RSS
Broadway had a very Jewish year, but there is more to the Jewish story than antisemitism and the Holocaust
(JTA) — Broadway gave out its Tony Awards last month, and as I kept whispering to my wife, it was “a big night for the Jews.”
“Leopoldstadt,” Tom Stoppard’s Holocaust drama, won best play. “Parade,” about the lynching of a Jewish man in the American South, won best musical revival. Miriam Silverman (“The Sign in Sydney Brustein’s Window”) and Brandon Uranowitz (“Leopoldstadt”) won for signature Jewish roles, and Alfred Uhry, who wrote the book for “Parade,” spoke while wearing a two-inch diamond Magen David lapel pin.
It was, in fact, a very prominent season for Jews on Broadway stages and beyond. “The Sign in Sydney Brustein’s Window,” Lorraine Hansberry’s second play — with a white, Jewish protagonist — arrived in a star-studded Broadway bow. “Prayer for the French Republic” at Manhattan Theatre Club — an examination of antisemitism in France — marked a massive turn in playwright Josh Harmon’s Jewish journey (and will return to Broadway next season).
The Atlantic’s Yair Rosenberg raved over Edward Einhorn’s “Shylock and the Shakespeareans,” a reworking of Shakespeare’s “Merchant of Venice,” and Second Stage presented “Camp Seigfried,” a different angle on German fascism. In California, the La Jolla Playhouse tried out “Lempika,” a musical about the notorious Jewish artist Tamara de Lempicka, who fled Europe for the United States in 1939.
You might see a thesis at work in producing these shows — most of which spotlight Nazis, antisemitism or the Holocaust — right now: They urge audiences to remember and learn from the past in order to prevent future atrocities, at a time when antisemitism is on the rise (or at least outward manifestations of the ancient hatred; one could argue it has been there all along).
There’s lots to recommend this idea. A history forgotten is a history that will repeat. Representation matters. Giving Jews the moral victory (if not the narrative one) strengthens our resolve. Great artistry in the service of big ideas is a win for everyone.
And let’s not leave out the performances themselves. Uranowitz in particular was brilliant and gave a moving Tony speech honoring his ancestors who were murdered by the Nazis in Poland.
However, I can’t help but admit to some skepticism. I’m drawn by thinkers like Dara Horn, author of “People Love Dead Jews,” who ask, “By revisiting the history of raging antisemitism, are we just giving violent extremists a to-do list for the future?”
“A Moving Picture” by Jennie Berman Eng, presented at the Marlene Meyerson JCC Manhattan, Dec. 1, 2022. (Basil Rodericks)
And it’s definitely debatable whether reliving trauma is mentally healthy for those affected. (My wife, a daughter of both a Holocaust and Tree of Life shooting survivor, gets significantly triggered by poking at these wounds.)
But more important is that today’s Jewish life — even the parts necessarily focused on antisemitism — is radically different than it was 50 or 75 or 500 years ago. Even with the challenges and outright discrimination, the Jewish community today (here and abroad) is more diverse, more free and more complex than at arguably any time in history.
So I’d like to humbly offer some alternatives for producers and artistic directors who want Jewish representation on their stages. As the artistic director of the Jewish Plays Project, a development house for 21st-century Jewish theater based in New York and working around the country, I have the unique pleasure to be able to point to the plays written in just the last few years that can change the paradigm right now.
I’d like to encourage folks to think about Jewish joy. See Audrey Lang’s amazing character Librarian of the Jewish Soul in her play “Birdie & Cait and the Book of Life” or the Adon Olam sequence at the end of Mark Leiren Young’s “Bar Mitzvah Boy.”
Think about Jewish ethics. Beth Kander’s “Return” puts todays’ scientific breakthroughs and faith right up against each other; Marshall Botvinick’s poetic “To Reach Across a River” gives us an Orthodox woman refusing to leave her faith when she adopts a bi-racial daughter; and Cindy Cooper’s “I Was a Stranger Too” directly advocates for immigrants through a Jewish lens.
Stage Jewish diversity. Ali Viterbi’s “In Every Generation,” Molly Olis-Krost’s “What We Found” and EllaRose Chary’s “The Wrong Question” show us parts of the Jewish world — Jews of Color and queer Jews, among other mixed and modern identities — that haven’t made it to the stage much. (And we’re all waiting with baited breath for the results of Expanding the Canon, Theater J’s significant commissioning program for Jewish artists of Color.)
Talk about Israel/Palestine without blowing the roof of the joint. Seth Rozin’s “Settlements” is nuanced and compelling and real. Alexa Derman’s hilarious and satirical cri-de-coeur “Zionista Rising” — which just won the JPP’s National Playwriting Contest —brings sharp, contemporary humor to a difficult conversation.
