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Broadway stars to perform songs written during the Holocaust at Carnegie Hall
(New York Jewish Week) — More than a dozen songs written by Jews imprisoned in concentration camps and ghettos during the Holocaust will be brought to life at Carnegie Hall next week as part of a commemoration of International Holocaust Remembrance Day.
Featuring Broadway bigwigs and performers such as Harvey Fierstein, Chita Rivera, Mikhl Yashinsky and Joel Grey, the one-night-only “We Are Here: Songs from the Holocaust” performance will take place on Thurs., January 26 at 7:30 p.m.
“I know a lot about music — I’ve spent my whole life doing it — and I never knew there were songs that came out of the camps and the ghettos,” said music producer and composer Ira Antelis, who conceived of the concert several years ago. “I knew there was classical music in Theresienstadt, but I was not familiar with what I call the ‘Bruce Springsteen’ or ‘Pete Seeger’ music of the camps.”
As it turns out, however, hundreds of what might be called folk and popular songs were written — mostly in Yiddish — by Jews in concentration camps and ghettos. In the decades following the war, many were published in newspapers, songbook collections and memoirs in Europe, Israel and the United States.
The “We Are Here” concert draws its name from one such songbook, titled ““We Are Here: Songs of the Holocaust,” which was compiled in 1983 by Eleanor Mlotek and Malke Gottlieb, with a foreword by Elie Wiesel. Antelis discovered the book while doing research on Wiesel after his death in 2016.
Shortly after he read the songbook, Antelis, who lives in Chicago, was visiting family in New York when he ran into an old friend, Rabbi Charlie Savenor. A former educational director at Park Avenue Synagogue, Savenor was teaching a class on Holocaust memoirs there at the time.
“Keeping a memoir, hiding it, and making sure that whether or not you live and die your experience would be remembered was an act of deep resistance,” said Savenor, who is now the executive director of Civic Spirit, an organization that advocates for civic education. “Writing this music and these songs was doing the same exact thing.”
It felt like fate that the two had reconnected after 15 years, and they decided to collaborate on the project.
Initially, the pair planned to mount a concert just using songs from the “We Are Here” anthology. But when the pandemic put everything on hold, Antelis used the time to do additional research — which led him to discover a 2014 doctoral dissertation that had compiled research about 14 additional songbooks published between 1945-1949. Each of these volumes was filled with dozens of songs from a particular camp or ghetto — songs from Bialystok, Vilna, Munich and others.
“This is our concert,” Antelis thought.
Newly reinvigorated, the concert he was conceiving would feature one song from each songbook.
“What better way to say ‘We Are Here’ than to carry on somebody’s voice from 1940, who was murdered?” Savenor said. “We have the opportunity to do that.”
The first-ever concert of these songs was produced last year at Chicago’s Temple Sholom. That program was on Yom HaShoah, so it included a yahrzeit candlelighting and several speeches. This year, by contrast, the concert will focus almost entirely on the music and the performers, many of whom are no strangers to drawing crowds.
Though many of the songs featured in “We Are Here” have been translated into English, several will be sung in their original Yiddish, including “Minuten Fon Bitahon” (“Minutes of Faith”) by Mordechai Gebirtig. Sung by Steven Skybell, who is coming off of a seven-week off-Broadway run as Tevye in “Fiddler on the Roof in Yiddish,” the song will open the concert.
“One of the most heartbreaking and amazing things about Yiddish songs, in general, is that they don’t shy away from putting into song every aspect of the Jewish life,” said Skybell, who began seriously learning Yiddish during the pandemic. “It’s really unlike any other type of music I’ve ever seen, in that it does not shy away from ugly reality and sometimes hopeless situations.”
At the same time, however, Savenor said he is surprised at how uplifting many of the songs are, considering the horrible circumstances their writers were enduring. “This is not the Mourner’s Kaddish for an hour and forty five minutes,” he said. “It’s just people talking about love and relationships, and dreams and aspirations. It’s a lot more about life than it is about mourning.”
Each song will be introduced by a presenter who will share a brief personal anecdote relating to the Holocaust. Along with hosts Antelis and Savenor, these presenters include Jack Kliger, the president and CEO of the Museum of Jewish Heritage; Scott Richman, director of the New York and New Jersey branch of the Anti-Defamation League and Cardinal Timothy Dolan, the archbishop of New York.
The diversity of the presenters and performers is intentional, said Antelis and Savenor, emphasizing that part of the purpose of the concert is to showcase a coming together across races, religions and ethnicities. The aim, they said, is to show unity and entrench the message of “never again.”
