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Broadway stars to perform songs written during the Holocaust at Carnegie Hall
(New York Jewish Week) — More than a dozen songs written by Jews imprisoned in concentration camps and ghettos during the Holocaust will be brought to life at Carnegie Hall next week as part of a commemoration of International Holocaust Remembrance Day.
Featuring Broadway bigwigs and performers such as Harvey Fierstein, Chita Rivera, Mikhl Yashinsky and Joel Grey, the one-night-only “We Are Here: Songs from the Holocaust” performance will take place on Thurs., January 26 at 7:30 p.m.
“I know a lot about music — I’ve spent my whole life doing it — and I never knew there were songs that came out of the camps and the ghettos,” said music producer and composer Ira Antelis, who conceived of the concert several years ago. “I knew there was classical music in Theresienstadt, but I was not familiar with what I call the ‘Bruce Springsteen’ or ‘Pete Seeger’ music of the camps.”
As it turns out, however, hundreds of what might be called folk and popular songs were written — mostly in Yiddish — by Jews in concentration camps and ghettos. In the decades following the war, many were published in newspapers, songbook collections and memoirs in Europe, Israel and the United States.
The “We Are Here” concert draws its name from one such songbook, titled ““We Are Here: Songs of the Holocaust,” which was compiled in 1983 by Eleanor Mlotek and Malke Gottlieb, with a foreword by Elie Wiesel. Antelis discovered the book while doing research on Wiesel after his death in 2016.
Shortly after he read the songbook, Antelis, who lives in Chicago, was visiting family in New York when he ran into an old friend, Rabbi Charlie Savenor. A former educational director at Park Avenue Synagogue, Savenor was teaching a class on Holocaust memoirs there at the time.
“Keeping a memoir, hiding it, and making sure that whether or not you live and die your experience would be remembered was an act of deep resistance,” said Savenor, who is now the executive director of Civic Spirit, an organization that advocates for civic education. “Writing this music and these songs was doing the same exact thing.”
It felt like fate that the two had reconnected after 15 years, and they decided to collaborate on the project.
Initially, the pair planned to mount a concert just using songs from the “We Are Here” anthology. But when the pandemic put everything on hold, Antelis used the time to do additional research — which led him to discover a 2014 doctoral dissertation that had compiled research about 14 additional songbooks published between 1945-1949. Each of these volumes was filled with dozens of songs from a particular camp or ghetto — songs from Bialystok, Vilna, Munich and others.
“This is our concert,” Antelis thought.
Newly reinvigorated, the concert he was conceiving would feature one song from each songbook.
“What better way to say ‘We Are Here’ than to carry on somebody’s voice from 1940, who was murdered?” Savenor said. “We have the opportunity to do that.”
The first-ever concert of these songs was produced last year at Chicago’s Temple Sholom. That program was on Yom HaShoah, so it included a yahrzeit candlelighting and several speeches. This year, by contrast, the concert will focus almost entirely on the music and the performers, many of whom are no strangers to drawing crowds.
Though many of the songs featured in “We Are Here” have been translated into English, several will be sung in their original Yiddish, including “Minuten Fon Bitahon” (“Minutes of Faith”) by Mordechai Gebirtig. Sung by Steven Skybell, who is coming off of a seven-week off-Broadway run as Tevye in “Fiddler on the Roof in Yiddish,” the song will open the concert.
“One of the most heartbreaking and amazing things about Yiddish songs, in general, is that they don’t shy away from putting into song every aspect of the Jewish life,” said Skybell, who began seriously learning Yiddish during the pandemic. “It’s really unlike any other type of music I’ve ever seen, in that it does not shy away from ugly reality and sometimes hopeless situations.”
At the same time, however, Savenor said he is surprised at how uplifting many of the songs are, considering the horrible circumstances their writers were enduring. “This is not the Mourner’s Kaddish for an hour and forty five minutes,” he said. “It’s just people talking about love and relationships, and dreams and aspirations. It’s a lot more about life than it is about mourning.”
Each song will be introduced by a presenter who will share a brief personal anecdote relating to the Holocaust. Along with hosts Antelis and Savenor, these presenters include Jack Kliger, the president and CEO of the Museum of Jewish Heritage; Scott Richman, director of the New York and New Jersey branch of the Anti-Defamation League and Cardinal Timothy Dolan, the archbishop of New York.
The diversity of the presenters and performers is intentional, said Antelis and Savenor, emphasizing that part of the purpose of the concert is to showcase a coming together across races, religions and ethnicities. The aim, they said, is to show unity and entrench the message of “never again.”
That’s also why the concert is being presented at historic Carnegie Hall, rather than a synagogue. “To have the sounds of Yiddish reverberating in Carnegie Hall gives me special delight,” said Skybell. “The fact that Yiddish is alive and well and we hear it at Carnegie Hall — it’s just to say that we are here, we’re not going away and we won’t be silenced.”
