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Former Jewish Press editor charged with interfering with law enforcement during Jan. 6 Capitol riot
(JTA) — When video emerged in 2021 of Elliot Resnick, the then-editor of the Jewish Press, among the rioters at the deadly Jan. 6 riot at the U.S, Capitol that year, his publishers had a ready explanation: He was working as a journalist, covering history.
Now an FBI charging document says that Resnick was taking part in that history — in other words, that he was a member of the mob that stormed the Capitol.
The FBI arrest warrant for Resnick, signed Tuesday by a U.S. magistrate, lays out why authorities believe he was involved in the rioting, and not just reporting on it. Resnick left the Jewish Press, a politically conservative Brooklyn-based newspaper that serves the Orthodox Jewish community, in 2021.
Inner City Press, which covers the federal courts in New York City, reported that Resnick was due to appear in court on Thursday. Resnick has been charged with interfering with law enforcement during a civil disorder, along with three charges related to entering and engaging in disruptive conduct while on restricted grounds. The charges may incur prison time.
The riot was spurred by former President Donald Trump’s false claims that he won the presidential election — claims that Resnick echoed on social media.
Using video evidence and the testimony of police, Erica Dobin, the FBI agent who authored the charging document, wrote that Resnick held the arm of a police officer attempting to use chemical irritant to repel the rioters. The agent alleges that Resnick attempted to open doors for rioters to follow him, even when a police officer was trying to keep the door closed, and that he beckoned rioters to follow him and that he pulled rioters in through an open door.
The charging document also quotes at least one policeman who instructed Resnick to leave.
The charge of interfering with law enforcement carries a possible sentence of up to three years. Resnick did not reply to requests for comment made through social media direct messages. He was active on social media hours before being contacted.
There have been more than 1,000 arrests related to the insurrection. Of those arrested, more than 500 have pleaded guilty and another 69 have been convicted in the courts. Of those sentenced, roughly half have been sentenced to prison for periods ranging from seven days to more than ten years.
The document notes that Resnick was employed by the Jewish Press at the time of the riot and that he left in May 2021. The FBI launched its investigation in June 2021. Dobin indicates in the charging document that she was sensitive to Resnick’s status as a journalist on the day of the insurrection. She says in a footnote that she “complied with the U.S. Department of Justice’s News Media Policy in consultation and coordination with DOJ’s Policy and Statutory Enforcement Unit.”
The charging document notes Resnick’s social media posts at the time, which repeatedly called for people to face unspecified “consequences” because of his contention that the election was stolen from Trump.
When Politico first revealed in April 2021 that Resnick’s presence at the riot was captured on video, the Jewish Press said that Resnick was “covering the rally and the rest of the day’s terrible events for The Jewish Press.” It noted Resnick’s past expressions of support for Trump.
“The Jewish Press does not see why Elliot’s personal views on former President Trump should make him any different from the dozens of other journalists covering the events, including many inside the Capitol building during the riots, nor why his presence justifies an article in Politico while the presence of other reporters inside the building does not,” his newspaper said.
When Resnick left the paper a few months later, in May, the paper did not provide an explanation for the decision.
The FBI charging document says the investigation was launched based on two tips called into the FBI, one from someone who had read the article on Politico’s website and another who “indicated they had known Resnick since childhood and recognized him in video footage showing the storming of the U.S. Capitol which had been posted online.”
Resnick, who worked at the Jewish Press beginning in 2006 and was its editor-in-chief from 2018-2021, has a history of using incendiary language and has called the gay rights movement “evil.” Under Resnick’s editorship, the Jewish Press was criticized by the Anti-Defamation League in 2019 after publishing an op-ed titled “The Pride Parade: What Are They Proud Of?” which compared marchers in the New York City event to animals, adulterers and thieves.
He also has a history of derogatory statements about Black people.
“If blacks resent America’s [sic] so much, let them discard Christianity (which the ‘white man’ gave them) and re-embrace the primitive religions they practiced in Africa,” Resnick wrote in a tweet in 2019.
“Can someone give me a coherent reason why blackface is racist?” he wrote in another tweet that year.
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The post Former Jewish Press editor charged with interfering with law enforcement during Jan. 6 Capitol riot appeared first on Jewish Telegraphic Agency.
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Cyber Threats Spike 150% Since Oct. 2023, Israeli Healthcare Most Vulnerable
A hooded man holds a laptop computer as cyber code is projected on him in this illustration picture taken on May 13, 2017. Photo: Reuters / Kacper Pempel / Illustration.
i24 News – Four years after the cyberattack that crippled Hillel Yaffe Hospital, the vulnerabilities of Israel’s healthcare system remain glaring. Since the outbreak of the war in October 2023, Israel’s digital domain has turned into a front line: by year’s end, authorities recorded 3,380 cyberattacks, a 150% surge compared to previous years.
