Connect with us

RSS

Glazed over: 2010s vibes abound in Ilana Glazer’s made-in-Toronto comedy special ‘Human Magic’

In 2016, the American comedian Ali Wong put out a comedy special. As reviewer Michelle Ruiz put it at the time for Vogue, “Until her, I’d never seen a pregnant stand-up. I’d never seen a pregnant stand-up pretending to trap a man’s head between her legs in simulated cunnilingus either, but this is the beauty of Baby Cobra.” Jason Zinoman of the New York Times meanwhile called Wong’s performance “something new, a pregnant woman in her third trimester delivering a deliriously filthy and funny hour of comedy woven into a sneakily feminist assault on the double standards of parenting.”

Going on a decade ago, it was refreshing, raw, what have you, to see a woman in this deeply domestic state, speaking about sex and bodies in a way more commonly associated with… well, with men. And a racialized woman, too—a further change of pace in the white, male world of stand-up.

During that era, American comics Abbi Jacobson and Ilana Glazer had moved their web series Broad City onto cable television, showing that young women—not just young men—could be hijinks-having stoners. We were still in the era (Knocked Up, 2007) where men (perhaps played by Seth Rogen) could be slackers and some no-nonsense woman, perhaps played Katherine Heigl, would be the responsible one. We’re kind of back in that era now, but for five minutes there, it was allowed that women sometimes slacked.

Like seemingly all Jewish women at the time, I was a huge fan of this show. I particularly loved the 2015 episode, “Knockoffs,” that weaves together a plot with Abbi’s character trying out a certain new act with a male partner and Ilana’s discount handbag shopping with her mother. It was the second of the two that truly made the episode, showcasing a part of the New York mother-daughter experience never before seen, or at least not seen since The Nanny. But you need both threads to make sense of what follows: The bargains turn out to be found underground, as in literally beneath the road, yielding one of the best comedic lines of all time: “All the good shit is always down a manhole.”

Art about slackerdom, told from the slacker’s perspective, is always a challenge, but they nailed it. Broad City was objectively delightful, but also innovative in a way of specific interest to me: it presented unambiguously Jewish, Jewish-looking young women as protagonists, not sidekicks. They were the comic relief and the ones out having sexual adventures, and going on a satirical version of Birthright Israel. After growing up surrounded by a Gwyneth-led beauty standard, I got a kick out of knowing that I now lived in a world where women like these were considered desirable. What’s it to me if men think Scarlett Johansson’s hot? Abby and Ilana, this is another matter.

I’m a few months older than Jacobson and (this will be relevant) a few years older than Glazer, but close enough in age to both that it was a bit like watching my own early-20s Brooklyn-dwelling life, except hilarious. I remember it as a kind of counterpoint to Lena Dunham’s Girls, about a not-dissimilar milieu and life stage, but just so much sillier, and therefore more my speed. While I can’t say I’m committed to realism or representation in my television viewing generally (or else why so devoted to Midsomer Murders?) there was something special about how this show was covering familiar-to-me territory and getting it so right.

***

As I will be the first in human history to observe, time passes. For most of us, it’s a bit who cares. It’s unremarkable if the classmate who partied hard at 19 is more settled-down at 39. Not so if you made a name for yourself as your own free-spirited slacker-stoner alter ego, the picture of unfettered youth. If you’re Ilana Glazer, if you played the less responsible of the Broad City broads, and had the audacity to grow up, get married, and have a kid, your fans may demand an explanation.

Glazer’s comedy special, Human Magic, filmed at the Elgin and Winter Garden Theatre in Toronto last May and released for streaming in the final days of 2024 (on Hulu in the U.S. but via the adult side of Disney Plus in Canada) , brings the fans up to speed. It reconciles the filthy-mind-possessing Ilana Wexler alter ego from Broad City with the grown-up, responsible, professionally accomplished Ilana Glazer before us today. It is also an attempt at making a 2010s… vibe? ethos? relevant to the 2020s.

