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Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope.
(JTA) – On “Saturday Night Live” last weekend, Dave Chappelle really wanted his audience to know there are a lot of Jews in Hollywood.
“I’ve been to Hollywood, this is just what I saw,” he said during his widely dissected monologue. “It’s a lot of Jews. Like, a lot.”
While suggesting that it might not be fair to say Jews run the industry, the comedian said that coming to that conclusion is “not a crazy thing to think.” Chappelle’s “SNL” episode drew a season-high 4.8 million viewers when it aired on NBC (eclipsing Jewish comedian Amy Schumer’s own hosting stint the week before), and his monologue had more than 8.1 million views on YouTube as of Wednesday.
The Anti-Defamation League was quick to denounce Chappelle’s act, calling it antisemitic. Other prominent Jews have followed suit.
“I was very disturbed to see him speaking, to millions of people, a lot of antisemitic tropes,” Pamela Nadell, a professor at American University who researches antisemitism, told the Jewish Telegraphic Agency.
But Chappelle, who was himself riffing on recent antisemitism controversies involving Kanye West and Kyrie Irving, wasn’t exactly breaking new ground by insinuating that Jews run Hollywood. The trope has been a part of show business since its earliest days — when, in a literal sense, Jews did run Hollywood. Or the studios, anyway.
Nearly every major movie studio was founded in the early 20th century by a group of first-generation secular Jews who immigrated to the United States from Eastern Europe. Carl Laemmle (Universal), Adolph Zukor (Paramount), William Fox (Fox), Louis B. Mayer (MGM), and Benjamin Warner (Warner) were all Jewish silver-screen pioneers, laying the groundwork for the size and scale of the industry to follow.
But the industry has diversified greatly in the century since, with studios largely swallowed up by corporate behemoths. And while individual Jews may be overrepresented in an industry that has long welcomed and rewarded them, the rhetorical danger, Nadell said, comes in conflating a large Jewish presence in an industry with ownership and control of that industry.
“Jews remain active in Hollywood in a variety of roles, but it would be impossible to say that they run Hollywood, that they own Hollywood,” she said.
“Whenever the Jews enter into any kind of position where they might have influence over people who are not Jewish, then all of a sudden it’s seen as some kind of conspiracy.”
Conspiracy theories dogged Jews in Hollywood from the industry’s beginning. Because so many Jews were in control in Hollywood in its early years, Joseph Breen, who for decades ran the industry’s Production Code office and tried to make movies palatable to Catholic morality groups, blamed “the Jews” for sneaking sex, violence and moral depravity into the movies.
But their rise to the top of the still-young motion picture industry wasn’t because they were a part of some secretive cabal; it’s because, historians say, Hollywood provided a low barrier to entry for enterprising businessmen, and was lacking the antisemitic guardrails of more established industries.
“There were no social barriers in a business as new and faintly disreputable as the movies were in the early years of [the 20th] century,” historian Neal Gabler writes in his landmark 1988 book “An Empire Of Their Own: How The Jews Invented Hollywood.”
In the book, Gabler notes that the movie business, which evolved out of other professions like vaudeville and the garment industry where Jews had already found a toehold, lacked “the impediments imposed by loftier professions and more firmly entrenched businesses to keep Jews and other undesirables out.”
As such, Jews (particularly recent immigrants) were able to thrive in show business in a way they couldn’t in most other industries. Once they were in, family ties or the general phenomenon of affinity groups often led to them elevating other Jews in the industry: For example, prolific Jewish producer David O. Selznick, whose credits include “Gone With The Wind,” “Rebecca” and a huge string of other hits in the 1930s and ’40s, spent many years at MGM, run by his father-in-law, Louis B. Mayer.
Areas like the film, garment and publishing industries were attractive to Jews, Nadell said, “because there were so many other sectors of the economy where they were barred from.”
But in exchange, Hollywood’s prominent Jews had to effectively extinguish their Jewishness.
