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Broadway stars to perform songs written during the Holocaust at Carnegie Hall
(New York Jewish Week) — More than a dozen songs written by Jews imprisoned in concentration camps and ghettos during the Holocaust will be brought to life at Carnegie Hall next week as part of a commemoration of International Holocaust Remembrance Day.
Featuring Broadway bigwigs and performers such as Harvey Fierstein, Chita Rivera, Mikhl Yashinsky and Joel Grey, the one-night-only “We Are Here: Songs from the Holocaust” performance will take place on Thurs., January 26 at 7:30 p.m.
“I know a lot about music — I’ve spent my whole life doing it — and I never knew there were songs that came out of the camps and the ghettos,” said music producer and composer Ira Antelis, who conceived of the concert several years ago. “I knew there was classical music in Theresienstadt, but I was not familiar with what I call the ‘Bruce Springsteen’ or ‘Pete Seeger’ music of the camps.”
As it turns out, however, hundreds of what might be called folk and popular songs were written — mostly in Yiddish — by Jews in concentration camps and ghettos. In the decades following the war, many were published in newspapers, songbook collections and memoirs in Europe, Israel and the United States.
The “We Are Here” concert draws its name from one such songbook, titled ““We Are Here: Songs of the Holocaust,” which was compiled in 1983 by Eleanor Mlotek and Malke Gottlieb, with a foreword by Elie Wiesel. Antelis discovered the book while doing research on Wiesel after his death in 2016.
Shortly after he read the songbook, Antelis, who lives in Chicago, was visiting family in New York when he ran into an old friend, Rabbi Charlie Savenor. A former educational director at Park Avenue Synagogue, Savenor was teaching a class on Holocaust memoirs there at the time.
“Keeping a memoir, hiding it, and making sure that whether or not you live and die your experience would be remembered was an act of deep resistance,” said Savenor, who is now the executive director of Civic Spirit, an organization that advocates for civic education. “Writing this music and these songs was doing the same exact thing.”
It felt like fate that the two had reconnected after 15 years, and they decided to collaborate on the project.
Initially, the pair planned to mount a concert just using songs from the “We Are Here” anthology. But when the pandemic put everything on hold, Antelis used the time to do additional research — which led him to discover a 2014 doctoral dissertation that had compiled research about 14 additional songbooks published between 1945-1949. Each of these volumes was filled with dozens of songs from a particular camp or ghetto — songs from Bialystok, Vilna, Munich and others.
“This is our concert,” Antelis thought.
Newly reinvigorated, the concert he was conceiving would feature one song from each songbook.
“What better way to say ‘We Are Here’ than to carry on somebody’s voice from 1940, who was murdered?” Savenor said. “We have the opportunity to do that.”
The first-ever concert of these songs was produced last year at Chicago’s Temple Sholom. That program was on Yom HaShoah, so it included a yahrzeit candlelighting and several speeches. This year, by contrast, the concert will focus almost entirely on the music and the performers, many of whom are no strangers to drawing crowds.
Though many of the songs featured in “We Are Here” have been translated into English, several will be sung in their original Yiddish, including “Minuten Fon Bitahon” (“Minutes of Faith”) by Mordechai Gebirtig. Sung by Steven Skybell, who is coming off of a seven-week off-Broadway run as Tevye in “Fiddler on the Roof in Yiddish,” the song will open the concert.
“One of the most heartbreaking and amazing things about Yiddish songs, in general, is that they don’t shy away from putting into song every aspect of the Jewish life,” said Skybell, who began seriously learning Yiddish during the pandemic. “It’s really unlike any other type of music I’ve ever seen, in that it does not shy away from ugly reality and sometimes hopeless situations.”
At the same time, however, Savenor said he is surprised at how uplifting many of the songs are, considering the horrible circumstances their writers were enduring. “This is not the Mourner’s Kaddish for an hour and forty five minutes,” he said. “It’s just people talking about love and relationships, and dreams and aspirations. It’s a lot more about life than it is about mourning.”
Each song will be introduced by a presenter who will share a brief personal anecdote relating to the Holocaust. Along with hosts Antelis and Savenor, these presenters include Jack Kliger, the president and CEO of the Museum of Jewish Heritage; Scott Richman, director of the New York and New Jersey branch of the Anti-Defamation League and Cardinal Timothy Dolan, the archbishop of New York.
The diversity of the presenters and performers is intentional, said Antelis and Savenor, emphasizing that part of the purpose of the concert is to showcase a coming together across races, religions and ethnicities. The aim, they said, is to show unity and entrench the message of “never again.”