And if you feel you have to talk about the Holocaust and Shylock — and sometimes you do — do it with a new and vital eye. Jenny Berman Eng’s “A Moving Picture” features a cast of three Jews of Color, one Black doctoral candidate and a white student working out how to make a 100% true Holocaust film, and Eric Marlin’s “there will come a time for vengeance” mashes up Shakespeare and his contemporary Christopher Marlowe with theatrical flair.
The point is, it’s a big Jewish world out there — exciting and current and diverse. The hundreds of Jewish Plays Project artists and audience members who are part of our ongoing experiment in artistic democracy are hungry to see that life show up at theaters all over the country.
If we can do that, we might see a Tony Awards (and Obies and Jeffs and Barrymores and more) that both celebrates brilliant work and moves the Jewish conversation forward — not by being anti-antisemitism, but by being truly pro-Jewish.
That would really be a big night for the Jews.
—
The post Broadway had a very Jewish year, but there is more to the Jewish story than antisemitism and the Holocaust appeared first on Jewish Telegraphic Agency.
RSS
New Orleans Attack Puts Spotlight on Islamic State Comeback Bid
A member of the Emergency Response Division holds an Islamic State militants flag in the Old City of Mosul, Iraq July 10, 2017. Photo: REUTERS/Thaier Al-Sudani/File Photo.
A US Army veteran who flew a black Islamic State flag on a truck that he rammed into New Year’s revelers in New Orleans shows how the extremist group still retains the ability to inspire violence despite suffering years of losses to a US-led military coalition.
At the height of its power from 2014-2017, the Islamic State “caliphate” imposed death and torture on communities in vast swathes of Iraq and Syria and enjoyed franchises across the Middle East.
Its then-leader Abu Bakr al-Baghdadi, killed in 2019 by US special forces in northwestern Syria, rose from obscurity to lead the ultra-hardline group and declare himself “caliph” of all Muslims.
The caliphate collapsed in 2017 in Iraq, where it once had a base just a 30-minute drive from Baghdad, and in Syria in 2019, after a sustained military campaign by a US-led coalition.
Islamic State responded by scattering in autonomous cells, its leadership is clandestine and its overall size is hard to quantify. The U.N. estimates it at 10,000 in its heartlands.
The US-led coalition, including some 4,000 US troops in Syria and Iraq, has continued hammering the militants with airstrikes and raids that the US military says have seen hundreds of fighters and leaders killed and captured.
Yet Islamic State has managed some major operations while striving to rebuild and it continues to inspire lone wolf attacks such as the one in New Orleans which killed 14 people.
Those assaults include one by gunmen on a Russian music hall in March 2024 that killed at least 143 people, and two explosions targeting an official ceremony in the Iranian city of Kerman in January 2024 that killed nearly 100.
Despite the counterterrorism pressure, ISIS has regrouped, “repaired its media operations, and restarted external plotting,” Acting US Director for the National Counterterrorism Center Brett Holmgren warned in October.
Geopolitical factors have aided Islamic State. Israel’s war against Hamas in Gaza has caused widespread anger that jihadists use for recruitment. The risks to Syrian Kurds who are holding thousands of Islamic State prisoners could also create an opening for the group.
Islamic State has not claimed responsibility for the New Orleans attack or praised it on its social media sites, although its supporters have, US law enforcement agencies said.
A senior US defense official, speaking on condition of anonymity, said there had been growing concern about Islamic State increasing its recruiting efforts and resurging in Syria.
Those worries were heightened after the fall in December of Syrian President Bashar al-Assad and the potential for the militant group to fill the vacuum.
‘MOMENTS OF PROMISE’
US Secretary of State Antony Blinken has warned that Islamic State will try to use this period of uncertainty to re-establish capabilities in Syria, but said the United States is determined not to let that happen.
“History shows how quickly moments of promise can descend into conflict and violence,” he said.
A U.N. team that monitors Islamic State activities reported to the U.N. Security Council in July a “risk of resurgence” of the group in the Middle East and increased concerns about the ability of its Afghanistan-based affiliate, ISIS-Khorasan (ISIS-K), to mount attacks outside the country.
European governments viewed ISIS-K as “the greatest external terrorist threat to Europe,” it said.
“In addition to the executed attacks, the number of plots disrupted or being tracked through the Islamic Republic of Iran, the Levant, Asia, Europe, and potentially as far as North America is striking,” the team said.
