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Far-right Israeli minister finds enemy in JDC, the mainstream American Jewish aid group
(JTA) — An American Jewish group that has provided aid to Jewish communities in crisis for more than a century has become the target of one of Israel’s newly empowered far-right ministers.
Itamar Ben-Gvir, who serves as national security minister, said on Wednesday that he was shutting down a program dedicated to reducing violence in Arab Israeli towns. His reason: The program is operated by the American Jewish Joint Distribution Committee, which he called a “leftist organization.”
“JDC is a nonpolitical organization and has been so since our founding in 1914,” Michael Geller, a spokesperson for JDC, told the Jewish Telegraphic Agency.
Ben-Gvir’s characterization baffled many across the Jewish communal world who know the JDC as a nonpartisan group with an extensive track record of providing humanitarian aid to Jews in distress.
To them, Ben-Gvir’s criticism of the group is the latest sign that the rupture of political norms in Israel extends beyond the judicial reforms advanced by the government, which have drawn unprecedented protests.
“To call the JDC a left-wing organization is a joke. It is not political in any way,” said Amnon Be’eri-Sulitzeanu, co-CEO of the Abraham Initiatives, a nonprofit that works toward an “equal and shared society” for Jewish and Arab Israelis.
Be’eri-Sulitzeanu, who is Jewish, said he anticipated changes by the right-wing government, which was inaugurated in December. But he was surprised by Ben-Gvir’s announcement.
“I could expect revisiting collaboration with organizations that are branded as civil rights or human rights or Israeli-Palestinian organizations,” he added. “But the JDC — it’s very strange.”
Founded in 1914 by the American Jewish banker Jacob Schiff to aid Jews living in Palestine, the “Joint” has distributed billions of dollars in assistance across 70 countries — including, over the last year, to 43,000 Ukrainian Jews amid the war there. It played a central role in aiding Holocaust survivors following World War II, as well as in the resettlement of Jews from the former Soviet Union.
Among its biggest sources of support are Jewish federations, the nonpartisan umbrella charities found in nearly every major North American Jewish community.
“JDC is an apolitical organization that has worked with every government since the establishment of the State of Israel, providing critical services to the elderly, youth-at-risk, people with disabilities and other underserved populations across all sectors, including Haredim and Arab-Israelis,” the Jewish Federations of North America said in a statement. “JDC’s activities are a living and breathing example of the Jewish values of tikkun olam and tzedakah that guide Jewish Federations’ work every day,” Hebrew phrases that connote the Jewish imperative to repair the world, as well as charity.
JDC staff packing matzahs and haggadahs for online seders in Odessa, Ukraine, April 7, 2022. (JDC)
In Israel, the group funds and operates efforts to help needy populations — including immigrants, the elderly, people with disabilities and people living in poverty. Those efforts often involve working with the government, which in 2007 gave the JDC Israel’s most prestigious prize for its work. This year, according to a spokesman, the group is spending $129 million on Israel initiatives.
The JDC’s government-funded programs include the anti-violence effort that Ben-Gvir is targeting. It was made possible last year due to nearly $1 billion in funding to curb crime in Arab communities by the previous governing coalition, which was centrist. The allocation followed lobbying by Arab and civil society organizations, including the Abraham Initiatives, which is now monitoring how the money is being used as well as its impact.
Arab citizens of Israel make up 84% of crime victims despite comprising just 20% of the population, according to government data released last year that showed a sharp rise in the proportion of Arab Israelis who had experienced violent crime.
Many in Arab communities have called for heightened law enforcement and have charged Israeli police with making inadequate efforts to keep their communities safe. This week, commenting on the shooting death of an Arab Israeli woman, Arab Israeli opposition lawmaker Ahmad Tibi accused Ben-Gvir of being “occupied with other matters,” such as clashes with the attorney general and police officials in Tel Aviv. “Maybe the time has come for senior officials to demonstrate responsibility when it comes to crime organizations and weapons running rampant,” Tibi said.