More than 800 of them carried “significant damage potential,” according to ynet.
Microsoft’s 2025 Digital Defense Report places Israel as the world’s third-most targeted country after the United States and the United Kingdom. It is also the leading target in the Middle East and Africa, absorbing more than 20% of attacks in the region.
Iran remains the most aggressive adversary, directing roughly 64% of its cyber activity at Israel in attempts to gather intelligence, disrupt services, and spread propaganda.
The techniques used are familiar but highly effective: exploiting unpatched vulnerabilities, using leaked or stolen credentials, and launching basic phishing schemes that grant direct access to internal networks. Despite the prominent role of state-linked actors, financial gain still drives most activity: data theft accounts for 80% of attacks, and more than half involve ransomware.
For Amir Preminger, CTO of the Israeli critical-infrastructure security firm Claroty, the scale of the threat can no longer be ignored. His team has tracked 136 claimed attacks over the past three years, including 34 aimed at essential infrastructure and eight targeting healthcare systems. “Hospitals face the same risks as any organization, but their rapid digitalization leaves them uniquely exposed,” he warns.
The exploited weaknesses are often depressingly basic: weak or reused passwords, overdue software updates, and outdated systems. Preminger identifies two main types of state-sponsored operations: high-impact attacks designed to cause maximum shock, potentially endangering patients, and long-term infiltration efforts intended to quietly siphon off sensitive medical data.
Artificial intelligence is amplifying the threat. “AI tools are enabling inexperienced attackers to scale up quickly,” Preminger says. Some autonomous agents can already execute complex sequences of cyber operations, while healthcare institutions adopt AI faster than they can secure it.
Despite the escalating danger, Preminger argues that regulation has fallen behind. The state possesses advanced cyber capabilities but has limited authority to enforce standards or assist private-sector organizations.
The path forward, he says, must include education, awareness programs, financial support, and mandatory baseline security requirements, before the next major attack hits the core of Israel’s healthcare system.
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Exclusive: DOGE ‘Doesn’t Exist’ with Eight Months Left on its Charter
Elon Musk holds up a chainsaw onstage during the Conservative Political Action Conference (CPAC) in National Harbor, Maryland, US, February 20, 2025. Photo: REUTERS/Nathan Howard/File Photo
US President Donald Trump’s Department of Government Efficiency has disbanded with eight months left to its mandate, ending an initiative launched with fanfare as a symbol of Trump’s pledge to slash the government’s size but which critics say delivered few measurable savings.
“That doesn’t exist,” Office of Personnel Management Director Scott Kupor told Reuters earlier this month when asked about DOGE’s status.
It is no longer a “centralized entity,” Kupor added, in the first public comments from the Trump administration on the end of DOGE.
The agency, set up in January, made dramatic forays across Washington in the early months of Trump’s second term to rapidly shrink federal agencies, cut their budgets or redirect their work to Trump priorities. The OPM, the federal government’s human resources office, has since taken over many of DOGE’s functions, according to Kupor and documents reviewed by Reuters.
At least two prominent DOGE employees are now involved with the National Design Studio, a new body created through an executive order signed by Trump in August. That body is headed by Joe Gebbia, co-founder of Airbnb, and Trump’s order directed him to beautify government websites.
Gebbia was part of billionaire Elon Musk’s DOGE team while DOGE employee Edward Coristine, nicknamed “Big Balls,” encouraged followers on his X account to apply to join.
The fading away of DOGE is in sharp contrast to the government-wide effort over months to draw attention to it, with Trump, his advisers and cabinet secretaries posting about it on social media. Musk, who led DOGE initially, regularly touted its work on his X platform and at one point brandished a chainsaw to advertise his efforts to cut government jobs.
“This is the chainsaw for bureaucracy,” Musk said, holding the tool above his head at the Conservative Political Action Conference in National Harbor, Maryland, in February.
DOGE claimed to have slashed tens of billions of dollars in expenditures, but it was impossible for outside financial experts to verify that because the unit did not provide detailed public accounting of its work.
“President Trump was given a clear mandate to reduce waste, fraud and abuse across the federal government, and he continues to actively deliver on that commitment,” said White House spokeswoman Liz Huston in an email to Reuters.
TRUMP OFFICIALS HAVE BEEN SIGNALING DOGE’S DEMISE
Trump administration officials have not openly said that DOGE no longer exists, even after Musk’s public feud with Trump in May. Musk has since left Washington.
Trump and his team have nevertheless signaled its demise in public since this summer, even though the US president signed an executive order earlier in his term decreeing that DOGE would last through July 2026.
