntes featuring Judith Berkson, Riki Rose, Rachel Weston and Shahanna McKinney-Baldon, draws on the history of female cantors who used to perform on the theater stage. Berkson noted in an interview that what made this album special was that their inspiration is the sound of the old khazntes.

“A lot of women cantors now are trained to sing quite high, in a soprano range,” Berkson said. But these four khazntes sang in a wider range, including alto, imitating the often baritone ranges of their male counterparts.

Berkson opens the album with “V’hu Yashmiyeynu,” accompanied by San Francisco’s renowned Kronos Quartet. The piece, originally performed by the cantor and Yiddish actor Moishe Oysher, is, as Lockwood describes it, “an amazing kind of knock-’em where it hurts, showstopper piece.”

Riki Rose, originally from the Satmar Hasidic community, expressed a similar kind of revelatory feeling. Even though she didn’t hear women singing this kind of music earlier in her life, it seemed very natural to her to sing in a lower register.

The other two featured cantors have equally interesting backgrounds: McKinney-Baldon is researching Madame Goldie Steiner, the only known African American woman performer of khazones in the Golden Age; and Weston is a British cantor trained extensively in Yiddish music.

The album, The Dream Past, is, on the face of it, aggressively different from “The Return.” Lockwood, reviving The Sway Machinery, which once toured the world inserting khazones themes under the guitar and drums, is now more revealing about the Jewish background of its pieces. Each song begins with an introduction from a “bootleg” recording of live prayer as a jumping-off point.

Golden Ages: Brooklyn Chassidic Cantorial Revival Today is a reissue from 2022, but it’s every bit as notable for bringing in modern Hasidic cantors. Interestingly, even the deeply traditional Hasidic community had abandoned khazones, leaving the few remaining Hasidic fans of the genre feeling marginalized by their own community.

Singer Yanky Lemmer, whom Lockwood met while observing Brooklyn’s Hasidic khazones singing circles, will be part of the performance at Yiddish New York — a truly remarkable occurrence due to the well-known chasm between the Hasidic and Yiddishist worlds.

Lockwood says that this current trio of records is just the beginning. Archival recordings are coming next, as well as various events and gatherings. He definitely sees positive signs that Khazones Underground could uplift this kind of music. “I wouldn’t say that’s an institution yet, but we have aspirations that it can support this kind of work,” he said.

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