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Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope.

(JTA) – On “Saturday Night Live” last weekend, Dave Chappelle really wanted his audience to know there are a lot of Jews in Hollywood.

“I’ve been to Hollywood, this is just what I saw,” he said during his widely dissected monologue. “It’s a lot of Jews. Like, a lot.”

While suggesting that it might not be fair to say Jews run the industry, the comedian said that coming to that conclusion is “not a crazy thing to think.” Chappelle’s “SNL” episode drew a season-high 4.8 million viewers when it aired on NBC (eclipsing Jewish comedian Amy Schumer’s own hosting stint the week before), and his monologue had more than 8.1 million views on YouTube as of Wednesday.

The Anti-Defamation League was quick to denounce Chappelle’s act, calling it antisemitic. Other prominent Jews have followed suit. 

“I was very disturbed to see him speaking, to millions of people, a lot of antisemitic tropes,” Pamela Nadell, a professor at American University who researches antisemitism, told the Jewish Telegraphic Agency.

But Chappelle, who was himself riffing on recent antisemitism controversies involving Kanye West and Kyrie Irving, wasn’t exactly breaking new ground by insinuating that Jews run Hollywood. The trope has been a part of show business since its earliest days — when, in a literal sense, Jews did run Hollywood. Or the studios, anyway.

Nearly every major movie studio was founded in the early 20th century by a group of first-generation secular Jews who immigrated to the United States from Eastern Europe. Carl Laemmle (Universal), Adolph Zukor (Paramount), William Fox (Fox), Louis B. Mayer (MGM), and Benjamin Warner (Warner) were all Jewish silver-screen pioneers, laying the groundwork for the size and scale of the industry to follow.

But the industry has diversified greatly in the century since, with studios largely swallowed up by corporate behemoths. And while individual Jews may be overrepresented in an industry that has long welcomed and rewarded them, the rhetorical danger, Nadell said, comes in conflating a large Jewish presence in an industry with ownership and control of that industry. 

“Jews remain active in Hollywood in a variety of roles, but it would be impossible to say that they run Hollywood, that they own Hollywood,” she said.

“Whenever the Jews enter into any kind of position where they might have influence over people who are not Jewish, then all of a sudden it’s seen as some kind of conspiracy.”

Conspiracy theories dogged Jews in Hollywood from the industry’s beginning. Because so many Jews were in control in Hollywood in its early years, Joseph Breen, who for decades ran the industry’s Production Code office and tried to make movies palatable to Catholic morality groups, blamed “the Jews” for sneaking sex, violence and moral depravity into the movies.

But their rise to the top of the still-young motion picture industry wasn’t because they were a part of some secretive cabal; it’s because, historians say, Hollywood provided a low barrier to entry for enterprising businessmen, and was lacking the antisemitic guardrails of more established industries.

“There were no social barriers in a business as new and faintly disreputable as the movies were in the early years of [the 20th] century,” historian Neal Gabler writes in his landmark 1988 book “An Empire Of Their Own: How The Jews Invented Hollywood.”

In the book, Gabler notes that the movie business, which evolved out of other professions like vaudeville and the garment industry where Jews had already found a toehold, lacked “the impediments imposed by loftier professions and more firmly entrenched businesses to keep Jews and other undesirables out.”

As such, Jews (particularly recent immigrants) were able to thrive in show business in a way they couldn’t in most other industries. Once they were in, family ties or the general phenomenon of affinity groups often led to them elevating other Jews in the industry: For example, prolific Jewish producer David O. Selznick, whose credits include “Gone With The Wind,” “Rebecca” and a huge string of other hits in the 1930s and ’40s, spent many years at MGM, run by his father-in-law, Louis B. Mayer.

Areas like the film, garment and publishing industries were attractive to Jews, Nadell said, “because there were so many other sectors of the economy where they were barred from.”

But in exchange, Hollywood’s prominent Jews had to effectively extinguish their Jewishness. 

