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For Ethiopian Israeli Pnina Agenyahu, celebrating diversity is about speaking up and representing
As director of Partnership2Gether of the Jewish Agency for Israel, it’s Pnina Agenyahu’s job to bring together disparate Jewish communities from around the world and celebrate their diversity. It’s a role for which Agenyahu has spent a lifetime preparing — ever since she made aliyah at the age of 3 on the back of her mother, who had walked for two weeks from Ethiopia. Agenyahu was among the early wave of Ethiopian immigrants to Israel back in 1984 and, from a young age, found that she had a gift for being a leader and spokesperson for her community.
In this interview, she discusses the challenges and promises that come with a diverse Israel and wider Jewish community.
Tell us about your childhood and how you adjusted to life in Israel.
I grew up in Israel, but I was born in Ethiopia. And I came in Operation Moses when I was 3 years old. My experience is a bit different from the current aliyah because in our aliyah, in the ’80s, we were quite new to society as a Jewish group. It was the first time that black Jews had arrived in Israel. I was the first Ethiopian—the only one—in my elementary school. I grew up in Haifa, and then I moved to Jerusalem for high school. In Israel, as an Orthodox girl, you don’t go into the army; you go to national service. But I really, really wanted to wear a uniform and wanted the army experience as well. They asked me to move to Rehovot because there was a neighborhood that was 95 percent Ethiopian Jews, and they needed a role model. I accepted the challenge because it really kind of blew my bubble to see the entire community living in a ghetto. It was miserable. Parents didn’t know how to communicate with their kids and couldn’t figure out how to integrate into society. And it really broke my heart. So, I was really into that challenge. That experience defined where I am today.
Because you were the first Ethiopian Jew in many situations in your life, did you feel that you were representing something more than just yourself?
Sometimes it feels like a burden. I’m not saying that I’m famous, but the minute that you become present in some places, you are automatically the representative of the community—especially with our skin color. So, I always felt responsible to not shame my own community and be proud of representing who we are. But at the end of the day, I also feel like it’s kind of a secret mission that I have in my life—to educate about us and challenge us to be more diverse. You will not find so many Ethiopian people, unfortunately, in senior positions in the government.
In 2019 you wrote a piece in Haaretz about police violence against the Ethiopian community. Have things improved since then?
I think it’s improved a lot. First of all, they’re hiring more and more Ethiopian people to serve in the police department, which is important. But I think it’s also about awareness. Before, it was our community’s issue. We knew about the data. We knew that there were around 10 or 11 teens that, unfortunately, had been shot by policemen in Israel. But the majority of Israeli society, I don’t think, had ever been exposed to police profiling or understood what it means. Today, people are more aware, more sensitive about it, and there’s more tolerance.
Do you feel like there’s a juggling act you need to perform when you point out what’s wrong in Israeli society because Israel’s enemies are always quick to pounce on imperfections?
I got that question a lot when I was in Washington. People reached out with questions like, “How can you be a pro-Israel because of what your government is doing to you people?” First of all, we put in a lot of effort as individuals to come to Israel. My mother walked 400 kilometers to come to Israel. Not everything is perfect. I mean, there are so many things that I would love my government to change, especially in education to learn more about diversity. If you ask random Ethiopians on the street here, they’ll tell you they feel solidarity with a black person that’s been profiled by the police in the States because we, as a minority of the same color, can feel the same thing. But you can’t judge using the same perspective, the same history. In the States, it was driven by slavery. In Israel, we’re here by choice. We are here because we are a part of the Jewish people.
You’re very strong and positive in your own identity. But in the United States, college kids are under pressure to denounce Israel or minimize their Jewishness. What advice would you give to college kids?
Oh, wow, good question. The moments that really excite me are when I think that every Jew can feel part of the Jewish people. And I think we are much more diverse today than ever and able to embrace this diversity. I mean, one of the things that I’m running today in the Jewish Agency is a global partnership for Jews of different ethnic backgrounds. And it’s fascinating to see individuals that come in from different countries — from Nigeria, South Africa, New York, India, Canada, U.K., and they’re all not Ashkenazi. And I think that’s what makes me proud, when you see how colorful we are and that each of us can bring his own voice to the table.
What do you plan to speak about at the Z3 conference?
We’re going to speak about the different voices in Israeli society and how these voices create more diversity and visibility for the people around us. The Torah doesn’t say, “hear the voices,” it says, “and all the people see the voices.” So, it’s a lot about visibility of the voices that we create and making that more familiar to all of us.
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Marx Brothers fans rejoice: There’s a recording of Harpo speaking
Harpo Marx’s wife, Susan Fleming, once remarked that, when you got him talking, you couldn’t shut him up.
