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For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
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President Herzog Doesn’t Plan to Pardon Netanyahu, Intends to Pursue a Plea Deal
Israeli President Isaac Herzog speaks during a press conference with Latvian President Edgars Rinkevics in Riga, Latvia, Aug. 5, 2025. Photo: REUTERS/Ints Kalnins
i24 News – Israeli President Isaac Herzog reportedly does not plan to grant Prime Minister Benjamin Netanyahu a pardon, but will instead work to initiate a mediation process to reach a plea deal. The New York Times reported this, citing Israeli two Israeli officials with “direct knowledge of Herzog’s thinking.”
According to the report, Herzog believes that there are many options beyond the choice of granting a pardon to the Prime Minister.
The President believes that his main role is “to foster unity,” therefore, he does not plan to announce whether he approved or rejected Netanyahu’s request. Sources told The New York Times that he would prefer to resolve the issue through negotiation.
Herzog’s office later released a statement on the topic saying, “Herzog sees reaching a plea deal between the parties in Prime Minister Netanyahu’s cases as a proper and correct solution.” The statement went on to say that the President “believes that it is right to first exhaust a process that could lead to the formation of an plea deal between the parties, outside the walls of the court.”
Netanyahu formally submitted the petition to President Herzog in November 2025, arguing that terminating the long-standing corruption cases was a “national interest” necessary to end societal divisions and allow him to focus on critical security challenges. The move followed significant public pressure from US President Trump, who has repeatedly urged Herzog to grant the pardon, even threatening to withhold diplomatic meetings until the matter is resolved.
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US-Iran Peace Hopes Fade Despite Araqchi’s Diplomatic Push
Jared Kushner and Steve Witkoff, Special Envoy for Peace Missions listen as Vice President JD Vance speaks during a news conference after meeting with representatives from Pakistan and Iran, Sunday, April 12, 2026, in Islamabad, Pakistan. Photo: Jacquelyn Martin/Pool via REUTERS
Hopes of reviving peace efforts in the US-Israeli war with Iran receded on Sunday as Iran’s foreign minister returned to Pakistan despite the absence of US counterparts after President Donald Trump told envoys not to resume talks.
While Abbas Araqchi continued to shuttle between mediating countries over the weekend, Trump scrapped a visit to Islamabad by his envoys Steve Witkoff and Jared Kushner.
US forces removed security equipment from the city, Pakistani government sources said, signalling that any US delegation was unlikely to return for negotiations soon.
Although a ceasefire has paused full‑scale fighting in the conflict, which began with US-Israeli strikes on Iran on February 28, no agreement has been reached on terms to end a war that has killed thousands, driven up oil prices, fueled inflation and darkened the outlook for global growth.
Tehran has largely closed the Strait of Hormuz, which normally carries a fifth of global oil shipments, while Washington has imposed a blockade of Iran’s ports.
After holding talks in Pakistan, Araqchi flew to Oman – another mediator in the war – where he met the country’s leader, Haitham bin Tariq al-Said, on Sunday.
They discussed security in the strait and Araqchi called for a regional security framework free of outside interference, according to Iran’s foreign ministry.
Araqchi later returned to Islamabad, Iranian state media reported. Pakistani government sources said he would hold talks with the country’s leadership before heading to Moscow.
IRAN ‘OFFERED A LOT, BUT NOT ENOUGH’, SAYS TRUMP
Speaking in Florida before being rushed out of the White House Correspondents’ Association dinner in Washington, Trump said he canceled his envoys’ visit due to too much travel and expense for what he considered an inadequate Iranian offer.
Iran “offered a lot, but not enough,” Trump said.
An earlier round of talks in Islamabad – in which Vice President JD Vance led the US delegation opposite Iran’s parliamentary speaker Mohammad Baqer Qalibaf – ended without agreement.
After the latest diplomatic trip was called off, two US Air Force C-17s carrying security staff, equipment and vehicles used to protect US officials flew out of Pakistan, two Pakistani government sources told Reuters on Sunday.
Iranian President Masoud Pezeshkian told Pakistani Prime Minister Shehbaz Sharif by phone that Tehran would not enter “imposed negotiations” under threats or blockade, according to a statement from the Iranian government.
He said the United States should first remove obstacles, including its maritime blockade, before negotiators could begin laying the groundwork for a settlement.
TRUMP SAYS IRAN’S LEADERSHIP IN DISARRAY
Writing on Truth Social before the shooting at the White House Correspondents’ Dinner, Trump said there was “tremendous infighting and confusion” within Iran’s leadership.
“Nobody knows who is in charge, including them,” he posted. “Also, we have all the cards, they have none! If they want to talk, all they have to do is call!!!”
Pezeshkian said last week there were “no hardliners or moderates” in Tehran and that the country stood united behind its supreme leader.
The war has destabilized the Middle East – Iran has struck its Gulf neighbors and conflict between Israel and Iran-backed Hezbollah in Lebanon has been reignited.
Israel’s military issued new evacuation orders for southern Lebanon on Sunday, ordering residents to leave seven towns beyond the “buffer zone” it occupied before a ceasefire that has failed to bring a full halt to hostilities.