Yearning to assimilate into American society, the Jews who ran these studios were beset on all sides by antisemitic invective — first from Christian groups like the Legion of Decency, then by anti-Communist groups, both of whom accused Hollywood’s Jews of conspiring to undermine American society with their loose morals. 

As such, the Jewish studio heads largely refrained from making any movies about Jewish themes, or snuffing out antisemitic content even within their own films, or otherwise exerting their influence in any obviously Jewish way, even as many of the Golden Era of Hollywood’s most acclaimed writers and directors (Herman Mankiewicz, Ernst Lubitsch, George Cukor, Billy Wilder) were also Jewish. “Gentleman’s Agreement,” the landmark 1947 film about antisemitism, didn’t have any Jewish producers, directors or major stars (though some of its credited writers were Jewish).

Famously, Hollywood’s Jews also went out of their way to avoid offending Hitler during the Nazi era, continuing to do business with Germany and largely avoiding featuring Nazis as villains in the prewar years. 

Director Steven Spielberg speaks at the Academy Awards in Hollywood, Feb. 9, 2020. (Kevin Winter/Getty Images)

With the demise of the studio system in the 1960s, Jewish creatives ranging from Mel Brooks to Steven Spielberg to Natalie Portman no longer had to hide their identity from audiences, but instead made it an essential part of their public personas. Earlier this week, in a New York Times interview, Spielberg acknowledged that Hollywood was a welcoming place for Jews when he arrived as a young filmmaker. 

Being Jewish in America is not the same as being Jewish in Hollywood,” he said while promoting “The Fabelmans,” a loose retelling of his own Jewish upbringing. “Being Jewish in Hollywood is like wanting to be in the popular circle and immediately being accepted as I have been in that circle, by a lot of diversity but also by a lot of people who in fact are Jewish.” 

Still, such ethnic affinity has often been deemed conspiratorial. “Hollywood is run by Jews” and “owned by Jews,” Marlon Brando declared in a 1996 interview with Larry King, further claiming that Jewish studio executives prevented antisemitic stereotypes from being depicted on screen while allowing stereotypes of every other minority group “because that’s where you circle the wagons around.”

(Despite this outburst, which prompted intense backlash from Jewish groups, Brando was known for having close relationships with Jews and demonstrating a strong understanding of Jewish theology and culture throughout his life, and apparently spoke Yiddish quite well.)

This general air of suspicion around Jews in show business has continued into the modern day, as evidenced by Chappelle and West’s comments. In the tweets that precipitated the collapse of his businesses, West singled out Jewish producers and managers in the entertainment industry he had affiliations with, echoing how believers in antisemitic conspiracy theories about Jewish control tend to fixate on Jews in leadership positions outside of the public eye. 

Attorney Allen Grubman, left, and rocker John Mellencamp speak onstage during the 37th Annual Rock & Roll Hall of Fame Induction Ceremony in Los Angeles, Nov. 5, 2022. (Amy Sussman/WireImage)

Ignoring the many industry leaders who are not Jewish, such conspiracy theorists tend to focus on the successful managers and lawyers in Hollywood who are, including Jeremy Zimmer, Ari Emanuel, Allen Grubman — and Harvey Weinstein, whose decades of sexual abuse, scorched-earth targeting of his accusers and eventual downfall are the subject of the new movie “She Said.”

And in a similar fashion to Brando, Chappelle suggested that there is a double standard in talking about ethnic groups, with jokes about Jews being seen as taboo in a way that jokes about Black people and other groups are not: “If they’re Black, then it’s a gang. If they’re Italian, it’s a mob. If they’re Jewish, it’s a coincidence and you should never speak about it.”

At the same time as Jews in and out of the industry are fighting such perceptions, they are also pushing for greater visibility. The unveiling of the new Academy Museum of Motion Pictures in Los Angeles last year almost entirely omitted Jews from Hollywood’s founding narrative, leading to backlash from Jews in the industry and, ultimately, the guarantee of a new permanent exhibition space focusing on Jews.