Proceeds from the performance will be donated to the Museum of Jewish Heritage in Manhattan. Though it will not be recorded for the public or live streamed, Antelis and Savenor said they hope to bring the production around the country and even to Europe to perform the songs at the sites of the ghettos and camps where they were originally composed.
“With everything that’s going on, we cannot be silent — people need to step up. If we don’t stand against antisemitism and hate in every facet, then who are we?” Antelis said. “I think this is the most important concert in many, many years, especially in our culture.”
“We are Here: Songs From the Holocaust” is a one-night event on the Perelman Stage at Carnegie Hall (881 7th Ave.) on Jan. 26 at 7:30 pm. Buy tickets here.
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The post Broadway stars to perform songs written during the Holocaust at Carnegie Hall appeared first on Jewish Telegraphic Agency.
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Georgetown Newspaper Editorial Board Accuses Israel of ‘Genocide,’ Calls for Divestment
Georgetown University students on March 23, 2025 in Washington, DC. Photo: Andrew Thomas via Reuters Connect
A Georgetown University-affiliated student newspaper last week issued an editorial which argued that the school has been “complicit in Israel’s genocide,” describing the world’s lone Jewish state as an illegitimate entity that should be isolated.
“There is no doubt in the mind of The Georgetown Voice‘s Editorial Board that Israel has been committing genocide in Gaza,” proclaimed The Georgetown Voice, an alternative, far-left publication founded in 1969. “There is no critical mass or breaking point at which elites — including the administrative elite at Georgetown — will suddenly reform their conscience.”
The editorial board condemned what it falsely labeled as Israel’s “decades-long settler colonial project and apartheid system” and appeared to blame the entirety of the Gaza conflict on Israel while absolving Hamas, the Palestinian terrorist group that started the war with its Oct. 7, 2023, massacre of Israelis, of wrongdoing.
“We must ask ourselves why every person in Gaza or the West Bank does not elicit the same righteous anger (and frenzied whitewashing or bigotry and divisiveness) that erupted after the assassination of Charlie Kirk,” the paper charged, referring to the American conservative activist who was assassinated in September. “While some — certainly not all — members of Congress have half-heartedly called for a ‘pause’ in the violence at some point, the vast majority of them were simultaneously voting to arm Israel.”
The editorial continued, “The morally bankrupt acts of our representatives made Americans complicit in this genocide. That should enrage and galvanize something in all of us. Sadly, at Georgetown, that’s not what we see.”
Capping off its philippic, the Voice broadsided the Anti-Defamation League (ADL) — accusing the civil rights organization of “anti-Palestinian advocacy” and drifting “rightward … under the leadership of current CEO Jonathan Greenblatt” — and calling for Georgetown’s divestment from Israel on the grounds that Israel is an “apartheid regime” in the same mold as Afrikaner-dominated South Africa until the 1990s.
“If the school gives any weight to the values it claims to represent, it will reconsider its rejection of the divestment referendum from last spring and move to cut all ties with Israeli and Israel-supportive institutions immediately,” the Voice concluded, hinting at the expulsion from campus of Jewish groups such as Hillel and Chabad. “We do not say this lightly; taking action is challenging; however, in the face of such atrocities, there are no excuses for inaction.”
The Voice is not the first student newspaper to promote anti-Zionism while curating facts, sources, and quotes to confect a negative image of Israel.
In 2022, The Harvard Crimson, the official newspaper of Harvard University, endorsed the boycott, divestment, and sanctions (BDS) movement, which seeks to isolate the world’s lone Jewish state on the international stage as a step toward its eventual elimination.
“BDS remains a blunt approach, one with the potential to backfire or prompt collateral damage in the form of economic hurt. But the weight of this moment — of Israel’s human rights and international law violates and of Palestine’s cry for freedom — demands this step,” it said. “As a board, we are proud to finally lend our support to both Palestinian liberation and BDS — we call on everyone to do the same.”
At Georgetown, anti-Zionism may be fostered by foreign influence in the form of exorbitant donations.
According to a report published in June by the Institute for the Study of Global Antisemitism Policy (ISGAP) — titled, “Foreign Infiltration: Georgetown University, Qatar, and the Muslim Brotherhood” — Georgetown University has received over $1 billion in funding from the Qatari government over the last two decades. The 132-page document revealed dozens of examples of ways in which Georgetown’s interests are allegedly conflicted, having been divided between its foreign benefactors, the country in which it was founded in 1789, and even its Catholic heritage.