Other initiatives have aimed to tackle the violence in ways that go beyond policing. The program that Ben-Gvir said he is shutting down is one of them. Called Stop the Bleeding, it involves multiple government ministries as well as local community groups and education efforts and has operated in seven cities with large Arab populations, including a Bedouin town and Lod, a city with significant Arab organized crime networks that also has a large Jewish population.
Be’eri-Sulitzeanu said the program was already starting to bear fruit and had contributed to a slowdown in a multi-year rise in murders. Canceling the program, he said, reflects the current government’s general approach to tackling Israel’s problems.
“It’s not about collaboration. It’s not about hearing the concerns and pain and hopes and needs of the Arab community,” he said. “It’s about doing everything unilaterally, and really without a lot of care for the lives of those people. I think that’s what we are watching.”
MK Ahmad Tibi attends a meeting at the Knesset in Jerusalem, Dec. 6, 2022. (Olivier Fitoussi/Flash90)
A year ago, around the time when the previous government awarded the Stop the Bleeding contract to the JDC, Bezalel Smotrich, a key Ben-Gvir ally who was then an opposition lawmaker and now serves alongside Ben-Gvir as finance minister, proposed that Israel create a “command center” of “all of the relevant entities” that provide humanitarian assistance to Ukrainian Jewish refugees. Included on his list, alongside the Israeli Foreign Ministry and Red Cross: the JDC.
The JDC is not the first mainstream group to be targeted by far-right members of Israel’s new right-wing government, whose signature legislative effort aims to sap the power and independence of the country’s judiciary. That legislation has given rise to a sweeping protest movement and to grave warnings about Israel’s future from a broad range of public figures — including elder statesmen, foreign governments and religious leaders.
Avi Maoz, the leader of the anti-LGBTQ Noam Party who briefly held a leadership role in Israel’s Education Ministry, compiled a list of American and British groups that he believes are trying to impose their liberal values on Israeli schoolchildren. “We must protect our people and our state from the infiltration of the alien bodies that arrive from foreign countries, foreign bodies, foreign foundations,” Maoz once said. Maoz has since resigned from that role, saying that he did not think he was being sufficiently empowered to fulfill his goals by Prime Minister Benjamin Netanyahu’s government.
But Be’eri-Sulitzeanu said he remains concerned about civil-society programs, especially those falling under the purview of far-right ministers including Ben-Gvir or those funded by American Jews, whom some on the right perceive as universally liberal.
People who are paying attention to local governance in Israel expect further tensions around initiatives that do not match Ben-Gvir’s attitudes about harsh policing. Ben-Gvir wants officers to have the right to shoot Arabs who throw stones, has called for a crackdown on anti-government protesters and is increasingly clashing with police officials who believe his orders could jeopardize public safety. Multiple former police commissioners have called for his dismissal.
“Ben-Gvir has his own political agenda and he has his own ax to grind, and at the moment, I think he’s not keen on developing services of the Arab population, either in security or juvenile delinquency or education,” said Amos Avgar, who worked for the JDC in Israel, Russia and the United States for 30 years until 2010, including as chief programming officer.
Avgar emphasized that the JDC has always studiously avoided political activity. “If there’s one thing that the JDC is not, it is not political,” he said. “It always shied [away] from anything that had the smell of politics and never dealt with any project by political agenda.”
It’s unclear how quickly Ben-Gvir’s announcement, made during a government meeting and first reported by Israel’s public broadcaster, will ultimately translate into changes. Geller, the JDC spokesman, said the organization had learned about the criticism only from the media, not from Ben-Gvir’s office. Later, amid an outcry, Ben-Gvir’s office said the funding decision had followed a review of contracts that revealed missing documentation from the JDC, a charge that the JDC denied.
Amnon-Sulitzeanu said he didn’t have high hopes for the program’s future.
“I think the first [characterization] is unfortunately going to be the correct one — that he is actually intending to stop it, which is very unfortunate because it is among the more serious programs that are willing to deal with this catastrophe,” he said. “And it shows again that the current minister is not so much interested in saving lives of Arab citizens.”