And there was one other way in which the Chappelle episode hearkened back to the age-old dynamics of the relationship between Jews and Hollywood: “Saturday Night Live” executive producer Lorne Michaels, who presumably allowed the monologue on the air, is Jewish.


The post Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope. appeared first on Jewish Telegraphic Agency.

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Israel presses on with settler-fueled archaeology expansion, crippling Palestinian communities

JERICHO, WEST BANK — Israel’s ultranationalist government and its backers are undertaking a major drive to develop and expand archeological sites in the occupied West Bank, with leaders stressing that it is incumbent upon Jewish citizens to connect to their history and heritage.

“He who doesn’t understand the importance of an archeological site for the preservation of the nation doesn’t understand where his future is going,” Israel Ganz, head of the Yesha Council representing more than 500,000 settlers, told the Forward in an interview on Sunday.

Funding to accelerate the push emerged in May, when the cabinet allocated 250 million shekels (approximately $86 million) to preserve, upgrade and make accessible heritage sites that show ancestral Jewish presence in Judea and Samaria — lands the settler movement contends Jews are entitled to claim.

Prime Minister Benjamin Netanyahu, linking the drive to Israel entering the 60th year since its victory in the Six Day War, told the cabinet that the funds are an investment “in preserving our past in order to secure our future, strengthen our hold on the Land of Israel and pass on to future generations the heritage, identity and historical truth of our people.”

But Palestinians and left-wing Israeli groups see this as not an innocent educational drive, but rather an intensification of efforts to displace Palestinians and annex the territory.

The archeology drive, reflected in robust budgeting and ambitious planning, including of new roads and wide expropriations of Palestinian land around sites, is moving ahead despite Netanyahu’s decision early this month not to advance a bill creating a separate antiquities authority for the West Bank, both supporters and opponents of the push say. That decision, reportedly to avert international diplomatic fallout, does not affect the allocation of funds. And Ganz notes the Judea and Samaria authority can still be created in the future.

“For sure now we are seeing the largest-scale effort ever to use archeology for annexation,” said Alon Arad, director of the organization Emek Shaveh, a left-wing group watchdogging the use of archeology by settlers as a tool for expansion. The momentum stems from plans made when the coalition took power in 2022 now coming to fruition, and a sense among right-wing parties that promoting Jewish heritage is a way to impress voters for upcoming elections, he added.

Whether this is in Israel’s interest or not is in the eye of the beholder. The flagship site of the archeology drive, the Hasmonean Palaces near Jericho, reflects all that is wrong with Israel’s harsh rule over Palestinians, critics say: settler violence, violation of international law, dispossession of helpless people and a hierarchy in which Israelis have all the rights and Palestinians none.

Digging as a tool

When the Forward visited the site recently, its most striking ruins were those of Palestinian Bedouin homes, 13 of which were destroyed by a settler bulldozer driver during a day-long raid on Feb. 10 by an estimated 50 settlers according to witnesses. Haaretz reported that at least 15 homes were destroyed.

Only 200 meters from the excavations, families are living inside the ruins of their homes. Among them is Ali Kaabnah, his wife Najiba and six children, staying in a house missing one side and with a large hole in the bedroom.

It is half a house, looking as if the driver had been interrupted in the middle of his task. Somehow a refrigerator survived, still plugged in.

Ali Kaabnah and family’s house, rendered nearly uninhabitable by a settler bulldozer. Courtesy of Emek Shaveh

“The house doesn’t have supports, it is without pillars. If there is a tremor it will collapse,”  Kaabnah said. His and other families have no other place to go and remained even though settlers struck again in late April and last week warned him to leave, he said. “I do not sleep because we do shifts to see if settlers are coming,” he said.

Kaabnah said that he had repeatedly called Israeli police during the bulldozing raid but they did not come. The Israel police did not respond to an inquiry from the Forward about the incident.

Ali’s brother, Yusuf, said he had to be taken to hospital with head injuries during the first attack.  and that settlers severely beat his wife, Shikha, 46, during the second attack, resulting in her being treated at a hospital in Nablus. His son Aliyan, 20, was “beaten with clubs without mercy” and his youngest son, 11-year-old Ali, was also attacked, he said: “Until now he screams at night in terror that ‘they are coming.’”