Human Magic is the 2020s’ answer to Baby Cobra, which may be where things go awry. It’s no longer groundbreaking to be a pregnant woman or new mom who (glances around anxiously) does sex stuff. It is maybe slightly edgy to admit to being a mom who consumeth the marijuana, as Glazer does, as is central to her personal brand, but stonerdom itself isn’t the rebellion it once was, not with legal dispensaries surrounding the theatre she’s performing at on Yonge Street—to say nothing of the rest of North America—not with all the much-publicized research about alcohol as a carcinogen, making Team Weed seem as if they had the right idea all along.

That’s not to say there isn’t a twist. The twist is that Glazer is not like those other women who love their husbands and have babies with them and enjoy cleaning the house and help their inept-shopper husbands buy T-shirts. And I don’t just mean because she’s a famous person.

Glazer now describes herself as a “queer Jewy woman,” but does not elaborate on what sort of queer she—a woman with a husband—identifies as. A non-practising bisexual, one might guess. (Human Magic includes what might be the lewdest-ever way of expressing the fact that the speaker is monogamous, and much of the special is about her sexual history with men, though she does mime a sex act involving another woman, but only—hard to explain—to make a feminist point about microphones being too phallic.) And perhaps that as well, I have no idea.

A glance at Instagram and recent media coverage attests that Glazer uses she/her as well as they/them pronouns, suggesting that this is core to what Glazer’s referring to when speaking of queerness. Per a recent profile in The Independent—which was picked up by other clickbait headline outlets like it was still 2014—having a baby paradoxically tapped her into her own gender multitude (as versus the boring thing where it reminds you just how female you are), and today, “she identifies as a non-binary woman.”

If this has you wondering who among us identifies as a binary woman, you are not alone. If you’re not wondering this, you are mad at me for having done so. Those are, you see, the only options.

But the interview got picked up, as they will, and held up as evidence that a beloved celebrity had Come Out As Queer. Fine, an assigned-female-at-birth, feminine-presenting, husband-having one, but why should any of that matter? It’s a big tent! Vogue publisher Condé Nast’s gender-celebrity website Them celebrated this revelation-of-sorts as follows: “We love a subtle nonbinary slay, especially when it comes from none other than Ilana Glazer.”

The subtlety is undeniable. Blink and you’d miss it.

***

You can never know, when talking about another person, what’s a tentative first step on a journey, and what’s a gesture taken on for symbolic reasons. It’s entirely possible that tomorrow, Glazer will announce exclusively they/them—or he/they, or he/him—pronouns, and whichever material transitioning in whichever direction, and I will feel like a terrible person for having even fleetingly interpreted this as a case of a functionally if not technically straight lady presenting herself as more interesting (or oppressed) than she is.

It is also possible that I will wake up tomorrow with the politics and inclinations of someone born a micro-era later than I was (Glazer was born in 1987, whereas I’m an ancient ’83er, and this seems a critical difference for this sort of thing) and be putting she/they into my bios and—despite nothing substantively changing about me or how I live my life—everyone will have to walk on eggshells when discussing me and my bog-standard hetero household.

Everyone apart from the right-wing rabble-rousers, who take a different tack. Well those, and people who from-the-left critique such things, often with the derisive term, spicy straights.

My commitment to the she/her (or, more precisely, to not stating my pronouns and letting others come to the likeliest conclusion) is more a matter of generation or sensibilities than place on any gender spectrum. I have no reason to believe I am more comfortable in my femininity, or however you want to phrase such things, than Glazer is in hers. My hunch here—and it can only be a hunch, I’m not in her brain—is that we have different frameworks for understanding the same kinds of experiences.

