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Broadway had a very Jewish year, but there is more to the Jewish story than antisemitism and the Holocaust

(JTA) — Broadway gave out its Tony Awards last month, and as I kept whispering to my wife, it was “a big night for the Jews.”
“Leopoldstadt,” Tom Stoppard’s Holocaust drama, won best play. “Parade,” about the lynching of a Jewish man in the American South, won best musical revival. Miriam Silverman (“The Sign in Sydney Brustein’s Window”) and Brandon Uranowitz (“Leopoldstadt”) won for signature Jewish roles, and Alfred Uhry, who wrote the book for “Parade,” spoke while wearing a two-inch diamond Magen David lapel pin.
It was, in fact, a very prominent season for Jews on Broadway stages and beyond. “The Sign in Sydney Brustein’s Window,” Lorraine Hansberry’s second play — with a white, Jewish protagonist — arrived in a star-studded Broadway bow. “Prayer for the French Republic” at Manhattan Theatre Club — an examination of antisemitism in France — marked a massive turn in playwright Josh Harmon’s Jewish journey (and will return to Broadway next season).
The Atlantic’s Yair Rosenberg raved over Edward Einhorn’s “Shylock and the Shakespeareans,” a reworking of Shakespeare’s “Merchant of Venice,” and Second Stage presented “Camp Seigfried,” a different angle on German fascism. In California, the La Jolla Playhouse tried out “Lempika,” a musical about the notorious Jewish artist Tamara de Lempicka, who fled Europe for the United States in 1939.
You might see a thesis at work in producing these shows — most of which spotlight Nazis, antisemitism or the Holocaust — right now: They urge audiences to remember and learn from the past in order to prevent future atrocities, at a time when antisemitism is on the rise (or at least outward manifestations of the ancient hatred; one could argue it has been there all along).
There’s lots to recommend this idea. A history forgotten is a history that will repeat. Representation matters. Giving Jews the moral victory (if not the narrative one) strengthens our resolve. Great artistry in the service of big ideas is a win for everyone.
And let’s not leave out the performances themselves. Uranowitz in particular was brilliant and gave a moving Tony speech honoring his ancestors who were murdered by the Nazis in Poland.
However, I can’t help but admit to some skepticism. I’m drawn by thinkers like Dara Horn, author of “People Love Dead Jews,” who ask, “By revisiting the history of raging antisemitism, are we just giving violent extremists a to-do list for the future?”
“A Moving Picture” by Jennie Berman Eng, presented at the Marlene Meyerson JCC Manhattan, Dec. 1, 2022. (Basil Rodericks)
And it’s definitely debatable whether reliving trauma is mentally healthy for those affected. (My wife, a daughter of both a Holocaust and Tree of Life shooting survivor, gets significantly triggered by poking at these wounds.)
But more important is that today’s Jewish life — even the parts necessarily focused on antisemitism — is radically different than it was 50 or 75 or 500 years ago. Even with the challenges and outright discrimination, the Jewish community today (here and abroad) is more diverse, more free and more complex than at arguably any time in history.
So I’d like to humbly offer some alternatives for producers and artistic directors who want Jewish representation on their stages. As the artistic director of the Jewish Plays Project, a development house for 21st-century Jewish theater based in New York and working around the country, I have the unique pleasure to be able to point to the plays written in just the last few years that can change the paradigm right now.
I’d like to encourage folks to think about Jewish joy. See Audrey Lang’s amazing character Librarian of the Jewish Soul in her play “Birdie & Cait and the Book of Life” or the Adon Olam sequence at the end of Mark Leiren Young’s “Bar Mitzvah Boy.”
Think about Jewish ethics. Beth Kander’s “Return” puts todays’ scientific breakthroughs and faith right up against each other; Marshall Botvinick’s poetic “To Reach Across a River” gives us an Orthodox woman refusing to leave her faith when she adopts a bi-racial daughter; and Cindy Cooper’s “I Was a Stranger Too” directly advocates for immigrants through a Jewish lens.
Stage Jewish diversity. Ali Viterbi’s “In Every Generation,” Molly Olis-Krost’s “What We Found” and EllaRose Chary’s “The Wrong Question” show us parts of the Jewish world — Jews of Color and queer Jews, among other mixed and modern identities — that haven’t made it to the stage much. (And we’re all waiting with baited breath for the results of Expanding the Canon, Theater J’s significant commissioning program for Jewish artists of Color.)
