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Former Jewish Press editor charged with interfering with law enforcement during Jan. 6 Capitol riot
(JTA) — When video emerged in 2021 of Elliot Resnick, the then-editor of the Jewish Press, among the rioters at the deadly Jan. 6 riot at the U.S, Capitol that year, his publishers had a ready explanation: He was working as a journalist, covering history.
Now an FBI charging document says that Resnick was taking part in that history — in other words, that he was a member of the mob that stormed the Capitol.
The FBI arrest warrant for Resnick, signed Tuesday by a U.S. magistrate, lays out why authorities believe he was involved in the rioting, and not just reporting on it. Resnick left the Jewish Press, a politically conservative Brooklyn-based newspaper that serves the Orthodox Jewish community, in 2021.
Inner City Press, which covers the federal courts in New York City, reported that Resnick was due to appear in court on Thursday. Resnick has been charged with interfering with law enforcement during a civil disorder, along with three charges related to entering and engaging in disruptive conduct while on restricted grounds. The charges may incur prison time.
The riot was spurred by former President Donald Trump’s false claims that he won the presidential election — claims that Resnick echoed on social media.
Using video evidence and the testimony of police, Erica Dobin, the FBI agent who authored the charging document, wrote that Resnick held the arm of a police officer attempting to use chemical irritant to repel the rioters. The agent alleges that Resnick attempted to open doors for rioters to follow him, even when a police officer was trying to keep the door closed, and that he beckoned rioters to follow him and that he pulled rioters in through an open door.
The charging document also quotes at least one policeman who instructed Resnick to leave.
The charge of interfering with law enforcement carries a possible sentence of up to three years. Resnick did not reply to requests for comment made through social media direct messages. He was active on social media hours before being contacted.
There have been more than 1,000 arrests related to the insurrection. Of those arrested, more than 500 have pleaded guilty and another 69 have been convicted in the courts. Of those sentenced, roughly half have been sentenced to prison for periods ranging from seven days to more than ten years.
The document notes that Resnick was employed by the Jewish Press at the time of the riot and that he left in May 2021. The FBI launched its investigation in June 2021. Dobin indicates in the charging document that she was sensitive to Resnick’s status as a journalist on the day of the insurrection. She says in a footnote that she “complied with the U.S. Department of Justice’s News Media Policy in consultation and coordination with DOJ’s Policy and Statutory Enforcement Unit.”
The charging document notes Resnick’s social media posts at the time, which repeatedly called for people to face unspecified “consequences” because of his contention that the election was stolen from Trump.
When Politico first revealed in April 2021 that Resnick’s presence at the riot was captured on video, the Jewish Press said that Resnick was “covering the rally and the rest of the day’s terrible events for The Jewish Press.” It noted Resnick’s past expressions of support for Trump.
“The Jewish Press does not see why Elliot’s personal views on former President Trump should make him any different from the dozens of other journalists covering the events, including many inside the Capitol building during the riots, nor why his presence justifies an article in Politico while the presence of other reporters inside the building does not,” his newspaper said.
When Resnick left the paper a few months later, in May, the paper did not provide an explanation for the decision.
The FBI charging document says the investigation was launched based on two tips called into the FBI, one from someone who had read the article on Politico’s website and another who “indicated they had known Resnick since childhood and recognized him in video footage showing the storming of the U.S. Capitol which had been posted online.”
Resnick, who worked at the Jewish Press beginning in 2006 and was its editor-in-chief from 2018-2021, has a history of using incendiary language and has called the gay rights movement “evil.” Under Resnick’s editorship, the Jewish Press was criticized by the Anti-Defamation League in 2019 after publishing an op-ed titled “The Pride Parade: What Are They Proud Of?” which compared marchers in the New York City event to animals, adulterers and thieves.
He also has a history of derogatory statements about Black people.
“If blacks resent America’s [sic] so much, let them discard Christianity (which the ‘white man’ gave them) and re-embrace the primitive religions they practiced in Africa,” Resnick wrote in a tweet in 2019.
“Can someone give me a coherent reason why blackface is racist?” he wrote in another tweet that year.
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The post Former Jewish Press editor charged with interfering with law enforcement during Jan. 6 Capitol riot appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