Why, then, am I walking on eggshells talking about this? Why am I questioning my choice to use she/her for Glazer, wondering at 9:15 p.m. whether the Wikipedia entry’s use of they/them (which it notes is for consistency, just to pick something) ought to have trumped the Independent profile’s she/her? If I had reason to believe Glazer consistently preferred they/them, I would use they/them, I have no whole thing about this, and believe in using the pronouns people request. Why do I feel like a bad guy here?

My jumpiness isn’t much of a mystery, though. It’s because I’m a repeat visitor to rodeos of this nature. There’s a subset of people who will be next-level furious at me for what they will call erasure, gatekeeping, transphobia. All this because of what is essentially a semantic difference of approach between two people whose lives are—apart from one of them being a famous person who helped create the brilliance that is Broad City—remarkably alike.

Who cares, and more to the point, what does any of this have to do with Human Magic?

The subtext of Human Magic is that Glazer is not just some straight-lady comic offering up relatable anecdotes. She’s someone you’d least expect to be leading such a conventional life. And she describes it all in this cool-kid tone that makes you almost forget that the things she’s talking about (loving your baby, enjoying sex with your husband) are, well, square.

***

I am not an Ilana Glazer-ologist, which is to say, my interest is the persona, not the person. And the persona she presents in Human Magic is no more or less conventionally feminine than the typical straight woman. It is not just the gushing about the husband (more on that in a moment), but visible to anyone with any familiarity with gendered self-presentation in our society. She’s dressed in a black, off-the-shoulder minidress or shirt-and-miniskirt (mini-skort?) combo, with black stockings, a chic necklace, and gorgeous shimmery eyeshadow.

Now someone could be as described and use any pronouns. But the overall effect—combined with Glazer’s own references to herself as a woman and “mom” throughout the special—suggests that one would not be misgendering Glazer to call her a woman. She calls herself a woman! (Why am I walking on eggshells?) And unlike her Broad City co-creator and co-star, who is married to another woman, Glazer is what one might call straight-passing. (A wife, if you’re a woman, is a dead giveaway about the not-straight thing.)

What I keep returning to is the T-shirt interlude. In this part of Human Magic, Glazer pokes gentle fun at her husband for his inability to buy his own clothes. She has to show him the websites and tell him what size he wears. Men!

This is standard stand-up fare. The bumbling husband, flummoxed by a domestic task, or maybe he deems it too trivial. There’s also something mildly absurd about how specifically I related to this (the scientist husband, those exact T-shirt websites). Queer Jewy women, straight Jewy women, not so different after all!. 

Glazer is nothing if not a member of her moment. She admits that she’s married, but encourages applause for the divorcees in the audience at the start of the show, calling herself a “divorce enthusiast.” She performs—literally, she is on a stage—the requisite feminist ambivalence of being in an opposite-sex relationship. “I feel so lucky to be married to my husband, but it’s hard at baseline to be a woman married to a man. Cause I see him sometimes as [here she gets dramatically angry] SOME MAN, instead of the person I chose to spend my life with.”

It’s performative misandry, but it’s also heteropessimism—or what would be called that if the person experiencing it identified as heterosexual. Glazer negotiates a squickiness surrounding her quasi-straight-womanhood (straight quasi-womanhood?) by describing herself as pro-guys, anti-men, with a whole routine about the difference between guys and men. Something about guys wearing sweatpants to buy groceries and men wearing jeans to work out in.

The guys-good, men-bad bit is a little funny, maybe? Not earth-shattering. It taps into something in the culture, though. Specifically, to the loophole according to which you’re permitted to be a ban-men feminist and have a male partner, so long as you tell anyone who’ll listen that you’ve found one of the good ones. Where this is meant to leave the women married to less-good ones (are they victims or just bad feminists?) I’m never clear.

