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Broadway had a very Jewish year, but there is more to the Jewish story than antisemitism and the Holocaust
(JTA) — Broadway gave out its Tony Awards last month, and as I kept whispering to my wife, it was “a big night for the Jews.”
“Leopoldstadt,” Tom Stoppard’s Holocaust drama, won best play. “Parade,” about the lynching of a Jewish man in the American South, won best musical revival. Miriam Silverman (“The Sign in Sydney Brustein’s Window”) and Brandon Uranowitz (“Leopoldstadt”) won for signature Jewish roles, and Alfred Uhry, who wrote the book for “Parade,” spoke while wearing a two-inch diamond Magen David lapel pin.
It was, in fact, a very prominent season for Jews on Broadway stages and beyond. “The Sign in Sydney Brustein’s Window,” Lorraine Hansberry’s second play — with a white, Jewish protagonist — arrived in a star-studded Broadway bow. “Prayer for the French Republic” at Manhattan Theatre Club — an examination of antisemitism in France — marked a massive turn in playwright Josh Harmon’s Jewish journey (and will return to Broadway next season).
The Atlantic’s Yair Rosenberg raved over Edward Einhorn’s “Shylock and the Shakespeareans,” a reworking of Shakespeare’s “Merchant of Venice,” and Second Stage presented “Camp Seigfried,” a different angle on German fascism. In California, the La Jolla Playhouse tried out “Lempika,” a musical about the notorious Jewish artist Tamara de Lempicka, who fled Europe for the United States in 1939.
You might see a thesis at work in producing these shows — most of which spotlight Nazis, antisemitism or the Holocaust — right now: They urge audiences to remember and learn from the past in order to prevent future atrocities, at a time when antisemitism is on the rise (or at least outward manifestations of the ancient hatred; one could argue it has been there all along).
There’s lots to recommend this idea. A history forgotten is a history that will repeat. Representation matters. Giving Jews the moral victory (if not the narrative one) strengthens our resolve. Great artistry in the service of big ideas is a win for everyone.
And let’s not leave out the performances themselves. Uranowitz in particular was brilliant and gave a moving Tony speech honoring his ancestors who were murdered by the Nazis in Poland.
However, I can’t help but admit to some skepticism. I’m drawn by thinkers like Dara Horn, author of “People Love Dead Jews,” who ask, “By revisiting the history of raging antisemitism, are we just giving violent extremists a to-do list for the future?”
“A Moving Picture” by Jennie Berman Eng, presented at the Marlene Meyerson JCC Manhattan, Dec. 1, 2022. (Basil Rodericks)
And it’s definitely debatable whether reliving trauma is mentally healthy for those affected. (My wife, a daughter of both a Holocaust and Tree of Life shooting survivor, gets significantly triggered by poking at these wounds.)
But more important is that today’s Jewish life — even the parts necessarily focused on antisemitism — is radically different than it was 50 or 75 or 500 years ago. Even with the challenges and outright discrimination, the Jewish community today (here and abroad) is more diverse, more free and more complex than at arguably any time in history.
So I’d like to humbly offer some alternatives for producers and artistic directors who want Jewish representation on their stages. As the artistic director of the Jewish Plays Project, a development house for 21st-century Jewish theater based in New York and working around the country, I have the unique pleasure to be able to point to the plays written in just the last few years that can change the paradigm right now.
I’d like to encourage folks to think about Jewish joy. See Audrey Lang’s amazing character Librarian of the Jewish Soul in her play “Birdie & Cait and the Book of Life” or the Adon Olam sequence at the end of Mark Leiren Young’s “Bar Mitzvah Boy.”
Think about Jewish ethics. Beth Kander’s “Return” puts todays’ scientific breakthroughs and faith right up against each other; Marshall Botvinick’s poetic “To Reach Across a River” gives us an Orthodox woman refusing to leave her faith when she adopts a bi-racial daughter; and Cindy Cooper’s “I Was a Stranger Too” directly advocates for immigrants through a Jewish lens.
