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Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope.
(JTA) – On “Saturday Night Live” last weekend, Dave Chappelle really wanted his audience to know there are a lot of Jews in Hollywood.
“I’ve been to Hollywood, this is just what I saw,” he said during his widely dissected monologue. “It’s a lot of Jews. Like, a lot.”
While suggesting that it might not be fair to say Jews run the industry, the comedian said that coming to that conclusion is “not a crazy thing to think.” Chappelle’s “SNL” episode drew a season-high 4.8 million viewers when it aired on NBC (eclipsing Jewish comedian Amy Schumer’s own hosting stint the week before), and his monologue had more than 8.1 million views on YouTube as of Wednesday.
The Anti-Defamation League was quick to denounce Chappelle’s act, calling it antisemitic. Other prominent Jews have followed suit.
“I was very disturbed to see him speaking, to millions of people, a lot of antisemitic tropes,” Pamela Nadell, a professor at American University who researches antisemitism, told the Jewish Telegraphic Agency.
But Chappelle, who was himself riffing on recent antisemitism controversies involving Kanye West and Kyrie Irving, wasn’t exactly breaking new ground by insinuating that Jews run Hollywood. The trope has been a part of show business since its earliest days — when, in a literal sense, Jews did run Hollywood. Or the studios, anyway.
Nearly every major movie studio was founded in the early 20th century by a group of first-generation secular Jews who immigrated to the United States from Eastern Europe. Carl Laemmle (Universal), Adolph Zukor (Paramount), William Fox (Fox), Louis B. Mayer (MGM), and Benjamin Warner (Warner) were all Jewish silver-screen pioneers, laying the groundwork for the size and scale of the industry to follow.
But the industry has diversified greatly in the century since, with studios largely swallowed up by corporate behemoths. And while individual Jews may be overrepresented in an industry that has long welcomed and rewarded them, the rhetorical danger, Nadell said, comes in conflating a large Jewish presence in an industry with ownership and control of that industry.
“Jews remain active in Hollywood in a variety of roles, but it would be impossible to say that they run Hollywood, that they own Hollywood,” she said.
“Whenever the Jews enter into any kind of position where they might have influence over people who are not Jewish, then all of a sudden it’s seen as some kind of conspiracy.”
Conspiracy theories dogged Jews in Hollywood from the industry’s beginning. Because so many Jews were in control in Hollywood in its early years, Joseph Breen, who for decades ran the industry’s Production Code office and tried to make movies palatable to Catholic morality groups, blamed “the Jews” for sneaking sex, violence and moral depravity into the movies.
But their rise to the top of the still-young motion picture industry wasn’t because they were a part of some secretive cabal; it’s because, historians say, Hollywood provided a low barrier to entry for enterprising businessmen, and was lacking the antisemitic guardrails of more established industries.
“There were no social barriers in a business as new and faintly disreputable as the movies were in the early years of [the 20th] century,” historian Neal Gabler writes in his landmark 1988 book “An Empire Of Their Own: How The Jews Invented Hollywood.”
In the book, Gabler notes that the movie business, which evolved out of other professions like vaudeville and the garment industry where Jews had already found a toehold, lacked “the impediments imposed by loftier professions and more firmly entrenched businesses to keep Jews and other undesirables out.”
As such, Jews (particularly recent immigrants) were able to thrive in show business in a way they couldn’t in most other industries. Once they were in, family ties or the general phenomenon of affinity groups often led to them elevating other Jews in the industry: For example, prolific Jewish producer David O. Selznick, whose credits include “Gone With The Wind,” “Rebecca” and a huge string of other hits in the 1930s and ’40s, spent many years at MGM, run by his father-in-law, Louis B. Mayer.
Areas like the film, garment and publishing industries were attractive to Jews, Nadell said, “because there were so many other sectors of the economy where they were barred from.”
But in exchange, Hollywood’s prominent Jews had to effectively extinguish their Jewishness.
Yearning to assimilate into American society, the Jews who ran these studios were beset on all sides by antisemitic invective — first from Christian groups like the Legion of Decency, then by anti-Communist groups, both of whom accused Hollywood’s Jews of conspiring to undermine American society with their loose morals.
