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Former Jewish Press editor charged with interfering with law enforcement during Jan. 6 Capitol riot

(JTA) — When video emerged in 2021 of Elliot Resnick, the then-editor of the Jewish Press, among the rioters at the deadly Jan. 6 riot at the U.S, Capitol that year, his publishers had a ready explanation: He was working as a journalist, covering history.

Now an FBI charging document says that Resnick was taking part in that history — in other words, that he was a member of the mob that stormed the Capitol. 

The FBI arrest warrant for Resnick, signed Tuesday by a U.S. magistrate, lays out why authorities believe he was involved in the rioting, and not just reporting on it. Resnick left the Jewish Press, a politically conservative Brooklyn-based newspaper that serves the Orthodox Jewish community, in 2021.

Inner City Press, which covers the federal courts in New York City, reported that Resnick was due to appear in court on Thursday. Resnick has been charged with interfering with law enforcement during a civil disorder, along with three charges related to entering and engaging in disruptive conduct while on restricted grounds. The charges may incur prison time.

The riot was spurred by former President Donald Trump’s false claims that he won the presidential election — claims that Resnick echoed on social media.

Using video evidence and the testimony of police, Erica Dobin, the FBI agent who authored the charging document, wrote that Resnick held the arm of a police officer attempting to use chemical irritant to repel the rioters. The agent alleges that Resnick attempted to open doors for rioters to follow him, even when a police officer was trying to keep the door closed, and that he beckoned rioters to follow him and that he pulled rioters in through an open door.

The charging document also quotes at least one policeman who instructed Resnick to leave.

The charge of interfering with law enforcement carries a possible sentence of up to three years. Resnick did not reply to requests for comment made through social media direct messages. He was active on social media hours before being contacted.

There have been more than 1,000 arrests related to the insurrection. Of those arrested, more than 500 have pleaded guilty and another 69 have been convicted in the courts. Of those sentenced, roughly half have been sentenced to prison for periods ranging from seven days to more than ten years.

The document notes that Resnick was employed by the Jewish Press at the time of the riot and that he left in May 2021. The FBI launched its investigation in June 2021. Dobin indicates in the charging document that she was sensitive to Resnick’s status as a journalist on the day of the insurrection. She says in a footnote that she “complied with the U.S. Department of Justice’s News Media Policy in consultation and coordination with DOJ’s Policy and Statutory Enforcement Unit.”

The charging document notes Resnick’s social media posts at the time, which repeatedly called for people to face unspecified “consequences” because of his contention that the election was stolen from Trump.

When Politico first revealed in April 2021 that Resnick’s presence at the riot was captured on video, the Jewish Press said that Resnick was “covering the rally and the rest of the day’s terrible events for The Jewish Press.” It noted Resnick’s past expressions of support for Trump.

“The Jewish Press does not see why Elliot’s personal views on former President Trump should make him any different from the dozens of other journalists covering the events, including many inside the Capitol building during the riots, nor why his presence justifies an article in Politico while the presence of other reporters inside the building does not,” his newspaper said.

When Resnick left the paper a few months later, in May, the paper did not provide an explanation for the decision.

The FBI charging document says the investigation was launched based on two tips called into the FBI, one from someone who had read the article on Politico’s website and another who “indicated they had known Resnick since childhood and recognized him in video footage showing the storming of the U.S. Capitol which had been posted online.”

Resnick, who worked at the Jewish Press beginning in 2006 and was its editor-in-chief from 2018-2021, has a history of using incendiary language and has called the gay rights movement “evil.” Under Resnick’s editorship, the Jewish Press was criticized by the Anti-Defamation League in 2019 after publishing an op-ed titled “The Pride Parade: What Are They Proud Of?” which compared marchers in the New York City event to animals, adulterers and thieves.

He also has a history of derogatory statements about Black people.