That’s also why the concert is being presented at historic Carnegie Hall, rather than a synagogue. “To have the sounds of Yiddish reverberating in Carnegie Hall gives me special delight,” said Skybell. “The fact that Yiddish is alive and well and we hear it at Carnegie Hall — it’s just to say that we are here, we’re not going away and we won’t be silenced.”
Proceeds from the performance will be donated to the Museum of Jewish Heritage in Manhattan. Though it will not be recorded for the public or live streamed, Antelis and Savenor said they hope to bring the production around the country and even to Europe to perform the songs at the sites of the ghettos and camps where they were originally composed.
“With everything that’s going on, we cannot be silent — people need to step up. If we don’t stand against antisemitism and hate in every facet, then who are we?” Antelis said. “I think this is the most important concert in many, many years, especially in our culture.”
“We are Here: Songs From the Holocaust” is a one-night event on the Perelman Stage at Carnegie Hall (881 7th Ave.) on Jan. 26 at 7:30 pm. Buy tickets here.
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The post Broadway stars to perform songs written during the Holocaust at Carnegie Hall appeared first on Jewish Telegraphic Agency.
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Lebanese President, Hezbollah Split Over Expanded Talks With Israel
A civil defense member stands on rubble at a damaged site after Israel’s military said it struck targets in two southern Lebanese towns in Jbaa, southern Lebanon, Dec. 4, 2025. Photo: REUTERS/Ali Hankir
Lebanon’s president on Friday defended his decision to expand talks with Israel as a way to avoid further violence, but the head of Lebanese terrorist group Hezbollah called it a blunder, lifting the lid on divisions at a watershed moment for the country.
Israel and Lebanon on Wednesday both sent civilian envoys to a military committee monitoring their ceasefire, a step toward a months-old US demand that the two countries broaden talks in line with President Donald Trump’s Middle East peace agenda.
Lebanese President Joseph Aoun told visiting representatives of the United Nations Security Council that his country “has adopted the option of negotiations with Israel” and that “there is no going back.”
“These negotiations are mainly aimed at stopping the hostile actions carried out by Israel on Lebanese territory, securing the return of the captives, scheduling the withdrawal from the occupied areas, and resolving the disputed points along the Blue Line,” Aoun said in a statement on Friday, referring to the UN-mapped line that separates Israel from Lebanon.
HEZBOLLAH CALLS MOVE ‘FREE CONCESSION’
But the expanded talks were criticized by Iran-backed Hezbollah, an armed Islamist group that for years has wielded significant influence across Lebanon. However, Israel decimated the terrorist group’s leadership and military capabilities last fall after a year of fighting, significantly diminishing Hezbollah’s political clout in Lebanon.
Its head, Naim Qassem, said on Friday afternoon that sending a civilian delegate to the truce monitoring committee was a “blunder,” and urged the government to rethink its decision.
“You offered a free concession that will not change anything in the enemy’s [Israel‘s] position or its attacks,” Qassem said.
Lebanon and Israel have been officially enemy states for more than 70 years, and meetings between their civilian officials have been extraordinarily rare throughout their fraught history.
Over the last year, military officials have met as part of a committee, chaired by the United States, to monitor a 2024 truce that ended more than a year of fighting between Israel and Hezbollah which badly weakened the Iran-backed group.
In that time, Israel has continued its air strikes on what it says are Hezbollah‘s attempts to re-arm in violation of the truce. Lebanon says those strikes and Israel‘s occupation of southern Lebanese territory are ceasefire breaches.
Fears are growing in Lebanon that Israel could expand its air campaign further to ratchet up pressure on the Lebanese government to disarm Hezbollah more swiftly across the country.
The group has refused to disarm in full and has raised the specter of internal strife if the state tries to confront it.
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Iran Holds Drills in Gulf, Firing Ballistic, Cruise Missiles at Simulated Targets
An Iranian missile is launched during a military exercise in an undisclosed location in Iran, Aug. 20, 2025. Photo: Iranian Army/WANA (West Asia News Agency)/Handout via REUTERS
The Navy of Iran‘s Islamic Revolutionary Guard Corps (IRGC) fired ballistic and cruise missiles at simulated targets in the Gulf on Friday during a two-day military exercise aimed at countering foreign threats, state media reported.
Earlier, Iran hosted an anti-terrorism drill in its northwestern province of East Azerbaijan with members of the Shanghai Cooperation Organization, which, according to state Press TV, was intended to signal both “peace and friendship” to neighboring states and warn enemies that “any miscalculation would meet a decisive response.”
The ground and naval exercises follow a 12-day air war between Israel and Iran in June, during which the US joined Israel in striking Iran‘s nuclear facilities.