As such, the Jewish studio heads largely refrained from making any movies about Jewish themes, or snuffing out antisemitic content even within their own films, or otherwise exerting their influence in any obviously Jewish way, even as many of the Golden Era of Hollywood’s most acclaimed writers and directors (Herman Mankiewicz, Ernst Lubitsch, George Cukor, Billy Wilder) were also Jewish. “Gentleman’s Agreement,” the landmark 1947 film about antisemitism, didn’t have any Jewish producers, directors or major stars (though some of its credited writers were Jewish).
Famously, Hollywood’s Jews also went out of their way to avoid offending Hitler during the Nazi era, continuing to do business with Germany and largely avoiding featuring Nazis as villains in the prewar years.
Director Steven Spielberg speaks at the Academy Awards in Hollywood, Feb. 9, 2020. (Kevin Winter/Getty Images)
With the demise of the studio system in the 1960s, Jewish creatives ranging from Mel Brooks to Steven Spielberg to Natalie Portman no longer had to hide their identity from audiences, but instead made it an essential part of their public personas. Earlier this week, in a New York Times interview, Spielberg acknowledged that Hollywood was a welcoming place for Jews when he arrived as a young filmmaker.
“Being Jewish in America is not the same as being Jewish in Hollywood,” he said while promoting “The Fabelmans,” a loose retelling of his own Jewish upbringing. “Being Jewish in Hollywood is like wanting to be in the popular circle and immediately being accepted as I have been in that circle, by a lot of diversity but also by a lot of people who in fact are Jewish.”
Still, such ethnic affinity has often been deemed conspiratorial. “Hollywood is run by Jews” and “owned by Jews,” Marlon Brando declared in a 1996 interview with Larry King, further claiming that Jewish studio executives prevented antisemitic stereotypes from being depicted on screen while allowing stereotypes of every other minority group “because that’s where you circle the wagons around.”
(Despite this outburst, which prompted intense backlash from Jewish groups, Brando was known for having close relationships with Jews and demonstrating a strong understanding of Jewish theology and culture throughout his life, and apparently spoke Yiddish quite well.)
This general air of suspicion around Jews in show business has continued into the modern day, as evidenced by Chappelle and West’s comments. In the tweets that precipitated the collapse of his businesses, West singled out Jewish producers and managers in the entertainment industry he had affiliations with, echoing how believers in antisemitic conspiracy theories about Jewish control tend to fixate on Jews in leadership positions outside of the public eye.
Attorney Allen Grubman, left, and rocker John Mellencamp speak onstage during the 37th Annual Rock & Roll Hall of Fame Induction Ceremony in Los Angeles, Nov. 5, 2022. (Amy Sussman/WireImage)
Ignoring the many industry leaders who are not Jewish, such conspiracy theorists tend to focus on the successful managers and lawyers in Hollywood who are, including Jeremy Zimmer, Ari Emanuel, Allen Grubman — and Harvey Weinstein, whose decades of sexual abuse, scorched-earth targeting of his accusers and eventual downfall are the subject of the new movie “She Said.”
And in a similar fashion to Brando, Chappelle suggested that there is a double standard in talking about ethnic groups, with jokes about Jews being seen as taboo in a way that jokes about Black people and other groups are not: “If they’re Black, then it’s a gang. If they’re Italian, it’s a mob. If they’re Jewish, it’s a coincidence and you should never speak about it.”
At the same time as Jews in and out of the industry are fighting such perceptions, they are also pushing for greater visibility. The unveiling of the new Academy Museum of Motion Pictures in Los Angeles last year almost entirely omitted Jews from Hollywood’s founding narrative, leading to backlash from Jews in the industry and, ultimately, the guarantee of a new permanent exhibition space focusing on Jews.
And there was one other way in which the Chappelle episode hearkened back to the age-old dynamics of the relationship between Jews and Hollywood: “Saturday Night Live” executive producer Lorne Michaels, who presumably allowed the monologue on the air, is Jewish.
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The post Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope. appeared first on Jewish Telegraphic Agency.
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Zara Announces Partnership With Designer John Galliano, Who Has History of Antisemitic Comments
A Zara shop. Photo: Wikimedia Commons.