“If blacks resent America’s [sic] so much, let them discard Christianity (which the ‘white man’ gave them) and re-embrace the primitive religions they practiced in Africa,” Resnick wrote in a tweet in 2019.

“Can someone give me a coherent reason why blackface is racist?” he wrote in another tweet that year.


The post Former Jewish Press editor charged with interfering with law enforcement during Jan. 6 Capitol riot appeared first on Jewish Telegraphic Agency.

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‘Auschwitz’ is a hit Iranian protest anthem, part of a music genre rebelling against official antisemitism

Last month, well-known Iranian singer Mehdi Yarrahi released a song titled “Auschwitz,” about the regime’s brutal crackdown on protesters earlier this winter, which estimates suggest killed between 7,000 and 30,000 people over the course of a few days. The song quickly gained traction online, drawing around 10 million views on the singer’s Instagram account.

The choice of Auschwitz as a historical touchstone was not accidental: it is a direct answer to the Iranian regime’s persistent mockery and denial of the Holocaust, and a point of identification for Iranians who may see an echo of the atrocities committed by the Nazis in their own government’s brutality.

Yarrahi, who lives in Iran, released “Auschwitz” after reports emerged of thousands of Iranian protesters being gunned down in the streets for protesting the regime. The song compares their fate to that of people who endured the Nazi death camps. Its opening line declares: “I come from Auschwitz, of night transfers. I come from a killing field of youth.” The music video accompanying the song features footage of protestors being beaten by regime forces in the streets, as well as photographs of those who were killed.

Yarrahi knows the price one can pay for making anti-regime music. In March 2025, he received 74 lashes as a part of his sentencing for the release of his song “Rousarieto” (“Your Headscarf”), which criticized the regime’s requirement that women cover their hair and dress modestly.

The lyricist behind “Auschwitz,” Hossein Shanbehzadeh, has also faced the regime’s wrath. In 2024, he was sentenced to 12 years in prison after he commented with a single dot in response to a post on X from the Supreme Leader Ayatollah Khamenei — a reply that received more likes than Khamenei’s original post. Iranian authorities accused him of being an Israeli spy and of spreading anti-regime propaganda. While Shanbehzadeh languishes in prison, through Auschwitz’s lyrics, his words have now been heard by millions both inside and outside Iran.

The Holocaust metaphor in “Auschwitz” is especially subversive because it invokes a history the Iranian regime refuses to recognize — just as it refuses to acknowledge its own brutality. Many high-ranking members of the Iranian regime have publicly denied, minimized, or questioned the Holocaust, including former Supreme Leader Ali Khamenei, who was killed on the first day of the fighting on Feb. 28. The regime has also hosted state-sponsored cartoon competitions mocking the Holocaust— most recently in 2021 — and was the only country to reject a 2022 United Nations resolution condemning Holocaust denial.

By comparing the regime’s violence against protesters to Nazi brutality — atrocities that Iranian leaders do not acknowledge — Yarrahi’s song challenges both political repression and the antisemitic narratives promoted by the state that have made it a global pariah.

The soundtrack to the revolution

In Iran, where culture is steeped in poetry, protest music has become a central part of the anti-regime movement.

An Iranian activist who was arrested and jailed for his involvement in the protest movement told the Forward, “These songs push people forward. They give you the energy to keep going.” Now living in the United States, he said the music also connects diaspora Iranians to the movement back home. “When we get together with friends in the community, we play these songs,” he said. “We start talking, and the music is playing in the background.”

Music streaming platforms like Spotify and Apple Music are difficult to access in Iran because of payment sanctions and bans. While protest songs are censored on social media, many Iranians download music using VPNs through Telegram — an encrypted messaging app that has 45 million Iranian users despite being banned — as well as other websites. Many Iranian singers have their own Telegram channels where they share their music.

During the 2022 Women, Life, Freedom protests, the song Baraye (“For the Sake Of”) went viral and became an anthem for demonstrators mobilizing against the regime. It garnered 40 million views in its first two days of being released and later won a Grammy.

