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For Ethiopian Israeli Pnina Agenyahu, celebrating diversity is about speaking up and representing
As director of Partnership2Gether of the Jewish Agency for Israel, it’s Pnina Agenyahu’s job to bring together disparate Jewish communities from around the world and celebrate their diversity. It’s a role for which Agenyahu has spent a lifetime preparing — ever since she made aliyah at the age of 3 on the back of her mother, who had walked for two weeks from Ethiopia. Agenyahu was among the early wave of Ethiopian immigrants to Israel back in 1984 and, from a young age, found that she had a gift for being a leader and spokesperson for her community.
In this interview, she discusses the challenges and promises that come with a diverse Israel and wider Jewish community.
Tell us about your childhood and how you adjusted to life in Israel.
I grew up in Israel, but I was born in Ethiopia. And I came in Operation Moses when I was 3 years old. My experience is a bit different from the current aliyah because in our aliyah, in the ’80s, we were quite new to society as a Jewish group. It was the first time that black Jews had arrived in Israel. I was the first Ethiopian—the only one—in my elementary school. I grew up in Haifa, and then I moved to Jerusalem for high school. In Israel, as an Orthodox girl, you don’t go into the army; you go to national service. But I really, really wanted to wear a uniform and wanted the army experience as well. They asked me to move to Rehovot because there was a neighborhood that was 95 percent Ethiopian Jews, and they needed a role model. I accepted the challenge because it really kind of blew my bubble to see the entire community living in a ghetto. It was miserable. Parents didn’t know how to communicate with their kids and couldn’t figure out how to integrate into society. And it really broke my heart. So, I was really into that challenge. That experience defined where I am today.
Because you were the first Ethiopian Jew in many situations in your life, did you feel that you were representing something more than just yourself?
Sometimes it feels like a burden. I’m not saying that I’m famous, but the minute that you become present in some places, you are automatically the representative of the community—especially with our skin color. So, I always felt responsible to not shame my own community and be proud of representing who we are. But at the end of the day, I also feel like it’s kind of a secret mission that I have in my life—to educate about us and challenge us to be more diverse. You will not find so many Ethiopian people, unfortunately, in senior positions in the government.
In 2019 you wrote a piece in Haaretz about police violence against the Ethiopian community. Have things improved since then?
I think it’s improved a lot. First of all, they’re hiring more and more Ethiopian people to serve in the police department, which is important. But I think it’s also about awareness. Before, it was our community’s issue. We knew about the data. We knew that there were around 10 or 11 teens that, unfortunately, had been shot by policemen in Israel. But the majority of Israeli society, I don’t think, had ever been exposed to police profiling or understood what it means. Today, people are more aware, more sensitive about it, and there’s more tolerance.
Do you feel like there’s a juggling act you need to perform when you point out what’s wrong in Israeli society because Israel’s enemies are always quick to pounce on imperfections?
I got that question a lot when I was in Washington. People reached out with questions like, “How can you be a pro-Israel because of what your government is doing to you people?” First of all, we put in a lot of effort as individuals to come to Israel. My mother walked 400 kilometers to come to Israel. Not everything is perfect. I mean, there are so many things that I would love my government to change, especially in education to learn more about diversity. If you ask random Ethiopians on the street here, they’ll tell you they feel solidarity with a black person that’s been profiled by the police in the States because we, as a minority of the same color, can feel the same thing. But you can’t judge using the same perspective, the same history. In the States, it was driven by slavery. In Israel, we’re here by choice. We are here because we are a part of the Jewish people.
You’re very strong and positive in your own identity. But in the United States, college kids are under pressure to denounce Israel or minimize their Jewishness. What advice would you give to college kids?
Oh, wow, good question. The moments that really excite me are when I think that every Jew can feel part of the Jewish people. And I think we are much more diverse today than ever and able to embrace this diversity. I mean, one of the things that I’m running today in the Jewish Agency is a global partnership for Jews of different ethnic backgrounds. And it’s fascinating to see individuals that come in from different countries — from Nigeria, South Africa, New York, India, Canada, U.K., and they’re all not Ashkenazi. And I think that’s what makes me proud, when you see how colorful we are and that each of us can bring his own voice to the table.
What do you plan to speak about at the Z3 conference?
We’re going to speak about the different voices in Israeli society and how these voices create more diversity and visibility for the people around us. The Torah doesn’t say, “hear the voices,” it says, “and all the people see the voices.” So, it’s a lot about visibility of the voices that we create and making that more familiar to all of us.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”