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First antisemitism report conducted with the Polish Jewish community shows how ‘Jew’ is used to discredit enemies

WARSAW (JTA) — A Jewish association has released what is being called the first report on antisemitism conducted with direct input from Polish Jewish community organizations, counting 488 incidents in 2022 submitted via an online portal and collected through extensive interviews with community members.

The incident total released on Monday by the Czulent Jewish Association is more than four times the number reported for 2021 by the European Union Agency for Fundamental Rights.

The report’s lead author, Anna Zielińska, said 86% of incidents involved online harassment and insults. She added that the word “Jew” is frequently used online to label an “enemy” as “disloyal, an outsider and unpatriotic.” 

“There is not a Polish politician who hasn’t been called a Jew,” Zielińska told the Jewish Telegraphic Agency.

Czulent’s 2022 report detailed one violent act that resulted in injury, four additional violent attacks, 20 threats, 34 instances of damage to Jewish property and memorial sites, 68 cases of antisemitic mass mailings and 372 instances of “abusive” behavior. Zielińska said there was no way to know the real number antisemitic incidents that occur because the “internet is a bottomless pit of hate.” 

She is convinced that Czulent, a nongovernmental organization promoting tolerance that cooperates closely with Polish Jewish communities, has just scratched the surface. 

“Time and again when I interviewed people they told me they were reluctant to report incidents because it wouldn’t change anything,” said Zielińska, a member of the Warsaw Jewish Community, one of the multiple communal groups under the Union of Jewish Religious Communities in Poland umbrella.

Antisemitic hate speech is more part of the public discourse than it was a decade ago, she added, and focuses on conspiracy theories such as a Jewish involvement in the COVID-19 pandemic. 

The Czulent report documented 84 cases of public antisemitic statements that were also anti-Ukrainian. When Polish President Andrzej Duda and Prime Minister Mateusz Morawiecki met earlier this month with Ukrainian President Volodymyr Zelensky, who is Jewish, the Polish leaders were accused online of serving Jewish causes, according to Zielińska. 

“The context of the Ukrainian-Russian war was used to attack Jews more freely and seemingly legally,” said Zielińska. “In this way antisemitism is being used to discourage the public from supporting Ukrainian refugees.” 

Over the past four years, some of the most high-profile antisemitic language in the political arena has been deployed by Grzegorz Braun, a leader of the far-right Confederation Liberty and Independence Party. Braun’s most recent target has been Ukrainian refugees, whom he accuses of seeking to create a “Ukro-Poland” — a reference to “Judeo-Poland,” an expression popularized in the early 20th century by politicians who said Jews wanted to replace Poland with their own state. 

In 2019, while he was campaigning, Braun said the United States was a “political and military tool of Jewish blackmail against Poland” and wrote that “Jews have waged war against the Polish nation for centuries, in fact against the whole Christian world.” His party, referred to in Poland as Confederation, is the country’s third most popular, with support from 11% of the electorate, according to a March survey by the independent polling agency Ipsos

In the upcoming fall parliamentary elections, some analysts have predicted that the ruling right-wing Law and Justice party, which spends significant funds on Jewish monuments and culture, will need the support of Confederation and its voters to form a government. That is one reason some Law and Justice leaders have at times turned a blind eye towards antisemitism, the party’s critics allege. 

“We wrote Law and Justice that they had antisemitic comments on their Facebook feed and they didn’t remove them,” Zielińska added. 

Over the past five years, specific political developments have fueled negative attitudes towards Jews, she noted. In 2019, thousands of Polish nationalists protested in front of the U.S. Embassy in Warsaw against U.S. efforts to require Poland to compensate Jews whose families lost property during the Holocaust. 

Michael Schudrich, Poland’s chief rabbi, said that although he agreed that online public discourse in Poland could be antisemitic, violent acts of antisemitism were incredibly rare. In 2006, a man who yelled “Poland is for Poles,” hit Schudrich and attacked him with pepper spray. 

“Thousands of Hasidim come to Poland each year for various anniversaries and there has never been a real problem” he said. “And as for me, the only time anyone attacked me was under a left-wing government.” 

He said he sees no evidence that antisemitism in Poland is on the rise, but he believes the government’s push for a nationalistic patriotic narrative of the past — focused on Polish heroism during the Holocaust — and its courting of the extreme right has had consequences.

“Antisemites today feel more empowered to say what’s on their minds,” he said.

Jews in Poland range in number from more than 15,000, according to a government census, to fewer than 10,000, according to the World Jewish Congress.


The post First antisemitism report conducted with the Polish Jewish community shows how ‘Jew’ is used to discredit enemies appeared first on Jewish Telegraphic Agency.

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The gift Tom Stoppard gave to me — and to all who adore him

In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.

There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.

I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.

Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.

In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.

There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?

“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.

“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”

Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.

It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.

To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.

The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.

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Iran to Boycott World Cup Draw Over Visa Restrictions

Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse

Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.

According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.

“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.

Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.

The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.

The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.

The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.

Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.

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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History

Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington

i24 NewsCiting the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.

While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”

Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”

The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.

“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”

A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.

Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”

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