Stage Jewish diversity. Ali Viterbi’s “In Every Generation,” Molly Olis-Krost’s “What We Found” and EllaRose Chary’s “The Wrong Question” show us parts of the Jewish world — Jews of Color and queer Jews, among other mixed and modern identities — that haven’t made it to the stage much. (And we’re all waiting with baited breath for the results of Expanding the Canon, Theater J’s significant commissioning program for Jewish artists of Color.)
Talk about Israel/Palestine without blowing the roof of the joint. Seth Rozin’s “Settlements” is nuanced and compelling and real. Alexa Derman’s hilarious and satirical cri-de-coeur “Zionista Rising” — which just won the JPP’s National Playwriting Contest —brings sharp, contemporary humor to a difficult conversation.
And if you feel you have to talk about the Holocaust and Shylock — and sometimes you do — do it with a new and vital eye. Jenny Berman Eng’s “A Moving Picture” features a cast of three Jews of Color, one Black doctoral candidate and a white student working out how to make a 100% true Holocaust film, and Eric Marlin’s “there will come a time for vengeance” mashes up Shakespeare and his contemporary Christopher Marlowe with theatrical flair.
The point is, it’s a big Jewish world out there — exciting and current and diverse. The hundreds of Jewish Plays Project artists and audience members who are part of our ongoing experiment in artistic democracy are hungry to see that life show up at theaters all over the country.
If we can do that, we might see a Tony Awards (and Obies and Jeffs and Barrymores and more) that both celebrates brilliant work and moves the Jewish conversation forward — not by being anti-antisemitism, but by being truly pro-Jewish.
That would really be a big night for the Jews.
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‘We Are Being Held Hostage’: Lebanese TV Host Says Hezbollah Taking Lebanon Toward War, ‘Certain Death’
Lebanon’s Hezbollah leader Sayyed Hassan Nasrallah addresses his supporters through a screen during a rally commemorating the annual Hezbollah Martyrs’ Day, in Beirut’s southern suburbs. Photo: Reuters/Aziz Taher
A Lebanese TV host said last week that Hezbollah has essentially taken Lebanon hostage, comparing what the Iran-backed terrorist organization has done to the country to the hijackers who carried out the 9/11 attacks in the US.
Dima Sadek, who hosts a show in Lebanon on MTV, expressed her fear and outrage over what Hezbollah is doing to Lebanon and the path of near-certain war it is taking, according to a report and translation from the Middle East Media Research Institute (MEMRI).
Hezbollah, which wields significant political influence across Lebanon, boasts significant military capabilities much greater than those of other terrorist organizations in the region such as Hamas. The Lebanese Islamist group has long declared it seeks to destroy Israel.
“We are in danger of a hellish, existential war,” Sadek said on June 24 regarding the threats Hezbollah has made to countries such as Cyprus, which is in the European Union. “We are being held hostage. We have been hijacked by a group that has no clue of what is going on in this planet.”
She pointed out that “[Russian President Vladimir] Putin, who was the only one who managed to save your axis in the Syrian war, cannot overcome Europe, so how come you are threatening Europe with such confidence?”
Regarding the fear and helplessness she and some other Lebanese feel over the direction Hezbollah is taking, she asked, “Do you know who we resemble? The passengers on the 9/11 airplanes. We are like airplane passengers who do not see what is happening around them. We are being led by one person, and we have no idea where we are heading.”
She added, “The only thing that we know for sure is that this person is taking us to a catastrophe and certain death.”
#ICYMI: Lebanese TV Host Dima Sadek: There Is Nothing Left of This Country Besides Hizbullah and Its Weapons; They Are Holding Us Hostage; We Are Like the Passengers on a Hijacked Plane on 9/11 Heading Towards Certain Death #Lebanon #Hizbullah @DimaSadek pic.twitter.com/v7WDtIQqEV
— MEMRI (@MEMRIReports) June 30, 2024
Hezbollah terrorists have been firing drones, rockets, and missiles at northern Israel daily from southern Lebanon since Hamas’ Oct. 7 massacre, leading Israeli forces to strike back. Tensions have been escalating between both sides, fueling concerns that the conflict in Gaza — the Palestinian enclave ruled by Hamas to Israel’s south — could escalate into a regional conflict.