***

Human Magic has its moments, in the Baby Cobra mould. Glazer describes a medical exam she had before giving birth as being “fingered” and in a positive sense—something I think I might find unnerving to hear if I were the doctor who’d performed the exam, but it’s a comedy special, maybe this never happened! She recalls the expletives she uttered when in awe of the miracle of having just had her baby. She confesses—in a scandalous tone—that she enjoys performing oral sex. Is the audience meant to be scandalized because sex, or because the sex-haver is a mom, or is it that third thing: that it’s yeah kinda shameful to be into sex with men, if you’re a queer feminist?

Loving your husband, enjoying sex with him, liking that he can carry heavy items (“I’ll tell you one thing daddies can do: carry shit”) not liking that he can’t be bothered to order his own T-shirts, loving your baby, worrying about your baby eating solids and how that’s going, enjoying cleaning your house (this is, Glazer explains, her Shabbat ritual), these are all things that put Glazer in community with the wide world of basic straight ladies. (I detest cleaning my house, which puts me where on the gender spectrum?) She presents her preferences for ordinary things as shocking revelations—the subtext being, can you believe someone like ME is into this stuff?

The more I think of it, the stranger it all seems. Annoying, but also kind of brilliant? There’s a part about how the first time she had fully unprotected intercourse was when trying for a baby. She describes this entirely banal fact of how one plans a pregnancy in extremely funny terms that sound both erotic and sordid.

What Glazer does—and what puts her in the spirit of Ali Wong—is remind that getting older, moving through the various life stages, does not magically remove women’s humanness. (Human Magic the title refers to reproduction, but could as easily refer to what’s imagined happens to women when no longer 22 and carefree.) Human Magic reminds that mothers are also women, that women are also people. Not just as in, people deserving of human rights, but people whose minds go to places that our culture ascribes to teenage boys.

The breakthrough of Broad City was showing that what’s thought of as teenage-boy-ness exists in young women as well. Human Magic extends the privilege to slightly older women. In a way.

***

Is the special not that funny because it’s too sanctimonious? After all, Glazer is an outspoken progressive, Broad City had a Hillary Clinton cameo in 2016 (whole lot of good that did, but I digress), and is a supporter of the Palestinian cause.  

But we are not in the realm of humourless scolding a la Hannah Gadsby’s 2018 anti-comedy comedy special, Nanette. Glazer’s comic timing is still there, her exaggerated expressions, and if some of her qualities that were charming on Broad City now inspire a bit of, you do realize you’re borderline middle-aged now yes?, like when she refers to her toddler as “dawg,” it is clear she does in fact realize this, and is in on the joke.

Glazer comes across as aware she’s known for having righteous left-wing politics, and uses this as a way of offering unexpected twists. She talks about how dreadful it was, developing breasts early—“shtetl titties,” she calls them—and being sexualized from a young age. She then pivots to how, in her 30s, she’s no longer gently patted in public spaces and how she misses this. That’s it, that’s the joke.

Then there’s the interlude where Glazer admonishes mainstream (non-feminist) pornography for its emphasis on incest. She digresses a bit and you think she’s about to condemn the 1995 movie Clueless for its step-sibling romance. Really, you think, she’s out here cancelling Clueless? Instead she mimes her then-pubescent self let us say really enjoying the film—and in doing so, going somewhere far franker than Clueless itself ever did.   

I suppose a part of me reacted to the knowledge that Glazer doesn’t fully identify as a woman the way I would have had I learned that she no longer considered herself Jewish. (Note: she absolutely does consider herself Jewish; it’s an analogy.) Broad City was such a triumph of Jewish female representation that maybe I am, on some level, unjustly attached to the idea of its creators as female and as Jews.

The CJN’s opinion editor Phoebe Maltz Bovy can be reached at pbovy@thecjn.ca, not to mention @phoebebovy on Bluesky, and @bovymaltz on X. She is also on The CJN’s weekly podcast Bonjour ChaiFor more opinions about Jewish culture wars, subscribe to the free Bonjour Chai newsletter on Substack.

The post Glazed over: 2010s vibes abound in Ilana Glazer’s made-in-Toronto comedy special ‘Human Magic’ appeared first on The Canadian Jewish News.