Talk about Israel/Palestine without blowing the roof of the joint. Seth Rozin’s “Settlements” is nuanced and compelling and real. Alexa Derman’s hilarious and satirical cri-de-coeur “Zionista Rising” — which just won the JPP’s National Playwriting Contest —brings sharp, contemporary humor to a difficult conversation.
And if you feel you have to talk about the Holocaust and Shylock — and sometimes you do — do it with a new and vital eye. Jenny Berman Eng’s “A Moving Picture” features a cast of three Jews of Color, one Black doctoral candidate and a white student working out how to make a 100% true Holocaust film, and Eric Marlin’s “there will come a time for vengeance” mashes up Shakespeare and his contemporary Christopher Marlowe with theatrical flair.
The point is, it’s a big Jewish world out there — exciting and current and diverse. The hundreds of Jewish Plays Project artists and audience members who are part of our ongoing experiment in artistic democracy are hungry to see that life show up at theaters all over the country.
If we can do that, we might see a Tony Awards (and Obies and Jeffs and Barrymores and more) that both celebrates brilliant work and moves the Jewish conversation forward — not by being anti-antisemitism, but by being truly pro-Jewish.
That would really be a big night for the Jews.
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Israel to Issue 54,000 Call-Up Notices to Ultra-Orthodox Students

Haredi Jewish men look at the scene of an explosion at a bus stop in Jerusalem, Israel, on Nov. 23, 2022. Photo: Reuters/Ammar Awad
Israel’s military said it would issue 54,000 call-up notices to ultra-Orthodox Jewish seminary students following a Supreme Court ruling mandating their conscription and amid growing pressure from reservists stretched by extended deployments.
The Supreme Court ruling last year overturned a decades-old exemption for ultra-Orthodox students, a policy established when the community comprised a far smaller segment of the population than the 13 percent it represents today.
Military service is compulsory for most Israeli Jews from the age of 18, lasting 24-32 months, with additional reserve duty in subsequent years. Members of Israel’s 21 percent Arab population are mostly exempt, though some do serve.
A statement by the military spokesperson confirmed the orders on Sunday just as local media reported legislative efforts by two ultra-Orthodox parties in Prime Minister Benjamin Netanyahu’s coalition to craft a compromise.
The exemption issue has grown more contentious as Israel’s armed forces in recent years have faced strains from simultaneous engagements with Hamas in Gaza, Hezbollah in Lebanon, Houthis in Yemen, and Iran.
Ultra-Orthodox leaders in Netanyahu’s brittle coalition have voiced concerns that integrating seminary students into military units alongside secular Israelis, including women, could jeopardize their religious identity.
The military statement promised to ensure conditions that respect the ultra-Orthodox way of life and to develop additional programs to support their integration into the military. It said the notices would go out this month.
The post Israel to Issue 54,000 Call-Up Notices to Ultra-Orthodox Students first appeared on Algemeiner.com.
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Influential Far-Right Minister Lashes out at Netanyahu Over Gaza War Policy

Israeli Finance Minister Bezalel Smotrich attends an inauguration event for Israel’s new light rail line for the Tel Aviv metropolitan area, in Petah Tikva, Israel, Aug. 17, 2023. Photo: REUTERS/Amir Cohen
Israel’s far-right Finance Minister Bezalel Smotrich sharply criticized on Sunday a cabinet decision to allow some aid into Gaza as a “grave mistake” that he said would benefit the terrorist group Hamas.
Smotrich also accused Prime Minister Benjamin Netanyahu of failing to ensure that Israel’s military is following government directives in prosecuting the war against Hamas in Gaza. He said he was considering his “next steps” but stopped short of explicitly threatening to quit the coalition.
Smotrich’s comments come a day before Netanyahu is due to hold talks in Washington with President Donald Trump on a US-backed proposal for a 60-day Gaza ceasefire.
“… the cabinet and the Prime Minister made a grave mistake yesterday in approving the entry of aid through a route that also benefits Hamas,” Smotrich said on X, arguing that the aid would ultimately reach the Islamist group and serve as “logistical support for the enemy during wartime”.