State media reported a massive launch of Qadr 110, Qadr 380, and Qadr 360 cruise missiles and 303 ballistic missiles at targets in the Gulf of Oman. Drones simultaneously struck simulated enemy bases, the reports said.
The IRGC Navy began its exercise in the strategic Strait of Hormuz and the Gulf of Oman on Thursday.
It emphasized what it said was its heightened artificial intelligence readiness and the “unwavering spirit and resistance” of its sailors in confronting any threat.
The West sees Iran‘s ballistic missiles both as a conventional military threat to regional stability and a possible delivery mechanism for nuclear weapons should Tehran develop them.
The land drills in the northwest were the latest in a series of SCO exercises aimed at enhancing coordination among member and partner states. Saudi Arabia, Iraq, Oman, and Azerbaijan also took part in the cross-border counterterrorism exercises.
The SCO, a Eurasian security and economic bloc founded in 2001 to combat terrorism, separatism, and extremism, often conducts joint military exercises among its members.
The organization includes China, Russia, India, Pakistan, and several Central Asian countries, with observer and dialogue partners such as Iran, Saudi Arabia, and others participating in selected operations.
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Eurovision Faces Budget Squeeze After Walkouts Over Israel
Journalists stand in front of a screen in Wiener Stadthalle, the venue of next year’s Eurovision in Vienna, Austria, Nov. 18, 2025. Photo: REUTERS/Leonhard Foeger
The Eurovision Song Contest was facing a potential budget squeeze after Spain, the Netherlands, Ireland, and Slovenia said they would withdraw from next year’s competition in protest of Israel‘s participation.
The planned boycott brought to a head a row that has overshadowed the past two contests, and followed threats by the four they would pull out if the organizer did not exclude Israel over the conduct of its war against Hamas in Gaza.
The walkout by Spain, one of the “big five” backers of the contest, and two of Europe’s wealthiest countries, raises the prospect of less sponsorship income and viewers for the extravaganza that draws millions of viewers worldwide.
AUSTRIA TO HOST EUROVISION IN MAY
Austria will host the next edition in May, and national broadcaster ORF said the loss of the four would be felt – but would not prevent a successful show.
“Overall, it would of course be a financial burden if several countries did not participate, but we had already taken this into account,” ORF chief Roland Weissmann said.
Members of the contest organizer, the European Broadcasting Union, on Thursday resisted calls by critics for a vote on Israel‘s participation, instead passing new rules aimed at discouraging governments from influencing the competition.
“There are no winners here regardless of whether Israel‘s in or out, the whole thing feels a little bit toxic now,” said Eurovision expert Paul Jordan, who noted the walkouts would hit the budget and viewership.
Israel‘s 1998 Eurovision winner, Dana International, saw the boycott as insulting. “You don’t punish an entire country because you disagree politically with its government,” she said.
Ireland’s 1994 winner, Paul Harrington, said politics and world events were hard for the competition to avoid.
“It’s difficult, although it would be lovely to say, let’s have this little moment every year where we forget about everything,” he told Reuters from Dublin.
BROADCASTERS CONTRIBUTE TO FINANCING
The contest is mostly financed by contributions from broadcasters, the hosts, and sponsorship and revenue from the event, according to the Eurovision website. It does not disclose details of how much each country pays.
Contributions from some 40 participating broadcasters are divvied up on the principle that the strongest shoulder the biggest burden. It also includes a contribution from the host broadcaster generally worth between 10 and 20 million euros.
The host city also contributes, buttressed by revenues from sponsorship, ticket sales, televoting, and merchandise.
About 5.8 million viewers in Spain watched Eurovision 2025, Spanish broadcaster RTVE said. In the Netherlands, an average of 3.4 million people tuned in, Dutch broadcaster AvroTros said. Both declined to give details on their financial contributions.
Irish broadcaster RTE said it had paid an annual EBU fee to participate in the 2025 contest of 100,270 euros.
Contest director Martin Green says Eurovision is financially secure, and that any loss of audience could be compensated by the return of Bulgaria, Romania, and Moldova next year.
Still, the combined population of the four protesting nations is more than 2-1/2 times that of the three returners. And their combined economic output is many times greater.
Israel‘s 2025 entrant, Yuval Raphael, was at the Nova music festival, a target of the Oct. 7, 2023, attack by Palestinian terrorist group Hamas on Israel that triggered the Gaza war.
A total of 1,200 people were killed and 251 taken hostage in the assault by Hamas. Israel responded with a military campaign aimed at freeing the hostages and dismantling Hamas’s rule in neighboring Gaza.