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For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
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Israeli Restaurant Owned by Syrian Repeatedly Attacked in Germany
Illustrative: Graffiti reading “Kill All Jews” was discovered on a residential building in Berlin-Pankow on April 26, 2026, part of a wave of antisemitic vandalism reported across the German capital over the past week, including swastikas and other hate-filled slogans scrawled on multiple sites. Photo: Screenshot
An Israeli restaurant in Germany has been repeatedly attacked while its Syrian Kurdish owner has been subjected to relentless harassment, underscoring a broader climate of hostility faced by Jews and Israelis across the country.
Restaurant owner Billal Aloge, a Muslim from Syria, has been subjected to escalating hatred and violence after publicly expressing support for Jewish life in his city by opening restaurants aimed at fostering dialogue and coexistence.
Shortly after opening his Israeli restaurant “Jaffa” in Freiburg, a city in western Germany, Aloge faced immediate hostility and a wave of online abuse.
Even after filing multiple police reports, the harassment did not stop, with unknown individuals continuing to target the restaurant. This included incidents of vandalism such as throwing rotten eggs at the premises, prompting the owner to repeatedly seek police intervention.
Then last Tuesday, the restaurant’s newly deployed food truck was vandalized after being parked for just a single day in Colombipark in the heart of the university town, according to German media.
The food truck was extensively damagd, with paint thrown across its exterior, Israeli symbols defaced with Palestinian flag stickers and antisemitic slogans, and its door kicked so forcefully that it was left visibly dented.
Three days later, Aloge and his wife were preparing to open the food truck for Labor Day, when they discovered a broken side mirror.
“The food truck was brand new. I bought it for the new season and had it lovingly refurbished,” Aloge told the German newspaper Bild.
“Once again, I had to file a police report and now I estimate the total damage from the two attacks at approximately 30,000 euros,” he continued.
Freiburg Mayor Martin Horn strongly condemned the attacks, stressing that the city would not tolerate such acts of hatred and would take them seriously, with full efforts to ensure accountability and protection for those targeted.
“There is no place in Freiburg for antisemitism, anti-Muslim racism, or any other form of hatred and incitement,” the German official said in a statement.
Like most countries across Europe and the broader Western world, Germany has seen a shocking rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
According to recently released figures, the number of antisemitic offenses in the capital city Berlin reached a record high in 2025, totaling 2,267 incidents, including violence, incitement, property damage, and propaganda offenses.
By comparison, officially recorded antisemitic crimes were significantly lower at 1,825 in 2024, 900 in 2023, and fewer than 500 in 2022, prior to the Oct. 7 atrocities.
Officials warn that the real number of antisemitic crimes is likely much higher, as many incidents go unreported.
In one of the latest antisemitic incidents in the country, a synagogue in Cottbus, a city in eastern Germany, was defaced with a swastika painted on its facade, marking the second time in just four days that the Jewish house of worship had been vandalized.
Separately, authorities also discovered antisemitic graffiti across several apartment buildings in Berlin-Pankow, including messages reading “Kill all Jews,” a swastika, and the statement “Only a dead Jew is a good Jew,” in a series of disturbing incidents over the week.
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North Africa Signals New Openings for Jews as Morocco Weighs Citizenship Reform, Tunisia Sees Pilgrimage Return
Jews from Tunisia and other countries of the world complete the annual Jewish pilgrimage to the El Ghriba Synagogue, which is considered one of the oldest Jewish places of worship in Africa and has a history of approximately 2,400 years, in Djerba Island, Tunisia on May 4, 2026. Photo: Hasan Mrad/ZUMA Press Wire via Reuters Connect
Jews are seeing cautious but notable signs of renewed inclusion in North Africa, as Morocco advances a landmark citizenship proposal for descendants abroad while pilgrims begin returning to Tunisia’s historic religious sites under tight security.
Last week, a Moroccan citizen submitted a legislative petition to the country’s House of Representatives to grant citizenship to the children and grandchildren of Moroccan Jews living abroad, marking a renewed push after a similar 2024 effort failed to secure enough support.
Supporters of the initiative argue that many Moroccan Jews emigrated for economic, religious, or other reasons, gradually losing their citizenship over generations even as they preserved strong cultural ties, underscoring that Jewish identity remains deeply embedded in Morocco’s history and monarchy.
Opponents of the proposal argue that Jews are already Moroccan citizens with equal rights regardless of religion, adding that existing legal frameworks sufficiently guarantee access to nationality without the need for new legislation.
Among the most vocal opponents, Jacky Kadoch, president of the Jewish Community of Marrakech — a major city in western Morocco — told Sky News Arabia that descendants of Moroccan Jewish emigrants face no real obstacles in obtaining citizenship or passports, and dismissed supporters of the initiative as “simply trying to stir chaos.”
Under current law, individuals of Moroccan Jewish origin can claim citizenship through lineage up to the fourth generation, reinforced by a 2011 constitutional amendment recognizing Judaism as a core component of the country’s heritage.
The newly introduced proposal focuses on simplifying the application process by establishing dedicated services and launching a national online portal to manage applications, while promoting the integration of descendants into Morocco’s economic, political, cultural, and social life.
The measure also seeks to strengthen ties with the diaspora by allowing Hebrew to be used alongside Arabic and Amazigh, creating an independent national body for Jewish religious affairs, and introducing safeguards to protect Moroccan Jewish communities from discrimination or attacks.
While Morocco’s Jewish population today numbers around 2,000, an estimated 500,000 to 1 million people of Moroccan Jewish descent live in Israel, where they form one of the country’s largest ethnic groups.
Meanwhile, Tunisian authorities are expecting a gradual return of international pilgrims to the island of Djerba for the annual Jewish pilgrimage, under heightened security and an atmosphere overshadowed by memories of violence.
