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Germany returns 16th-century sculpture to heirs of Jewish owner

BERLIN (JTA) — A federal German cultural organization has returned a 16th-century sculpture to the heirs of its pre-war Jewish owner who faced Nazi persecution.

The Berlin-based Prussian Cultural Heritage Foundation, or SPK (for Stiftung Preussischer Kulturbesitz), announced today that the “Maria Lactans” statuette depicting Mary nursing an infant Jesus would be given back to the family of German Jewish banker and entrepreneur Jakob Goldschmidt, who fled Nazi Germany soon after Hitler came to power.

Even in exile, Goldschmidt was persecuted by the Nazis, who confiscated his citizenship and the property he had left behind, the foundation noted.

“There is no doubt that Jakob Goldschmidt was a victim of individual persecution at the very beginning of the Nazi era,” SPK President Hermann Parzinger said in announcing the restitution on Tuesday.

According to the Washington Conference Principles on Nazi-Confiscated Art, an agreement on Holocaust era assets negotiated between Germany and the United States in 1998, works of art must be returned to their rightful owners or heirs upon proof that they were confiscated by the Nazis or sold under duress.

Speaking for the heirs, Berlin-based attorney Sabine Rudolph said they were grateful that the foundation had recognized the “special circumstances of this complex case and acknowledged it in the appropriate manner.” In a 2020 article about the case, Rudolph had argued that “no other Jewish banker was subjected to such malicious anti-Semitic hostility as Jakob Goldschmidt.”

Jakob Goldschmidt (1882-1955) was a prominent businessman in the interwar period in Germany and was targeted by the Nazis early on in their rise. He fled to Switzerland in April 1933, soon after Hitler came to power, and emigrated to New York in 1936. Four years later, the German government stripped him of his citizenship in absentia and then confiscated his remaining assets in Germany.

Goldschmidt had amassed an extensive art collection after World War I. After emigrating, he was able to export some objects via the Netherlands, but much of the collection remained in Berlin as security for loans and was sold at various auctions. The “Maria Lactans” statuette — attributed only to Circle of the Master of the Biberach Holy Clan — had been in Goldschmidt’s Berlin home, along with numerous other Renaissance works. When the house was sold in July 1933, three months after his departure, the artworks were taken to his office.

On June 23, 1936, around 300 works from the collection, including the “Maria Lactans” statuette, were sold off anonymously at the Hugo Helbing auction house. Art dealer Johannes Hinrichsen bought the statuette for 8,000 Reichsmarks and sold it to the Berlin State Museums that same year. The Berlin museum complex loaned it to the Ulm Museum in 1993.

According to the Prussian foundation, which oversees more than 20 museums and other cultural institutions in the Berlin area, the 1936 auction qualifies as a persecution-related property loss under the Washington Principles.

Deidre Berger, chair of the board of the Berlin-based Jewish Digital Cultural Recovery Project, called the restitution “an encouraging development. It is based on growing recognition by public institutions of the injustice of forced sales or sales under duress by Jewish families forced into financial ruin by Nazi antisemitic policies.”

The JDCRP was founded in 2019 by the Claims Conference and the New York-based Commission for Art Recovery to research and document the history of Nazi-era looted art and create a central database.

“In the 1950s, German courts continued to use antisemitic arguments to deny attempts by the Goldschmidt family to retrieve at least part of their collection, by claiming that the Jewish banker contributed to German financial problems,” Berger added. Focusing on such cases brings “overdue public attention to the long-neglected chapter of the vast amounts of cultural plunder by the Nazis and their allies.”


The post Germany returns 16th-century sculpture to heirs of Jewish owner appeared first on Jewish Telegraphic Agency.

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How the Israeli police’s first trans volunteer fought bigotry on the force

From the beginning of the biographical documentary The First Lady, Efrat Tilma makes it clear she has mixed feelings about the film, which details how she became the first trans woman to volunteer in Israel’s police department. When asked why she wanted to make the movie, she tells one of the directors, “I didn’t want to. You asked me.” This prickly demeanor persists throughout the film, although she later acknowledges that she wants “to show people that a trans woman is just like any other woman, like any other person.”

Tilma starts her story in 1964, the year she first tried living as a woman. Using archival footage, animation, and present-day interviews, directors Udi Nir and Sagi Bornstein present a moving portrait of Tilma’s life, unveiling how the burdens of her past have followed her into the present.

When Tilma was 14, she often wandered the streets of Tel Aviv to escape her abusive father. There she met another trans woman, Gila Goldstein, who introduced her to a whole network of trans women who taught Tilma about hormones and gender reassignment surgery. That same year, a man held her hostage in his apartment for a day and a half and sexually assaulted her. Not long afterwards, she says, an Israeli police officer threatened to kill her for dressing as a woman.