Ali Kaabnah Courtesy of Ali Kaabnah

Arad views the settler violence as a state-backed method, along with demolition of homes on the grounds they were built without permits, to drive Palestinians away from the area of the site. The IDF denies siding with settlers and says troops are expected to detain Israeli citizens perpetrating violent acts.

Violence is not the only threatening aspect of the archeology uptick for Palestinians. Land expropriations around sites, which include swaths well beyond the antiquities themselves, are pulling the territory from underneath the Palestinians’ feet, critics say. In the last half year, there have been three land expropriations around sites, the largest at Sebastia in the northern West Bank; plans for roads on land seized from Palestinians to enable easier access, and forays by settlers to establish a presence or control of sites on Palestinian property.

Dror Etkes, a veteran monitor of Israeli policies in the West Bank, says the Sebastia expropriation — said by the government as intended to develop the site for visits by the public — includes the vast majority of the olive groves of the Palestinian village of Sebastia. Emek Shaveh says the expropriation separates the village from antiquities, breaking an ancient attachment central to the identity of locals and harming them economically.

“The goal of Israel’s colonial project is to dispossess and settle,” said Etkes, who heads the West Bank land monitoring group Kerem Navot. “Archeology provides an effective way of doing this.”

Ganz and Heritage Minister Amichai Eliyahu — who famously raised the idea in November 2023  of dropping a nuclear bomb on Gaza — are particularly enthusiastic about developing the Hasmonean palaces site. Harkening back to the days of Joshua, Eliyahu terms the Jericho vicinity “the gateway to the land of Israel.”

He does not appear to view the settler violence at the site as a problem. In a social media post released the day of the bulldozer raid, he declared that “in every place where there is building on Jewish heritage, we will destroy it.” Speaking from the site, he promised a mass infusion of funds to achieve the perceived revival of its past glory.

Claims of vandalism

At present the Hasmonean Palaces site looks unimpressive, lacking signage, explanations or a path. Only some of the antiquities are roped off. But Ganz describes the site as being on a par with Israel’s most important ones. “I can’t say what the breadth of the site is but it certainly doesn’t fall short of Masada,” Ganz said.

According to the IDF body dealing with civilian affairs in the West Bank, called the civil administration, the site is “of great importance to Jewish heritage as well as to the architecture of the early Roman period.”

“It was built as a winter palace for the Hasmoneans in the first century BCE and served the Hasmonean dynasty for approximately 200 years,” the civil administration wrote in a statement. Subsequently during the reign of Herod there was also significant construction including a fortified palace, a bridge and a sunken garden, it added.

Ganz says the site needs to be safeguarded from what he claims is deliberate and systematic destruction by the Palestinian Authority, which he alleges has targeted it and other sites in a bid to erase evidence of Jewish ties to the land. The Civil Administration statement also cited vandalism as a major problem, though it did not specify involvement of the Palestinian Authority.

Palestinian Authority assistant deputy minister of tourism and antiquities Jehad Yasin said in remarks to the Forward that allegations of PA culpability aim to enable Israel to take over West Bank sites. “We haven’t done that. We do our best to keep our sites and if someone does something it doesn’t mean you have the right to take this site,” he said.

Yasin stressed that for an occupying power to expand sites and carry out anything other than salvage excavations violates international law. Referring to the Israeli plans at the site near Jericho, he said: “They don’t have the right to make an archeological park or an excavation. It’s a Palestinian site.”

Arad agrees Hasmonean Palaces is an important site but stresses that this in no way justifies harming Palestinians.

Ganz’s vision for the site includes new excavations, touching up finds to preserve them and steps to “absorb the public.” A new access road is seen as essential for tourism,  and he wants to see a convenience store along with state-of-the-art scanning capability enabling visitors to explore information about the site.