The proof was there for those who chanced to see him in the 1930s and ‘40s, screening clips of the films he made with his brothers. If a crowd was good, he’d deliver what was known as “Red’s Speech,” a reference to the red wig he wore on stage.
The speech grew more verbose with each recitation, with input by Harpo’s friend, the critic Alexander Woollcott, a fount of $5 dollar words. It got so long, in fact, that Harpo would take it out in the form of a long script that spilled off the stage down the aisle.
“There’s always been this fallacy that Harpo never spoke on stage,” said Marx historian Robert S. Bader, author of Four of the Three Musketeers: The Marx Brothers on Stage and Zeppo: The Reluctant Marx Brother. When he did, he would often make a joke about the mute persona he adopted in 1914, opening his remarks with “as I was about to say in 1915.”
In 1964, Harpo was hitting the speaking circuit. He spoke at events for the United Jewish Appeal, having grown more connected to his Jewishness after a 1963 trip to Israel. On these occasions, Bader said, Harpo “might have looked like a local councilman, just wearing a business suit,” and would sneak in a line from his bar mitzvah speech: “For 13 long years, I have toiled and labored for your happiness.”
Advised to retire from performing after a number of heart attacks, Harpo reasoned that, so long as it was for charity and he didn’t get paid, it couldn’t count as work.
That rationale led to Harpo’s appearance at benefits for a number of symphony orchestras. On March 20, 1964, he gave his final performance at a concert for the Riverside Symphony Orchestra in California, playing a suite of songs about the moon, an original composition and conducting a particularly manic take on Haydn’s “Toy Symphony.”
This time, Harpo not only spoke, giving a lively recitation of Prokofiev’s Peter and the Wolf, he did something unprecedented by allowing himself to be recorded with the understanding the public might someday hear it.
On June 5, 2026 a record of the evening will be released as Harpo Speaks! The Riverside Symphony Concert. It was announced on April 1, but it was no April Fools joke. It’s an outstanding artifact, and it was discovered quite by accident.
John Tefteller, the foremost collector of rare, Marx-related records, was looking for a copy of a 1963 concert with Harpo and comedian-musician Allan Sherman, recorded by Sherman’s son Robert. Looking in the tape box for Pasadena, Sherman instead found the Riverside tape. Oddly enough, Robert Sherman had no memory of recording — or even attending — the Riverside concert.
Bill Marx, Harpo’s son and the arranger of much of his music, says the man on the recording, telling the tale of “Peeduh,” the “boid” and the “huntahs,” is the one he grew up with.
“It was very, very low key,” said Bill Marx, now a celebrated pianist and Juilliard-trained composer, recalling his father’s voice. “I think I would have to say that he was about five or six notes lower than Groucho’s. It was easy to hear him speak. I suppose you could call him soft-spoken. He rarely if ever raised his voice in our house with my two brothers and sisters.”
Instead, he would do something like wake his daughter in the middle of the night to play jacks.
Peter and the Wolf, written for young audiences, was a natural fit for Harpo, and it was his idea to do it. The version of the libretto, co-written by Harpo and Groucho, also features a topical joke for that election year of 1964: “Imagine the triumphant procession. Peeduh at the head, after him the huntahs leading the wolf, then Goldwatuh, Rockefelluh and Nixon.”
That Harpo was a patron of the symphony is no great surprise. He practiced the harp three hours a day and Bill Marx remembers his father’s love of French impressionist composers like Debussy and Ravel and Fauré. When Bill played records in his bedroom, without fail his father would knock on the door, ask what he was listening to, and commit to learning it — which he did.
“He just had a great learning thirst, and I had the privilege of watching this man appear in everybody’s life by doing things that he was compelled to do,” Bill Marx said.
As the narrator of Peter and the Wolf, Harpo is wonderfully expressive, evoking the storytelling of an old-time New York-born Zayde (dressed in his traditional costume at the concert, he donned a new accessory: reading glasses). He sounds quite a lot like Chico, his closest brother in age.
Restoring the tape took major work from audio restorer Joel Tefteller (John’s son) and audio engineer Nick Bergh. At one point, in his closing speech, Harpo walked away from the mic, making the original tape almost inaudible.
“He wasn’t used to looking for a microphone,” said Bader. “He didn’t have a lot of time in front of microphones. I don’t think anybody ever had to say ‘Harpo get closer to the microphone’ ever.”
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UCLA student government condemns campus Hillel for hosting former hostage
A campus event featuring freed Israeli hostage Omer Shem Tov drew the condemnation of UCLA’s student government on Tuesday. In an open letter, the UCLA Students Associated Council said that bringing Tov to speak to students “served to legitimize and normalize” atrocities in Gaza and Lebanon.