Yearning to assimilate into American society, the Jews who ran these studios were beset on all sides by antisemitic invective — first from Christian groups like the Legion of Decency, then by anti-Communist groups, both of whom accused Hollywood’s Jews of conspiring to undermine American society with their loose morals.
As such, the Jewish studio heads largely refrained from making any movies about Jewish themes, or snuffing out antisemitic content even within their own films, or otherwise exerting their influence in any obviously Jewish way, even as many of the Golden Era of Hollywood’s most acclaimed writers and directors (Herman Mankiewicz, Ernst Lubitsch, George Cukor, Billy Wilder) were also Jewish. “Gentleman’s Agreement,” the landmark 1947 film about antisemitism, didn’t have any Jewish producers, directors or major stars (though some of its credited writers were Jewish).
Famously, Hollywood’s Jews also went out of their way to avoid offending Hitler during the Nazi era, continuing to do business with Germany and largely avoiding featuring Nazis as villains in the prewar years.
Director Steven Spielberg speaks at the Academy Awards in Hollywood, Feb. 9, 2020. (Kevin Winter/Getty Images)
With the demise of the studio system in the 1960s, Jewish creatives ranging from Mel Brooks to Steven Spielberg to Natalie Portman no longer had to hide their identity from audiences, but instead made it an essential part of their public personas. Earlier this week, in a New York Times interview, Spielberg acknowledged that Hollywood was a welcoming place for Jews when he arrived as a young filmmaker.
“Being Jewish in America is not the same as being Jewish in Hollywood,” he said while promoting “The Fabelmans,” a loose retelling of his own Jewish upbringing. “Being Jewish in Hollywood is like wanting to be in the popular circle and immediately being accepted as I have been in that circle, by a lot of diversity but also by a lot of people who in fact are Jewish.”
Still, such ethnic affinity has often been deemed conspiratorial. “Hollywood is run by Jews” and “owned by Jews,” Marlon Brando declared in a 1996 interview with Larry King, further claiming that Jewish studio executives prevented antisemitic stereotypes from being depicted on screen while allowing stereotypes of every other minority group “because that’s where you circle the wagons around.”
(Despite this outburst, which prompted intense backlash from Jewish groups, Brando was known for having close relationships with Jews and demonstrating a strong understanding of Jewish theology and culture throughout his life, and apparently spoke Yiddish quite well.)
This general air of suspicion around Jews in show business has continued into the modern day, as evidenced by Chappelle and West’s comments. In the tweets that precipitated the collapse of his businesses, West singled out Jewish producers and managers in the entertainment industry he had affiliations with, echoing how believers in antisemitic conspiracy theories about Jewish control tend to fixate on Jews in leadership positions outside of the public eye.
Attorney Allen Grubman, left, and rocker John Mellencamp speak onstage during the 37th Annual Rock & Roll Hall of Fame Induction Ceremony in Los Angeles, Nov. 5, 2022. (Amy Sussman/WireImage)
Ignoring the many industry leaders who are not Jewish, such conspiracy theorists tend to focus on the successful managers and lawyers in Hollywood who are, including Jeremy Zimmer, Ari Emanuel, Allen Grubman — and Harvey Weinstein, whose decades of sexual abuse, scorched-earth targeting of his accusers and eventual downfall are the subject of the new movie “She Said.”
And in a similar fashion to Brando, Chappelle suggested that there is a double standard in talking about ethnic groups, with jokes about Jews being seen as taboo in a way that jokes about Black people and other groups are not: “If they’re Black, then it’s a gang. If they’re Italian, it’s a mob. If they’re Jewish, it’s a coincidence and you should never speak about it.”
At the same time as Jews in and out of the industry are fighting such perceptions, they are also pushing for greater visibility. The unveiling of the new Academy Museum of Motion Pictures in Los Angeles last year almost entirely omitted Jews from Hollywood’s founding narrative, leading to backlash from Jews in the industry and, ultimately, the guarantee of a new permanent exhibition space focusing on Jews.