The singer Shervin Hajipour wrote the lyrics based on responses from Iranians on X to a simple question: “What are you protesting for?” One line references the regime’s “meaningless slogans” — “Death to America” and “Death to Israel.”

According to Thamar E. Gindin, a research fellow at Haifa University’s Ezri Center for Iran and Persian Gulf Research, music has been a meaningful part of the protest movement. “Baraye,” particularly, was sung “from balconies and windows when they didn’t want to go out to the streets and be killed. They sang it at the end of ceremonies.” She compared it to the way many Israelis and other Jews sing “Hatikvah,” as an expression of collective hope.

Polling suggests that Iranian public opinion diverges from official rhetoric.

One survey from last September found that 69% of Iranians believe their country should stop calling for the destruction of Israel. When respondents were asked about their views of foreign countries, the United States received the highest favorability rating, with 53% expressing a positive view. Israel ranked second. A 2014 survey conducted by the Anti-Defamation League found that Iranians held the lowest levels of antisemitic attitudes in the Middle East and North Africa outside Israel, despite decades of state-sponsored antisemitic narratives.

Invoking Iran’s pluralistic past

For many Iranians, protest music has become a way to reclaim their national identity. While the regime defines itself through external struggle with Israel and the West, many protestors prefer to define Iran through its culture and history. One figure frequently invoked in protest discourse and music is Cyrus the Great.

King Cyrus, the founder of the Achaemenid Empire, created one of the largest empires of the ancient world. After conquering Babylon in 539 BCE, he issued a decree allowing exiled peoples — including Jews taken captive by the Babylonians — to return to their homelands. In the Bible, he is remembered for permitting Jews to return to Jerusalem and rebuild the Temple.

According to the activist, “Cyrus to Iranians is like the Founding Fathers to Americans,” adding: “Cyrus is a symbol of peace among nations, and also a person who respects human rights and your beliefs regardless of who you are.” He is viewed as particularly “important for what he did for the Jewish people” and other minorities, which, for many anti-regime Iranians, represents an Iran rooted in human rights.

London-based Iranian artist Amin Big A’s 2018 song Be Name Iran (“In the Name of Iran”) channels this sentiment. The song gained massive popularity, especially among the Iranian diaspora, during the 2022 protest movement in Iran and has since been widely shared on social media alongside videos of the current protests. The song opens with a tribute to Cyrus: “In the name of Cyrus, that King of Kings — the one who taught us to be good to our friends and companions.”

Iranians invoke Cyrus, he said, to remind themselves and the world of that history. They want to “signal to the world, especially to non-Iranians,” that “if you want to understand how Iranians think, you can look at our history.” For protestors, it is a way to demonstrate that “the current regime in Iran is not representative of Iranians.”

Another song, “Dictator,” released in January by Iranian artists Shaayn and Moonshid during the height of the protests, contrasts Iran’s current authoritarian system with the nation’s ancient past. “It’s basically saying: we had Cyrus, and Cyrus was not a dictator,” said the activist. “Our history is not all about dictators.” One line in the song reads, contrasting Cyrus with a Turkish conqueror: “One gives freedom to the people, another kills and oppresses…. One becomes like Cyrus the Great, another becomes like Timur.”

Over the years, several anti-regime protests have been held at Cyrus’ tomb in Iran. In response, the regime has restricted access to the site and deployed security forces to discourage protestors from gathering there.

According to Beni Sabti, an Iran expert from the Institute for National Security Studies, Cyrus’ pluralistic legacy makes him recognized as “the best King that Iranians had. It’s another reason to love Jews, or to re-love them,” he said, adding: “They don’t believe the state’s propaganda.”

The post ‘Auschwitz’ is a hit Iranian protest anthem, part of a music genre rebelling against official antisemitism appeared first on The Forward.