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German city bans stumbling stone memorials to Nazi victims
(JTA) — A decision to bar the “stumbling stone” memorials to victims of the Nazis has touched a nerve in one small German town, and beyond.
At issue is a motion – passed Sept. 25 by the city council of Heidenau in the former East Germany – to stop installation of such memorials in local sidewalks, calling them disrespectful, and to use the town’s North Cemetery instead.
Set into the ground, the small, engraved brass “Stolpersteine,” or stumbling stones, are meant to make pedestrians stop and think about the fate of former residents. There are currently some 116,000 such stones laid in 1,860 municipalities across Europe, mostly in Germany, according to the project’s website.
A curious aspect of the Stolpersteine is that they are opposed by both Germany’s right wing, which view them as detracting from national pride, and by a vocal minority of Jews who feel they don’t do enough to uplift the memory of victims.
The effort to block the memorial stones in Heidenau was sponsored jointly by the center-right Christian Democratic Union (CDU) and the far-right Alternative for Germany (AfD) party. The town’s current mayor, Conny Oertel, is independent.
The city council’s decision comes as the AfD gains support in German elections nationwide. The party’s support for banning the project in Heidenau has sparked concern about potential moves to suppress official public commemoration of the Holocaust.
The AfD is known for challenging Germany’s culture of Holocaust remembrance in general. Bjoern Hoecke, who leads the party in the neighboring state of Thuringia, once even called Berlin’s Holocaust memorial a “monument of shame” that detracted from German pride. In protest, an artist collective built a replica of the memorial outside his home.
On the other hand, some Jews, albeit a minority, object to the memorials because they say it’s disrespectful to place them where they can be walked on and covered with leaves or trash. The stones have also been targets of vandelism, they note.
But the Heidenau motion is not for the sake of victims; rather it’s a “transparent maneuver by the extremists of the AfD” to suppress Germany’s remembrance culture, said Charlotte Knobloch, who has successfully opposed the placement of Stolpersteine in her home city of Munich, in the state of Bavaria.
“Removing places of remembrance from the cityscape, as has now happened in Heidenau, is absolutely the wrong approach,” said Knobloch, a 93-year-old Holocaust survivor, who heads the Jewish community of Munich and Upper Bavaria.
In a statement issued to the press Friday, Knobloch added that she was “appalled” that the CDU “would lend itself to supporting” the move. “The democratic center should and must find its way back to itself here and find a better solution.”
The joint opposition to the project by the AfD, the mainstream CDU and a local activist group creates a dilemma for Stolpersteine opponents like Knobloch who also abhor the AfD.
Heidenau, in the state of Saxony, is not the first town to act against the project. The city of Munich in Bavaria voted as early as 2004 not to allow the installation of the stones in public spaces, siding with Knobloch. In the city of Pulheim, in North Rhine-Westphalia, the project was blocked in 2011, but eventually the municipality reversed course and allowed the first installations to take place in 2022.
Heidenau is home to 17,000 people. Though the wartime local Jewish population was small, there are five such stones in the town already. An application for 12 more had been submitted by the Alternative Cultural and Educational Center (Akubiz), including for Fritz Goldstein and his wife Martha, who were expelled to Poland in 1938 and survived the war.
Arguing against the stones, the Heidenau motion noted that many citizens, relatives of victims, and activists actually disapprove of this form of commemoration.
Negative reactions to the decision in Heidenau were swift, both from proponents and detractors of the memorial concept itself.
In an email statement, the New York-based March of the Living educational organization called on the town of Heidenau “to reverse its decision and on Germany’s leaders and citizens to oppose every effort to hide this history.”
The city council decision “raises a deeply troubling question: Are political interests being allowed to push the memory of Nazi victims out of public life?” the statement read in part.
Like Knobloch, Munich resident Gabriella Meros doesn’t like the stumbling stones. “They are simply not a dignified way to commemorate the victims of the Holocaust,” said Meros, daughter of a Holocaust survivor and chair of the association Respect and Remember Europe.
