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Broadway’s Jews gather in response to neo-Nazi protest
(New York Jewish Week) – Twenty-four hours after neo-Nazi agitators heckled ticket-holders outside the first preview of “Parade,” a musical about a notorious antisemitic incident, Jewish members of New York’s theater community came together to share their emotions and reactions and look to the future.
The gathering, organized by producer and actor Ari Axelrod, was held on a rainy Wednesday afternoon in a rehearsal space at Open Jar Studios in Times Square. It was just three blocks north of the Bernard B. Jacobs Theatre, where “Parade” is currently in previews. About 50 people from all ranks of the theater industry — from Broadway producers and marquee stars to undergraduate students in college shows — joined the conversation.
Starring Jewish actor Ben Platt, “Parade” tells the story of Leo Frank, a Jewish factory manager accused and found guilty of murdering a girl who worked for him, despite little evidence. In 1915, Frank was kidnapped from jail and lynched by a mob, and the case led to the creation of the Anti-Defamation League and a resurgence of interest in the Ku Klux Klan.
At the show’s first preview on Feb. 21, protestors who identified with the National Socialist Movement, a neo-Nazi group headquartered in Florida, accused Frank of being a pedophile and condemned audience members for paying to support pedophiles and Jews.
“The story about Leo Frank is not a new one. They could be protesting anywhere. But there is a reason they knew that that play was happening and where it was happening,” said Axelrod, who told the New York Jewish Week that he has been thinking about holding a gathering in response to antisemitism for nearly two years. “It feels like they came into our home, not just our home as Jews, but our home as theater artists.”
Axelrod, 28, opened by leading the Shehechiyanu, a prayer of gratitude, and a round of deep breaths.
“The intention for today is not to find a solution to the rise in antisemitism or even the solution to what happened yesterday,” Axelrod told the crowd. “The intention is to be in a space and find community and gather as Jews, which is what we’ve been doing for thousands of years. To commiserate and talk and bear witness to how we’re feeling and how other people are feeling, to be seen and heard and held and valued and validated as an individual and as a member of a community.”
The room was full of Jewish and some non-Jewish people in the theater industry of all ages who wanted to express their thoughts and ideas about the protests. (Julia Gergely)
Many in the room felt fear, sadness, frustration and anger at the events. For an assistant on the production team of “Parade” — who asked to remain anonymous because he came to process his own feelings and not as a representative of the show — “it was emotional, especially because not everyone on the team is Jewish. So just being there as a Jewish person, hearing them say that to people going into the show was hard.”
However, he noted the importance of committing to see and work on the show. “Just being at the show last night was its own protest to what they were saying,” he said, adding that the team behind “Parade” is committed to ensuring a safe environment for everyone involved and that they don’t want to let the protests deter people from seeing the show, which is scheduled to run through Aug. 6.
Elliott Masie, a Broadway producer who was on the line with his wife when the threats and jeers began, said his initial reaction was surprise. “I couldn’t discern what they were about at first. They tried to pretend that they were against pedophiles, but then their rhetoric escalated and they started to go up to people in the line and say ‘You paid so much for this, to advocate for a Jew.’ The moment I heard them say the word ‘Jew,’ I realized what they were,” he told the New York Jewish Week.
“The hardest part was that it seemed like most people coming into the theater didn’t understand who they were,” Masie, 72, added.
Still, he said, the show was wonderful. “I’ve never been at a first preview that had as prolonged an ovation. In some ways, they stole the moment. We have to give the moment back and give the moment to all of us. The ultimate love and support we need to do is show the cast and the company that we’re here,” he said.
Over the last year, Jewish stories have been having a moment on Broadway and off, with “Funny Girl,” “Leopoldstadt” and “Fiddler on the Roof in Yiddish” all coming to the stage in 2022. Surrounding each show has been discussions of their relevance at time when watchdog groups have been reporting a rise in antisemitic incidents.
“The entire cast of our show and company was scared last night that we were going to walk out to something similar,” said David Krumhotlz, who is in the final weeks of his role as patriarch Hermann Merz in “Leopoldstadt,” Tom Stoppard’s play about the Holocaust. “Thank God it didn’t. We stand in solidarity not only with ‘Parade,’ but with the entire Jewish Broadway community.”