Shem Tov, 23, was kidnapped from the Nova music festival in Southern Israel on Oct. 7, 2023, and held hostage in Gaza until his release in a prisoner exchange in February 2025. UCLA hosted him on April 14 for a Yom HaShoah event.
“While we affirm the humanity of all people impacted by violence, we reject the selective platforming of narratives that obscure the broader reality of ongoing state violence,” the student government letter wrote in the letter, which was addressed to the UCLA administration and UCLA Hillel among others. “Israel is currently continuing to carry out what has been widely identified by human rights advocates as a genocide in Gaza, while also expanding its illegal military campaign into Lebanon.
“In this context, elevating a single narrative, absent of critical political and humanitarian framing, serves to legitimize and normalize these ongoing atrocities.”
Rabbi Chaim Seidler-Feller, UCLA Hillel’s director emeritus, called the statement “completely ridiculous.”
“You can’t present the narrative of your experience without it being called ‘one sided,’” Seidler-Feller said. “There has to be a counter-story to persecution. Is there a counter-story to killing people?”
UCLA Hillel executive director Daniel Gold dismissed the criticism in Tuesday’s letter as antisemitic.
“Hillel at UCLA and Students Supporting Israel UCLA would like to apologize…for absolutely nothing,” he wrote in a statement. “Members of UCLA student government have once again shown they are anti-dialogue, anti-learning, anti-truth, anti-student and antisemitic.”
The USAC did not respond to a request for comment.
As college campuses across the country became a hotspot for pro-Palestinian activism following the Oct. 7 attack, UCLA, with an activist history and a large Jewish population, stood out as a major flashpoint. Its student encampment was the site of a riot in April 2024 and eventually cleared by police in riot gear.
The USAC has sided with pro-Palestinian protesters throughout. In a Feb. 2025 letter titled “We Are All SJP,” the USAC, which is democratically elected by the roughly 30,000-member UCLA student body, condemned Chancellor Julio Frenk’s suspension of Students for Justice in Palestine. The letter referred to Israel only as “the Zionist state” or put the country’s name inside quotation marks.
The University of California has since been sued by the Department of Justice, which said that UCLA created a hostile work environment against Jewish and Israeli faculty in violation of Title VII of the Civil Rights Act.
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Trump extends ceasefire with Iran, even after Iran balks at new round of negotiations
(JTA) — President Donald Trump announced on Tuesday that he would unilaterally extend the U.S.-Israeli ceasefire with Iran, even though Iran had not agreed to his conditions or even to return to the negotiating table.
Trump announced the decision on Truth Social just hours before the two-week-old deal was set to expire. Citing Iran’s “fractured” leadership, Trump wrote that he had been asked by Pakistani Prime Minister Shehbaz Sharif to “hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal.”
Vice President JD Vance’s planned trip to Islamabad, where talks were set to take place, was postponed indefinitely after Iran failed to confirm its participation in negotiations.
Trump added that the United States would maintain its naval blockade of Iranian ports in the Strait of Hormuz, despite Iran’s repeated calls for the restrictions to be lifted.
The announcement marked a sharp departure from the president’s statements earlier in the day, telling CNBC that, if a deal was not made before the deadline, “I expect to be bombing.”
In a statement Tuesday, Sharif thanked Trump for his “gracious acceptance” of Pakistan’s request to extend the ceasefire, adding that the country would “continue its earnest efforts for a negotiated settlement of the conflict.”
The announcement adds to uncertain about the war’s future, including for Israelis who lived through six weeks of Iranian bombing, and renews questions about Trump’s commitment to achieving his war goals, which have varied and included blunting Iran’s nuclear ambitions, achieving regime change, and destroying Iran’s stockpile of ballistic missiles. He said earlier this week that he was asking Iran to limit its nuclear program for 20 years, five years longer than was required by the deal struck by Barack Obama in 2015. Trump exited that deal in 2018.
Last week, Trump announced a different ceasefire, between Israel and Lebanon, on Truth Social, contradicting Israel’s claim that the Iran ceasefire would not apply to its fighting with Hezbollah, an Iran-backed proxy in Lebanon.
Trump’s announcement of the ceasefire extension came during the night in Israel, after Israelis began their celebration of Independence Day. It drew criticism from one of his staunchest pro-Israel supporters, the Zionist Organization of America, whose national president Morton Klein said in a statement that “interminable delay is the standard Islamic Iranian regime negotiating tactic” and that acceding to it represented a victory for Iran. The statement did not mention Trump.
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