And there was one other way in which the Chappelle episode hearkened back to the age-old dynamics of the relationship between Jews and Hollywood: “Saturday Night Live” executive producer Lorne Michaels, who presumably allowed the monologue on the air, is Jewish.
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The post Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope. appeared first on Jewish Telegraphic Agency.
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Catholic University of America Under Fire for Requiring ‘Opposing Viewpoint’ for Combating Antisemitism Event
A general view of the Catholic University of America (CUA) campus in Washington, DC. Photo: Graeme Sloan/Sipa USA via Reuters Connect
The Catholic University of America (CUA) is being criticized for denying the Students Supporting Israel campus organization approval to host events on combating antisemitism and defending Israeli security unless it agrees to feature “opposing viewpoints.”
The episode began earlier this month when Students Supporting Israel (SSI), a national organization that has faced opposition from CUA before, publicly complained that the university refused to sanction both an event in which US Rep. Randy Fine (R-FL) would discuss “ending campus antisemitism” and another featuring an Israel Defense Forces (IDF) soldier with experience in resisting jihadist terrorism along Israel’s security fence with the West Bank.
According to university policy, civil dialogue on the contemporary issues can’t be held unless it includes “speakers representing both sides.” While the policy purports to promote intellectual exchange, critics say it has the effect of compelling speech or censoring it altogether by imposing conditions on free speech to which no group could agree without undermining its mission.
In SSI’s case, the group has said that CUA’s policy demands the participation of anti-Israel, even antisemitic voices who would leverage a speaking engagement to utter dehumanizing opinions about Jews or propaganda confected by the Hamas terrorist organization and other groups which seek to destroy the world’s only Jewish state.
The case has now become the cause of the Foundation for Individual Right and Expression (FIRE), a group which has at times disagreed with the pro-Israel community’s outlook on free speech issues.
“While CUA is a private university and therefore not bound by the First Amendment, it is legally and morally bound to adhere to the institutional commitments it has voluntarily made to protect students’ freedom of speech,” FIRE said on March 18 in a blistering demand letter to the university. “Forcing student organizations ‘to host or accommodate another speaker’s message,’ even in the service of providing a greater range of views, inevitable ‘alters the expressive content’ of the event. Having made these free speech commitments, it is no more appropriate for CUA to require Students Supporting Israel to host speakers who oppose Israel than it would be for the federal or state government to force CUA to couple its institutional pro-Catholic messages with anti-Catholic viewpoints.”
This is not the first time that the Catholic University of America has allegedly trampled on the rights of pro-Israel advocates.
In October, it allegedly used bureaucratic obstruction to suppress Jewish grieving and commemoration of the children, women, and men whom Hamas-led Palestinian terrorists murdered during the Oct. 7, 2023, massacre in southern Israel by canceling a memorial display that was approved in August.
According to the school’s SSI chapter, university officials cited an arcane policy which proscribes flying the flag of any foreign nation, except for that of the Vatican, on campus. However, SSI maintains that it was selectively applied to it with malice, citing that anti-Israel organizations have flown the Palestinian flag on campus numerous times, with and without official permission, as have many other organizations.
At the time, The Algemeiner requested photographic evidence of SSI’s claims of selective enforcement, to which the group responded by sending several pictures showing dozens of foreign flags flying on the campus, including those representing the nations of Brazil, France, and Ukraine. The group added that after canceling SSI’s memorial for the second anniversary of the Oct. 7 atrocities, university staff marched toward the event spaces and dismantled everything SSI had set up and topped off the act by stuffing Israeli flags into a plastic bag, which was left on a random office chair as an afterthought.
On Monday, SSI president Felipe Avila told The Algemeiner that CUA has a pattern of squelching pro-Israel speech.