In statements to reporters, Trump often talks about DOGE in the past tense. Acting DOGE Administrator Amy Gleason, whose background is in healthcare tech, formally became an adviser to Health and Human Services Secretary Robert Kennedy in March, according to a court filing, in addition to her role with DOGE. Her public statements have largely focused on her HHS role.
Republican-led states, including Idaho and Florida, meanwhile are creating local entities similar to DOGE.
A government-wide hiring freeze – another hallmark of DOGE – is also over, Kupor said.
Trump on his first day in office barred federal agencies from bringing on new employees, with exceptions for positions his team deemed necessary to enforce immigration laws and protect public safety. He later said DOGE representatives must approve any other exceptions, adding that agencies should hire “no more than one employee for every four” that depart.
“There is no target around reductions” anymore, Kupor said.
FORMER DOGE EMPLOYEES MOVE ON TO NEW ROLES
DOGE staff have also taken on other roles in the administration. Most prominent is Gebbia, whom Trump tasked with improving the “visual presentation” of government websites.
So far, his design studio has launched websites to recruit law enforcement officers to patrol Washington, D.C., and advertise the president’s drug pricing program. Gebbia declined an interview with Reuters via a spokesperson.
Zachary Terrell, part of the DOGE team given access to government health systems in the early days of Trump’s second term, is now chief technology officer at the Department of Health and Human Services. Rachel Riley, who had the same access according to court filings, is now chief of the Office of Naval Research, according to the office’s website.
Jeremy Lewin, who helped Musk and the Trump administration dismantle the U.S. Agency for International Development, now oversees foreign assistance at the State Department, according to the agency’s website.
Musk shortly after Trump’s election said he had a mandate to “delete the mountain” of government regulations. He made undoing government regulations and remaking the government with AI two key tenets of DOGE, in addition to eliminating federal government jobs.
The administration is still working toward slashing regulations. The White House budget office has tasked Scott Langmack, who was DOGE’s representative at the Department of Housing and Urban Development, with creating custom AI applications to pore through US regulations and determine which ones to eliminate, according to his LinkedIn profile.
Musk, meanwhile, has reappeared in Washington. This week, he attended a White House dinner for Saudi Arabian Crown Prince Mohammed bin Salman.
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How Black music brought me closer to Judaism
Once, while my parents were away, my Grandma Min woke my three siblings and me at five in the morning to lecture us on the proper way to squeeze a toothpaste tube. Funny how effective that was. To this day, I can’t pick up a tube of Crest without thinking about how to squeeze it properly.
Toothpaste incident notwithstanding, I loved my Grandma Min. She was a rule-breaker and a rebel. Among the first Jewish women in Minneapolis to march for civil rights, she regularly hosted Black community leaders in her apartment and served them her own brand of soul food: blintzes, kugel, borscht, and mandelbrot. Everyone she touched — including me — was changed for the better. She’s the one who introduced me to the world’s greatest guitar teacher.

One Sunday afternoon, in the midst of a brilliant sun-shower, Lester Williams pulled up to our house in his pale-yellow Fleetwood Brougham. There’s little question that he was the first Black man to park a Cadillac on our block and walk to the door of a Jewish kid’s house for a guitar lesson.
It was Grandma Min’s idea. She’d seen Lester perform at a Hadassah luncheon, singing songs from Fiddler on the Roof with a big archtop Gibson and a tambourine balanced on his shoe. Afterwards, she asked if he’d teach me.
Lester, who was in his mid-70s at the time, wore a high-rise Don King hairdo and played in a style that was equal parts Texas blues and Yiddish theater. He taught me Sam Cooke’s ”You Send Me” and Lightning Hopkins riffs. When he sang, his eyes closed like he was singing for the Lord.
To this day, I’ve never opened my guitar case without thinking of Lester.
Back then, Jewish felt dorky; Black felt cool. In the early ’70s, a newly bar-mitzvahed kid playing funk and blues was an anomaly. Now, of course, the pop charts are built on it, but in the day it was the Eagles and Jethro Tull, not Kanye and Kendrick Lamar.
I was drawn to the groove and gravitas of Black music — Marvin Gaye, Curtis Mayfield, John Lee Hooker. It wasn’t only sound; it was a worldview. There was truth in that rhythm: sophisticated, sardonic, somehow sacred. It hovered between sex and Godliness. You could put a record on the stereo and feel righteous about reproducing the human species to it. To play that music, you had to become it, not just imitate it. I developed a lilting accent that slipped in naturally when I sang, like a thing that made down-in-the-bones sense. Every rock musician had done it in some form — Jagger, Van Morrison, the whole British Invasion.