Jim Jeffrey, former US ambassador to Iraq and Turkey, and Special Envoy to the Global Coalition To Defeat Islamic State, said the group has long sought to motivate lone wolf attacks like the one in New Orleans.
Its threat, however, remains efforts by ISIS-K to launch major mass casualty attacks like those seen in Moscow and Iran, and in Europe in 2015 and 2016, he said.
ISIS also has continued to focus on Africa.
This week, it said 12 Islamic State militants using booby-trapped vehicles attacked a military base on Tuesday in Somalia’s northeastern region of Puntland, killing around 22 soldiers and wounding dozens more.
It called the assault “the blow of the year. A complex attack that is first of its kind.”
Security analysts say Islamic State in Somalia has grown in strength because of an influx of foreign fighters and more revenue from extorting local businesses, becoming the group’s “nerve centre” in Africa.
‘PATH TO RADICALIZATION’
Shamsud-Din Jabbar, a 42-year-old Texas native and US Army veteran who once served in Afghanistan, acted alone in the New Orleans attack, the FBI said on Thursday.
Jabbar appeared to have made recordings in which he condemned music, drugs and alcohol, restrictions that echo Islamic State’s playbook.
Investigators were looking into Jabbar’s “path to radicalization,” uncertain how he transformed from military veteran, real-estate agent and one-time employee of the major tax and consulting firm Deloitte into someone who was “100 percent inspired by ISIS,” an acronym for Islamic State.
US intelligence and homeland security officials in recent months have warned local law enforcement about the potential for foreign extremist groups, such as ISIS, to target large public gatherings, specifically with vehicle-ramming attacks, according to intelligence bulletins reviewed by Reuters.
US Central Command said in a public statement in June that Islamic State was attempting to “reconstitute following several years of decreased capability.”
CENTCOM said it based its assessment on Islamic State claims of mounting 153 attacks in Iraq and Syria in the first half of 2024, a rate which would put the group “on pace to more than double the number of attacks” claimed the year before.
H.A. Hellyer, an expert in Middle East studies and senior associate fellow at the Royal United Services Institute for Defense and Security Studies, said it was unlikely Islamic State would gain considerable territory again.
He said ISIS and other non-state actors continue to pose a danger, but more due to their ability to unleash “random acts of violence” than by being a territorial entity.
“Not in Syria or Iraq, but there are other places in Africa that a limited amount of territorial control might be possible for a time,” Hellyer said, “but I don’t see that as likely, not as the precursor to a serious comeback.”
The post New Orleans Attack Puts Spotlight on Islamic State Comeback Bid first appeared on Algemeiner.com.
RSS
US Plans $8 Billion Arms Sale to Israel, US Official Says
US President Joe Biden speaks on the phone with Israeli Prime Minister Benjamin Netanyahu in this White House handout image taken in the Oval Office in Washington, US, April 4, 2024. Photo: The White House/Handout via REUTERS
The administration of President Joe Biden has notified Congress of a proposed $8 billion arms sale to Israel, a US official said on Friday, with Washington maintaining support for its ally.
The deal would need approval from the House of Representatives and Senate committees and includes munitions for fighter jets and attack helicopters as well as artillery shells, Axios reported earlier. The package also includes small-diameter bombs and warheads, according to Axios.
The State Department did not respond to a request for comment.
Protesters have for months demanded an arms embargo against Israel, but US policy has largely remained unchanged. In August, the United States approved the sale of $20 billion in fighter jets and other military equipment to Israel.
The Biden administration says it is helping its ally defend against Iran-backed terrorist groups like Hamas in Gaza, Hezbollah in Lebanon and the Houthis in Yemen.
The post US Plans $8 Billion Arms Sale to Israel, US Official Says first appeared on Algemeiner.com.
RSS
Hamas Releases Proof-of-Life Video of Israeli Hostage Liri Albag
Illustrative. An undated picture of (from left) Liri Albag, Agam Berger, Daniella Gilboa, and Karina Ariev held hostage by Hamas in Gaza since Oct. 7, 2023, that was made public by their families on July 16, 2024. Photo: Hostages and Missing Families Forum
i24 News – The Palestinian terrorists of Hamas on Saturday released a video showing signs of life from Israeli hostage Liri Albag.
Albag’s family requested media not to share the video or images from it, asking journalists to respect their privacy at this moment.
Albag, 20, is a surveillance soldier stationed at the Nahal Oz base, was abducted on October 7 by Palestinian jihadists.
The post Hamas Releases Proof-of-Life Video of Israeli Hostage Liri Albag first appeared on Algemeiner.com.
You must be logged in to post a comment Login