“These event details are not isolated incidents; they represent a systemic pattern of discrimination we have faced since our founding,” Avila said. “From the dismantling of our Oct. 7 memorial to the unequal enforcement of event guidelines today, administrators consistently place insurmountable hurdles in front of our students. We should not be forced to platform competing viewpoints as a condition of discussing our own community’s safety and security.”
Citing the Second Vatican Council’s rejection of antisemitism in the Catholic Church, he added, “Students Supporting Israel will continue to vigorously defend our right to speak out against antisemitism, in the very spirit of the Church’s own teaching in Nostra Aetate.”
Follow Dion J. Pierre @DionJPierre.
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London Jewish Community Feels ‘Anxious’ but ‘Resilient’ as It Prepares for Potential Future Attacks
A person holds a sign near the scene where four ambulances belonging to Hatzola, a Jewish community organization, were set on fire in an incident that the police say is being treated as an antisemitic hate crime, in northwest London, Britain, March 23, 2026. Photo: REUTERS/Isabel Infantes
The Jewish community in London is feeling “very anxious” while trying to stay vigilant and prepared for potential incidents in the future after four Hatzalah emergency vehicles were destroyed in an antisemitic arson attack last week, the president of the UK’s main Jewish umbrella organization said on Sunday.
“We’ve had two-and-a half-years of very high levels of antisemitism, obviously, the deadly attack at Heaton Park Synagogue in Manchester just in October, and now this incident, an arson attack in the heart of London’s Jewish community in Golders Green,” Phil Rosenberg of the Board of Deputies of British Jews said during an appearance on “BBC London Politics.”
“It is nonetheless a very resilient and proud community, and we are looking at how we push back and build back stronger,” Rosenberg added.
Roughly 150,000 Jewish people live in London.
Rosenberg, a deputy at a north London synagogue and former Labour councillor in Camden, was also asked about the British government’s response to the arson attack. He said that, with help from the government, the Jewish community in London is now equipped with specialist kits designed to help during future attacks, including equipment that could help with chemical exposure. The equipment was provided through a £28.4 million government grant to the Community Security Trust (CST), a Jewish charity that safeguards the safety and security of Jews across the UK.
“On the way here, I was looking at my WhatsApps. I saw one come in from my synagogue, and it was talking not about the great services we put on, the outreach to local communities, the wonderful art and charity that we do, but about a series of kits we’ve just received that will help the community if there’s an attack to stem the flow of blood, or if there’s a chemical attack. That is the situation we’re facing,” Rosenberg explained.
“It’s sad that it’s needed, though,” he added. “Because what we need to do is prevent this and create a situation where those things are not the things we’re talking about, and those are not the things we need. We want to be celebrating the Jewish community, and all communities in this city, and not [be] in fear of those sorts of attacks happening.”
Last year, there were over 1,800 antisemitic incidents in London, according to data compiled by CST. When asked if the Jewish community believes the government is doing enough to tackle the issue of antisemitism, Rosenberg said the response is “mixed.” He noted the speed at which the British government provided replacements vehicles for the Hatzalah ambulances destroyed last week and other moves by the government, like proscribing the pro-Hamas group Palestine Action.
“The government still needs to go further,” Rosenberg added, before calling for British leaders to proscribe Iran’s Islamic Revolutionary Guard Corps and to take more action to combat hatred flourishing on social media, among other issues.
“We’ve seen in our society a growth of extremism … and we are very concerned that we are seeing society being pulled apart,” he said. “We need to come together, among all communities, to push back against hatred in all its forms, including antisemitism, and marginalize those extremists.”
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Antisemitic Acts in Australia Persist With Car Attack, Statue Vandalism
A suspect commits vandalism outside the Victorian Trades Hall on March 6. Photo: Facebook screenshot.
Law enforcement in Australia has launched investigations into multiple recent antisemitic incidents, including a car attack on Hasidic men on Saturday and the vandalism earlier this month of a statue honoring an Australian Jewish feminist.