Yael Chanukov, a cast member of “Fiddler on the Roof in Yiddish,” spoke about the safety and security discussions the cast and crew had during the show’s run and the fear and anxiety she felt at times doing such a proudly Jewish show that otherwise was one of the most fulfilling experiences of her life.
The Bernard B. Jacobs Theatre, where “Parade” is in previews, Feb. 22, 2023. (Julia Gergely)
For many, it was an exhalation of years of frustration and confusion over minor and major antisemitism they said they experienced in the theater industry and beyond.
While Axelrod said the goal of Wednesday’s gathering wasn’t to find solutions, by the end of the evening, he had cemented an idea for a Jewish advocacy coalition within the theater industry. He said it might offer resources and tools for how to speak up and show up to support the Jewish theater community.
Representatives from the Anti-Defamation League and Jews for Racial & Economic Justice who were at the meeting offered to help get contacts and funding if the idea were to get off the ground.
“The general tenor that I’m getting is that no one is asking the theater community to make the fight against antisemitism the top priority. Just make it a priority,” Axelrod said.
Actor and writer Mike Haber, 31, had tickets for Wednesday night’s performance of “Parade.”
“Last night, I literally couldn’t even sleep because of what happened,” he said. “This is so beautiful to see so many theater people and we’re all coping with the same emotions and feelings.”
Ninety minutes before the Wednesday evening performance began, the rain had stopped and all was calm in front of the theater. Haber took pictures and burst out singing the show’s tunes. “I love this,” he said. “I can’t wait to see it.”
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Their art was whimsical, elegant, ‘scandalous,’ and colorful. It was also revolutionary.
Even under glass, designer Fritzi Löw’s intricately beaded “Adam and Eve” bag manages to sparkle.
One of 200 objects and artifacts on display in “Modernity and Opulence: Women of the Wiener Werkstätte,” a major new exhibition at the Jewish Museum, presented in cooperation with the MAK — Museum of Applied Arts, Vienna, the piece captures the show’s theme of casting off old ways and old fashions.
Founded in 1903 and active through 1932, the Wiener Werkstätte, or Vienna Workshops, gave women, who were entering public life and the workforce in greater numbers, a way to turn specialized artistic skills into lifelong professions, including architecture, decorative arts, ceramics and textiles. In so doing they changed the way they and women outside the workshop saw themselves.
“For some, their first opportunities for paid artistic work were through the Wiener Werkstätte, which became a vital professional pipeline for women artists while also bringing an influx of virtuosic experimentation to the workshop,” Kristina Parsons, the museum’s assistant curator, said.
At least one-quarter of the nearly 200 women who worked for the multidisciplinary collective were of Jewish faith, Jewish descent, or came from Jewish families.
While the exhibition features many Jewish artists, it spotlights Vally Wieselthier and Felice Rix-Ueno. Their prolific work in ceramics and textile design has had a lasting influence on both disciplines.
The exhibit “brings together art, design, fashion and Jewish history to illuminate the central role Jewish women played in shaping modernity, both as visionary makers and as influential patrons,” said James S. Snyder, director of the Jewish Museum.
For example, Rix’s fanciful, colorful designs appeared on toys, tableware, wallpaper and dresses. The exhibit showcases her elegant tasseled cigarette case, a chiffon cinched waist dress as well as whimsical designs for a papier-mâche bird and another for a toy carriage pulled by a dog.
The early 1900s ushered in the era of the “New Woman,” a time when women were shedding the boned and corseted fashions of the past in favor of more fluid, and even fanciful, garments. It was also a time when women increasingly pursued higher education, fought for suffrage, and challenged restrictive gender roles and clothing.
That sensibility is captured in the dozens of fashion postcards on display, which served as both advertisements and collectibles. In one, a woman wearing a sky-blue turban and a form-fitting white-and-black dress trimmed with fur glances casually over her right shoulder as she walks a small black dog. In another, a woman peers assuredly from beneath a plumed hat, her curly hair cut in a bob, scarlet red lipstick her only hint of makeup.
As Parsons explained, the Wiener Werkstätte’s fashion department allowed women to directly address public perceptions of modern femininity by designing clothes and accessories that they, and other like-minded women, could incorporate into daily life.
“Women’s dress was an important point of convergence between larger impulses toward reform and feminist politics — fashion was then, as now, understood for its capacity to be a revolutionary statement,” she said.
