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Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope.
(JTA) – On “Saturday Night Live” last weekend, Dave Chappelle really wanted his audience to know there are a lot of Jews in Hollywood.
“I’ve been to Hollywood, this is just what I saw,” he said during his widely dissected monologue. “It’s a lot of Jews. Like, a lot.”
While suggesting that it might not be fair to say Jews run the industry, the comedian said that coming to that conclusion is “not a crazy thing to think.” Chappelle’s “SNL” episode drew a season-high 4.8 million viewers when it aired on NBC (eclipsing Jewish comedian Amy Schumer’s own hosting stint the week before), and his monologue had more than 8.1 million views on YouTube as of Wednesday.
The Anti-Defamation League was quick to denounce Chappelle’s act, calling it antisemitic. Other prominent Jews have followed suit.
“I was very disturbed to see him speaking, to millions of people, a lot of antisemitic tropes,” Pamela Nadell, a professor at American University who researches antisemitism, told the Jewish Telegraphic Agency.
But Chappelle, who was himself riffing on recent antisemitism controversies involving Kanye West and Kyrie Irving, wasn’t exactly breaking new ground by insinuating that Jews run Hollywood. The trope has been a part of show business since its earliest days — when, in a literal sense, Jews did run Hollywood. Or the studios, anyway.
Nearly every major movie studio was founded in the early 20th century by a group of first-generation secular Jews who immigrated to the United States from Eastern Europe. Carl Laemmle (Universal), Adolph Zukor (Paramount), William Fox (Fox), Louis B. Mayer (MGM), and Benjamin Warner (Warner) were all Jewish silver-screen pioneers, laying the groundwork for the size and scale of the industry to follow.
But the industry has diversified greatly in the century since, with studios largely swallowed up by corporate behemoths. And while individual Jews may be overrepresented in an industry that has long welcomed and rewarded them, the rhetorical danger, Nadell said, comes in conflating a large Jewish presence in an industry with ownership and control of that industry.
“Jews remain active in Hollywood in a variety of roles, but it would be impossible to say that they run Hollywood, that they own Hollywood,” she said.
“Whenever the Jews enter into any kind of position where they might have influence over people who are not Jewish, then all of a sudden it’s seen as some kind of conspiracy.”
Conspiracy theories dogged Jews in Hollywood from the industry’s beginning. Because so many Jews were in control in Hollywood in its early years, Joseph Breen, who for decades ran the industry’s Production Code office and tried to make movies palatable to Catholic morality groups, blamed “the Jews” for sneaking sex, violence and moral depravity into the movies.
But their rise to the top of the still-young motion picture industry wasn’t because they were a part of some secretive cabal; it’s because, historians say, Hollywood provided a low barrier to entry for enterprising businessmen, and was lacking the antisemitic guardrails of more established industries.
“There were no social barriers in a business as new and faintly disreputable as the movies were in the early years of [the 20th] century,” historian Neal Gabler writes in his landmark 1988 book “An Empire Of Their Own: How The Jews Invented Hollywood.”
In the book, Gabler notes that the movie business, which evolved out of other professions like vaudeville and the garment industry where Jews had already found a toehold, lacked “the impediments imposed by loftier professions and more firmly entrenched businesses to keep Jews and other undesirables out.”
As such, Jews (particularly recent immigrants) were able to thrive in show business in a way they couldn’t in most other industries. Once they were in, family ties or the general phenomenon of affinity groups often led to them elevating other Jews in the industry: For example, prolific Jewish producer David O. Selznick, whose credits include “Gone With The Wind,” “Rebecca” and a huge string of other hits in the 1930s and ’40s, spent many years at MGM, run by his father-in-law, Louis B. Mayer.
Areas like the film, garment and publishing industries were attractive to Jews, Nadell said, “because there were so many other sectors of the economy where they were barred from.”
But in exchange, Hollywood’s prominent Jews had to effectively extinguish their Jewishness.
Yearning to assimilate into American society, the Jews who ran these studios were beset on all sides by antisemitic invective — first from Christian groups like the Legion of Decency, then by anti-Communist groups, both of whom accused Hollywood’s Jews of conspiring to undermine American society with their loose morals.
As such, the Jewish studio heads largely refrained from making any movies about Jewish themes, or snuffing out antisemitic content even within their own films, or otherwise exerting their influence in any obviously Jewish way, even as many of the Golden Era of Hollywood’s most acclaimed writers and directors (Herman Mankiewicz, Ernst Lubitsch, George Cukor, Billy Wilder) were also Jewish. “Gentleman’s Agreement,” the landmark 1947 film about antisemitism, didn’t have any Jewish producers, directors or major stars (though some of its credited writers were Jewish).