The land for the road has already been seized by military order from Palestinians, Etkes said, adding that when it is paved it will take less than a half hour to drive from Jerusalem to the site. What’s more, according to Etkes an illegal outpost overlooking the site and situated next to an army intelligence base is on the way to becoming a full-fledged settlement.

Arad says all of this amounts to Israel turning the site into a “touristic settlement,” something he stresses has been done previously on a large scale at the popular City of David site in occupied East Jerusalem.

“You change the identity so that from a village on the outskirts of Jericho it becomes a palace of a dynasty. You don’t need actual settlers there, it’s enough to build an access road, put up a fence and whatever comes with tourist development-a kiosk, a parking lot, someone to guard it.” Arad said.

The goal, in his view, is to woo the public to the settler view that the West Bank is part of Israel. “You start bringing in tourists and it’s a normalizing process for people to go inside the West Bank and return to Haifa or wherever they are from,” he said. “They go in and out and it was fun for them and you create the idea that this is part of Israel.”

As for the possibility of there being an Arab presence at the Hasmonean Palaces site, Ganz said: “If they don’t harm the site they will be allowed gladly. But if, God forbid, there are security incidents or harm to the site, then they can’t be there.”

Ganz stressed that the homes at the site needed to be destroyed for being illegally built, but that the demolition should have been done by the state and not what he depicted as a lone deviant. “No one is permitted to take the law into their own hands,” he said.

Etkes predicts that based on the experience of other sites, local Palestinians face an extremely bleak future. He termed the sight of Palestinians living in what is left of their houses “one of the worst things I have ever seen in the West Bank.”

But that is by no means the end of the harm Israel will cause to Palestinian civilians in the vicinity of the archeological site, he said. “We will see an area completely disconnected from its surroundings,” said Etkes. “Palestinians won’t be able to enter the area. Two roads [for Israelis] will lead to this area. Settlers will be very violent, it will be very restricted for the Palestinians, construction in the area [by Palestinians] will be completely banned, the construction that already exists is without a permit and a large part of it will be demolished by Israeli authorities.”

He declared: “It will be another national park that will tell one story — the story the Israeli radical right wants you to hear.”

The post Israel presses on with settler-fueled archaeology expansion, crippling Palestinian communities appeared first on The Forward.

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The eternal summer question that no rabbi can answer: Will I finally hit a home run this year?

I was six or seven years old when I first dared to dream of hitting a home run. Nixon was president. Kissinger was National Security Adviser. Le Duc Tho chain-smoked at the Paris Peace Conferences where they argued for three months over the shape of the negotiating table.

I was one of the dusty dumpy boys of summer; short and overweight, I occasionally tapped or blooped the ball into the shallow outfield for a single. In my life I remember only two doubles over five decades. Nothing like the moonshots the big boys slapped into the upper atmosphere.

Sometimes I played second base, but more often I was deposited and abandoned into the Siberia of right field. Once, when I was a young adult in the UJA softball game at Heckscher Diamond in Central Park, a high-pop sailed into the outfield, nothing fancy. The orb floated daintily into my glove at the warning track. Somehow, I threw a strike to third base and nabbed the runner trying to advance on the fly. It was a rare moment of triumph.

All was right with heaven and earth at that moment, in fact with the entire solar system. It was as though I had mastered the entire Mishna in the morning and had a date with Ann-Margret later in the evening.

But most of the games were a grind. Long afternoons in the dust bowls of Queens, the sandlots of the Rockaways. Forgotten stretches of overgrown weeds between concrete and cobblestone. Chainlink backstops with holes a wild boar could poke through. Beyond the overpass of the Van Wyck and the Whitestone Expressways, a dagger dug through central Queens conceived by the community-defiler, Robert Moses in the form of Flushing Meadows Park.

Sunburnt and with solemn resolve, I muttered pleas and hopes to the baseball gods with no real hope of improvement. Thus years would pass. How I loved the game, but it would not love me back — at least not in the way I wanted it to.

The author steps up to the plate. Courtesy of Simon Feuerman

I would go up to take the bat. Which should I use? Wooden, aluminum? The shorter one with the bigger snout and barrel? The longer but skinnier one? “You want to use a lighter bat,” someone would invariably say. It made no difference. I would take a weak hack and hope for the best.

