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Chaim Topol, Israeli actor who played Tevye in 1971 ‘Fiddler on the Roof’ film, dies at 87
(JTA) — Chaim Topol won a Golden Globe for his portrayal of an immigrant to Israel, stepped off the stage in London to fight for his country and had his sketches of Israeli presidents turned into postage stamps.
But the actor was by far best known for his embodiment of Tevye the Dairyman in “Fiddler on the Roof,” first in the Israeli and London stagings and then in the 1971 movie that brought the musical about poor shtetl Jews to the masses.
Topol died Thursday in Tel Aviv at 87, a day after his family announced that he was near death. He had suffered from Alzheimer’s disease for some time.
Born in 1935 in Tel Aviv, Topol served in the Israel Defense Forces entertainment unit before embarking on a career in stage and screen that took him around the world. In 1967, he appeared as the lead character in London’s staging of “Fiddler on the Roof,” which had been a breakout hit on Broadway three years before. In his early 30s at the time, he wowed audiences and critics with his portrayal of a character decades older.
But it was when he turned his character over to an understudy that his profile truly exploded. It was June 1967 and Israel was locked in a war with several Arab states; Topol was called up as a soldier and returned to Israel to serve in what would ultimately be known as the Six-Day War. Israel’s swift defeat of an alliance of enemies caused the world to notice the young country and the actor who took part in its victory.
“He had left London as a star; he returned as a hero,” Alisa Solomon wrote in her 2013 book “Wonder of Wonders: A Cultural History of Fiddler on the Roof.” “‘Fiddler’ became a site for celebration, drawing Jews as well as gentiles to the theater — some for repeat viewings — to bask in Jewish perseverance and to pay homage to Jewish survival. The show didn’t change, but the atmosphere around it did.”
In one sign of Topol’s breakout moment, his recording of “If I Were a Rich Man” hit No. 9 on the British charts — besting Aretha Franklin’s “Respect” in July 1967.
From there, Topol was cast in the film production of the musical, beating out Zero Mostel, who put an indelible stamp on Tevye as the star of the original Broadway production, as well as a host of Jewish and non-Jewish movie stars. Using only his last name — purportedly because his first name was easily mispronounced by non-Hebrew speakers — he ultimately starred in more than 30 films in both English and Hebrew, publish two books and release multiple albums.
Chaim Topol performs at the SeriousFun London Gala 2013, benefiting a growing community of camps and programs serving children with serious illnesses and their families and established by Paul Newman in 1988, Dec. 3, 2013. (David M. Benett/Getty Images)
In Israel, Topol was perhaps best known for his breakout role as the lead character in the 1964 film “Sallah Shabati,” about the difficulties faced by a Mizrahi immigrant family. The Ephraim Kishon film was Israel’s first Academy Award nominee in the foreign language film category and earned Topol a Golden Globe for best new actor. The casting of an Ashkenazi actor as a Mizrahi character — and one who embodied many of the stereotypes held at the time by Israel’s Ashkenazi elite — would prove controversial, although the film is still regarded as a touchstone.
Topol won Israel’s top prize, the Israel Prize, for his lifetime of achievement in 2013.
“From Fiddler on the Roof to the roof of the world, Haim [sic] Topol, who has passed away from us, was one of the most outstanding Israeli stage artists, a gifted actor who conquered many stages in Israel and overseas, filled the cinema screens with his presence and above all entered deep into our hearts,” Israeli President Isaac Herzog said on Twitter.
Herzog noted Topol’s contributions to Israel not just through the arts but through his service in the army and his dedication to a nonprofit camp for children with medical needs in Israel’s north. Topol was board chair of the Jordan Youth Village, modeled after Paul Newman’s Hole in the Wall Camp in the United States, until his death.
He is survived by his wife Galia, an actor whom he married in 1956; three children and their children.
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The post Chaim Topol, Israeli actor who played Tevye in 1971 ‘Fiddler on the Roof’ film, dies at 87 appeared first on Jewish Telegraphic Agency.