The Israeli government has not announced any changes to its aid policy in Gaza. Israeli media reported that the government had voted to allow additional aid to enter northern Gaza.
The prime minister’s office did not immediately respond to a Reuters request for comment. The military declined to comment.
Israel accuses Hamas of stealing aid for its own fighters or to sell to finance its operations, an accusation Hamas denies. Gaza is in the grip of a humanitarian catastrophe, with conditions threatening to push nearly a half a million people into famine within months, according to U.N. estimates.
Israel in May partially lifted a nearly three-month blockade on aid. Two Israeli officials said on June 27 the government had temporarily stopped aid from entering north Gaza.
PRESSURE
Public pressure in Israel is mounting on Netanyahu to secure a permanent ceasefire, a move opposed by some hardline members of his right-wing coalition. An Israeli team left for Qatar on Sunday for talks on a possible Gaza hostage and ceasefire deal.
Smotrich, who in January threatened to withdraw his Religious Zionism party from the government if Israel agreed to a complete end to the war before having achieved its objectives, did not mention the ceasefire in his criticism of Netanyahu.
The right-wing coalition holds a slim parliamentary majority, although some opposition lawmakers have offered to support the government from collapsing if a ceasefire is agreed.
The post Influential Far-Right Minister Lashes out at Netanyahu Over Gaza War Policy first appeared on Algemeiner.com.
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Australia Police Charge Man Over Alleged Arson on Melbourne Synagogue

Australia’s Prime Minister Anthony Albanese speaks to the media during a press conference with New Zealand’s Prime Minister Christopher Luxon at the Australian Parliament House in Canberra, Australia, Aug. 16, 2024. Photo: REUTERS/Tracey Nearmy
Australian police have charged a man in connection with an alleged arson attack on a Melbourne synagogue with worshippers in the building, the latest in a series of incidents targeting the nation’s Jewish community.
There were no injuries to the 20 people inside the East Melbourne Synagogue, who fled from the fire on Friday night. Firefighters extinguished the blaze in the capital of Victoria state.
Australia has experienced several antisemitic incidents since the start of the Israel-Gaza war in October 2023.
Counter-terrorism detectives late on Saturday arrested the 34-year-old resident of Sydney, capital of neighboring New South Wales, charging him with offenses including criminal damage by fire, police said.
“The man allegedly poured a flammable liquid on the front door of the building and set it on fire before fleeing the scene,” police said in a statement.
The suspect, whom the authorities declined to identify, was remanded in custody after his case was heard at Melbourne Magistrates Court on Sunday and no application was made for bail, the Australian Broadcasting Corp reported.
Authorities are investigating whether the synagogue fire was linked to a disturbance on Friday night at an Israeli restaurant in Melbourne, in which one person was arrested for hindering police.
The restaurant was extensively damaged, according to the Executive Council of Australian Jewry, an umbrella group for Australia’s Jews.
It said the fire at the synagogue, one of Melbourne’s oldest, was set as those inside sat down to Sabbath dinner.
Israeli President Isaac Herzog went on X to “condemn outright the vile arson attack targeting Jews in Melbourne’s historic and oldest synagogue on the Sabbath, and on an Israeli restaurant where people had come to enjoy a meal together”.
“This is not the first such attack in Australia in recent months. But it must be the last,” Herzog said.
Israeli Prime Minister Benjamin Netanyahu described the incidents as “severe hate crimes” that he viewed “with utmost gravity.” “The State of Israel will continue to stand alongside the Australian Jewish community,” Netanyahu said on X.
Australian Prime Minister Anthony Albanese late on Saturday described the alleged arson, which comes seven months after another synagogue in Melbourne was targeted by arsonists, as shocking and said those responsible should face the law’s full force.
“My Government will provide all necessary support toward this effort,” Albanese posted on X.
Homes, schools, synagogues and vehicles in Australia have been targeted by antisemitic vandalism and arson. The incidents included a fake plan by organized crime to attack a Sydney synagogue using a caravan of explosives in order to divert police resources, police said in March.
The post Australia Police Charge Man Over Alleged Arson on Melbourne Synagogue first appeared on Algemeiner.com.