These experiences made her determined to carve her own path in spite of obstacles or the opinions of others, including the film directors. In one scene, as the team records her coming out of her apartment building, she strikes several poses.

“Natural, Efrat. We said natural!” a director reminds her.

“Kiss my ass!” Tilma responds, before strutting away.

But behind all the bravado is a vulnerable human being, who spends her first moment in the film nervously rehearsing the speech she is going to give at a 2023 Pride celebration in Israel. Tilma acknowledges that she’s not sure she’s been able to process her trauma and still carries it with her.

Tilma as an airline stewardess. Courtesy of Efrat Wilma

After leaving Israel in 1967, Tilma spent nearly four decades living in Europe, where she created a new life for herself as a woman. She performed in nightclubs, worked as an airline stewardess, got sex reassignment surgery in Morocco, married a man, and, nearly two decades later, divorced him. In 2005, she finally moved back to Israel and, on a whim, began volunteering with the Israel Police.

She wasn’t open about her gender identity at first, given the negative way she saw her colleagues treat trans women on the street. But when the police captain eventually discovered she was trans, the result ended up being positive: She began leading workshops on approaching the trans community with empathy and respect.

The film jumps between Tilma’s past and the present, as she reacts to Netanyahu’s 2022 re-election and the creation of a far-right coalition in Israel. Convinced that the world is reverting to the hateful days of her youth, Tilma leaves the police force and plans how she’ll kill herself if the government attempts to round up trans people. As protests start to sweep the country, however, she decides to channel her fear into activism. Shots of her among the protesters are mixed with recollections of her 1971 sex reassignment surgery and abuse she faced from a doctor in 1973.

Respecting Tilma’s boundaries while encouraging her to share her life story, the filmmakers capture both Tilma’s toughness and sensitivity, giving the film the honesty and heart that make The First Lady feel so intimate. They get Tilma to open doors into her life — literally.

Several times, the directors try to convince Tilma to bring the film crew into her apartment, where she says that no one else has been for a decade. When she finally lets them inside, they encounter piles of clothing, discarded plastic bottles, and other hoarded objects. The filmmakers tell her that the film crew will help her reorganize the apartment bit by bit, in much the same way they piece together her story: bit by bit.

Even if she approaches the whole process with a bit of attitude, Tilma remains determined to never give up fighting for a better life — or a better apartment.

The First Lady will screen at the New York Jewish Film Festival on Jan. 20.

The post How the Israeli police’s first trans volunteer fought bigotry on the force appeared first on The Forward.

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Exclusive: Israeli Officials Harshly Critical of Steve Witkoff’s Influence on US Policy on Gaza, Iran, i24NEWS Told

US Middle East envoy Steve Witkoff, Washington, DC, Jan. 20, 2025. Photo: REUTERS/Carlos Barria

i24 NewsAmid growing disagreements with the Trump administration over the composition of the Board of Peace for Gaza and the question of a strike on Iran, officials in Israel point to a key figure behind decisions seen as running counter to Israeli interests: Special Envoy Steve Witkoff.

The officials mention sustained dissatisfaction with Witkoff. Sources close to the PM Netanyahu told i24NEWS on Saturday evening: “For several months now, the feeling has been that envoy Steve Witkoff has strong ties, for his own reasons, across the Middle East, and that at times the Israeli interest does not truly prevail in his decision-making.”

This criticism relates both to the proposed inclusion of Turkey and Qatar in Gaza’s governing bodies and to the Iranian threat. A senior Israeli official put it bluntly: “If it turns out that he is among those blocking a strike on Iran, that is far more than a coincidence.”

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EU Warns of Downward Spiral After Trump Threatens Tariffs Over Greenland

European Union flags flutter outside the EU Commission headquarters in Brussels, Belgium, on June 17, 2022. Photo: Reuters/Yves Herman

European Union leaders on Saturday warned of a “dangerous downward spiral” over US President Donald Trump‘s vow to implement increasing tariffs on European allies until the US is allowed to buy Greenland.

“Tariffs would undermine transatlantic relations and risk a dangerous downward spiral. Europe will remain united, coordinated, and committed to upholding its sovereignty,” European Commission President Ursula von der Leyen and EU Council President Antonio Costa said in posts on X.

The bloc’s top diplomat Kaja Kallas said tariffs would hurt prosperity on both sides of the Atlantic, while distracting the EU from its “core task” of ending Russia’s war in Ukraine.

“China and Russia must be having a field day. They are the ones who benefit from divisions among allies,” Kallas said on X.

“Tariffs risk making Europe and the United States poorer and undermine our shared prosperity. If Greenland’s security is at risk, we can address this inside NATO.”

Ambassadors from the European Union’s 27 countries will convene on Sunday for an emergency meeting to discuss their response to the tariff threat.

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