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Gabbard Rejects Claims She Withheld Whistleblower Complaint from Congress
FILE PHOTO: Director of National Intelligence (DNI) Tulsi Gabbard speaks during a press briefing, at the White House in Washington, D.C., U.S., July 23, 2025. REUTERS/Kent Nishimura/File Photo
US Director of National Intelligence Tulsi Gabbard on Saturday disputed claims by lawmakers that she sought to block Congress from accessing a whistleblower complaint, saying she took “immediate action” once notified of the need to provide security guidance for its release.
A top-secret complaint filed with the intelligence community’s inspector general last May by an anonymous government official alleged that the US spy chief’s office sought to prevent the routine dissemination of certain classified intelligence for political reasons.
Gabbard was appointed to her post by Republican President Donald Trump last year.
A November letter from Andrew Bakaj, the whistleblower’s lawyer, to Gabbard’s office, which was also shared with the House of Representatives and Senate intelligence committees, alleged that Gabbard had hindered the dissemination of the May complaint to lawmakers by failing to provide necessary security guidance on how to handle it.
Democrats such as Senator Mark Warner, the vice chair of the Senate Intelligence Committee, have said that Gabbard’s agency, the Office of the Director of National Intelligence, was required under law to relay the May complaint to Congress within 21 days rather than waiting until February.
In a social media post on Saturday, Gabbard accused Democrats of spreading a “blatant lie.”
Successive inspectors general spanning the presidencies of Trump and his Democratic predecessor Joe Biden did not find the complaint to be credible, Gabbard wrote on X. The 21-day requirement “only applies when a complaint is determined by the Inspector General to be both urgent AND apparently credible,” Gabbard wrote.
Reuters could not verify the contents of the original complaint. The Guardian newspaper and the New York Times have reported that it was related to the handling of an intelligence intercept related to someone close to Trump.
Gabbard also wrote that she previously had not been informed by the inspector generals that the whistleblower had “chosen to send the complaint to Congress, which would require me to issue security instructions.” Gabbard wrote that once made aware of the need to provide security guidance to share the complaint with lawmakers on December 4, she took “immediate action” to do so.
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Iran Says Dialogue Remains Key as Nuclear Talks with US Make a “Step Forward”
Iran’s President Masoud Pezeshkian attends a press conference in Tehran, Iran, Sept. 16, 2024. Photo: WANA (West Asia News Agency)/Majid Asgaripour via REUTERS
i24 News – Iranian President Masoud Pezeshkian described Friday’s first round of talks with the United States as a “step forward” in efforts to resolve disputes over Tehran’s nuclear program in an X post Sunday morning. The meetings, held with the support of regional governments, marked another round of dialogue aimed at avoiding further escalation.
“Our logic in nuclear matters is the rights enshrined in the Non-Proliferation Treaty (NPT),” the Iranian president said. “Dialogue has always been our strategy for a peaceful resolution.”
The president added that the Iranian nation “has always responded to respect with respect, but it does not tolerate the language of force.”
Meanwhile, Iranian Foreign Minister Abbas Araghchi made clear over the weekend that zero enrichment is off the table, as well as the ballistic missiles program.
This while on Sunday, Israeli Prime Minister Netanyahu, announcing his visit to Washington this Wednesday, said he believes any negotiations must include limitations on ballistic missiles and a halting of the support for the Iranian axis.
The talks are part of broader efforts by Washington and Tehran to find common ground on nuclear restrictions, ballistic missile development, and the role of regional proxies amid heightened tensions in the region. US officials have emphasized that diplomacy remains the preferred route to prevent further conflict.
Iran has maintained that its nuclear program is strictly for peaceful purposes, citing its rights under the NPT, which it joined in 1968. Previous rounds of negotiations have sought limits on uranium enrichment and increased inspections by the International Atomic Energy Agency.
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Why the Super Bowl antisemitism ad uses a familiar slur
To the editors:
The sticky note cruelly slapped on a high school student’s backpack didn’t have to say “Dirty Jew.”
It could have been any one of dozens of other antisemitic slurs, and believe me, throughout my life and current line of work, I’ve seen and heard them all. At the Blue Square Alliance Against Hate, our Command Center closely tracks the spread of antisemitism online, in all its pernicious forms.