That’s also why the concert is being presented at historic Carnegie Hall, rather than a synagogue. “To have the sounds of Yiddish reverberating in Carnegie Hall gives me special delight,” said Skybell. “The fact that Yiddish is alive and well and we hear it at Carnegie Hall — it’s just to say that we are here, we’re not going away and we won’t be silenced.”
Proceeds from the performance will be donated to the Museum of Jewish Heritage in Manhattan. Though it will not be recorded for the public or live streamed, Antelis and Savenor said they hope to bring the production around the country and even to Europe to perform the songs at the sites of the ghettos and camps where they were originally composed.
“With everything that’s going on, we cannot be silent — people need to step up. If we don’t stand against antisemitism and hate in every facet, then who are we?” Antelis said. “I think this is the most important concert in many, many years, especially in our culture.”
“We are Here: Songs From the Holocaust” is a one-night event on the Perelman Stage at Carnegie Hall (881 7th Ave.) on Jan. 26 at 7:30 pm. Buy tickets here.
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The post Broadway stars to perform songs written during the Holocaust at Carnegie Hall appeared first on Jewish Telegraphic Agency.
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Board of Peace Members Have Pledged More Than $5 billion for Gaza, Trump Says
A drone view shows the destruction in a residential neighborhood, after the withdrawal of the Israeli forces from the area, amid a ceasefire between Israel and Hamas in Gaza, in Gaza City, October 21, 2025. Photo: REUTERS/Dawoud Abu Alkas/File Photo
US President Donald Trump said Board of Peace member states will announce at an upcoming meeting on Thursday a pledge of more than $5 billion for reconstruction and humanitarian efforts in Gaza.
In a post on Truth Social on Sunday, Trump wrote that member states have also committed thousands of personnel toward a U.N.-authorized stabilization force and local police in the Palestinian enclave.
The US president said Thursday’s gathering, the first official meeting of the group, will take place at the Donald J. Trump Institute of Peace, which the State Department recently renamed after the president. Delegations from more than 20 countries, including heads of state, are expected to attend.
The board’s creation was endorsed by a United Nations Security Council resolution as part of the Trump administration’s plan to end the war between Israel and Palestinian Islamist group Hamas in Gaza.
Israel and Hamas agreed to the plan last year with a ceasefire officially taking effect in October, although both sides have accused each other repeatedly of violating the ceasefire. According to Gaza’s Health Ministry, more than 590 Palestinians have been killed by Israeli troops in the territory since the ceasefire began. Israel has said four of its soldiers have been killed by Palestinian militants in the same period.
While regional Middle East powers including Turkey, Egypt, Saudi Arabia, Qatar and Israel – as well as emerging nations such as Indonesia – have joined the board, global powers and traditional Western US allies have been more cautious.
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Why a forgotten teacher’s grave became a Jewish pilgrimage site
Along Britton Road in Rochester, New York, a brick gatehouse sits across from ordinary homes. Beyond it lies Britton Road Cemetery, its grounds divided into family plots and sections claimed over time by Orthodox congregations and fraternal associations, past and present. Names like Anshe Polen, Beth Hakneses Hachodosh, B’nai Israel, and various Jewish fraternal organizations are found here.
On the east side of the cemetery, a modest gray headstone draws visitors who do not personally know the man buried there, who were never taught his name in school, and who claim no personal connection to his life. Some leave notes. Some light candles in a small metal box set nearby. Others whisper prayers and stand for a moment before going. They come because they believe holiness can be found here.
The grave belongs to Rabbi Yechiel Meir Burgeman, a Polish-born teacher who died in 1938. He did not lead a major congregation or leave behind an institution that bears his name. And yet, nearly a century after his death, people still visit.
Over time, Burgeman has come to be remembered as a tzaddik nistar, a hidden righteous person, whose holiness is known through their teaching and daily life rather than through any title or position. His grave has become a place of intercession. People come to pray for healing, for help in times of uncertainty, and for the hope of marriage. What endures here is not an individual’s biography so much as a practice: the belief that a life lived with integrity can continue to shape devotion, even after the body has been laid to rest.
In life, Burgeman was not known as a miracle worker or a public figure. He was a melamed, a teacher of children, living plainly among other Jewish immigrants in Rochester’s Jewish center in the early decades of the 20th century. At one point, he was dismissed from a teaching post for refusing to soften his instruction. He later opened his own cheder, or schoolroom. There was no congregation to inherit his name, no institution to archive his papers. When he died, he was buried in an ordinary way at Britton Road Cemetery, one grave among many.
What followed was not immediate.
