Uncategorized
For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
—
The post For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness appeared first on Jewish Telegraphic Agency.
Uncategorized
IDF Unveils AI-Powered Robotic Warfare System, Breakthrough Artillery Against Hezbollah
Smoke rises from a village in southern Lebanon as the Israeli army operates in it as seen from the Israeli side of the border, April 23, 2026. Photo: REUTERS/Gil Eliyahu
The Israel Defense Forces (IDF) has introduced cutting-edge battlefield technology while fighting Hezbollah over the past several weeks, deploying fleets of explosive robots and game-changing artillery to accelerate the destruction of the Iran-backed group’s terrorist infrastructure across southern Lebanon.
With the goal of minimizing risks to troops, the IDF plans to deploy robots on high-risk missions to detonate large, strategic infrastructure in areas previously beyond the reach of ground forces, marking a significant expansion in its use of autonomous battlefield systems. Some of this technology has already been in use but will only escalate.
According to Israeli officials, this newly introduced technology is designed to scan vast areas using intelligence data, locate Hezbollah infrastructure both above and below ground, and systematically dismantle networks built over decades within Shiite villages, forests, and dense terrain.
The IDF expects this sustained military engineering effort to drain Hezbollah’s extensive financial investments and push threats farther from Israel’s northern border with Lebanon.
Given Lebanon’s rugged, mountainous terrain in the area, the natural landscape severely limits the movement of heavy engineering equipment, forcing troops to rely on complex field improvisations amid dense vegetation and terrain that conceals militant infrastructure.
The IDF has previously used robotic systems during the war in Gaza, providing ground forces with a strategic edge while reducing exposure to danger, including deploying them to explore Hamas tunnels and enhance the detection and tracking of armed operatives.
Robotic systems not only reduce the danger to troops but also help offset manpower shortages and enable operations in especially challenging environments, including tunnel networks, densely populated urban areas, and other locations that are difficult for ground forces to reach.
The IDF has further expanded its arsenal with the introduction of the “Ro’em” self-propelled howitzer battery developed by Elbit Systems, a platform that leverages advanced technology and artificial intelligence to deliver quicker and more accurate firepower.
Fully automatic, the self-propelled howitzer can fire between six and eight rounds per minute at ranges of up to 40 kilometers.
Hostilities between Hezbollah and Israel reignited on March 2, when the terrorist group opened fire in support of Iran two days after the start of the joint US-Israeli military campaign against the Iranian regime. Since then, Israeli troops have created a “buffer zone” that extends 5 to 10 km (3 to 6 miles) into Lebanon. According to Israeli officials the purpose of the zone is to protect northern Israel from attacks by Hezbollah, which has fired thousands of rockets and drones during the war.
The US mediated a 10-day ceasefire between Israel and Lebanon last week. The deal was separate from Washington’s efforts to de-escalate tensions with Iran, though Tehran had pushed for Lebanon to be included in any broader framework for stopping hostilities.
On Thursday, US President Donald Trump announced a three-week extension of the truce, which was due to expire on Sunday, to allow more time for negotiations and diplomatic efforts.
Even though the US-backed ceasefire has sharply reduced violence, negotiations and prospects for lasting peace remain fragile, with Israeli forces still positioned in southern Lebanon to maintain its buffer zone and dismantle Hezbollah infrastructure.
For its part, Hezbollah, an internationally designated terrorist group that openly seeks Israel’s destruction, maintains it has “the right to resist” what it calls occupying forces, while rejecting any direct negotiations between the two countries.
Even with the truce in place, Israel has warned Lebanese citizens against returning to their homes at this stage, with officials saying that Hezbollah could seek to exploit the situation to reestablish its terrorist infrastructure under civilian cover.
The Lebanese government has now opened direct contacts with Israel despite strong objections from Hezbollah — which was established by Iran’s Islamic Revolutionary Guard Corps (IRGC) in 1982.
With negotiations now underway toward a potential longer-term arrangement, Israel has said its position rests on two core demands: the full disarmament of the Iran-backed terrorist group and a “sustainable” security-based peace framework.
Lebanon has demanded an Israeli withdrawal from the south, the return of Lebanese detainees held in Israel, and the delineation of the land border.
Uncategorized
Antisemitic Incidents Hit Record High in Austria as New Report Warns of Rising Hostility Against Jews
A pro-Hamas demonstration in Vienna. Photo: Reuters/Andreas Stroh
Antisemitism in Austria remained at alarmingly high levels last year, reaching its highest point since records began, according to newly released data that highlighted a persistently hostile environment for Jews and Israelis across Europe, marked by harassment, vandalism, and targeted attacks.
On Thursday, the Antisemitism Reporting Center of the Israelitische Kultusgemeinde Wien (IKG) — the official body tracking antisemitic incidents against Austria’s Jewish community — released its annual report documenting 1,532 cases in 2025, the highest figure on record.