It was a bridge to something larger, a way to escape the confines of white suburbia and begin what would become a lifelong expansion of my creative and spiritual boundaries. In retrospect, it may have been the first step on the path that led me to become an observant Jew.
Most of the kids around me seemed content inside their circumscribed worlds of hockey, keggers and Sadie Hawkins dances. I wanted to erase the margins someone else had drawn around my life. The times I could do that were rare, but they happened most powerfully when I was making music. It was then that the world lost its edges. The interplay between musicians could feel like one spirit inhabiting separate bodies. That’s how it felt when I first played with Wynston Robyns.
At my cousin Jeff’s house near Cedar Lake, we jammed in the basement — low ceiling, unused shuffleboard court in the floor, winter coats piled on the Ping-Pong table. Some older Black guys from the North Side brought their gear, a little weed, and some Ripple wine. I’d never tried Ripple before. I drank to excess.
Soon the room came alive: guitars tuned, reeds moistened, drums whacked, a few tentative chords tossed out. First rhythm, then flight. Jeff on the Fender Rhodes, me on guitar, all of us tearing it up. After an hour, the alto sax player, Jimmy, said, “You boys gotta meet Wynston Robyns.”
With Jeff’s parents away and my parents asleep and dreaming back at my house, we piled into Jimmy’s car and drove north, well past the safety of our suburb. By the time we reached Wynston’s place it was close to one in the morning. Dim light spilled from the basement windows, bass and drums rumbled from below. When Wynston finally opened the door, he filled its frame: barrel-chested, magnetic, with a half-smile suspended between welcome and menace.

We smoked more weed and played until God knows when. Some Stevie, some Lou Rawls. It was nearly dawn when Jeff and I became the new members of Wynston Robyns and Soul SearchLyte.
Rehearsals were constant — four nights a week, sometimes after school, sometimes before. Neither of us was old enough to have a driver’s license, so we took the city bus.
It took months for Soul SearchLyte to land just two gigs. The first was a corporate lunch my dad attended in a suit and tie. “Wynston seems like a really nice guy,” he said afterward, which was true…mostly. The second was New Year’s Eve at the Holiday Inn downtown. We were the “headliners,” scheduled for 1:00 a.m. — which everyone in the business knows means the time everybody has gone home to party. The real headliners went on at midnight. It was another North Side band, Champagne, featuring Morris Day, André Simone, and a diminutive guy with a large afro.
Jeff and I watched them in awe. André’s bass ran through a Mu-tron Funk Box that made every note sound like it came from the world’s best wah-wah. Morris Day’s drumming was tight, crisp, unstoppable. Wynston leaned toward me and shouted over the groove, “You see that guy? The way he chops out that rhythm? His name’s Prince. They say he’s got a record deal on Warners. Peter, that’s what you need to do if you wanna be more than just a basement guitar player.”

No offense to Soul SearchLyte, but Champagne was a brutal act to follow. By the time we went on at 3:00 a.m., only my Uncle Sonny and the bar staff were still around, mopping the floor while we played our hearts out.
A few weeks later, during rehearsal, our lead guitarist, Larry Crags, announced he was quitting.
“Wynston, I’m afraid I’m gonna have to leave the snap,” he said.
Wynston stared at him. “What the fuck did you just say?”
Larry shifted his weight. “My wife thinks it’s not a good idea — all this practice when we haven’t got any gigs lined up.”
Wynston stepped forward and jabbed his finger into Larry’s chest. “You sayin’ I’m not a man?”
It was strange. Larry hadn’t said anything of the sort.
Before Larry could answer, Wynston swung and caught him square in the face. Larry, who’d once told me in strictest confidence he was a Kung Fu master, fell hard, then rose, bloodied, into a fighting stance. Having been an ardent viewer of Kung Fu, the TV series, I waited for the mystical retaliation. It never came. Wynston hit him again, a clean right hook that sent him flying into my amplifier.
Larry crawled away, whimpering, up the stairs and out of the house. Jeff, maybe out of shock, started playing ”Rock-A-Bye Baby” on the high keys of his electric piano. From behind the drum kit someone said flatly, “Why don’t somebody shut off that amplifier?”
Wynston, panting hard, looked at me. “Peter, I suppose you wanna quit this snap too, since you’ve just seen a Black man beat up on a white dude.”
“No, Wynston,” I said. “I love being in this band.”
Hell yes, I did. I just became the lead guitarist.
Those nights in North Minneapolis — half teachable moment, half transcendence — were my first real taste of faith: the moment when music, spirit and belonging coalesced into one sound, one rhythm, one funky-ass pulse of Creation.
I’m positive Grandma Min would approve.
The post How Black music brought me closer to Judaism appeared first on The Forward.
