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For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
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Iran Prepares Counterproposal as Trump Weighs Strikes
U.S. President Donald Trump speaks with members of the media on board Air Force One en route to Palm Beach, Florida, U.S., January 31, 2026. REUTERS/Nathan Howard
Iran’s foreign minister said on Friday he expected to have a draft counterproposal ready within days following nuclear talks with the United States this week, while US President Donald Trump said he was considering limited military strikes.
Two US officials told Reuters that US military planning on Iran had reached an advanced stage, with options including targeting individuals as part of an attack and even pursuing leadership change in Tehran, if ordered by Trump.
Trump on Thursday gave Tehran a deadline of 10 to 15 days to make a deal to resolve their longstanding nuclear dispute or face “really bad things” amid a US military buildup in the Middle East that has fueled fears of a wider war.
THREATS OF ATTACK FOLLOW CRACKDOWN ON MASS PROTESTS
Asked on Friday if he was considering a limited strike to pressure Iran into a deal, Trump told reporters at the White House: “I guess I can say I am considering” it. Asked later about Iran at a White House press conference, Trump added: “They better negotiate a fair deal.”
Iranian Foreign Minister Abbas Araqchi said after indirect discussions in Geneva this week with Trump’s Special Envoy Steve Witkoff and son-in-law Jared Kushner that the sides had reached an understanding on main “guiding principles,” but that did not mean a deal was imminent.
Araqchi, in an interview on MS NOW, said he had a draft counterproposal that could be ready in the next two or three days for top Iranian officials to review, with more U.S.-Iran talks possible in a week or so.
Military action would complicate efforts to reach a deal, he added.
After the US and Israel bombed Iran’s nuclear facilities and some military sites in June, Trump again began threatening strikes in January as Tehran crushed widespread protests with deadly force.
Referring to the crackdown on Friday, Trump said there was a difference between the people of Iran and the country’s leadership. He asserted that “32,000 people were killed over a relatively short period of time,” figures that could not immediately be verified.
“It’s a very, very, very sad situation,” Trump said, adding that his threats to strike Iran had led the leadership to abandon plans for mass hangings two weeks ago.
“They were going to hang 837 people. And I gave them the word, if you hang one person, even one person, that you’re going to be hit right then and there,” he said.
The US-based group HRANA, which monitors the human rights situation in Iran, has recorded 7,114 verified deaths and says it has another 11,700 under review.
Hours after Trump’s statements on the death toll, Araqchi said that the Iranian government has already published a “comprehensive list” of all 3,117 killed in the unrest.
“If anyone doubts the accuracy of our data, please speak with evidence,” he posted on X.
ARAQCHI SAYS DEAL POSSIBLE IN ‘VERY SHORT PERIOD’
Araqchi gave no specific timing as to when Iranians would get their counterproposal to Witkoff and Kushner, but said he believed a diplomatic deal was within reach and could be achieved “in a very short period of time.”
United Nations spokesperson Stephane Dujarric reiterated concerns about heightened rhetoric and increased military activities in the region.
“We encourage both the United States and the Islamic Republic of Iran to continue to engage in diplomacy in order to settle the differences,” Dujarric told a regular news briefing at the U.N.
During the Geneva talks, the United States did not seek zero uranium enrichment and Iran did not offer to suspend enrichment, Araqchi told MS NOW, a US cable television news network.
“What we are now talking about is how to make sure that Iran’s nuclear program, including enrichment, is peaceful and would remain peaceful forever,” he said.
He added that technical and political “confidence-building measures” would be enacted to ensure the program would remain peaceful in exchange for action on sanctions, but he gave no further details.
“The president has been clear that Iran cannot have nuclear weapons or the capacity to build them, and that they cannot enrich uranium,” the White House said when asked about Araqchi’s comments.