Famously, Hollywood’s Jews also went out of their way to avoid offending Hitler during the Nazi era, continuing to do business with Germany and largely avoiding featuring Nazis as villains in the prewar years.
Director Steven Spielberg speaks at the Academy Awards in Hollywood, Feb. 9, 2020. (Kevin Winter/Getty Images)
With the demise of the studio system in the 1960s, Jewish creatives ranging from Mel Brooks to Steven Spielberg to Natalie Portman no longer had to hide their identity from audiences, but instead made it an essential part of their public personas. Earlier this week, in a New York Times interview, Spielberg acknowledged that Hollywood was a welcoming place for Jews when he arrived as a young filmmaker.
“Being Jewish in America is not the same as being Jewish in Hollywood,” he said while promoting “The Fabelmans,” a loose retelling of his own Jewish upbringing. “Being Jewish in Hollywood is like wanting to be in the popular circle and immediately being accepted as I have been in that circle, by a lot of diversity but also by a lot of people who in fact are Jewish.”
Still, such ethnic affinity has often been deemed conspiratorial. “Hollywood is run by Jews” and “owned by Jews,” Marlon Brando declared in a 1996 interview with Larry King, further claiming that Jewish studio executives prevented antisemitic stereotypes from being depicted on screen while allowing stereotypes of every other minority group “because that’s where you circle the wagons around.”
(Despite this outburst, which prompted intense backlash from Jewish groups, Brando was known for having close relationships with Jews and demonstrating a strong understanding of Jewish theology and culture throughout his life, and apparently spoke Yiddish quite well.)
This general air of suspicion around Jews in show business has continued into the modern day, as evidenced by Chappelle and West’s comments. In the tweets that precipitated the collapse of his businesses, West singled out Jewish producers and managers in the entertainment industry he had affiliations with, echoing how believers in antisemitic conspiracy theories about Jewish control tend to fixate on Jews in leadership positions outside of the public eye.
Attorney Allen Grubman, left, and rocker John Mellencamp speak onstage during the 37th Annual Rock & Roll Hall of Fame Induction Ceremony in Los Angeles, Nov. 5, 2022. (Amy Sussman/WireImage)
Ignoring the many industry leaders who are not Jewish, such conspiracy theorists tend to focus on the successful managers and lawyers in Hollywood who are, including Jeremy Zimmer, Ari Emanuel, Allen Grubman — and Harvey Weinstein, whose decades of sexual abuse, scorched-earth targeting of his accusers and eventual downfall are the subject of the new movie “She Said.”
And in a similar fashion to Brando, Chappelle suggested that there is a double standard in talking about ethnic groups, with jokes about Jews being seen as taboo in a way that jokes about Black people and other groups are not: “If they’re Black, then it’s a gang. If they’re Italian, it’s a mob. If they’re Jewish, it’s a coincidence and you should never speak about it.”
At the same time as Jews in and out of the industry are fighting such perceptions, they are also pushing for greater visibility. The unveiling of the new Academy Museum of Motion Pictures in Los Angeles last year almost entirely omitted Jews from Hollywood’s founding narrative, leading to backlash from Jews in the industry and, ultimately, the guarantee of a new permanent exhibition space focusing on Jews.
And there was one other way in which the Chappelle episode hearkened back to the age-old dynamics of the relationship between Jews and Hollywood: “Saturday Night Live” executive producer Lorne Michaels, who presumably allowed the monologue on the air, is Jewish.
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The post Dave Chappelle isn’t the first to suggest that Jews run Hollywood. Here are the origins of the trope. appeared first on Jewish Telegraphic Agency.
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Saudi Warplanes Struck Militias in Iraq During War, Sources Say
F-15SA fighter jets are seen at King Faisal Air College in Riyadh, Saudi Arabia, Jan. 25, 2017. Photo: REUTERS/Faisal Al Nasser
Saudi fighter jets bombed targets linked to powerful Tehran-backed Shi’ite militias in Iraq during the Iran war, while retaliatory strikes were also launched from Kuwait into Iraq, multiple sources familiar with the matter said.
The strikes are part of a broader pattern of military responses around the Gulf that remained largely hidden during a conflict that began with US-Israeli attacks on Iran and has spread to the wider Middle East.
For this report, Reuters spoke to three Iraqi security and military officials, a Western official, and two people briefed on the matter, one of them in the US.
The Saudi strikes were carried out by Saudi air force fighter jets on Iran-linked militia targets near the kingdom’s northern border with Iraq, one Western official and the person briefed on the matter said. The Western official said some strikes took place around the time of the April 7 US-Iran ceasefire.
They targeted sites from which drone and missile attacks were launched at Saudi Arabia and other Gulf states, the sources said.