Zara announced on Wednesday a two-year creative partnership with John Galliano, who was fired as creative director of the French fashion house Christian Dior after being caught on camera going on a drunken antisemitic rant in 2011.
Zara said the British fashion designer, 65, “will re-author the brand’s archives through a series of seasonal collections,” which will be released seasonally during the partnership that will begin in September. “Mr. Galliano will be working directly with garments from Zara’s past seasons, deconstructing and reconfiguring them into new seasonal expressions and creations,” the Spanish company added.
Galliano spent two seasons with Givenchy before taking over in 1996 as creative director of Dior, which he helmed for 15 years. He was the creative director of the Paris-based fashion house Maison Margiela for 10 years, from 2014-2024. He has won the British Fashion Designer of the Year four times.
In February 2011, Galliano was accused of accosting a couple at the Paris restaurant La Perle in the Marais district. The couple, a Jewish woman and her Asian boyfriend, said the British designer told them: “Dirty Jewish face, you should be dead” and “f–king Asian bastard, I will kill you.” The incident led to Galliano’s arrest.
After the incident, a video surfaced that showed Galliano, in the same restaurant, making antisemitic comments at patrons while drunk in October 2010. He also expressed admiration for Nazi leader Adolf Hitler. “I love Hitler and people like you would be dead today,” he said. “Your mothers, your forefathers would be f–king gassed and f–king dead … you, you’re ugly.”
Dior fired Galliano in 2011 shortly after the video of his drunken antisemitic remarks were widely circulated. Galliano also faced a one-day trial in Paris, after being charged with “public insults based on origin, religious affiliation, race, or ethnicity” related to the incidents in 2011 and the year prior. He was ordered to pay a fine equivalent to $8,500 for making the antisemitic insults, and damages to each of his victims as well as to five anti-racism groups who were also complainants.
Galliano claimed he has no recollection of making the offensive remarks and blamed his actions on drug and alcohol addiction. He also denied being an antisemite or racist, and apologized for “allowing myself to be seen to be behaving in the worst possible light.”
“I fully accept that the accusations made against me have greatly shocked and upset people,” the designer said in 2011. “I only have myself to blame and I know that I must face up to my own failures and that I must work hard to gain people’s understanding and compassion.”
“I have fought my entire life against prejudice, intolerance, and discrimination, having been subjected to it myself,” he added. “In all my work my inspiration has been to unite people of every race, creed, religion, and sexuality by celebrating their cultural and ethnic diversity through fashion. Antisemitism and racism have no part in our society. I unreservedly apologize for my behavior in causing any offense.”
He told Vanity Fair in June 2013 that his antisemitic comments were “the worst thing I have said in my life.”
“But I didn’t mean it,” Galliano said. “I have been trying to find out why that anger was directed at this race. I now realize I was so f–king angry and so discontent with myself that I just said the most spiteful thing I could.”
He also apologized in his 2024 documentary, “High & Low — John Galliano.” He admitted in the film, “It was a disgusting thing, foul thing that I did. It was just horrific … I couldn’t recognize that person. I felt horrified. Ashamed. Embarrassed.”
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CAIR Sends Separate Letters to US Lawmakers Praising Democrats, Challenging Republicans on ‘Anti-Muslim Bigotry’
CAIR officials give press conference on the Israel-Hamas war. Photo: Kyle Mazza / SOPA Images/Sipa USA via Reuters Connect
The Council on American-Islamic Relations (CAIR), a prominent Muslim advocacy organization that has been scrutinized by US authorities over alleged ties to terrorist groups, has sent two separate letters to Democratic and Republican congressional offices, calling on lawmakers to confront what it described as rising anti-Muslim rhetoric and to reaffirm commitments to religious freedom.
In its March 13 letter to Democratic offices, CAIR praised statements by House Minority Leader Hakeem Jeffries and others who have spoken out against anti-Muslim hate, urging lawmakers to go further by pursuing formal censure actions against Republican members accused of making inflammatory comments.
In a separate letter to Republicans, the organization struck a more critical tone, calling on the party to reaffirm its support for religious liberty and to distance itself from rhetoric it says targets Muslim Americans.
