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Glazed over: 2010s vibes abound in Ilana Glazer’s made-in-Toronto comedy special ‘Human Magic’
In 2016, the American comedian Ali Wong put out a comedy special. As reviewer Michelle Ruiz put it at the time for Vogue, “Until her, I’d never seen a pregnant stand-up. I’d never seen a pregnant stand-up pretending to trap a man’s head between her legs in simulated cunnilingus either, but this is the beauty of Baby Cobra.” Jason Zinoman of the New York Times meanwhile called Wong’s performance “something new, a pregnant woman in her third trimester delivering a deliriously filthy and funny hour of comedy woven into a sneakily feminist assault on the double standards of parenting.”
Going on a decade ago, it was refreshing, raw, what have you, to see a woman in this deeply domestic state, speaking about sex and bodies in a way more commonly associated with… well, with men. And a racialized woman, too—a further change of pace in the white, male world of stand-up.
During that era, American comics Abbi Jacobson and Ilana Glazer had moved their web series Broad City onto cable television, showing that young women—not just young men—could be hijinks-having stoners. We were still in the era (Knocked Up, 2007) where men (perhaps played by Seth Rogen) could be slackers and some no-nonsense woman, perhaps played Katherine Heigl, would be the responsible one. We’re kind of back in that era now, but for five minutes there, it was allowed that women sometimes slacked.
Like seemingly all Jewish women at the time, I was a huge fan of this show. I particularly loved the 2015 episode, “Knockoffs,” that weaves together a plot with Abbi’s character trying out a certain new act with a male partner and Ilana’s discount handbag shopping with her mother. It was the second of the two that truly made the episode, showcasing a part of the New York mother-daughter experience never before seen, or at least not seen since The Nanny. But you need both threads to make sense of what follows: The bargains turn out to be found underground, as in literally beneath the road, yielding one of the best comedic lines of all time: “All the good shit is always down a manhole.”
Art about slackerdom, told from the slacker’s perspective, is always a challenge, but they nailed it. Broad City was objectively delightful, but also innovative in a way of specific interest to me: it presented unambiguously Jewish, Jewish-looking young women as protagonists, not sidekicks. They were the comic relief and the ones out having sexual adventures, and going on a satirical version of Birthright Israel. After growing up surrounded by a Gwyneth-led beauty standard, I got a kick out of knowing that I now lived in a world where women like these were considered desirable. What’s it to me if men think Scarlett Johansson’s hot? Abby and Ilana, this is another matter.
I’m a few months older than Jacobson and (this will be relevant) a few years older than Glazer, but close enough in age to both that it was a bit like watching my own early-20s Brooklyn-dwelling life, except hilarious. I remember it as a kind of counterpoint to Lena Dunham’s Girls, about a not-dissimilar milieu and life stage, but just so much sillier, and therefore more my speed. While I can’t say I’m committed to realism or representation in my television viewing generally (or else why so devoted to Midsomer Murders?) there was something special about how this show was covering familiar-to-me territory and getting it so right.
***
As I will be the first in human history to observe, time passes. For most of us, it’s a bit who cares. It’s unremarkable if the classmate who partied hard at 19 is more settled-down at 39. Not so if you made a name for yourself as your own free-spirited slacker-stoner alter ego, the picture of unfettered youth. If you’re Ilana Glazer, if you played the less responsible of the Broad City broads, and had the audacity to grow up, get married, and have a kid, your fans may demand an explanation.
Glazer’s comedy special, Human Magic, filmed at the Elgin and Winter Garden Theatre in Toronto last May and released for streaming in the final days of 2024 (on Hulu in the U.S. but via the adult side of Disney Plus in Canada) , brings the fans up to speed. It reconciles the filthy-mind-possessing Ilana Wexler alter ego from Broad City with the grown-up, responsible, professionally accomplished Ilana Glazer before us today. It is also an attempt at making a 2010s… vibe? ethos? relevant to the 2020s.
Human Magic is the 2020s’ answer to Baby Cobra, which may be where things go awry. It’s no longer groundbreaking to be a pregnant woman or new mom who (glances around anxiously) does sex stuff. It is maybe slightly edgy to admit to being a mom who consumeth the marijuana, as Glazer does, as is central to her personal brand, but stonerdom itself isn’t the rebellion it once was, not with legal dispensaries surrounding the theatre she’s performing at on Yonge Street—to say nothing of the rest of North America—not with all the much-publicized research about alcohol as a carcinogen, making Team Weed seem as if they had the right idea all along.
That’s not to say there isn’t a twist. The twist is that Glazer is not like those other women who love their husbands and have babies with them and enjoy cleaning the house and help their inept-shopper husbands buy T-shirts. And I don’t just mean because she’s a famous person.
Glazer now describes herself as a “queer Jewy woman,” but does not elaborate on what sort of queer she—a woman with a husband—identifies as. A non-practising bisexual, one might guess. (Human Magic includes what might be the lewdest-ever way of expressing the fact that the speaker is monogamous, and much of the special is about her sexual history with men, though she does mime a sex act involving another woman, but only—hard to explain—to make a feminist point about microphones being too phallic.) And perhaps that as well, I have no idea.