Continue Reading

RSS

Iran Rejects US Nuclear Proposal, Says ‘Counteroffer’ Coming as Talks Stall Over Uranium Enrichment, Sanctions

Iran’s Supreme Leader Ayatollah Ali Khamenei speaks during a meeting in Tehran, Iran, May 20, 2025. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS

Iran has denounced the latest nuclear proposal from the United States as “unprofessional and untechnical,” reaffirming the country’s right to enrich uranium and announcing plans to present a counteroffer in the coming days.

“After receiving the American proposal regarding the Iranian nuclear program, we are now preparing a counteroffer,” Ali Shamkhnai, political adviser to Iran’s Supreme Leader Ayatollah Ali Khamenei, said in an interview on Wednesday.

Shamkhani criticized the White House draft proposal as “not well thought out,” emphasizing its alleged failure to address sanction relief — a key demand for Tehran under any deal with Washington.

“There is no mention whatsoever of lifting sanctions in the latest American proposal, even though the issue of sanctions is a fundamental matter for Iran,” Shamkhnai said.

The Iranian official also warned that Tehran will not allow the US to dismantle its “peaceful nuclear program” or force uranium enrichment down to zero.

“Iran will never relinquish its natural rights,” Shamkhani said.

Washington’s draft proposal for a new nuclear deal was delivered by Omani officials — who have been mediating negotiations between Iranian Foreign Minister Abbas Araghchi and US Special Envoy to the Middle East Steve Witkoff — during last month’s talks in Rome.

On Wednesday, Khamenei dismissed such an offer, saying it “contradicts our nation’s belief in self-reliance” and runs counter to Iran’s key objectives.

“The proposal that the Americans have presented is 100 percent against our interests,” the Iranian leader said during a televised speech.

“The rude and arrogant leaders of America repeatedly demand that we should not have a nuclear program. Who are you to decide whether Iran should have enrichment?” Khamenei continued.

After five rounds of talks, diplomatic efforts have yet to yield results as both adversaries clash over Iran’s demand to maintain its domestic uranium enrichment program — a condition the White House has firmly rejected.

In April, Tehran and Washington held their first official nuclear negotiation since the US withdrew from a now-defunct 2015 nuclear deal that had imposed temporary limits on Iran’s nuclear program in exchange for sanction relief.

Since taking office, US President Donald Trump has sought to curtail Tehran’s potential to develop a nuclear weapon that could spark a regional arms race and pose a threat to Israel.

Meanwhile, Iran seeks to have Western sanctions on its oil-dependent economy lifted, while maintaining its nuclear enrichment program — which the country insists is solely for civilian purposes.

As part of the Trump administration’s “maximum pressure” campaign against Iran — which aims to cut the country’s crude exports to zero and prevent it from obtaining a nuclear weapon — Washington has been targeting Tehran’s oil industry with mounting sanctions.

Amid the ongoing diplomatic deadlock, Israel has declared it will never allow the Islamist regime to acquire nuclear weapons, as the country views Iran’s nuclear program as an existential threat.

However, Israeli Prime Minister Benjamin Netanyahu pledged to uphold any agreement that prevents Tehran from enriching uranium.

“But in any case, Israel maintains the right to defend itself from a regime that is threatening to annihilate it,” Netanyahu said in a press conference last month, following reports that Jerusalem could strike Iranian nuclear sites if ongoing negotiations between Washington and Tehran fail.

The post Iran Rejects US Nuclear Proposal, Says ‘Counteroffer’ Coming as Talks Stall Over Uranium Enrichment, Sanctions first appeared on Algemeiner.com.