Citing military assessments, the Iraqi sources said rocket attacks were launched on at least two occasions from Kuwaiti territory on Iraq. One set of strikes hit militia positions in southern Iraq in April, killing several fighters and destroying a facility used by Iran-backed militia Kataib Hezbollah for communications and drone operations, they said.
Reuters could not determine whether the rockets from Kuwait were fired by the Kuwaiti armed forces or the US military, which has a large presence there. The US military declined to comment. The Kuwaiti information ministry and the Iraqi government did not immediately respond to requests for comment.
SAUDI ARABIA ALSO HIT IRAN
A Saudi foreign ministry official said Saudi Arabia sought de-escalation, self-restraint and the “reduction of tensions in pursuit of the stability, security, and prosperity of the region,” but did not address the issue of strikes on Iraq. A spokesperson for Iraq’s Kataib Hezbollah also did not immediately respond to a request for comment.
On Tuesday, Reuters reported that Saudi Arabia launched strikes directly on Iran during the war in retaliation for attacks on the kingdom, the first time Riyadh is known to have hit Iranian soil. The UAE also carried out similar strikes on Iran, three people familiar with the matter said.
But hundreds of the drones that targeted the Gulf emanated from Iraq, all the sources said.
Militia-linked Telegram channels repeatedly posted statements during the war claiming attacks on targets in Gulf states, including Saudi Arabia and Kuwait. Reuters could not independently confirm their authenticity.
Sustained attacks from a second front in Iraq prompted Saudi Arabia and Kuwait to lose patience with the militias, which collectively command tens of thousands of fighters and arsenals including missiles and drones.
Kuwait summoned Iraq’s representative in the country three times during the war to protest cross-border attacks, as well as the storming of the Kuwaiti consulate in the city of Basra on April 7. Saudi Arabia also summoned Iraq’s ambassador on April 12 to protest attacks.
IRAQ-GULF TIES DEFINED BY SUSPICION
Gulf Arab relations with Iraq have long been defined by suspicion. Ties were severely damaged in 1990 when Iraqi President Saddam Hussein’s forces invaded Kuwait and fired Scud missiles at Saudi Arabia, and they remained strained for decades.
The 2003 US-led invasion of Iraq deepened Gulf concerns by empowering Shi’ite political factions and armed groups closely tied to Tehran, turning Iraq into a key node in Iran’s regional network of proxies.
Gulf states have repeatedly accused Baghdad of failing to rein in those groups, which operate with significant autonomy and have launched attacks across borders.
A China-brokered détente between Iran and Saudi Arabia in 2023 had offered hope for broader regional stabilization. But the outbreak of war has severely tested those gains, drawing Gulf states into a conflict they had sought to avoid and exposing the limits of diplomatic progress made in recent years.
In March, Saudi Arabia and Kuwait had warned Baghdad via diplomatic channels to curb rocket and drone attacks by pro-Iranian groups against Gulf states, according to two Iraqi security officials and a government security adviser.
Iraqi forces say they intercepted some attempted attacks, including the seizure of a rocket launcher west of Basra intended to strike Saudi energy facilities.
But Iran-backed militias continue to fly surveillance drones along Iraq’s borders with Kuwait and Saudi Arabia, conducting reconnaissance and feeding intelligence to Iran, according to four Iraqi security sources and a person briefed on the matter.
“They are gathering information on what has been damaged, what is still working. They are preparing for the next strike,” the person briefed on the matter said.
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Swiss Considering Rival Air Defenses After Washington Delays Patriots Over Iran War
US Patriot missile defense systems at a US army base in Pyeongtaek, South Korea, March 10, 2026. Photo: REUTERS/Kim Hong-Ji
Switzerland said on Wednesday it will look into whether to buy air-defense systems from other suppliers, after the United States informed it that long-delayed Patriot missile systems will be held up further because of the war in Iran.
Switzerland ordered the five Patriot missile-defense systems in 2022 with an initial expectation they would be supplied in 2026-2028, a timeline that has already slipped by four to five years because of the war in Ukraine.
The government said it had now been told by Washington that the Iran war would lead to additional delays and cost increases, with a delay of five to seven years now to be expected.
“All options would lead to delivery delays as well as substantial additional costs,” the government said.
Switzerland expects to receive feedback by the end of the month from five additional suppliers of long-range ground-based air-defense systems, the government said. It did not identify the suppliers but said they came from Germany, France, Israel, and South Korea. It said it would prefer if the systems were produced in Europe.
The governing Federal Council is expected to decide on next steps in the coming months, the statement added.
The Swiss government said in April that terminating the Patriot purchase was an option.