The Victoria branch of the Community Security Group (CSG), an organization focused on protecting local Jews, released a statement on Saturday alerting the community of an incident in Melbourne “on Glen Eira Road, Ripponlea, where a vehicle swerved towards community members while occupants shouted antisemitic remarks.”
The CSG reported that “Victoria Police patrols were active in the area and responded to the scene rapidly. There are no reports of physical injuries. CSG is liaising closely with police and continuing to monitor the situation.”
Ripponlea has a significant Haredi population with members of the Adass Israel community comprising 15.2 percent of the population. The neighborhood has seen other recent antisemitic incidents, including the bombing of the group’s synagogue in December 2024.
The suspects — four women — allegedly drove a black Hyundai stolen on Wednesday from a home in the Caulfield suburb. Victoria police confirmed they had opened an investigation and received reports of other incidents involving the antisemitic occupants driving erratically and throwing eggs at people while yelling abuse.
“Those responsible are brazen, bold, and appear to act with impunity,” Naomi Levin, the CEO of the Jewish Community Council of Victoria (JCCV), told The Australian.
On Friday, Victoria Police announced the arrests of seven women alleged to have vandalized the statue of Zelda D’Aprano — a Jewish Australian feminist — outside the Victorian Trades Hall on March 6 at approximately 11:00 am.
In a statement, law enforcement described the women as part of an activist group and listed their ages as ranging between 34 and 71. The police stated that security footage showed that the vandals pulled out umbrellas to conceal their identities as they sprayed black and red paint on the statue. They also hung a “difficult woman” apron.
D’Aprano worked as an advocate for women’s rights from the 1950s through the 1980s and co-founded the Women’s Action Committee in 1970. She was known to have chained herself to a government building in 1969 to advocate equal pay for women. Her statue was unveiled in 2023.
The activists face charges of “criminal damage, behaving in a riotous manner in a public place, marking graffiti on a residence without consent, recklessly damaging part of a registered place without a permit, and refusing to leave scheduled public place after a warning.” An eighth suspect remains at large.
So far, the only named suspect is Jemima Demanuele, 34, who appeared in a Melbourne court on Friday and was reportedly on bail for another protesting offense.
Victoria Police officer Tiffany Lamesta pushed back on releasing Demanuele, saying that “the accused has been given bail for the last incident but is showing no respect for court orders” and warning that “police believe the accused will continue to offend if she’s granted bail.”
Demanuele is currently on paid leave from her position at St Vincent’s Hospital as staff conduct a Fair Work investigation.
Magistrate Michelle Hodgson granted Demanuele bail and instructed her that “there is no issue with protest, but it must be lawful, it must not endanger the safety and welfare of other persons and it must not cause property damage.”
Police have not yet stated a motive for the vandalism. Photographs from the scene show multiple members of the group wearing black and white keffiyehs, the symbol of anti-Israel militancy popularized by the late Palestinian leader Yasser Arafat.
Antisemitism surged in Australia following Hamas’s Oct. 7, 2023, terrorist attacks across southern Israel. On Feb. 24, Australia announced the creation of a Royal Commission led by retired judge Virginia Bell to investigate antisemitism in the country following the murder of 15 Jews at Bondi Beach in December.
Bell said that the commission needs to “investigate the security arrangements for that event, and to report on whether our intelligence and law enforcement agencies performed to maximum effectiveness.”
Australia’s intelligence authorities revealed last year that the Islamic regime in Iran had directed antisemitic acts in the country using cryptocurrency to compensate criminals, prompting the expulsion of Iran’s Ambassador Ahmad Sadeghi and three other officials.
On Friday, the CSG and JCCV released an annual report on antisemitism in Australia’s Victoria state, documenting 564 incidents, the highest number ever recorded.
“Behind each of these reports is a Jewish person,” Levin said. “A child in school uniform abused on a school excursion, a man in a kippah verbally abused on public transport, a worshipper arriving at synagogue to find hateful words painted on its walls, a business owner wiping racist symbols off their window before opening for the day.”