More than 80,000 Israelis have evacuated Israel’s north and been unable to return to their homes. The majority of those spent the past nine months residing in hotels in safer areas of the country.
Meanwhile, Hezbollah has also stepped up its threats against the rest of the world, including Cyprus.
Last month, Hezbollah leader Hassan Nasrallah made a speech in which he said an “all-out war” with Israel was “getting very close.” He added that if Cyprus, a European Union member, were to help Israel in some way during that war, then “Cyprus will be part of this war too.”
Israeli officials have said that, while they seek a diplomatic resolution to the current situation along the border with Lebanon, they are prepared to escalate military action against Hezbollah to push the terrorist group back in order to allow displaced Israelis to return to their homes.
Hezbollah, like Hamas, has been accused of using civilians as “human shields” when fighting Israel.
The post ‘We Are Being Held Hostage’: Lebanese TV Host Says Hezbollah Taking Lebanon Toward War, ‘Certain Death’ first appeared on Algemeiner.com.
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Hezbollah Launches Big Attack on Israel, Sonic Booms Rattle Beirut
Rockets launched from Lebanon to Israel over the border are intercepted, amid the ongoing cross-border hostilities between Hezbollah and Israeli forces, in Israel, near the border with Lebanon, July 3, 2024. Photo: REUTERS/Ayal Margolin
Lebanon’s Hezbollah launched a big rocket and drone attack at Israel on Thursday and threatened to hit new targets in retaliation for the killing of a top commander, in the latest surge of violence in the steadily worsening conflict across the border.
Sparked by the Gaza war, the conflict between the Iran-backed terrorist organization Hezbollah and Israel has been gradually intensifying for months, raising fears of a full-scale war, which both sides have indicated they want to avoid and diplomats are working to prevent.
As the latest violence played out in areas at or near the frontier — in keeping with the pattern of the last nine months — the sound of sonic booms rattled nerves for the second successive day in Beirut and other parts of Lebanon.
Israeli jets broke the sound barrier over several areas of the country, Lebanon’s National News Agency reported.
Hezbollah said it launched more than 200 rockets and a swarm of drones at 10 Israeli military sites in retaliation for Israel‘s killing of Hezbollah commander Mohammed Nasser in the south on Wednesday. Nasser is one of the most senior Hezbollah commanders to be killed by Israel during the conflict.
The Israeli military said around “200 projectiles and over 20 suspicious aerial targets were identified crossing from Lebanon into Israeli territory,” a number of which were intercepted by Israeli air defenses and fighter jets.
Israel‘s ambulance service said no casualties were reported. The Israeli military said some of the drones and interceptor shrapnel set off fires.
The Israeli air force “struck Hezbollah military structures” in the areas of Ramyeh and Houla,” it said, referring to two villages in south Lebanon.
Senior Hezbollah official Hashem Safieddine, speaking at an event in Beirut commemorating Nasser, indicated his group would widen its targeting.
“The series of responses continues in succession, and this series will continue to target new sites that the enemy did not imagine would be hit,” Safieddine said.
DIPLOMATIC PUSH
The United States has been leading diplomatic efforts to deescalate the fighting. Hezbollah has said it will not cease fire as long as Israel continues its offensive in the Gaza Strip.
The hostilities have inflicted a heavy toll on both sides of the frontier, forcing tens of thousands of people to flee their homes.
Amos Hochstein, a senior US official at the heart of the diplomacy, discussed French and American efforts to restore calm in meetings with French officials on Wednesday, a White House official said.
“France and the United States share the goal of resolving the current conflict across the Blue Line by diplomatic means, allowing Israeli and Lebanese civilians to return home with long-term assurances of safety and security,” the official said, referring to the demarcation line between the two neighbors.
Israeli Defense Minister Yoav Gallant said on Wednesday that Israeli forces were hitting Hezbollah “very hard every day” and will be ready to take any action necessary against the group, though the preference is to reach a negotiated arrangement.