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Israeli Strikes in Lebanon Kill at Least 10, Including Senior Hezbollah Official
People inspect the damage at the site of an Israeli strike on Friday, in Bednayel, Bekaa valley, Lebanon, February 21, 2026. Photo: REUTERS/Mohamed Azakir
At least 10 people were killed and 50 wounded in Israeli strikes in Lebanon’s Bekaa Valley, two security sources told Reuters, after the Israeli military said it had targeted Hezbollah sites in the Baalbek area.
The strikes on Friday were among the deadliest reported in eastern Lebanon in recent weeks and risk testing a fragile US-brokered ceasefire between Israel and Shi’ite Islamist group Hezbollah, which has been strained by recurring accusations of violations.
The Israeli military said in a statement that it struck Hezbollah command centers in the Baalbek area, part of eastern Lebanon’s Bekaa Valley.
In a separate statement on Saturday, it said it had “eliminated several terrorists of Hezbollah’s missile array in three different command centers … recently identified as operating to accelerate the organization’s readiness and force build-up processes, while planning fire attacks towards Israel.”
Hezbollah said on Saturday that eight of its fighters, including a commander, Hussein Mohammad Yaghi, were killed in Friday’s strikes in the Bekaa area.
CEASEFIRE BROKERED IN 2024
Israel and Hezbollah agreed to a US-brokered ceasefire in 2024 intended to end more than a year of cross-border exchanges of fire that culminated in Israeli strikes that weakened the Iran-aligned group. Since then, the sides have traded accusations of ceasefire violations.
US and Israeli officials have pressed Lebanese authorities to curb Hezbollah’s arsenal, while Lebanese leaders have warned that broader Israeli strikes could further destabilize the country already battered by political and economic crises.
Separately, the Israeli military said it also struck what it described as a Hamas command center from which militants operated in the Ain al-Hilweh area in southern Lebanon. Ain al-Hilweh is a crowded Palestinian refugee camp near Sidon.
Lebanese President Joseph Aoun condemned the overnight Israeli strikes on the Sidon area and towns in Bekaa as a “new violation” of Lebanon’s sovereignty and a breach of U.N. obligations, urging countries backing regional stability, including the United States, to press for an immediate halt to avert further escalation, the presidency said.
Hamas condemned in a statement the Israeli strike on Ain al-Hilweh and rejected Israeli assertions about the target, saying the site belonged to the camp’s Joint Security Force tasked with maintaining security.
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The ‘Hymietown’ affair degraded Black-Jewish relations. Jesse Jackson wasn’t the real culprit
Conventional wisdom suggests Rev. Jesse Jackson’s infamous, unfortunate, off-the-record, 1984 “Hymietown” comment radically reshaped and further degraded Black-Jewish relations. It’s true. But not for the reasons that one might imagine.
Jackson, then a presidential candidate, initially denied the report, first published in The Washington Post, that he had used the aforementioned slur in a Washington, D.C. airport bar. Two weeks later he reversed course. In an address at synagogue Adath Yeshurun in New Hampshire, he asked to be forgiven.
How much damage to Black-Jewish relations did Jackson’s remark actually do? Some, for sure. But given how wobbly the two communities’ once-vaunted “grand alliance” had become by 1984, the degree of the slur’s impact has, I think, been overstated. Both groups had already built a vast reservoir of mutual mistrust. Among the causes: Jackson’s meetings with Yasser Arafat of the PLO rendered him suspect to Jews, and Jewish opposition to affirmative action struck Blacks as a betrayal. Ditto for the Andrew Young affair of 1979, a takedown of one of the community’s most distinguished public servants.
What actually changed Black-Jewish relations for the worse was not the “Hymietown” indiscretion, but Nation of Islam Minister Louis Farrakhan’s entry into the fray.
On Feb. 25, 1984, 12 days after the slur was first reported and one day before his synagogue apology, Jackson attended a meeting of the Nation of Islam in Chicago. There, Farrakhan told Jews: “If you harm this brother, I warn you in the name of Allah, this will be the last one you harm.”