My father bought me am $8 pitcher’s glove with Fritz Peterson’s signature on it. Then, I got a bat with Roy White’s signature from a giveaway on Bat Day at Yankee Stadium — June 4, 1972. It was white and wooden with a long heavy barrel. This would do it — my own bat.

Yet I held it limply at the baseball diamond. “You’re not doing it right,” someone would invariably tell me.

I came to the baseball field for absolution, for redemption, but there was none to be had. I felt hollow, even desperate. I appealed to the only man who I knew would not reject me: my late father.

Yet, my father, though I was the apple of his eye, considered baseball to be something childish. He thought I should immerse myself in the sacred texts — the only thing that would ever really pay off. Why would anyone want to play ball?

My father saw childhood itself as an illness. If he could not cure it with his strict and clear instruction and imprecations from the rabbis, it would surely pass on its own by the time I was 13.

My mother and sisters were indifferent to my baseball agony; it was something they consigned to “the mens’ world.” They couldn’t tell a baseball from a candled egg or a guinea hen.

I knew the problem was far deeper than just strength or technique. I could see the ball (I almost never struck out) so why couldn’t I hit it with force? I would go up to the batter’s box full of doubt, but excitement too. Maybe this time it would be different.

More years of weak swings and fading dreams. I was not strong. And when I reached my full height, I was 5’3”. One needed strength, but one l also needed technique. I studied the swings of the great baseball players. They seemed to take a cut from their upper shoulders and wrap a swing with even more strength coming from their glutes and hips. Perhaps only gentiles had these kinds of shoulders and hips. Oh, the mysteries of the universe…

A Freudian dilemma

When I first started playing, I was younger than everyone. Decades later on the baseball diamonds of Passaic, I am older than everyone by decades. But with age comes wisdom.

I practiced swinging hard, but I always held back, as though a full swing was un-Jewish, a sin. A full swing takes a certain, shall we say aggression? Forgive me for sounding a bit basic, but what did this swing really mean? Was this all about my father? I was afraid to take a swing; did that mean I was afraid to take a swing at dad? Only fathers can swing, but even though I was now a father and grandfather, I did not feel I could swing. I held something back.

Maybe this seems too Freudian, but in order to hold on to my father, even after he went on to the next world, I had to do poorly.

If I wanted to hit a home run, I had to let him go.

A new father

About ten years back, when I was 50, I hired a trainer, Moshe Klyman, a Jewish Greek god from Underground Gym in Tenafly. He is an anachronism from the time of the Maccabees. He can lift 630 lbs five times in a row. This modern day Samson, two decades and some younger than me, said, “you can do it.”

I believed him, at least a little. The man knows everything there is to know about the human body (and I know everything there is to know about the mind — hey, I thought, this partnership could work. ) I am convinced that on the day of creation six thousand years ago and then some, God Himself consulted with him on how to construct the first human.

The author hits the weight room. Courtesy of Alter Yisroel Shimon Feuerman

A few months ago, he had me deadlift 405 lbs, almost three times my weight. If that weren’t enough he had me do 200 pull-ups 50 at a time.

“Age is irrelevant,” he said. “You and I are going places.”

As I kept working with Moshe, I got better at the game. Not a home run, though, never even close. A base hit or two, once in a while a satisfying crack at the bat.

Until now.

After years of jumping, lifting, pressing, pulling (and puking) my body began to take on a different identity, separate from my history. I may have been 62 but now I was ready for the Marines.

This past Sunday, I took a full cut, a real swing at the ball. No pulling back. I waited for my pitch and uncoiled. To my great surprise, the ball was corked, launched. It was high, it was far; it landed at the left field fence, missing a home run by just a few feet.

The left fielder, a terrific athlete, was caught flat-footed. I watched the ball fly over his head. The team was dismayed. Was this Yisrael at bat? What kind of juice was he on?