She promotes placement of plaques on buildings instead.
But the political move in Heidenau by the CDU and AfD is “outrageous, because they’re exploiting this argument for their own purposes.”
The real problem is, she said, that the AfD “wants to abolish remembrance” itself.
In its platform, the AfD says it aims to promote “positive, identity-establishing aspects of German history.” Critics say that in practice, this could mean reducing funding for educational trips to Holocaust sites and for the memorial sites themselves.
The Stolpersteine project, initiated in 1992 by Cologne-based artist Gunter Demnig, sets engraved memorials into sidewalks in front of buildings where deported victims of the Nazi dictatorship once lived.
Usually, family members from around the world nominate sites and pay a nominal fee for materials. For many, the stumbling stones are a substitute for a grave, for ancestors whose place of death is unknown.
Israel’s Ambassador to Germany Ron Prosor wrote on X
that he was “ashamed” of Heidenau’s decision, noting that members of his own family who were forced to flee the Nazis were commemorated by the stones in Berlin.
“Every person has a name. A world. A story. It is precisely this memory that is being erased here. Whoever erases the victims from the past erases the past itself.”
This article originally appeared on JTA.org.
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‘NAZA’ documentary draws sold-out crowd – and protests – at US premiere
(JTA) — Even a powerful Nor’easter couldn’t stop the crowds from showing up at the North American premiere of the controversial Israeli documentary “NAZA” on Saturday afternoon.
The two weekend screenings scheduled at Lincoln Center as part of the New York Film Festival sold out in minutes. Dozens of people waited in a box office standby line that stretched around the corner despite the blustery conditions, while at least one local politician scored a ticket: Brad Lander, the Jewish progressive and Democratic nominee for New York’s 10th Congressional District.
Meanwhile, two groups of Israeli-Americans showed up on Saturday with no intention of going inside the theater: one demonstrating in solidarity with the filmmakers, and a larger group across the street that denounced the film as they waved Israeli flags.
The documentary, which was produced by The Guardian and alleges that Israeli forces knowingly killed large numbers of civilians in Gaza, has received early acclaim, winning the Special Jury Prize at the Venice Film Festival earlier this month. It will be made available for free on The Guardian’s website later this fall.
John Kwiatkowski, senior manager of publicity and communications for Film at Lincoln Center, told the Jewish Telegraphic Agency that “NAZA sold out almost immediately.”
But “NAZA,” whose name is the Hebrew acronym for “collateral damage,” has also roiled a number of Israeli officials and the country’s military. The Israel Defense Forces issued a public rebuttal after the film’s reception in Venice, with the IDF chief of staff calling the film a “deliberate distortion of reality.”
The Israeli filmmakers, Yuval Abraham and Rachel Szor, have faced intense backlash at home. Israel’s culture minister threatened to strip them of their citizenship and protesters accused the duo of treason in a demonstration outside Szor’s parents’ home.
Roni Tamari, who organized the rally supporting the filmmakers on Saturday, called the Israeli reaction “out of proportion.”
David Lawson, a Jewish Queens resident who had purchased a ticket for the Saturday premiere, told JTA that he’d appreciated Abraham and Szor’s previous film, “No Other Land,” which focused on settler violence in the West Bank community of Masafer Yatta.
Minutes before the screening’s slated start time, Lawson said that he was “very excited” to see “NAZA,” not just for what it will say “about Israel, but also just about the alarming use of AI in warfare in general.”
Lawson said he likes “to hope that the tide is shifting on acceptance of Zionism in the United States,” and that support for “NAZA” was an example of that shift. He also said he was “expecting” to see protesters who disagreed with the film. “Pathetic,” another person in line chimed in, describing the demonstration.
They were referring to the protest organized by the Israeli-American Council, which drew dozens of critics of the film who believe it omits the context of Hamas’ Oct. 7, 2023, attack in its depiction of the IDF’s military campaign in Gaza. Speakers included IAC’s chief communities officer Noa Peri-Jensch and a pair of survivors of the Nova music festival that Hamas attacked.