Continue Reading

RSS

Day After Colorado Attack, Founder of Anti-Israel Group Chides Activists Who Are Insufficiently ‘Pro-Resistance’

Nerdeen Kiswani, founder of WithinOurLifetime (WOL), leading a pro-Hamas demonstration in New York City on Aug. 14, 2024. Photo: Michael Nigro via Reuters Connect

Nerdeen Kiswani, the founder of the radical anti-Israel organization Within Our Lifetime, chastised those within the pro-Palestinian movement who only support “resistance” in the abstract but not in practice following Sunday’s antisemitic attack in Boulder, Colorado.

“A lot of people who call themselves anti-Zionist or pro-resistance don’t actually understand what resistance is,” Kiswani posted on X/Twitter on Monday. “They support it in theory, but when it shows up in practice, they hesitate, distance themselves, or shift the conversation entirely.”

She continued, “And it makes it even harder for those of us who are principled to take public stances. We’re already marginalized, already painted as extreme or dangerous and that isolation only deepens when others in the movement won’t stand firm when it counts.”

Kiswani’s comments came the day after a man threw Molotov cocktails at a Boulder gathering where participants were rallying in support of the Israeli hostages who remain in captivity in Gaza — which resulted in 15 injuries, including some critically, in what US authorities called a targeted terrorist attack. Her tweets also came less than two weeks after a gunman murdered two Israeli embassy staffers in Washington, DC, while they were leaving an at the Capital Jewish Museum hosted by the American Jewish Committee. In both attacks, the perpetrator yelled “Free Palestine” as they targeted innocent civilians, according to the Federal Bureau of Investigation (FBI).

After Kiswani’s social media posts sparked some backlash among pro-Israel users on X, she provided limited pushback on the idea that it was an expression of support for the prior day’s attack in Colorado.

“Zionists are freaking out in the QTs about this, insisting it’s about Colorado,” she wrote. “Newsflash: the world doesn’t revolve around you. Resistance hasn’t stopped in Gaza, look at what just happened in Jabalia [where three IDF soldiers were killed] for instance. The perpetual victimhood is getting old.”

However, Kiswani did not say her comment had no connection to the attack in Colorado, and she did not say that she opposed the firebombing.

Kiswani and her group, Within Our Lifetime (WOL), have been at the forefront of anti-Israel and pro-Hamas activism since Hamas-led Palestinian terrorists killed 1,200 people and abducted 251 hostages during their invasion of southern Israel on Oct. 7, 2023, a massacre that started the war in Gaza.

On Oct. 8, 2023, one day after the biggest single-day slaughter of Jews since the Holocaust, WOL organized a protest to celebrate the prior day’s attack, which it described as an effort to “defend the heroic Palestinian resistance.” Kiswani notably refused to condemn Hamas and the Oct. 7 massacre following the atrocities.

Then, in Apil 2024, Kiswani refused to condemn the chant “Death to America” and organized a mass demonstration to block the “arteries of capitalism” by staging a blockade of commercial shipping ports across the world in protest of Western support for the Jewish state. That same month, she was banned from Columbia University’s campus in New York City after leading chants calling for an “intifada,” or violent uprising.

The following month, Kiswani led a demonstration in Brooklyn, New York in which she lambasted the local police department, claimed then-US President Joe Biden will soon die, and called for the destruction of Israel.

That proceeded the activist saying she does not want Zionists “anywhere” in the world while speaking in defense of a person who called for “Zionists” to leave a crowded subway car in New York City.

WOL, which planned a protest last year to celebrate the one-year anniversary of the Oct. 7 massacre, was also behind demonstrations at the Nova Music Festival exhibit, which commemorated the more than 300 civilians slaughtered by Hamas while at a music festival.

The latter protest prompted widespread condemnation, including from Biden and even progressive members of the US Congress who are outspoken against Israel.

US Rep. Alexandria Ocasio-Cortez (D-NY), for example, posted on social media that the “callousness, dehumanization, and targeting of Jews on display at last night’s protest outside the Nova Festival exhibit was atrocious antisemitism – plain and simple.”