It’s an idea captured in Wilhelm List’s 1910 “Young Woman in Undergarments.” The oil painting depicts a woman believed to be Wally Neuzil, who later trained as a nurse. She wears ruffled “umbrella drawers,” which fall loosely around her knees, and a sleeveless chemise. The garments allow for ease of movement and comfort in one’s own skin.
The exhibition also shows how Jewish women such as the noted socialite and arts patron Adele Bloch-Bauer and the journalist and salon hostess Berta Zuckerkandl helped ensure the workshop’s success.
In turn, upper-class clientele, including progressive Jewish intellectuals, commissioned furniture and interiors, wore Werkstätte fashions, sent Rosh Hashanah greetings on Werkstätte-designed stationery, and celebrated the workshop’s creations.
During its 30 years of operation, the workshop produced hundreds of patterns. Between 1910 and 1917 alone, it created more than 500 designs. One wall of the gallery is given over to textiles. Bold reds and purples evoke coral formations, while zigzag patterns combine purple and orange with chocolate and persimmon.
Aside from textiles and illustrations, there are also dozens of ceramics, such as Susi Singer’s design for a green and gold oven that, with its cake-like tiers, looks as if it belongs in a Disney animated film.
Artist Vally Wieselthier’s mirror, fashioned from glazed earthenware and adorned with a trio of busts, hangs near a collection of her outsized ceramic heads. The heads, some of which stand nearly two-feet tall, were modeled after mythological and classical figures, but also shopkeepers and everyday people. The works drew both praise and ridicule, dismissed by one newspaper as “scandalous bimbo business.”
While the Werkstätte sputtered out in 1932 for a host of reasons, including poor management, financial troubles, a resistance to mass production, and a decline in wealthy patrons, its influence remains.
According to Parsons, “In bringing together highlights from the remarkable body of work made by Jewish women for the Werkstätte, this exhibition spotlights their creativity, ambition, and influence, while inviting visitors to explore a group of artists who embraced decoration as a central expression of modernity.”
Modernity and Opulence: Women of the Wiener Werkstätte continues through Nov. 15, 2026 at the Jewish Museum.
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‘Politically homeless’: As Maine’s Collins-Jackson Senate race kicks off, some Jewish voters find themselves adrift
(JTA) — BANGOR, Maine — With Maine’s marquee U.S. Senate race now set, many Jewish Democratic voters are confronting a difficult choice: whether concerns over newly nominated Democrat Troy Jackson’s rhetoric on Israel outweighs their longstanding opposition to incumbent Republican Sen. Susan Collins.
“I, and many Jews in Maine, certainly feel politically homeless at this point,” said Chris Myers Asch, a history teacher at Colby College and Jewish resident of Hallowell, Maine. “We don’t feel like there are candidates who actually represent us and that we trust to defend our interests, and I think that’s sad, particularly for people like myself who have been active and involved and supportive of many different candidates over the years.”
Jackson, 58, a former logger and state Senate president, secured the Democratic nomination Saturday following the party’s nominating convention to replace Graham Platner, who withdrew earlier this month following a sexual assault allegation, which he denies.
But as Jackson shored up his bid for the nomination, he began to echo the rhetoric of Platner, a staunch Israel critic whose Nazi-linked tattoo sparked concern across Maine’s Jewish community. Since joining the race, Jackson has, for the first time, embraced the term “genocide” to describe Israel’s war in Gaza and called for an end to U.S. military aid to Israel.
Those positions contrasted with the union advocacy and affordability agenda on which Jackson had built his two-decade political career in the state. They also alarmed some Maine Jewish voters, who overwhelmingly lean Democratic.
“I thought Platner was a disaster from the beginning, so pretty much anyone would be an improvement, and I think Jackson is an improvement,” said Myers Asch, who identifies as an independent. “But I can’t say I am wholeheartedly enthusiastic about him. I think he has bowed to the pressure of far-left activists on foreign policy issues, particularly on Israel, and I think that’s unfortunate.”
But while Jackson’s newfound stances on Israel have alienated some Jewish Democrats, it has not necessarily made their choice in November’s general election any easier. Many remain critical of Collins, 73, who has paired strong support for Israel with votes backing much of President Donald Trump’s agenda.
The latest polling in the race, conducted by the University of New Hampshire, finds the contest is a toss up, with Jackson receiving 49% of the vote compared with Collins’ 46%. The poll, which surveyed 1,236 likely voters from July 15 to 20, has a margin of error of +/-2.8%.