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Trump Was Likely Target of Shooting at White House Correspondents’ Dinner, US Official Says
US President Donald Trump takes questions from media at a press briefing at the White House, following a shooting incident during the annual White House Correspondents’ Association dinner, in Washington, D.C., U.S., April 25, 2026. Photo: REUTERS/Jonathan Ernst
President Donald Trump and officials in his administration were the likely targets of a suspect who fired on a security agent guarding the White House Correspondents’ Association dinner in Washington, US Acting Attorney General Todd Blanche said on Sunday.
The man fired a shotgun at a Secret Service agent at a security checkpoint in the Washington Hilton hotel before being tackled and arrested. Trump and first lady Melania Trump were rushed out of the dinner.
“It does appear that he, he did, in fact, have set out to target folks that work in the administration, likely including the president,” Blanche told NBC News’ “Meet the Press,” adding that the suspect likely traveled by train from Los Angeles to Chicago and then to Washington.
The suspect will be charged in federal court on Monday with assault of a federal officer, discharging a firearm and attempting to kill a federal officer, Blanche said, adding he did not know if there was an Iran connection to the attack.
CONDEMNATION OF SHOOTING
Trump told reporters at a late-night White House briefing that he believed he was the target of the attack. He said the Secret Service officer was saved by his bulletproof vest and was in “good shape.”
US Secret Service spokesperson Anthony Guglielmi confirmed the officer had been released from a hospital.
ABC News correspondent Jonathan Karl reported that Trump called him on Sunday morning and insisted that the White House Correspondent’s Association reschedule the dinner. “It has to happen,” Karl said Trump told him.
Around the world, leaders condemned the attack, and expressed relief that Trump and all present were safe, demonstrating solidarity with the United States. NATO leader Mark Rutte called it an attack “on our free and open societies” and leaders stressed violence had no place in a democracy.
The British embassy, which is preparing for King Charles’ visit to Washington starting on Monday, said in a statement that discussions were taking place on whether the incident may affect planning for the visit. A pre-visit brunch hosted by Britain’s ambassador to the U.S., Christian Turner, was scheduled to proceed on Sunday.
SUSPECT THOUGHT TO BE ‘LONE WOLF,’ TRUMP SAYS
A law enforcement official identified the suspect as Cole Tomas Allen, a California resident about 31 years old. Little was immediately known about Allen’s background, but social media postings suggested he was a teacher in Torrance, near Los Angeles.
Washington Interim Police Chief Jeffery Carroll said the suspect was armed with a shotgun, a handgun and multiple knives. He was taken to a local hospital to be evaluated but it was too soon to say what his motivation was, Carroll said.
Bloomberg reported that Allen purchased a shotgun 8 months ago and a semi-automatic pistol 2 years earlier, citing a law enforcement intelligence profile.
Blanche said the suspect appeared to have checked into the Washington Hilton on Friday. Without naming the person, he said the suspect was not cooperating with investigators.
“There is something unique about the threats against President Trump and his cabinet that is disgusting and it shouldn’t be happening,” Blanche said on “ABC This Week.”
The chaotic events from around 8:35 p.m. raised fresh questions about the security of top US officials, many of whom were gathered in the hotel’s expansive ballroom.
A focus of the investigation is likely to be how the gunman was able to smuggle the weapons into a hotel hosting one of Washington’s biggest black-tie events. Guests entering the lower ballroom area are screened by security, but the lobby and room levels are not secured.
The dinner was attended by many members of Trump’s cabinet and other senior administration officials amid heavy security. It was the first time Trump attended the event as president, having boycotted it in previous years.
The site of the dinner was the scene of an attempt on the life of President Ronald Reagan, who was shot and wounded by a would-be assassin outside the hotel in 1981.
Closed-circuit TV footage released by Trump on Truth Social showed the suspect running rapidly through a security checkpoint, momentarily catching security personnel off-guard before they drew their weapons.
No shots were fired at the gunman who got through two checkpoints before being brought down.
“You know, he charged from 50 yards away, so he was very far away from the room. He was moving. He was really moving,” Trump said after the gala dinner was canceled.
Officials believe he is a “lone wolf,” Trump said.
HOW IT UNFOLDED
Video footage shows Trump and his wife sitting at a banquet table on stage in conversation with someone when a commotion at the rear of the ballroom – caused by the noise of gunshots – triggers a ripple of gasps through the room.
People started screaming “Get down, get down!” Many of the 2,600 attendees dressed in tuxedos and ball gowns took cover under tables as security personnel drew their weapons, with some pushing cabinet secretaries to the floor and covering them with their bodies while others formed a protective cordon.
Security personnel in combat fatigues stormed the stage pointing rifles into the ballroom as Trump, his wife Melania and Vice President JD Vance were evacuated. Cabinet members who had been sitting at tables dotted around the vast room were escorted out by their security details one by one.
Trump stayed backstage for about an hour after being hustled from the stage, a source told Reuters. He later said he had not wanted to leave the event, a remark that echoed images of him defiantly pumping his fist after narrowly escaping an assassination attempt in Butler, Pennsylvania, in 2024.
In that attempt, Trump was wounded in his upper ear by a 20-year-old gunman, who was shot dead by security personnel.