Remembered in return
The meaning attached to Burgeman’s resting place accumulated slowly. Stories began to circulate. People spoke of his kindness, his discipline, his integrity. Over time, visitors came. The grave became a place not of answers, but of belief. For generations, this turning toward the dead has taken this same form. It is not worship. It is proximity. A way of standing near those believed to have lived rightly, and asking that their merit might still matter.
In Jewish tradition, prayer at a grave is a reflection on those believed to have lived with righteousness, asking that their merit accompany the living in moments of need. Psalms are traditionally recited. Words are often spoken quietly.
I have done something similar too. Years ago, before I converted to Judaism and before I had the means to travel, I sent a written prayer through a Chabad service that delivers letters to the grave of the Lubavitcher Rebbe in New York. Someone else carried it. I cannot say with absolute certainty what happened because of it. Only that the practice itself made space for hope that I was seen, and that a prayer was later answered in ways that shaped my life and deepened my understanding of Judaism.
Burgeman’s grave functions in a similar register, though without any institutional frame. People come not because his name is widely known, but because the story has endured. Over time, that story gathered details. The most persistent involves a dog said to have escorted Jewish children to Burgeman’s cheder so they would not be harassed along the way by other youths. The dog then stood watch until they were ready to return home. The versions differ. Some are reverent. Some are playful. Some verge on the miraculous. The story endures because it names something children needed: care, in a world that could be frightening.
In recent decades, Burgeman’s afterlife has taken on a digital form. His name surfaces in comment threads and genealogical forums, passed along by people who never met him and are not always sure how they are connected. Spellings are debated. Dates are corrected. A descendant appears. A former student’s grandchild adds a fragment. Someone asks whether this is the same man their grandmother spoke of. No single account settles the matter. Instead, memory gathers. What once traveled by word of mouth now moves through hyperlinks.
The internet allows fragments to remain visible. Burgeman’s story survives not because it was officially recorded, but because enough people cared to remember it. In this way, his legacy resembles the man himself: quiet, unadorned, sustained by actions rather than declaration.
This story does not offer certainty. It is about remembering a life and asking if we might still learn from it and if, perhaps, it can bring us closer to faith. Burgeman left no grand monument. He left descendants. A grave. A life of Jewish values that continues to teach.
Burgeman did not seek recognition in life. After death, he became something else: a teacher still teaching, not through words, but through the way people continue to act on his memory. That is the lesson. Not any miracle. Not any legend. The quiet insistence that a life lived with integrity does not end when the casket is placed into the earth.
Some graves are instructions.
This one still asks something of us.
The post Why a forgotten teacher’s grave became a Jewish pilgrimage site appeared first on The Forward.
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Turkey Sends Drilling Ship to Somalia in Major Push for Energy Independence
Turkish President Tayyip Erdogan speaks during a ceremony for the handover of new vehicles to the gendarmerie and police forces in Istanbul, Turkey, Nov. 28, 2025. Photo: REUTERS/Murad Sezer
i24 News – Turkey has dispatched a drilling vessel to Somalia to begin offshore oil exploration, marking what officials describe as a historic step in Ankara’s drive to strengthen energy security and reduce reliance on imports.
Turkish Minister of Energy and Natural Resources Alparslan Bayraktar announced that the drilling ship Çagri Bey is set to sail from the port of Taşucu in southern Turkey, heading toward Somali territorial waters.
The vessel will pass through the Strait of Gibraltar and around the coast of southern Africa before reaching its destination, with drilling operations expected to begin in April or May.
Bayraktar described the mission as a “historic” milestone, saying it reflects Turkey’s long-term strategy to enhance national energy security and move closer to self-sufficiency.
The operation will be protected by the Turkish Naval Forces, which will deploy several naval units to secure both the vessel’s route and the drilling area in the Gulf of Aden and the Arabian Sea. The security arrangements fall under existing cooperation agreements between Ankara and Somalia.
The move aligns with a broader vision promoted by President Recep Tayyip Erdoğan, aimed at reducing Turkey’s dependence on foreign energy supplies, boosting domestic production, and shielding the economy from external pressures.
Bayraktar said Turkey is also working to double its natural gas output in the Black Sea this year, while continuing offshore exploration along its northern coastline. In parallel, Ankara is preparing to bring its first nuclear reactor online at the Akkuyu Nuclear Power Plant, which is expected to begin generating electricity soon and eventually supply about 10% of the country’s energy needs.
The current drilling effort is based on survey data collected last year and forms part of Ankara’s wider plan to expand its energy exploration activities both regionally and internationally.