The price for the five Patriot systems could double from 2.3 billion Swiss francs ($2.9 billion) to 4.6 billion francs, Swiss newspaper Tages-Anzeiger said, citing informed sources.
Swiss procurement agency armasuisse and the Pentagon did not immediately reply to requests for comment on the report.
Reuters reported last month that the US had informed European counterparts of likely delays in previously contracted weapons deliveries, as the Iran war continues to draw on weapons stocks.
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All American Jews should acknowledge Nakba Day — for Israel’s sake, and Palestine’s
Many American Jews were raised with the word “Nakba” absent from our vocabularies.
We were taught, correctly, about the miracle of Israel’s founding; the refuge Israel provided after the Holocaust; and the flourishing of Jewish life in our ancestral homeland. What went unmentioned was the other side of that joy: the Nakba, meaning “catastrophe” in Arabic, the name by which the displacement and dispossession of hundreds of thousands of Palestinians during the creation of the state of Israel is known through the Arab world.
For Palestinians, the Nakba is the defining experience of their collective life — carried in family histories, in refugee camps and in the enduring statelessness of millions. It is living memory, not ancient history. The remarkable story of Israel’s creation is real, essential and worth celebrating. But it’s time that all Jews — Zionists alongside anti-Zionists — acknowledge that it was never the only story.
Acknowledging Nakba Day — an annual commemoration on May 15 — can feel uncomfortable, even threatening. There is a fear within much of the Jewish community that recognizing Palestinian loss will in some way undermine Jewish claims to self-determination, or feed efforts to delegitimize Israel.
I understand that fear. I lead a Jewish organization with Zionist roots; I feel this tension in my daily work and life. But I also believe this fear is misguided.
When we deny or minimize the full history of 1948, we deny not just the humanity and pain of the Palestinian people, but also our own honest understanding of today’s reality. For Jewish leaders struggling to understand why younger American Jews won’t simply follow their lead when it comes to support for Israel, this is part of the answer.
When we avoid learning and teaching about the Nakba, we do not make Palestinian loss disappear. Rather, we simply reinforce the perception that we are unwilling to confront this essential part of Israel’s story.
And when we expand our historical understanding we do not weaken our connection to Israel, or that of our children. On the contrary, we strengthen it. A relationship built on selective memory is fragile and incomplete. One grounded in truth — even uncomfortable truth — is far more honest and resilient.
The best reasons to commemorate Nakba Day are the moral mandate to recognize the truth, the value of opening a door to allow for transformational relationships.
Two truths can coexist. It is true the establishment of Israel was a moment of profound liberation for the Jewish people, and it is equally true that it was a moment of profound loss for Palestinians. Holding both facts is not easy. To do so challenges the binary narratives many of us were raised with. But maturity — personal and communal — requires sitting with complexity rather than retreating from it.
Embracing that complexity carries real world implications.
The dismissal of Palestinian grievances is already harming Israel, degrading security and imperiling the country’s future as an integral part of the Middle East. That rejection salts the soil in which deep relationships between Israeli Jews and their Arab neighbors might otherwise take root.
Durable peace will not come from either side insisting that their narrative is the only legitimate one. It will come — if it comes at all — from mutual recognition of history, suffering and shared humanity.
For Jews and Jewish organizations to acknowledge Nakba Day can be one small step in that direction. Doing so would signal a willingness to listen, learn and take Palestinian perspectives seriously. That is an expression of respect that any shared future requires.
To American Jews who find this proposal uncomfortable: It is time for some courage. The easy path is silence. That silence will bring us more isolation, and hamper our capacity to foster relationships grounded in trust with Palestinians. The harder path is to expand our understanding, starting with a more complete and honest account of the past.
Jewish tradition gives us a framework for exactly this kind of engagement.. We regularly recount our own moments of vulnerability, exile and moral failure. We imagine ourselves as slaves departing Egypt and remind ourselves of the ethical obligations that follow. Applying that same ethic in the present day does not betray our story. It honors it.
Commemorating Nakba Day recognizes that the past shapes the present. It embraces intellectual and moral honesty. It affirms that Palestinian lives and histories matter and must coexist alongside Jewish lives and history.
In a time of deep polarization — within the Jewish community, between Israelis and Palestinians, and across American society — the temptation is to retreat into camps, to draw sharper lines and to insist on simpler stories. Giving in to that temptation will not lead us to a future of peace, justice, and mutual dignity.
Instead, we need to complicate our narratives. We need to listen more than we speak. And we need to find ways to honor the humanity of those whose experiences do not mirror our own. Recognizing Nakba Day on May 15 is a good place to start.
The post All American Jews should acknowledge Nakba Day — for Israel’s sake, and Palestine’s appeared first on The Forward.