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War with Iran puts the US-Israel alliance at grave risk

The Iran war is strategically sound yet politically unsupported — an unstable foundation for a gamble that could reshape the Middle East. That creates danger for Israel, which needs the support of an American public that is rapidly drifting away.

For decades, the country’s greatest strategic asset has not been its military technology or intelligence capabilities — spectacular as these are — but rather the political, diplomatic and military backing of the United States. That relationship has not been merely transactional. It was supposed to rest on shared values and deep public support across the American political spectrum.

If that support erodes or disappears, Israel’s strategic environment will fundamentally change. To be blunt: it will not be able to arm its military. This creates a paradox. A campaign that has so far demonstrated extraordinary value for the Jewish state also stands a risk of fundamentally weakening it.

An alliance at its strongest

The conflict has showcased the depth of the current U.S.–Israel alliance. To many observers, and critically to Israel’s enemies, the operation has underscored not only Israel’s capabilities but also the reality that it stands alongside the world’s most powerful state.

The strikes have projected deep into Iranian territory, revealed astonishing intelligence penetration, and destroyed or degraded key threats. Israel’s enemies across the region have already been weakened by previous rounds of fighting since Oct. 7, and the current operation has reinforced the impression that Israel can reach its adversaries wherever they operate.

Moreover, Iran’s regime has managed to isolate itself to the point where most Arab countries are in effect on the side of Israel and the U.S. That projection — of an unbreakable and strong alliance – may ultimately be the most important strategic element of this war.

But therein lies the rub.

The political foundations of American support for Israel are eroding, which means the very element that currently strengthens Israel’s deterrence — American participation — may also be the one most at risk.

A just war, unjustified

Americans do not understand why their country is at war.

A Reuters/Ipsos survey conducted at the start of the conflict found only 27% of Americans supported the U.S. action, while 43% opposed it. Other surveys show similar results, with roughly six in ten Americans against the military intervention.

In modern American history that is highly unusual. Most wars begin with a “rally around the flag” moment when public support surges. Even conflicts that later became controversial — from Afghanistan to Iraq — initially enjoyed majority backing.

This one did not — in part because the case for it has not been made clearly to the public.

That error is compounded by years of polarization in American politics; declining trust in institutions and leadership; and the record of President Donald Trump, who has spent years spreading conspiracy theories and demonstrating a remarkable indifference to factual truth. It is no exaggeration to say that many Americans do not believe a word he says – which is perhaps unprecedented.

When a president with that record launches a war, at least half the country assumes the worst. Even if the strategic logic is sound, the credibility deficit remains.

The tragedy is that the war is, in fact, eminently justifiable. The Islamic Republic has long since forfeited the moral legitimacy that normally shields states from outside force. It brutally suppresses its own population, jailing and killing protesters, policing women’s bodies, and crushing dissent with an apparatus of repression. Its foreign policy is not defensive but revolutionary. Through proxy militias it has destabilized Iraq, Syria, Lebanon and Yemen, as well as the Palestinian areas, in some cases for decades.

The regime has pursued nuclear weapons through a series of transparent machinations, deceptions and brinkmanship. Negotiations have repeatedly been used as delaying tactics while enrichment continued. Any deal that relieved sanctions would not simply reduce tensions; it would also inject new resources into a system dedicated both to repression at home and aggression abroad — one that is despised by the vast majority of its own people, as murderous dictatorships inevitably will be.

There is a doctrine in international law known as the Responsibility to Protect — the principle that when a state systematically brutalizes its own population, the international community may have the right, even the obligation, to act. By that standard, the Iranian regime has been skating on thin ice for years.

But with this clear rationale left uncommunicated, the politically dangerous perception has spread that the U.S. was reacting to Israel rather than acting on its own strategic judgment.

A perilous future

If Americans come to believe that Israel caused a costly war that they did not support in the first place, the backlash could be severe.