A fleet of four black trucks circled the area with LED screens that displayed images of Hamas’ Oct. 7 attack along with various messages. “Movies have editors. History does not,” one message read. The trucks were commissioned by the IAC.
“We mourn every innocent life lost in this war, Israeli or Palestinian,” Peri-Jensch said during the rally. “But compassion for Palestinian civilians does not require [us] to erase Oct. 7, ignore Hamas or accept one narrative without questioning it.”
Peri-Jensch was not calling for the film’s screenings to be canceled, she said in an interview, but rather for them to be paired “with context” at festivals, like panels featuring Oct. 7 survivors.
Asked about Israeli officials’ threats toward the filmmakers and the demonstrators calling them traitors, Peri-Jensch said she “cannot comment on what people in Israel do, I can only comment here,” adding that viewers “deserve to know the full scope.”
Prime Minister Benjamin Netanyahu backed legislation last week that would strip the Israeli filmmakers of their citizenship, while the Israeli army has weighed taking legal action against them.
Protesters gathered outside Szor’s parents’ home multiple nights in a row last week calling on authorities to “expel the traitors.” One speaker called for Abraham and Szor to be executed while the crowd chanted, “Execute the traitors.” Participants in the right-wing protest included activists and campaign staff from National Security Minister Itamar Ben-Gvir’s far-right party, according to Haaretz.
On Saturday, Nova massacre survivor Rom El-Hai himself referred to the filmmakers as “traitors,” and said that there have been “liars” like Abraham and Szor within the Jewish community since the Bible and during the Holocaust.
In an interview following his remarks, El-Hai said it isn’t his job to say how exactly Abraham and Szor should be dealt with in Israeli society, but that they “should be punished” and that they cannot “live their life in Israel like nothing happened.”
“People need to understand there is a price for what they’re doing,” he said.
Near the standby line running along the sidewalk of Broadway, about a dozen demonstrators who are involved with the group Israelis for Peace held signs reading, “We stand by the countless victims in Gaza and Rachel & Yuval for speaking truth to power.”
Tamari, one of the organizers, said she felt it was “actually very disrespectful” for images of wounded and killed Oct. 7 victims to be shown in public.
Moshe Kayam, an Israeli-American who demonstrated in solidarity with the “NAZA” filmmakers on Saturday, said IAC’s rally was “doing a disservice” because the Oct. 7 attacks were indeed “horrendous,” but “did not justify the mass killing” of civilians in Gaza.
“We want the truth to come out,” Kayam said of the film. “We want everyone to see what really happened there, and the damage that it caused to Gaza, to Israel’s image and to us as Israelis.”
This article originally appeared on JTA.org.
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Ari Emanuel has written a memoir and no one is safe — not even his brother
Roll the Calls: A Memoir
By Ari Emanuel
Knopf, 432 pages, $35
It must be exhausting to be super-agent Ari Emanuel: rising before dawn for a workout regimen, ingesting live worms to consume bacteria, and then placing hundreds of daily phone calls to clients and network honchos. It is, frankly, exhausting just to read about it, notwithstanding the clever, staccato narrative by (uncredited) ghostwriter J.R. Moehringer.
The point of it all, Emanuel keeps insisting in Roll the Calls, is not the dollars.
“Money isn’t the thing that makes me get up at 4:00 a.m.,” he says. “I’m just not sure yet what that thing is.”
Perpetually on the precipice of bankruptcy, he takes bold entrepreneurial risks to survive in an industry wracked by labor discontent, cutthroat infighting and technological change.
The goal, if there is one, seems to be simply to win — to bend everyone around him to his will. And, for the most part, he does. From the mailroom, Emanuel has ascended to the summit: executive chair and CEO of TKO and executive chairman of WME Group, “two companies,” his biographical blurb says, “that sit at the center of sports, entertainment and culture.”
Emanuel is probably best known as the model for the abrasive Ari Gold, the talent agent played by Jeremy Piven in the HBO show Entourage (2004-11). The show’s protagonist, Vincent Chase, is loosely based on one of Emanuel’s clients, the actor Mark Wahlberg. Emanuel says that he could never bear to watch the series, but notes that it helped turbocharge his career.