Farrakhan was just getting started. On March 11, he referred to Hitler “as a very great man.” In June, he described Judaism as a “gutter religion.” By summertime, Jewish organizations were demanding that Jackson, still at that point running for president, fully denounce Farrakhan. Jackson initially resisted that call, instead downgrading the controversial cleric’s status from campaign “surrogate” to “supporter.” Eventually, with his campaign on fire, a besieged Jackson made a complete disavowal.
The long-term repercussions of this episode for the fragile Black-Jewish alliance were immense. The scandal launched Farrakhan — who until that point could have been described, per The New Republic, as “the boss of a fringe Muslim sect” — into national and even international visibility, so much so that Libyan ruler Muamar Gaddafi soon donated to his cause. Perched atop this new platform, Farrakhan set about injecting his group’s unremittingly antisemitic worldview into the cultural mainstream.
Conspiracy theories with lingering influence
The consequences of this ascent are still unfolding today.
For instance, the falsehood that Jews were major players in the African slave trade had little traction before the events of 1984. After them, it became a hot subject in popular and even academic circles. The far-right commentator Candace Owen’s antisemitic espousal of it to her audience of millions is only the most recent manifestation of that trend.
Under Farrakhan, the Nation of Islam argued that “so-called Jews” were imposters who had usurped and appropriated an African religious identity. That trope has recently reappeared in statements by public figures like Nick Cannon, Kyrie Irving, Deshawn Jackson, and Ice Cube — some of whom have since apologized.
It’s not just the Jewish community that has suffered in response. Farrakhan’s emergence also triggered what journalist Marjorie Valburn has called a “litmus test” for Black politicians: A requirement that Black political candidates must publicly denounce Farrakhan, often at the summons of a Jewish leader. The test has been administered countless times, including to former President Barack Obama during his 2008 campaign; numerous Democratic lawmakers in 2018; and Congressman Jamaal Bowman in 2024.
As Cynthia Ozick once observed, a Jew is a person who makes distinctions. Major Jewish organizations who subjected Blacks to the litmus test seemed incapable of doing precisely that. Jackson was clearly not Farrakhan. Truth be told, most Black people who shared Farrakhan’s concerns about economic empowerment were not and are not Farrakhan; they have little interest in his antisemitic obsessions.
In any case, I know of no case where applications of this test helped to improve Black-Jewish relations. Quite the contrary: It bred further resentment and distrust.
A mistaken mythology
As I learned while co-authoring a book about Black-Jewish relations with Terrence L. Johnson, the Black-Jewish alliance was never quite as “feel-good” as its champions have alleged. Even when the groups collaborated toward impressive Civil Rights accomplishments,their encounter was rife with every imaginable tension.
Johnson and I date the alliance from the NAACP’s founding in 1909 to the Six-Day War in 1967. One of our key observations was that inter-group tensions between Blacks and Jews were exacerbated and even driven by intra-group tensions. In other words, pitched battles between Jewish liberals and conservatives, and between Church-based liberals and Black radicals did much to shape — and endanger — the alliance, even when it was racking up victories for civil rights.
The same held true after 1984. Because of the intra-group complexities with which Jackson was dealing — trying to temper the effusions of radicals like Farrakhan while absorbing them into his coalition — his relations with Jews got worse. And tension within the Jewish community about how to respond equally spurred reasonable mistrust on the other side. Many forgave, but others, like then- executive director of the ADL, Nathan Perlmutter, did not: Perlmutter once said that Jackson “could light candles every Friday night and grow side curls, and it still wouldn’t matter. He’s a whore.”
The irony and tragedy is that Jackson was, in fact, one of the leaders in either community who put in the most effort to repair the shattered alliance. He understood its importance, and the risks of its dissolution. He sought to solve collective problems by forging common ground among disparate actors in a mutli-racial, multi-ethnic Rainbow Coalition.
His plan did not come to fruition. But as we mourn his passing, we should ponder his legacy, and revisit his compelling vision.
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