For centuries, one of the most persistent antisemitic tropes has been the accusation that Jews manipulate powerful states into fighting wars on their behalf. The suggestion that Israel can pull the U.S. into conflict feeds directly into that mythology. Once such perceptions take hold, they can be extremely difficult to reverse.

Even people who reject antisemitism outright can absorb a softer version of the same idea: that American interests are being subordinated to Israeli ones. In a political environment already marked by growing skepticism toward Israel, that perception risks deepening the erosion of support that has been underway for years.

Secretary of State Marco Rubio seemed to inadvertently feed such notions by suggesting in recent days that the U.S. had to attack Iran because Israel was going to do so “anyway,” and then America would have been a target. It was a short path from that to conspiracy theorists like Tucker Carlson blaming Chabad for the war.

A future Democratic president, facing a base that appears to have abandoned Israel, may feel far less obligation to defend it diplomatically or militarily. Even a Republican successor could prove unreliable if the party continues its drift toward isolationism.

That likelihood is compounded by studies showing that a large part of the U.S. Jewish community itself no longer backs Zionism. That process is driven by Israel’s own policies, including the West Bank occupation and the deadly brutality of the war in Gaza.

So the very war that is showcasing the best the U.S.-Israel alliance has to offer is also at risk of fundamentally damaging that partnership. Particularly if Prime Minister Benjamin Netanyahu — the rightful object of much American ire — manipulates the Iran campaign into an electoral victory this year, the alliance’s greatest success could also be its undoing.

The post War with Iran puts the US-Israel alliance at grave risk appeared first on The Forward.

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Report: Iran’s New Military Plan Is Regime Survival Through Regional Escalation

Members of the Islamic Revolutionary Guard Corps (IRGC) attend an IRGC ground forces military drill in the Aras area, East Azerbaijan province, Iran, Oct. 17, 2022. Photo: IRGC/WANA (West Asia News Agency)/Handout via REUTERS

i24 NewsAfter last year’s devastating conflict with the United States and Israel, Iranian leaders have reportedly adopted a major strategic shift aimed at expanding the war across the Middle East to secure the regime’s survival, according to the Wall Street Journal.

Previously, Iran responded to foreign strikes with limited, targeted reprisals. The new doctrine abandons that approach, aiming instead to escalate the conflict regionally, particularly against Gulf Arab states and critical economic infrastructure. The goal is to disrupt the global economy and pressure Washington into shortening the war.

This decision followed the twelve-day war with Israel in June 2025, during which Israeli and US strikes eliminated senior Iranian military leaders, destroyed key air defense systems, and severely damaged nuclear facilities. In response, Supreme Leader Ali Khamenei—before his elimination early in the current conflict—activated a strategy designed to maintain continuity even if top commanders were neutralized.

Central to this approach is the so-called “mosaic defense” doctrine: a decentralized military structure in which the Islamic Revolutionary Guard Corps (IRGC) operates through multiple regional command centers. Each center can conduct operations independently, allowing local commanders to continue fighting even if national leadership is incapacitated. This makes the military apparatus more resilient to targeted strikes.

Following the adoption of this doctrine, Iran quickly expanded hostilities, launching missile and drone attacks on the UAE, Qatar, Bahrain, and critical energy and port infrastructure. The strategy also aims to disrupt key trade routes, including the Strait of Hormuz, through which roughly one-fifth of the world’s oil passes.

Analysts cited by the Wall Street Journal suggest that Tehran’s calculation is to make the conflict costly enough for all parties to force the US and its allies into a diplomatic resolution.

However, the plan carries enormous risks. By escalating attacks on regional states and international economic interests, Iran could provoke a broader coalition against itself. Despite prior military losses, Iranian forces retain the capability to launch drone and missile strikes, maintaining their influence over the ongoing conflict.

For Iranian leaders, the immediate priority remains unchanged: the survival of the regime, even if it requires a major regional escalation.

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