“The Qatari regime targets Georgetown due to its unrivaled access to current and future leaders. Over two decades, that investment has paid off — embedding Muslim Brotherhood scholars and narratives deep within the American academic and political culture,” Dr. Charles Asher Small, executive director of ISGAP, said in a statement on the report. “This masterful use of soft power is not only about Georgetown. It is how authoritarian regimes are buying access, narrative control, and ideological legitimacy — and too many universities are willing sellers.”
The ISGAP report called on policymakers to take action now and prevent the university’s becoming any closer to a country whose ideals may threaten US interests and ideals.
“It is time to designate the Muslim Brotherhood as a terrorist organization. As we saw, pro-Hamas antisemitism in the US has moved from rhetoric to outright terrorism on the streets of Washington,” Small said, referring to the antisemitic shooting of two Israeli embassy staffers in May. “Just three miles from the site of the murders outside the Jewish Museum, Georgetown has been the center of a 50-year indoctrination campaign aimed at infiltrating the highest echelons of US society with murderous antisemitism.”
Follow Dion J. Pierre @DionJPierre.
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‘Hamas in a Suit’: Melanie Phillips Says the US Must Stop Treating Qatar as an Honest Broker
British author and journalist Melanie Phillips speaking at the National Conservatism Conference in Brussels, Belgium in April 2024. Photo: Nicolas Landemard / Le Pictorium via Reuters Connect
The war against terrorism will never end “until the West stops pretending Qatar is neutral,” according to British author and journalist Melanie Phillips.
The prominent commentator told The Algemeiner that Doha’s patronage of the Palestinian terrorist group Hamas and its influence on Western media and universities are among the many reasons not to trust the Middle Eastern monarchy.
“Qatar is Hamas,” Phillips said in a conversation on the “J100” podcast with host David M. Cohen, the CEO of The Algemeiner. “It sponsors Hamas, it shelters Hamas, it protects Hamas’s leadership.”
Speaking from Jerusalem, Phillips called Qatar’s role “the great unspoken scandal” of modern diplomacy, describing how the regime has bankrolled Hamas while posing as a mediator in negotiations with Israel over the Gaza war.
“You can end this war tonight,” she said, “by doing what should have been done long ago: throw Qatar overboard.”
Negotiations have hit several hurdles in recent weeks to halt the advancement of last month’s Israel-Hamas ceasefire, including the refusal of the terrorist group to disarm in accordance with US President Donald Trump’s pace plan for Gaza.
Despite Qatar’s support for Hamas and far-reaching financial entanglements within American institutions, the US has designated the country as a major non-NATO ally and committed, via executive order, to defend it if attacked.
For Phillips, the danger runs deeper than money or politics. “It’s Hamas in a suit,” she said. “A power that wears respectability while advancing terror by other means.”
Since 2012, Doha has housed Hamas’s political bureau and funneled hundreds of millions of dollars into Gaza, often with Western approval. Simultaneously, it has built vast soft-power influence, financing Al Jazeera, sponsoring academic programs on Middle Eastern studies, and endowing think tanks and universities across the West.
That dual role, Phillips argued, has distorted the world’s moral compass. “You cannot be both patron and peacemaker,” she said. “That is moral incoherence masquerading as strategy.”
She connected Qatar’s reach to what she called the “eighth front” of Israel’s war against Iran’s terrorist network including Hamas — the cognitive front, where perception and truth are under siege. By funding educational and media institutions that frame Israel as the aggressor, Phillips said, Doha helps export the same ideological rot that excuses terrorism.
“You cannot build coexistence on a curriculum of hatred,” she warned. “And you cannot defend civilization if you reward the people funding its destruction.”
Cohen noted that Washington’s posture toward Doha remains contradictory. “You can’t confront a sponsor of terror,” he said, “while treating it like an ally at the same time.”
Phillips concluded that lasting peace requires more than military victory — it demands confronting the global enablers that dignify extremism. “If the West continues to pretend Qatar is neutral,” she said, “then Hamas will never truly be defeated.”
The full conversation — “The Eighth Front Is the Mind” — is available now on “J100” via Apple Podcasts, Substack, and YouTube.
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Australia Lists Iran’s Islamic Revolutionary Guard as State Sponsor of Terrorism
Commanders and members of the Islamic Revolutionary Guard Corps meet with Iran’s Supreme Leader Ayatollah Ali Khamenei in Tehran, Iran, Aug. 17, 2023. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency) via REUTERS
Australia has listed Iran’s Islamic Revolutionary Guard Corps as a state sponsor of terrorism, Foreign Minister Penny Wong said on Thursday, following an intelligence assessment that it had orchestrated attacks against Australia‘s Jewish Community.
Australia in August accused Iran of directing two antisemitic arson attacks in the cities of Sydney and Melbourne and gave Tehran’s ambassador seven days to leave the country, its first such expulsion since World War II.