A glance at Instagram and recent media coverage attests that Glazer uses she/her as well as they/them pronouns, suggesting that this is core to what Glazer’s referring to when speaking of queerness. Per a recent profile in The Independent—which was picked up by other clickbait headline outlets like it was still 2014—having a baby paradoxically tapped her into her own gender multitude (as versus the boring thing where it reminds you just how female you are), and today, “she identifies as a non-binary woman.”
“Broad City” star Ilana Glazer has opened up about their pregnancy, saying that the experience helped them realize that they are nonbinary. https://t.co/Q6bR2wkCfJ
— Them (@them) August 12, 2024
If this has you wondering who among us identifies as a binary woman, you are not alone. If you’re not wondering this, you are mad at me for having done so. Those are, you see, the only options.
But the interview got picked up, as they will, and held up as evidence that a beloved celebrity had Come Out As Queer. Fine, an assigned-female-at-birth, feminine-presenting, husband-having one, but why should any of that matter? It’s a big tent! Vogue publisher Condé Nast’s gender-celebrity website Them celebrated this revelation-of-sorts as follows: “We love a subtle nonbinary slay, especially when it comes from none other than Ilana Glazer.”
The subtlety is undeniable. Blink and you’d miss it.
***
You can never know, when talking about another person, what’s a tentative first step on a journey, and what’s a gesture taken on for symbolic reasons. It’s entirely possible that tomorrow, Glazer will announce exclusively they/them—or he/they, or he/him—pronouns, and whichever material transitioning in whichever direction, and I will feel like a terrible person for having even fleetingly interpreted this as a case of a functionally if not technically straight lady presenting herself as more interesting (or oppressed) than she is.
It is also possible that I will wake up tomorrow with the politics and inclinations of someone born a micro-era later than I was (Glazer was born in 1987, whereas I’m an ancient ’83er, and this seems a critical difference for this sort of thing) and be putting she/they into my bios and—despite nothing substantively changing about me or how I live my life—everyone will have to walk on eggshells when discussing me and my bog-standard hetero household.
Everyone apart from the right-wing rabble-rousers, who take a different tack. Well those, and people who from-the-left critique such things, often with the derisive term, spicy straights.
My commitment to the she/her (or, more precisely, to not stating my pronouns and letting others come to the likeliest conclusion) is more a matter of generation or sensibilities than place on any gender spectrum. I have no reason to believe I am more comfortable in my femininity, or however you want to phrase such things, than Glazer is in hers. My hunch here—and it can only be a hunch, I’m not in her brain—is that we have different frameworks for understanding the same kinds of experiences.
Why, then, am I walking on eggshells talking about this? Why am I questioning my choice to use she/her for Glazer, wondering at 9:15 p.m. whether the Wikipedia entry’s use of they/them (which it notes is for consistency, just to pick something) ought to have trumped the Independent profile’s she/her? If I had reason to believe Glazer consistently preferred they/them, I would use they/them, I have no whole thing about this, and believe in using the pronouns people request. Why do I feel like a bad guy here?
My jumpiness isn’t much of a mystery, though. It’s because I’m a repeat visitor to rodeos of this nature. There’s a subset of people who will be next-level furious at me for what they will call erasure, gatekeeping, transphobia. All this because of what is essentially a semantic difference of approach between two people whose lives are—apart from one of them being a famous person who helped create the brilliance that is Broad City—remarkably alike.
Who cares, and more to the point, what does any of this have to do with Human Magic?
The subtext of Human Magic is that Glazer is not just some straight-lady comic offering up relatable anecdotes. She’s someone you’d least expect to be leading such a conventional life. And she describes it all in this cool-kid tone that makes you almost forget that the things she’s talking about (loving your baby, enjoying sex with your husband) are, well, square.
***
I am not an Ilana Glazer-ologist, which is to say, my interest is the persona, not the person. And the persona she presents in Human Magic is no more or less conventionally feminine than the typical straight woman. It is not just the gushing about the husband (more on that in a moment), but visible to anyone with any familiarity with gendered self-presentation in our society. She’s dressed in a black, off-the-shoulder minidress or shirt-and-miniskirt (mini-skort?) combo, with black stockings, a chic necklace, and gorgeous shimmery eyeshadow.
Now someone could be as described and use any pronouns. But the overall effect—combined with Glazer’s own references to herself as a woman and “mom” throughout the special—suggests that one would not be misgendering Glazer to call her a woman. She calls herself a woman! (Why am I walking on eggshells?) And unlike her Broad City co-creator and co-star, who is married to another woman, Glazer is what one might call straight-passing. (A wife, if you’re a woman, is a dead giveaway about the not-straight thing.)
What I keep returning to is the T-shirt interlude. In this part of Human Magic, Glazer pokes gentle fun at her husband for his inability to buy his own clothes. She has to show him the websites and tell him what size he wears. Men!