In his piece for the Forward about our new Super Bowl ad, PJ Grisar argues that the ad misses the mark by using “Dirty Jew,” characterizing it as old-fashioned and out of touch with the heavily coded, meme-driven ways students typically express antisemitism today.
We’ve seen all of those slurs gaining traction among younger people that Grisar gave as examples of how kids hate today.
But we didn’t pull “Dirty Jew” out of the history books. In creating the ad, the Blue Square Alliance made a conscious decision to follow the research. Our decisions are based on data, from the one billion social media posts we analyze daily, to our semi-annual 7,000-participant survey on American sentiment toward Jews and antisemitism, to our multi-stage audience testing that is foundational to our creative development.
Here’s the hard data: With nearly 500 million social media impressions since 2023, “Dirty Jew” is a slur that has managed to penetrate all corners of American discourse. Worse yet, its usage online has increased by 174% in the past three years, growing at a significantly higher rate than other slurs. And sadly, the last few years have seen more than a few disturbing and real incidents of the scenario in the ad play out in real life. In U.S. high schools. Right now. Not 1950.
This data-guided approach drove our selection of “Dirty Jew” among all the possible antisemitic slurs as the one to appear on the sticky note. Even though at first glance this phraseology may seem dated, it’s actually timeless and ubiquitous — scarily — and is even outpacing other slurs in frequency of use.
So, whether you’re a Boomer, Millennial or Gen Z, there’s no subtlety to what this ad is showing you: this is antisemitism, pure and simple. And, as Grisar acknowledges in his piece, the challenge of storytelling within a 30-second ad window requires a clear, unambiguous message. In that short time, clarity beats complexity.
It was also important to us to use the high school setting and focus our ad on a younger demographic because that is where we have seen the most concerning trends in antisemitism data. Our most recent survey data shows that Gen Z is three times more likely to witness antisemitism than older generations, and yet nearly twice as likely to say it is not a problem.
At the heart of this campaign is Blue Square Alliance’s dedication to addressing another data point: more than 100 million Americans say they are unengaged in the collective effort to stand up against anti-Jewish hate. We have spent the past few years closely studying this segment, and our surveys show that unengaged Americans often don’t know Jewish Americans, they aren’t familiar with antisemitism (their news feeds and social feeds don’t share the awful stories that we all know too well), and they don’t think antisemitism is a significant problem. Importantly, they don’t feel personal or societal pressure to be an ally.
That’s exactly why we’re using the Super Bowl — a cultural touchstone for the entire country — to raise awareness and model allyship. We test all of our ads, including “Sticky Note” and our earlier ads like “Tony,” specifically with this target audience. What we’re seeing is promising.
Among the unengaged, exposure to our messaging measurably shifts attitudes: viewers become 36% more familiar with recent antisemitic incidents and 41% more likely to see antisemitism as a major problem in the United States. And the impact doesn’t stop at awareness — it moves people to act. After seeing our ads, unengaged viewers are 27% more likely to say they would speak up when they witness antisemitism.
And our work to cultivate allies extends far beyond the television screen. We complement our social media, outdoor and audio campaigns with on-the-ground bridge-building to strengthen connections with Americans across communities and reach those who have not yet been meaningfully involved in this issue. Over the past year, we’ve expanded our programs to bring more people into the conversation, like our partnership with UNCF and Hillel International, now on a 14-stop “Unity Dinner” tour, to connect Black and Jewish students on campuses nationwide. And last fall, we joined with the Appeal of Conscience Foundation to launch “Stand Up Sunday,” an interfaith effort that mobilized hundreds of thousands of congregants across the nation to reject antisemitism and all faith-based hate.
Our founder, Robert Kraft, created the Blue Square Alliance Against Hate in 2019 because he recognized that reversing the rise in antisemitism would require both awareness and empathy.
With “Sticky Note,” we’re showing what it means to be an upstander and giving Americans a clear, accessible way to step off the sidelines. We won’t simply win over the unengaged through displays of toughness and bravado alone, as some people have suggested. To reach the unengaged majority, you have to meet them where they are — not where we, as a deeply committed Jewish community, already stand.
The post Why the Super Bowl antisemitism ad uses a familiar slur appeared first on The Forward.