Hezbollah also launched rockets at Israel on Wednesday in retaliation for Nasser’s killing.
Hezbollah began firing at Israeli targets along the border with Lebanon after its Palestinian terrorist ally Hams launched an attack on Israel on Oct. 7, declaring its support for the Palestinians.
Israeli attacks in Lebanon have killed more than 300 Hezbollah fighters and some 90 civilians, according to Reuters tallies. Israel says fire from Lebanon has killed 18 soldiers and 10 civilians.
The post Hezbollah Launches Big Attack on Israel, Sonic Booms Rattle Beirut first appeared on Algemeiner.com.
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Drexel University Professor Stole Signs From Synagogue, Police Say
Illustrative: People pass a cluster of signs outside a pro-Hamas encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect
A Drexel University professor allegedly participated in a mass theft of items from a synagogue in a suburb outside Philadelphia, a local NBC affiliate reported on Tuesday.
Mariana Chilton, 56, a professor of health management and policy at Drexel, has been accused of stealing pro-Israel signs from the Main Line Reform Temple in Lower Merion Township, traveling there from her neighborhood of residency, Wynnewood, Pennsylvania. Chilton allegedly drove the getaway car while two other accomplices, Sarah Prickett and Sam Penn — who is from New York — trespassed the synagogue and absconded with the loot.
“We are just taking them because we feel like it is a representative of genocide,” Chilton told law enforcement after being caught in the act, the report stated. She then, after offering to “just put them back,” refused to identify herself and comply with other lawful orders.
Video evidence provided by a local resident placed Chilton and her accomplices at the scene of the crime, and a Main Line Reform Temple official identified the signs recovered from her car as the temple’s property. That was enough for law enforcement to charge her with several offenses, including conspiracy and theft. She is also charged with driving without a license and not registering her vehicle.
Drexel University has not responded to The Algemeiner‘s request for comment for this story.
Experts have told The Algemeiner in the past academic year that while the conduct of anti-Zionist students should be reported on, the role of faculty in fostering and engaging in antisemitic acts should be closely scrutinized. Last semester, anti-Zionist faculty attached themselves to anti-Israel, pro-Hamas demonstrations, sometimes breaking the law by preventing officers from dispersing unauthorized demonstrations and detaining lawbreakers.
At Northeastern University in Boston, professors formed a human barrier around a student encampment to stop its dismantling by officers, and at Columbia University, anti-Zionist faculty at the school, as well its affiliate Barnard College, staged a walkout in support of the demonstrations and demanded the abeyance of disciplinary sanctions against anti-Zionist students — dozens of whom cheered Hamas and threatened more massacres of Jews similar to Oct. 7 — who violated school rules.
Chilton’s case is unlike any other reported in the past year, however. While dozens of professors have been accused of abusing their Jewish students and encouraging their classmates to bully and shame them, none are alleged to have resorted to stealing from a Jewish house of worship to make their point.
Mass participation of faculty in pro-Hamas demonstrations marks an inflection point in American history, Asaf Romirowsky, an expert on the Middle East and executive director of Scholars for Peace in the Middle East, told The Algemeiner in April.
Since the 1960s, he explained, far-left “scholar activists” have gradually seized control of the higher education system, tailoring admissions processes and the curricula to foster ideological radicalism and conformity, which students then carry with them into careers in government, law, corporate America, and education. This system, he concluded, must be challenged.
“The cost of trading scholarship for political propagandizing has been a zeal and pride among faculty who esteem and cheer terrorism, a historical development which is quite telling and indicative of the evolution of the Marxist ideology which has been seeping into the academy since the 1960s,” Romirowsky said. “The message is very clear to all of us who are looking on from the outside at this, and institutions have to begin drawing a red line. The protests are not about free speech. They are about supporting terrorism, about calling for a genocide of Jews.”
Follow Dion J. Pierre @DionJPierre.
The post Drexel University Professor Stole Signs From Synagogue, Police Say first appeared on Algemeiner.com.