As the ball sailed farther than I ever believed, 47 years of humiliation seemed to melt away. I headed for a triple.

Maybe this summer, I will finally hit my first home run.

The post The eternal summer question that no rabbi can answer: Will I finally hit a home run this year? appeared first on The Forward.

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For years, Jewish activists tried to get the NYC Dyke March to accept Zionists. Now, they’re moving on.

Tens of thousands of queer women are expected to take to the streets of Manhattan on Saturday to celebrate the women who fought for their right to celebrate safely and to declare equal rights for all. Some will also be there to condemn the state of Israel, as organizers of the renowned Dyke March insist for the second year in a row that anti-Zionism has become a core value of the event.

But the bitter internal fight that shift sparked last year has vanished, along with many of the march’s longtime Jewish participants. Many will attend a separate event on Saturday hosted by Shalom, Dykes, a group created in 2024 by former Dyke March participants who have been shut out of the celebration.

“There has been an exodus,” said Nate Shalev, who spent a decade on the march’s organizing committee. Shalev stepped down when the organizers turned on them and other Jewish supporters of Israel after the Oct. 7 attacks. “Anyone who has dissented, anyone who has any sort of connection to Israel, anyone who is quote unquote not a good Jew.”

Dyke March organizers reject the notion that the march’s anti-Zionist stance disproportionately excludes Jews.

“We have Jews on the NYC Dyke March committee, and we do not believe anti-Zionism is antisemitic,” organizers told the Forward in a statement.

Nate Shalev at their final Dyke March in June 2023. Courtesy of Nate Shalev

The split reflects broader fractures in queer spaces nationwide, as Pride Marches from Vermont to San Francisco have also splintered over positions on Israel and Gaza in recent years.

In New York, that divide now feels permanent. After getting doxxed and ousted from their roles, activists who once pushed back on the march’s anti-Zionist stance say they have given up on making change from the inside, instead directing their energy toward queer Jewish spaces.

“There’s this feeling of, where do we want to put our energy?” Shalev said. “Fighting against these folks who clearly don’t care about me or my communities, and don’t have the desire to be able to see multiple perspectives or truths, that’s not worthwhile.”

‘Settled in for the long haul’

Shalev, whose wife is Israeli, said the organizing committee debated for years whether the march would ban national flags — and by extension, the Jewish pride flag with a Star of David. But the committee allowed for open discussion, Shalev said, and they never ended up banning the flags.

That culture changed after Oct. 7, 2023, when Shalev said fellow organizers showed little understanding of the personal toll the attacks had taken.

“Here I was, post-October 7 with my Israeli wife, navigating all of this in our home, trying to understand if her friends and family were OK,” Shalev said. “And then having to navigate this with the Dyke March committee.”

A year later, an attempt at reconciliation was short-lived. In June 2024, the Dyke March Instagram account put up a post acknowledging that the committee’s delay in condemning the attack of Oct. 7 had caused harm and insisting that “unequivocal solidarity and empathy for Jewish safety can coexist alongside unwavering commitment to Palestinian safety and freedom” — then removed it after a half hour.

Organizers’ reason for deleting the post, they wrote in a subsequent post, was that “any language we put out which is not clearly opposed to a Zionist, imperial agenda is harmful to all.”

The 2024 march — dubbed “Dykes Against Genocide” — raised funds for five groups including Within Our Lifetime, a group that voiced support for Hamas after Oct. 7 and defends “the right of Palestinians as colonized people to resist the zionist occupation by any means necessary.”

That same year, Shalev co-founded Shalom, Dykes, a group that describes itself as a place where “Jewish dykes can exist fully and freely as themselves, no questions asked.”

What began as a one-off alternative to the Dyke March quickly became something larger. Roughly 300 people attended the group’s first celebration with dancing and a performance by drag queen Matzah Belle Soup at an East Village bar, scheduled at the same time as the Dyke March.

“I definitely thought it was going to be a one-time event,” Shalev said. “Immediately during and after that event, I understood that this was actually much, much larger than I thought.”