With Election Day just 99 days away, the choice facing Jewish voters carries stakes beyond Maine. Democrats see the Maine contest as one of their best pickup opportunities in the battle for control of the Senate. Independent analysts, including the Cook Political Report, rate Maine as one of the few GOP-held Senate seats that Democrats have a decent shot at this year.
While Jews make up a small share of Maine’s electorate, the community leans heavily Democratic. The state has roughly 19,000 Jews across 10,600 households, nearly 70% of which identify as liberal or very liberal, according to the 2024 Maine Jewish Community Study, conducted by Brandeis University in partnership with the Jewish Community Alliance of Southern Maine.
Maine State Rep. Laurie Osher, who is Jewish and said she intends to vote for Jackson, said that despite the anxiety many Jews have felt since Hamas’ Oct. 7 terror attack, the stakes of defeating Collins outweighed broader political concerns.
“Long before that, we have had a problem with having Susan Collins give strength and support to crazies that are Republican,” Osher said. “We need to get rid of her, and most of the Jews I know agree with that.”
Despite the Maine Jewish community’s overwhelmingly liberal bent, Myers Asch said he had heard more Jews than ever before discussing voting for Collins.
“I have heard more people talking about voting for Susan Collins than I ever have before, because I think a lot of Jews in Maine feel abandoned by the Democratic Party and feel politically homeless,” said Myers Asch.
Brian Kresge, the president of Congregation Beth Israel in Bangor, Maine, said that while he had seen peers in the Jewish community “get behind (Jackson) and trying to overlook the word genocide,” he had also observed many throwing their support behind Collins.
“It’s that hard choice a lot of Jews are weighing. What does the rhetoric against genocide really mean when he’s so good in all these other ways?” Kresge said, referring to Jackson’s strong union ties. “We like him for all of this, and so that’s the hard part. I don’t envy any Jew that hasn’t already made up their mind about the election.”
While Collins has received an endorsement from Trump, she has also broken with the president on several key votes, including in April when she backed a resolution to end U.S. military action against Iran.
Still, during his acceptance speech for the Democratic nomination Saturday, Jackson used much of his remarks to hammer Collins’ record of supporting Trump’s policies.
“Thirty years later, Susan Collins is still in Washington, so I do have one question. Who has she served? She has served Donald Trump. She voted with him 96% of the time,” Jackson said. “She helped deliver enormous tax breaks to the corporations and the wealthy on our backs, and she voted to confirm Kavanaugh and Gorsuch, the Supreme Court justice who overturned Roe versus Wade.”
Collins, who has worked to distance herself from Trump and voted with the president’s opinion 95% of the time in 2025, took her own stab at her new opponent Saturday, calling him “hyper-partisan” in an interview with News Center Maine.
“I have known him for more than 20 years, he has been an Augusta insider, and he’s very much a person who takes a hyper-partisan approach to the issues,” Collins said. “I think that’s one of the big contrasts between us. I have always prided myself in working in a bipartisan way.”
For some Jews in the state, the choice between Collins and Jackson has been much more clear-cut.
Lila Kohrman, a 33-year-old Jewish Portland resident, voted for Jackson during the nominating convention Saturday. “Susan Collins has been a senator for almost my entire life, and during that time, things have pretty clearly just gotten worse and worse for Americans,” she said.
“Jewish voters are not a monolith,” Kohrman added. “But I hope that people will be able to support a candidate who has clearly demonstrated that — and I mean Troy Jackson — that has clearly demonstrated that he cares for the lives of marginalized and oppressed people in the United States and around the world, and right now that means opposing sending money to Israel because they are using that money to commit a genocide against the Palestinian people.”
Jackson, who has raised over $1 million since announcing his bid for the nomination, is also facing a significant funding gap against Collins, who has $11 million in her campaign account, according to the latest Federal Election Commission findings.
While Jackson vowed he would not accept any “dark money,” and specifically said he won’t be taking any funding from AIPAC, Collins has received over $1.5 million in donations from at least 750 donors whose contributions were earmarked through AIPAC, according to the latest FEC findings.
The race has also already seen a massive influx of outside ad spending. Collins’ campaign, her allies and other groups aligned with Senate Republican leadership have reserved roughly $60 million in airtime through the fall, while the Senate Democrats’ main super PAC and its affiliates have purchased roughly $24 million.