“At moments like this, the voices of elected leaders defending constitutional values matter greatly. We encourage Democratic offices to remain vigilant in confronting anti-Muslim bigotry using the full range of congressional tools, including the pursuit of censure resolutions against Rep. Fine and Rep. Ogles,” the letter to Democrats read, referring to Republican Reps. Randy Fine (FL) and Andy Ogles (TN).
CAIR pointed to remarks attributed to several Republican lawmakers, including Fine, Ogles, and Sen. Tommy Tuberville (AL), arguing that such statements contribute to a climate of hostility toward Muslims. Earlier this month, Ogles wrote on X that “Muslims don’t belong in America. Pluralism is a lie.” Meanwhile, Fine posted, “We need more Islamophobia, not less. Fear of Islam is rational.:
The organization also criticized the formation of the “Sharia-Free America” Caucus, claiming its policy proposals could infringe on the religious freedoms of Muslim Americans. The caucus, comprised of more than 50 Republican House members, declares that Sharia, or Islamic law, is a “direct threat to our Constitution and Western values and seeks to replace our legal system and erode our basic freedoms.”
At the same time, CAIR framed its appeal to Republicans within the party’s historical identity, invoking the “big tent” vision associated with Ronald Reagan. The group noted that Muslim American voters have, at times, supported Republican candidates, but argued that relationship has eroded in the years following the Iraq War.
The group warned that the “potential relationship between the Republican Party and American Muslim voters is rapidly deteriorating as anti-Muslim rhetoric from elected officials goes unchallenged by Republican leadership.”
CAIR’s criticism of political rhetoric comes amid renewed attention to the organization’s own history. Founded in 1994, CAIR has long denied allegations of links to extremist groups, but it has faced scrutiny over past associations. The group was named as an unindicted co-conspirator in the federal prosecution related to the Holy Land Foundation trial, a case involving the largest terrorism financing conviction in US history. While that designation did not result in criminal charges against CAIR, it has been cited by critics as a point of concern.
In addition, the Federal Bureau of Investigation (FBI) announced in 2008 that it would suspend formal cooperation with CAIR pending further clarity about such concerns. CAIR has consistently rejected allegations of wrongdoing, stating that it condemns terrorism and supports constitutional principles.
Critics have also pointed to past statements by some CAIR officials and the organization’s positions on US foreign policy, particularly regarding Israel and the Middle East, as evidence of ideological bias.
Supporters, however, argue that CAIR plays a significant role in defending civil liberties for Muslim Americans and documenting discrimination. Several high-ranking members of CAIR openly celebrated and defended Hamas’s Oct. 7, 2023, massacre across southern Israel, a terrorist attack that left over 1,200 dead and more than 250 hostages.
In January, Texas Gov. Greg Abbott formally designated CAIR and the Muslim Brotherhood as terrorist organizations under state law, citing in part what officials described as longstanding ideological and operational ties with Islamist movements hostile to the US and its allies.
Abbott’s proclamation described CAIR as a “successor organization” to the Muslim Brotherhood and noted the FBI called it a “front group” for “Hamas and its support network.” The document also outlined the history of the organizations and their historical associations with figures and networks tied to Hamas, an internationally designated terrorist group.
“The Muslim Brotherhood and CAIR have long made their goals clear: to forcibly impose Sharia law and establish Islam’s ‘mastership of the world,’” Abbott said in a statement while announcing the designations last month. “These radical extremists are not welcome in our state and are now prohibited from acquiring any real property interest in Texas.”
In December, Florida Gov. Ron DeSantis also signed an executive order designating CAIR and the Muslim Brotherhood as terrorist groups.
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Trump Hails Japanese Leader, Says Tokyo ‘Really Stepping Up to the Plate’ on Iran
US President Donald Trump shakes hands with Japanese Prime Minister Sanae Takaichi in the Oval Office at the White House in Washington, DC, US, March 19, 2026. Photo: REUTERS/Evelyn Hockstein
US President Donald Trump greeted Japan‘s Prime Minister Sanae Takaichi warmly at the White House on Thursday and said he believed Japan was “really stepping up to the plate” on Iran, unlike the NATO alliance.