Even after the split, Shalom, Dykes encouraged members who wanted to attend the Dyke March to do so together. But two years on, Shalev said, fewer people are interested in reengaging with the Dyke March, while Shalom, Dykes has continued to grow.

One of those attendees was Amy Vernon, who came out as bisexual at age 50 and said she was still finding her footing in queer communities when she attended her first Dyke March in 2023. Marching proudly through the streets surrounded by thousands of queer women was an “electric feeling,” she said.

But the following year, the march’s statements about Zionism made Vernon feel like she couldn’t attend. Shalom, Dykes gave her an alternative.

“It really just felt like this lifeline,” Vernon said. “Because I was still trying to figure out where I even belonged anymore.”

Last year’s Shalom, Dykes dance party drew about 600 attendees — double the turnout of its first event — and the group has expanded into a year-round community, hosting holiday celebrations and happy hours.

The queer Jewish band BETTY kicked off the evening at Shalom, Dykes 2025 event. Courtesy of Shalom, Dykes

“We’ve reached the point where we’re settled in for the long haul,” Vernon said. “I don’t know what future there is for American Jewry if we can’t eventually build bridges back, but to my knowledge, there is no interest from the Dyke March or other queer organizations to welcome us back.”

Dissenters depart

Founded in 1993 by a group of activists called the Lesbian Avengers, the Dyke March — which unlike New York’s Gay Pride parade the following day takes place without corporate sponsorship, permits, or police presence — originally had a strategically narrow focus: lesbian visibility. By separating themselves from male-dominated parades, the Avengers sought to specifically highlight women’s issues.

Today, organizers frame the Dyke March through a broader, intersectional lens. Its “statement of values” includes not only “anti-Zionism” but also “anti-militarism,” and standing “in solidarity with all oppressed peoples and occupied lands, including Palestine” among its many priorities.

According to Shalev, the change in approach reflected the exodus of dissenting voices in recent years, which left the committee without the intergenerational perspective that had long characterized the march.

By 2025, committee member Jodi Kreines found herself as the lone voice opposing a proposal to reaffirm the march’s anti-Zionist commitments.

“The only qualification was you had to identify as a dyke, and that was really what I was holding to,” said Kreines, who has been marching for two decades. “The idea that creating an explicitly anti-Zionist message would be really exclusionary of a large swath of dykes, especially within New York City.”

After Kreines voiced her concerns about the group’s anti-Zionist stance in the Forward last year, the committee voted to remove her in a 15-2 vote.

Kreines said she never shared her personal opinions about Israel with the committee. Her argument, rather, was that the march should remain open to all dykes regardless of their beliefs.

“You don’t get to determine who is a good dyke or a bad dyke, just as you don’t get to determine who is a good Jewish person or who is a bad Jewish person,” Kreines said. “There is no one way to exist.”

Other Jewish activists who challenged the committee’s anti-Zionist stance last year faced similar treatment, including Judith Kasen-Windsor, the widow of legendary gay rights activist Edie Windsor — the lead plaintiff in the landmark marriage equality case at the Supreme Court. Kasen-Windsor was also told she was no longer welcome at any Dyke March planning or organizational meetings.

“It was our community, and now it’s not our community anymore,” Kasen-Windsor told Gay City News after she was ousted from her role.

Dyke March organizers did not address questions about the committee’s process for removing members or their tolerance for dissent, instead directing the Forward to their “value statement” on Zionism.

“We oppose the nationalist political ideology of Zionism, particularly as it is promoted within U.S. institutions, which continues to be used to subjugate, displace, and marginalize Palestinian people,” the document reads. “We stand against antisemitism in all its forms and recognize that Jewish people have faced historical and ongoing oppression. Our critique is directed at a political system and ideology, not at Jewish people or Judaism.”

Kreines decided not to fight the committee’s decision.

“I needed to choose to protect my peace,” Kreines said. “I was not in any place that I had the capacity to fight anymore.”

The post For years, Jewish activists tried to get the NYC Dyke March to accept Zionists. Now, they’re moving on. appeared first on The Forward.

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