IKG Secretary General Benjamin Nägele warned that these figures signaled a sustained and deeply alarming surge in antisemitic incidents since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
“The unrestrained antisemitism that has taken hold since Oct. 7, 2023, has become a constant presence in the daily lives of many Jews,” Nägele said in a statement.
Among the reported cases were 19 physical attacks, 27 threats, 205 incidents of property damage, 439 mass mailings, and 842 instances of offensive behavior, averaging 4.2 incidents per day — slightly higher than 4.13 in 2024.
While the data reflected a decline from the immediate aftermath of the Oct. 7 atrocities, with incidents peaking at 8.13 per day in 2023, the figures remained far above pre-war levels, which averaged just 1.55 incidents daily.
IKG President Oskar Deutsch said the findings underscored the ongoing strain on Jewish life in Austria, pointing to the community’s continued dependence on robust security arrangements.
“Jewish life is only possible thanks to extensive security measures. The Jewish community spends more than five million euros annually on security — resources that are urgently needed elsewhere, such as education, youth work, and cultural life,” Deutsch said in a statement.
According to the report, these trends also reflect a growing normalization of inciting rhetoric that trivializes the Holocaust, equates Israel with Nazi Germany, and frames Palestinians as “the new Jews,” further intensifying an already hostile environment for Jewish communities in Austria.
Johannan Edelman, head of the Antisemitism Reporting Center, said that this “atmospheric antisemitism” fosters growing indifference and numbness toward antisemitic agitation, reflected in a declining willingness to report such incidents.
Edelman also warned that such a hostile environment risked gradually pushing Jewish life out of the public sphere, forcing many Jews to conceal their identities.
The newly released report showed that the most prevalent form of antisemitism in Austria was Israel-related antisemitism, accounting for 1,186 cases (77.4 percent), a dramatic rise from 21 percent in 2020.
However, Holocaust relativization and denial rose sharply to 40.8 percent from 28.7 percent in 2024, while antisemitic “othering” increased to 49 percent from 32 percent, both marking significant gains.
Uncategorized
Israel Votes in Favor of Iran Joining International Cheer Union: ‘The Iranian People Are Not Enemies’
Ludmila Yasinska, far right, posing with members of the Israeli Cheer Union competing at the 2026 ICU World Cheerleading Championships in Orlando, Florida. Photo: Provided
Israel’s representative at the International Cheer Union (ICU) General Meeting in Orlando, Florida, this week voted in favor of Iran becoming a member nation of the organization.
Ludmila Yasinska, president of the Israeli Cheer Union, attended the annual meeting in-person and voted for Iran joining the ICU, the official world governing body for cheerleading.
The decision was approved, and a total of five applicant countries have newly joined the organization: Iran, Sint Maarten, Iceland, Ethiopia, and Sierra Leone. The ICU now has 126 national federation members across all continents, and each receives one vote for all General Meeting voting processes.
“The vote in favor of Iran’s participation in international competitions expresses a clear distinction between the Iranian people and the terrorist regime,” Yasinska told The Algemeiner. “It is a values-based position that sees the Iranian people not as enemies, but as human beings who seek to take part in the international arena, to compete, and to be partners in an open and fair world. It is also a statement of hope — that despite the complex reality, there is room to distinguish between citizens and leadership, and to extend a hand toward a different future.”
“May the day come when we can stand side by side and cheer together,” she added.
According to experts, the vast majority of the Iranian people oppose the authoritarian, Islamist regime that has ruled the country since 1979. In January, the regime’s security forces killed and imprisoned tens of thousands of civilians to crush anti-government protests that erupted across Iran.
The ICU General Meeting took place before the start of the 2026 ICU World Cheerleading Championships. This year, Israel competed in the international competition for the first time ever. The championships started on Wednesday and concluded on Friday.
“It was an amazing feeling and a great source of pride to represent Israel on the world stage,” Yasinska told The Algemeiner. “Despite all the difficult times and the situation in Israel before the championship, we never stopped believing or working toward this moment.”
The competition occurred amid a ceasefire pausing the US-Israeli military campaign against Iran, whose leaders regularly call for Israel’s destruction. Before the temporary truce went into effect, Israelis spent weeks running to bomb shelters as the Iranian regime launched barrages of ballistic missiles at the Jewish state. Iran’s chief terrorist proxy, Hezbollah, also fired rockets at northern Israel from Lebanon.
“There were times when we had to train on Zoom because we could not leave our homes. We also had one intensive week where some of our girls from the north stayed in our homes, just so we could have the opportunity to train together as one team,” Yasinska explained. “After all of this hard preparation, sacrifice, and determination, to finally represent our country was incredibly emotional and meaningful. It is a huge honor for us, and it was very important to show the world that Israel is on the international map of this sport — standing strong, competing proudly, and doing the very best we can.”
In 2021, the ICU was granted full recognition by the International Olympic Committee.