In the past, the pilgrimage to the El Ghriba Synagogue — one of the oldest synagogues in North Africa — drew thousands of visitors from Europe and beyond, serving as both a religious and cultural attraction.
However, since the 2023 deadly attack on the synagogue that killed two worshippers and three police officers, attendance has dropped significantly and authorities have imposed tighter restrictions on the event.
Perez Haddad, who oversees the synagogue, noted that while religious services have continued, public celebrations remain suspended as fear still keeps many from returning, and in memory of the victims of the terror attack, whose loss is still deeply felt.
René Trabelsi, the pilgrimage organizer and former tourism minister, said confidence is slowly returning as more visitors arrive from abroad despite regional tensions.
“This year, there has been a marked return of pilgrims to the island. We estimate that around 200 people have come from abroad,” Trabelsi said in a statement.
This year, the gathering is being held from April 30 to May 6, marking the Lag B’Omer festival, observed 33 days after the start of Passover.
Tunisia is home to one of the largest remaining Jewish communities in the region outside Israel, with about 1,500 Jews living in the country, most of them in Djerba.
About 850,000 Jews were forced to flee or expelled from Middle Eastern and North African countries in the 20th century, primarily in the aftermath of Israel’s declaring independence in 1948.
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Indiana synagogue that shaped Reform movement is sold — and will become a coffee shop, event space
The 1867 synagogue in Lafayette, Indiana — once a laboratory of the Reform movement — has been sold, after a grassroots effort to bring it back into Jewish hands fell short.
In recent months, a small group of local Jews tried to crowdfund roughly $300,000 to buy the building, hoping to turn it into a cultural and educational center preserving the city’s Jewish history. But the campaign ran out of time.
“Including pledges, we had about $60,000,” said Robyn Soloveitchik, one of the organizers. They needed nearly five times that amount. Now, the donations will be returned.
The sale of the building closed May 1 to a new owner, Ed Bahler, a local businessman whose family has worked in construction for decades.
“We hope to make it a super vibey, cool, historic coffee shop and place to have events,” Bahler said. He plans to preserve the exterior, which has landmark status and is topped by a large Star of David, but said it requires repairs to brickwork, gutters and landscaping.
The former sanctuary, with its high ceilings and stained glass windows, will remain a focal point.
Bahler said the project is partly about giving back. “We’re invested in the community,” he said, noting that seven of his children attended Purdue University in neighboring West Lafayette.
Soloveitchik said her group knew from the outset the purchase effort faced long odds. “Of course, it’s not what we wished for,” she said, “but we did know it was going to be an uphill battle.”
The nonprofit she and others formed to purchase the building plans to continue operating, shifting its focus to other preservation efforts in the state. “Hopefully we can find a way to stick around and just do a little bit of good for our community, even if this project didn’t work out,” she said.
Michael Brown, executive director of the Indiana Jewish Historical Society, called the outcome disappointing. “I’m sad that they weren’t able to acquire the building,” he said.
He hopes Bahler will mount a plaque or display photos documenting the building’s history as a pioneering synagogue.
A changing landscape
What happened in Lafayette is part of a broader pattern across Indiana.
In April in Terre Haute, the state’s oldest continuously operating Jewish congregation sold its synagogue building after more than a century. The 1910 structure, known for its sweeping stained glass windows, is expected to become a wedding venue.
“We had to sell in order to continue operating,” said Scott Skillman, president of the United Hebrew Congregation. They now plan to meet at a smaller location, or to rent space from a church.
Like many small towns, Terre Haute has seen its Jewish population shrink for decades. “There’s no amount of programming that’s going to change that,” Skillman said.
Other Indiana synagogues have found more unusual second lives that would have been unimaginable to the people who built them.
When a new baseball stadium was built in 2012 in South Bend, the team owner had to figure out what to do with a 1901 Romanesque Revival–style synagogue on the property that was listed on the National Register of Historic Places. The team spent $1 million restoring the building, where the team gift shop now operates. A mural on the wall of what’s now known as the Ballpark Synagogue riffs on the Sistine Chapel, depicting God passing a baseball to Adam along with the words “Play Ball.”
Wendy Soltz, a history professor at Ball State University who led the federally funded Indiana Synagogue Mapping Project, has documented 66 purpose-built synagogues across the state dating back to the 19th century. Of those, 24 have already been demolished.
The Lafayette building, she said, had “statewide and national significance.”
A legacy reshaped
The Lafayette synagogue was founded in 1849 as Ahavas Achim.
The congregation was among the early adopters of Reform Judaism in America and is believed to have hosted one of the first egalitarian minyanim in the country. The building it moved into in 1867 stood as a marker of that ambition — a place where a small Midwestern Jewish community helped shape a national religious movement.
Rabbi Julian Morgenstern served the shul, and later rose to lead Hebrew Union College. He helped secure visas for several Jewish scholars fleeing Nazi persecution, including Abraham Joshua Heschel. Several other future luminaries passed through Lafayette’s pulpit.
The congregation moved to a new Lafayette location in 1969. Since then, the old building has housed churches, the Red Cross and other nonprofits.
Lafayette today has two synagogues, one Reform and one Conservative. It also has a Chabad and Hillel connected to Purdue University. The school has roughly 1,500 Jewish students, according to Hillel.
For more than a century, Ahavas Achim’s building anchored Jewish life in the city. Now, it is entering a new chapter, one shaped by a different vision of community.
Bahler said he hopes to open the coffee shop and event space by the third quarter of this year, pending rezoning and renovations.
“We saw a historic building that had a very interesting spirit to it,” he said. “Something that could be brought alive into a place that draws people — a place of connection.”
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