This article originally appeared on JTA.org.
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After New York stabbing, Netanyahu says Mamdani is making Jews less safe
Israeli Prime Minister Benjamin Netanyahu accused New York City Mayor Zohran Mamdani of “fomenting” hate and making Jews less safe through his fierce criticism of Israel. Netanyahu suggested the mayor’s rhetoric on the Gaza war contributed to the climate that led to Thursday’s stabbing of an Orthodox man outside a Manhattan synagogue.
“I don’t think it’s accidental that after he made this hate speech against Israel and against me, the next day a Jew is stabbed coming out of a synagogue,” Netanyahu said Sunday morning on Fox News.
Authorities said the suspect, Jose Morales, 51, allegedly yelled “Allahu Akbar” as he stabbed an Asian man in the back with a knife and an Orthodox man in the torso with a screwdriver before being subdued and arrested. Morales was arraigned Friday on several hate crime charges and was held without bail. Both victims were hospitalized and are expected to recover.
Investigators have not publicly linked the suspect’s motives to the mayor’s comments in a video address last week conceding he did not have the authority to arrest Netanyahu when he visits the city for the United Nations General Assembly in September, while also calling Netanyahu a war criminal and accusing him of orchestrating a genocide. Mamdani encouraged New Yorkers to protest instead.
The controversy has also been fueled by reports that members of Mamdani’s inner circle believed long before the legal review was completed that the city lacked the authority to arrest Netanyahu. Despite that, Mamdani proceeded with the review and used a mayoral address to announce the legal conclusion while renewing his criticism of the war in Gaza. Critics say the episode was a calculated political move aimed at energizing the pro-Palestinian and progressive base that helped elect him. The speech drew more than 200 million views across social media.
Speaking outside the Manhattan synagogue on Friday, Jewish leaders and some prominent rabbis expressed concern that the comments risked endangering Jewish New Yorkers, the largest concentration of Jews in the United States.
Netanyahu escalated his feud with Mamdani by directly linking the mayor’s embrace of the International Criminal Court’s case against him to the rise in antisemitism. “I speak to Jewish Americans in New York, and they’re afraid right now,” Netanyahu said. “I speak to quite a lot of my friends, and they say, ‘Look, it’s like a different world. We’re afraid to go into the streets. We certainly do not want to wear yarmulkes or any clothing that would give away that we’re Jews.’”
The Israeli leader further accused Mamdani of “basically supporting” Hamas, despite the mayor describing the Oct. 7, 2023, attack on Israel as a “horrific war crime” that should be opposed “with every single fiber of our being.” Asked on Thursday whether he considers the Hamas massacre a genocide, Mamdani stopped short of using that term.
“The genocide charge belongs to our enemies,” Netanyahu said in the Sunday interview. “What we are doing is try to fight this genocidal terrorist organization that embeds itself among civilians.”
Netanyahu (6 minutes ⬇️) accuses Mamdani of fueling antisemitism by embracing ICC case:
“He’s fomenting hate… I speak to Jewish Americans in New York, and they’re afraid right now. And I don’t think it’s accidental that after he made this hate speech against Israel and against… pic.twitter.com/qjb5uj4xNM
— Jacob N. Kornbluh (@jacobkornbluh) July 26, 2026
The latest clash shows how the war in Gaza has become one of the biggest political issues of Mamdani’s administration. His outspoken criticism of Israel has won support from progressives but has also deepened tensions with many Jewish leaders, who say his rhetoric has made an already difficult climate even worse. In an interview on Thursday, Mamdani suggested that New Yorkers “have been aghast at this genocide over the last few years, and not only the continued denial of that genocide but also the fact that it continues itself.”
A recent Associated Press survey conducted before Mamdani’s recent comments found that Mamdani, who won just 26% of the Jewish vote in last year’s mayoral election, is viewed more favorably by American Jews than Netanyahu, who is facing a tough reelection in October.
Netanyahu is expected to visit Washington, D.C., on Monday for a meeting with President Donald Trump and attend the funeral of Sen. Lindsey Graham, a close political ally.
Despite acknowledging he cannot arrest Netanyahu, Mamdani has vowed to continue speaking out against the Israeli leader ahead of his expected appearance at the United Nations this fall. Netanyahu said Sunday that he still intends to travel to New York “to speak the truth” and defend Israel before the international body.
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