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Fake AIPAC’s endorsement of apartheid goes viral and top Jewish exec departs as Twitter turmoil mounts
(JTA) — For a short time Thursday night, Twitter users could see a post that would confuse anyone plugged in to the world of Israel advocacy.
“We apartheid,” tweeted an account with the handle AIPAC, the acronym for the American Israel Public Affairs Committee. The account’s profile picture was the same red-and-blue Jewish star that the organization has long used on the social media platform.
The message was shocking because AIPAC is a vociferous defender of Israel against criticism, including the argument that the country perpetuates an apartheid system through its treatment of Palestinians. But it was also fake: The group had fallen victim to a wave of spoofs, falsification and abuse unleashed by Elon Musk’s recent acquisition of Twitter.
Only by looking closely could a user see that the account belonged to “AIPAC_USA,” not “AIPAC,” where the group has long posted. The impersonating account was deleted but not before the tweet had been seen and amplified thousands of times. It even got engagement from accounts impersonating other prominent figures. “Totally agree,” responded @KariLakeAZ, a fake account purporting to belong to the far-right Republican candidate for governor who is lagging in Arizona’s vote count.
The spoof was one of countless instances of impersonation meant to provoke reactions or sow chaos that have unfolded since Musk paid $44 billion to buy the platform two weeks ago. He has swiftly made steep layoffs and abrupt changes to moderation and authentication rules, all while tweeting crass and controversial content himself. The turmoil has sent users, advertisers and employees packing, while opening the floodgates to bad actors on the site.
Musk has also continually tweeted out different sets of rules concerning impersonations on the platform; by Thursday, he said that “parody” accounts must include that word in their names.
A slew of top executives, including those responsible for privacy and legal compliance, have left the company in recent days, according to media reports. But until Thursday night, a top leader who had led efforts to keep hate speech off the platform, Head of Trust and Safety Yoel Roth, had remained in place and seemingly in Musk’s favor, tweeting explanations of his new boss’ decrees and assurances that the company was taking hate speech seriously. He even appeared alongside Musk in a meeting meant to placate panicked advertisers on Wednesday.
But at the same time as the fake AIPAC account’s “likes” mounted, Roth added a single word to his Twitter bio: “former.” Whether he quit amid the chaos or was pushed out is not clear, but his departure from the company was an especially worrying sign for those who have held out hope that the Musk-induced turmoil would ultimately recede.
Roth had been a polarizing figure at the company while also serving as the public face for its efforts to root out hate. A gay Jewish man who openly tweeted about his identity (he once tweeted that a DNA test revealed him to be “Extremely F—ing Jewish”) and his liberal views, he drew the wrath of Twitter’s right-wing critics. Right after the inauguration of Donald Trump, he tweeted that there were “ACTUAL NAZIS IN THE WHITE HOUSE.”
In his role, Roth led efforts to address surges of antisemitic harassment on Twitter. Last week, with bots and trolls surging again amid Musk’s takeover, he tweeted about efforts to remove them and said, “Twitter’s policies haven’t changed. Hateful conduct has no place here.” In his final tweet prior to his departure, he said efforts to suppress hateful content had been largely successful.
Some of Roth’s lighter tweets, which became less frequent in recent years as he became more of a public figure, include Jewish content. In 2017, he posted about a children’s book in Hebrew about a cat who sits on a rug and abides while other animals join it. Eventually it’s too much for the cat, who hisses at the other animals, scaring them away.
“So basically, this book is the most concise possible explanation of my personality,” Roth said.
Roth’s departure means that Twitter has lost virtually all of the executives responsible for ensuring safety and security on the site. With the disorder unfolding in public view, parodists and provocateurs are seizing every opportunity to add malicious content to the platform.
Along with AIPAC, other Jewish groups have been ensnared in the trend. Also on Thursday night, a fake account impersonating the Anti-Defamation League posted a picture of Henry Ford, the famously antisemitic car manufacturer, and tweeted, “We’re so glad to be here. Elon Musk is the #HenryFord of our time. Innovation is a miracle!”
The tweet, which came from @ADL_Official, not the actual @ADL account, did not last long on the site. It was a reference to a real comment from ADL CEO Jonathan Greenblatt from just a month ago, when he praised Musk on TV as following in Ford’s tradition of innovation and said he was cautiously optimistic about Musk’s then-approaching ownership. Greenblatt apologized for his comments exalting Ford immediately and publicly lost confidence in Musk shortly afterwards.
Last week, with antisemitism spiking on the platform, the ADL urged advertisers to boycott it, and many are doing so.
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The post Fake AIPAC’s endorsement of apartheid goes viral and top Jewish exec departs as Twitter turmoil mounts appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”