In his telling, the entertainment-industrial complex is a transactional, amoral, brutish and (though Emanuel doesn’t use this phrase) testosterone-fueled world, where the key players are nearly all men. It seems impossible to imagine any woman getting away with — let alone prospering from — the unhinged, profanity-laced approach that has become Emanuel’s trademark.
Even in this milieu, there are, in his view, particularly loathsome players. Among them is Harvey “Scissorhands” Weinstein, whom Emanuel indicts for his slovenliness, bullying tactics and editorial interference. Even without a mention of the producer’s alleged track record of sexual harassment and assault, Emanuel’s assessment of Weinstein is withering. “Empty at his core,” Emanuel writes, “Harvey’s sole motivation is to thwart and mess with other people.”
Emanuel expresses contempt, too, for other bold-faced names, including Jeffrey Katzenberg, former chair of Walt Disney Studios and cofounder of the film studio DreamWorks, and Hollywood scribe Nikki Finke, with whom Emanuel had a codependent relationship. He takes on Donald Trump as a client, doesn’t vote for him for president, and drops him, without regret, when he wins and can no longer generate commissions. None of this necessarily makes Emanuel a reliable narrator.
The memoir begins with the word “rage,” which Emanuel observes is also the first word of Homer’s Iliad. The allusion sets Roll the Calls up to be similarly epic. But its angry protagonist is, at best, an antihero, and the stakes of his success surely are less than mythic.
What are the origins of Emanuel’s rage? He points to his lifelong struggles with dyslexia and the bullying and humiliation that resulted. The Emanuel family ethos was unsparingly competitive. In life, he learned, “loser gets fed to lions,” so “keep your fists clenched and your head on a swivel.” And roughhousing with his older brothers, whom he jokingly calls “two violent psychopaths,” may have left Ari bruised and resentful.
Both Ezekiel “Zeke” Emanuel, a prominent oncologist and bioethicist, and former Chicago mayor and prospective 2028 Democratic presidential candidate Rahm Emanuel are known for their combative personalities. Ari suggests that the family is tight-knit and loving. But one of the book’s quietly shocking reveals is Rahm’s mockery of his brother’s dyslexia when they share a stage during Chicago Ideas Week.
Emanuel argues that his anger, which can turn threatening, provides a bargaining advantage by intimidating adversaries. He cites a study showing “that angry negotiators had the edge.” In a bar, he calls out Michael Moore as an [expletive deleted] antisemite for views the director expressed about Israel; Moore denies the charge, they keep talking and Emanuel ends up with a new client.
“You’ve got to be a little psychotic in this town,” Emanuel argues. To succeed, “you need to show that you can color outside the lines, and that, once in a while, you might eat the [expletive deleted] crayon.” The memoir doesn’t delete the expletives.
Yet Emanuel understands the personal costs of his anger enough to have devoted years to psychotherapy aimed at moderating it. (The results seem mixed at best.) Emanuel also admits to a habit akin to stalking: calling potential clients, business partners and others constantly until they succumb to his sales pitch.
This incessant hounding landed him the mailroom gig at Creative Artists Agency, from which he quickly rose — until he departed, with allies, to start his own company. Similar persistence won him the business (and, later, friendship) of the famously curmudgeonly Larry David, who said, over lunch, that he would sign with Emanuel — if only the agent would stop calling.
After his first marriage (unsurprisingly) dissolved, Emanuel deployed his telephone tactics in courtship — not a method, one imagines, that would have worked for a lesser man. In Emanuel’s case, relentless pursuit led, after some drama and heartbreak, to his second marriage, to a much younger woman who had initially resisted his overtures.
None of this is to say that Roll the Calls isn’t worth a read, especially for anyone interested in an unabashedly jaundiced insider account of how Hollywood operates. The book is quick-paced, laugh-out-loud funny at times, and filled with acidic observations and gossip. It is also horrifying.
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