Uncategorized
Conservative donor’s Nazi memorabilia collection in spotlight amid revelations about his Clarence Thomas ties
(JTA) – A collection of Nazi memorabilia on display at the home of Republican megadonor Harlan Crow has come under renewed scrutiny following revelations that Crow lavished Clarence Thomas with expensive, unreported gifts.
Crow has for more than two decades treated Thomas, the conservative Supreme Court justice, to complimentary vacations and private jet and yacht rides, according to a recent investigation by the news organization ProPublica. Thomas subsequently acknowledged that he failed to disclose those excursions, which analysts say is a likely violation of federal laws. Democratic senators on the Senate Judiciary Committee announced plans to hold hearings on the issue, while Democratic Rep. Alexandria Ocasio-Cortez has even suggested Thomas should be impeached.
Crow is a Dallas-based real estate mogul who founded the conservative activist group Club For Growth. The news about his deep ties to Thomas has drawn renewed attention to his home’s extensive collection of Nazi artifacts, including a signed edition of Hitler’s antisemitic manifesto “Mein Kampf,” two of Hitler’s own paintings and a set of linens emblazoned with the Nazi insignia. Crow also maintains a garden full of statues of Communist leaders he calls the “Garden of Evil.” His other historical artifacts reportedly include documents signed by George Washington and Dwight Eisenhower’s military helmet.
Crow’s collection of Nazi memorabilia has generated controversy in the past, including in 2015 when then-presidential candidate Marco Rubio held a fundraiser at his house on the eve of Yom Kippur. At the time, the National Jewish Democratic Council and the Democratic National Committee heavily criticized Rubio’s decision to hold the fundraiser at Crow’s house. This go-around, the Jewish Democratic Council of America said it was “deeply disturbing” that Thomas’ “donor friend proudly collects Nazi memorabilia.”
The Nazi artifact market is contentious, with laws prohibiting it in some European countries and criticism of auction houses that sell the items fierce in places where it is permitted. Much of the criticism centers on the idea that the people purchasing the artifacts are sympathetic to the Nazis, although one frequent purveyor of Nazi artifacts in the United States told the Jewish Telegraphic Agency last year that his typical buyers “are NOT neo-Nazis, who are too poor and too stupid to appreciate any kind of historic material.” In 2019, a Lebanese-French buyer of Nazi paraphernalia revealed that he was gathering the items to keep them out of the hands of neo-Nazis and turned them over to Jewish groups instead; others have indicated interest in purchasing the items to destroy them.
Crow keeps them on display. In the past, he has maintained that his interest in Nazi artifacts is purely historical. His mother, Margaret Crow, told local news outlets she was a survivor of the S.S. Athenia, the first British ship to be sunk by Nazi Germany during World War II.
In the wake of the recent reporting on Crow, some conservatives have defended his collection. Conservative commentator Ben Shapiro, who is Jewish, suggested on his podcast that the collection may be a way “to remember the things that you hate.”
Current and former staffers at the conservative publication The Dispatch, which Crow funds, also defended his collection. “I know Harlan Crow and I’m proud to call him a friend,” tweeted the columnist Jonah Goldberg, who is Jewish. Crow’s “Garden of Evil,” Goldberg said, is “an attempt [to] commemorate the horrors of the 20th century in the spirit of ‘never again.’”
And New York Times columnist David French, a former senior editor of the Dispatch, tweeted, “The idea that he’s a Nazi sympathizer is utterly ludicrous. He abhors tyranny, from fascism to communism to everywhere in between.”
Others criticized the public display of the artifacts. NBC News reporter Ben Collins, who reports on the far right and said his grandfather fought for the United States in World War II, said his family had recently found war artifacts “including some Nazi stuff” in a basement. “He didn’t put it in a special little room to show guests because he didn’t find horrible things cute and fun,” Collins tweeted.
—
The post Conservative donor’s Nazi memorabilia collection in spotlight amid revelations about his Clarence Thomas ties appeared first on Jewish Telegraphic Agency.
Uncategorized
The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
Uncategorized
Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
Uncategorized
Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”