The post Day After Colorado Attack, Founder of Anti-Israel Group Chides Activists Who Are Insufficiently ‘Pro-Resistance’ first appeared on Algemeiner.com.

Continue Reading

RSS

Israel’s Defense Exports Hit Record $15 Billion in 2024 Despite European Pressure, Calls for Arms Embargo

Israeli troops on the ground in Gaza. Photo: IDF via Reuters

Israel reached a new all-time high in defense exports in 2024, nearing $15 billion — the fourth consecutive year of record-breaking sales — despite mounting international criticism over the war in Gaza and growing pressure from European countries to suspend arms deals.

In a press release on Wednesday, Israel’s Defense Ministry announced that defense exports reached over $14.7 billion last year — a 13 percent increase from 2023 — with more than half of the deals valued at over $100 million.

According to the ministry, Israel’s military exports have more than doubled over the past five years, highlighting the industry’s rapid expansion and growing global demand.

“This tremendous achievement is a direct result of the successes of the IDF [Israel Defense Forces] and defense industries against Hamas in Gaza, Hezbollah in Lebanon, the Houthis in Yemen, the Ayatollah regime in Iran, and in additional arenas where we operate against Israel’s enemies,” Israeli Defense Minister Israel Katz said in a statement.

“The world sees Israeli strength and seeks to be a partner in it. We will continue strengthening the IDF and the Israeli economy through security innovation to ensure clear superiority against any threat – anywhere and anytime,” Katz continued.

In 2024, over half of the Jewish state’s defense contracts were with European countries — up from 35 percent the previous year — as many in the region have increased their defense spending following Russia’s 2022 invasion of Ukraine.

Despite increasing pressure and widespread anti-Israel sentiment among European governments amid the current conflict in Gaza, this latest data seems to contradict recent calls by European leaders to impose an arms embargo on the Jewish state over its defensive campaign in Gaza against the Palestinian terrorist group Hamas.

On Wednesday, Germany reversed its earlier threat to halt arms deliveries to Israel, reaffirming its commitment to continue cooperation and maintain defense contracts with Jerusalem.

“Germany will continue to support the State of Israel, including with arms deliveries,” German Foreign Minister Johann Wadephul told lawmakers in parliament.

Last week, Berlin warned it would take unspecified measures against Israel if it continued its military campaign in Gaza, citing concerns that exported weapons were being used in violation of humanitarian law.

“Our full support for the right to exist and the security of the State of Israel must not be instrumentalized for the conflict and the warfare currently being waged in the Gaza Strip,” Wadephul said in a statement.

Germany would be “examining whether what is happening in the Gaza Strip is compatible with international humanitarian law,” he continued. “Further arms deliveries will be authorized based on the outcome of that review.”

Spain and Ireland are among the countries in Europe that have threatened or taken steps to limit arms deals with Israel, while others such as France have threatened unspecified harsh measures against the Jewish state.

According to the Israeli defense ministry’s report, since the outbreak of war on Oct. 7, 2023, after the Hamas-led invasion of and massacre across southern Israel, the operational successes and proven battlefield performance of Israeli systems have fueled strong international demand for Israel’s defense technology.

Last year, the export of missiles, rockets, and air defense systems reached a new high, making up 48 percent of the total deal volume — up from 36 percent in 2023.

Similarly, satellite and space systems exports surged, accounting for 8 percent of total deals in 2024 — quadrupling their share from 2 percent in 2023.

While Europe dominated Israel’s defense export market in 2024, significant portions also went to other regions. Asia and the Pacific made up 23 percent of total sales — slightly lower than in previous years, when the region approached 30 percent.

Exports to Abraham Accords countries fell to 12 percent, down from 23 percent in 2022, while North America remained stable at around 9 percent.

The post Israel’s Defense Exports Hit Record $15 Billion in 2024 Despite European Pressure, Calls for Arms Embargo first appeared on Algemeiner.com.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News