Trump has lashed out at allies for their lukewarm support for the US-Israeli military campaign and said the US doesn’t need any help. However, he is still pushing for more ships to clear mines and escort tankers through the Strait of Hormuz, largely closed by Iran in the conflict.
Ahead of the meeting, Japan joined leading nations in Europe in a joint statement, saying they would take steps to stabilize energy markets and were ready to join “appropriate efforts” to ensure safe passage through the Strait.
Trump hailed Takaichi’s election victory last month as “record setting” as he welcomed her at the Oval Office. He said they would “be talking about trade and many other things,” including Iran.
“We’ve had tremendous support and relationship with Japan on everything, and I believe that based on statements that were given to us yesterday, the day before yesterday, having to do with Japan, they are really stepping up to the plate … unlike NATO,” Trump said.
He said he expected Japan to step up given the support the US gave the country and the tens of thousands of troops it has stationed there.
“We don’t need much; we don’t need anything,” Trump said. “We don’t need anything from Japan or from anyone else. But I think it’s appropriate that people step up.”
Takaichi told Trump she had “brought specific proposals to calm down the global energy market” and said Iran must never be allowed to obtain a nuclear weapon.
Takaichi condemned Iran‘s attacks in the Strait of Hormuz and said she believed only Trump could achieve peace. She also said the global economy was about to take a hit due to the turmoil in the Middle East.
At the same time, Takaichi said Tokyo had been reaching out to Iran.
Unlike Washington, Tokyo has diplomatic relations with Tehran, creating a potential avenue for diplomacy in any moves to end the war, although past attempts by Japan to mediate with Tehran in 2019 were unsuccessful.
JAPAN RELIES ON CRUDE OIL FROM GULF
Takaichi’s long-scheduled White House visit has been aimed at burnishing the decades-old security and economic partnership between Washington and its closest East Asian ally, but there have been concerns among Japanese officials that Trump will press her to do more than she is able to on Iran.
Takaichi has sought to move Japan away from a pacifist constitution imposed by Washington after World War Two, but with the Iran war unpopular at home, she has so far not offered to assist in clearing the Strait of Hormuz.
US Treasury Secretary Scott Bessent said earlier he would expect that Japan, which gets a large share of its crude oil supplies from the Gulf, would want to ensure its supplies are safe.
He told Fox Business Network Japan‘s navy has some of the best minesweepers and mine-detection capabilities and that he believed Japan would release more of its large petroleum reserve to supply the strained oil market.
Takaichi told the Japanese parliament on Monday Japan had received no official request from the United States on Iran but was checking the scope of possible action within the limits of its constitution.
Trump said a lot of his discussions with Takaichi would be about energy. Takaichi said they would discuss economic security in areas like energy and minerals.
Japanese officials said Takaichi hoped to remind Trump of the dangers posed by a regionally assertive China – especially to Taiwan – ahead of his planned visit there, which has now been pushed back from an earlier plan him to visit in two weeks.
On Wednesday US intelligence agencies created potential awkwardness for Takaichi when they said that remarks she made last year in support of Taiwan marked a “significant shift” for a Japanese leader.
Takaichi has maintained that her stance, which sent Tokyo’s relations with Beijing into a nosedive, was consistent with Japan‘s long-standing policy and Japan‘s government spokesperson said the US assessment was not accurate.
In the Oval Office, Takaichi said Japan was open to dialogue with China.
Japan expects Trump to ask Tokyo to produce or co-develop missiles that could help replace stocks of US munitions depleted by the Iran war and Russia’s war in Ukraine. Tokyo is still considering how to respond, Japanese government sources said.
Takaichi will also tell Trump that Japan intends to join the “Golden Dome” missile defense initiative that is meant to detect, track and potentially counter incoming threats from orbit, two Japanese government sources said.
She is expected to announce a fresh Japanese investment in Trump-approved projects in the US, from a $550 billion commitment made by the government to win relief from tariffs the US president imposed last year.
Japan could pledge some $60 billion as part of the second tranche of its investments spanning critical minerals and energy, said a person familiar with the plans, after already committing to three projects valued at $36 billion.