This is standard stand-up fare. The bumbling husband, flummoxed by a domestic task, or maybe he deems it too trivial. There’s also something mildly absurd about how specifically I related to this (the scientist husband, those exact T-shirt websites). Queer Jewy women, straight Jewy women, not so different after all!.
Glazer is nothing if not a member of her moment. She admits that she’s married, but encourages applause for the divorcees in the audience at the start of the show, calling herself a “divorce enthusiast.” She performs—literally, she is on a stage—the requisite feminist ambivalence of being in an opposite-sex relationship. “I feel so lucky to be married to my husband, but it’s hard at baseline to be a woman married to a man. Cause I see him sometimes as [here she gets dramatically angry] SOME MAN, instead of the person I chose to spend my life with.”
It’s performative misandry, but it’s also heteropessimism—or what would be called that if the person experiencing it identified as heterosexual. Glazer negotiates a squickiness surrounding her quasi-straight-womanhood (straight quasi-womanhood?) by describing herself as pro-guys, anti-men, with a whole routine about the difference between guys and men. Something about guys wearing sweatpants to buy groceries and men wearing jeans to work out in.
The guys-good, men-bad bit is a little funny, maybe? Not earth-shattering. It taps into something in the culture, though. Specifically, to the loophole according to which you’re permitted to be a ban-men feminist and have a male partner, so long as you tell anyone who’ll listen that you’ve found one of the good ones. Where this is meant to leave the women married to less-good ones (are they victims or just bad feminists?) I’m never clear.
***
Human Magic has its moments, in the Baby Cobra mould. Glazer describes a medical exam she had before giving birth as being “fingered” and in a positive sense—something I think I might find unnerving to hear if I were the doctor who’d performed the exam, but it’s a comedy special, maybe this never happened! She recalls the expletives she uttered when in awe of the miracle of having just had her baby. She confesses—in a scandalous tone—that she enjoys performing oral sex. Is the audience meant to be scandalized because sex, or because the sex-haver is a mom, or is it that third thing: that it’s yeah kinda shameful to be into sex with men, if you’re a queer feminist?
Loving your husband, enjoying sex with him, liking that he can carry heavy items (“I’ll tell you one thing daddies can do: carry shit”) not liking that he can’t be bothered to order his own T-shirts, loving your baby, worrying about your baby eating solids and how that’s going, enjoying cleaning your house (this is, Glazer explains, her Shabbat ritual), these are all things that put Glazer in community with the wide world of basic straight ladies. (I detest cleaning my house, which puts me where on the gender spectrum?) She presents her preferences for ordinary things as shocking revelations—the subtext being, can you believe someone like ME is into this stuff?
The more I think of it, the stranger it all seems. Annoying, but also kind of brilliant? There’s a part about how the first time she had fully unprotected intercourse was when trying for a baby. She describes this entirely banal fact of how one plans a pregnancy in extremely funny terms that sound both erotic and sordid.
What Glazer does—and what puts her in the spirit of Ali Wong—is remind that getting older, moving through the various life stages, does not magically remove women’s humanness. (Human Magic the title refers to reproduction, but could as easily refer to what’s imagined happens to women when no longer 22 and carefree.) Human Magic reminds that mothers are also women, that women are also people. Not just as in, people deserving of human rights, but people whose minds go to places that our culture ascribes to teenage boys.
The breakthrough of Broad City was showing that what’s thought of as teenage-boy-ness exists in young women as well. Human Magic extends the privilege to slightly older women. In a way.
***
Is the special not that funny because it’s too sanctimonious? After all, Glazer is an outspoken progressive, Broad City had a Hillary Clinton cameo in 2016 (whole lot of good that did, but I digress), and is a supporter of the Palestinian cause.
But we are not in the realm of humourless scolding a la Hannah Gadsby’s 2018 anti-comedy comedy special, Nanette. Glazer’s comic timing is still there, her exaggerated expressions, and if some of her qualities that were charming on Broad City now inspire a bit of, you do realize you’re borderline middle-aged now yes?, like when she refers to her toddler as “dawg,” it is clear she does in fact realize this, and is in on the joke.
Glazer comes across as aware she’s known for having righteous left-wing politics, and uses this as a way of offering unexpected twists. She talks about how dreadful it was, developing breasts early—“shtetl titties,” she calls them—and being sexualized from a young age. She then pivots to how, in her 30s, she’s no longer gently patted in public spaces and how she misses this. That’s it, that’s the joke.
Then there’s the interlude where Glazer admonishes mainstream (non-feminist) pornography for its emphasis on incest. She digresses a bit and you think she’s about to condemn the 1995 movie Clueless for its step-sibling romance. Really, you think, she’s out here cancelling Clueless? Instead she mimes her then-pubescent self let us say really enjoying the film—and in doing so, going somewhere far franker than Clueless itself ever did.
I suppose a part of me reacted to the knowledge that Glazer doesn’t fully identify as a woman the way I would have had I learned that she no longer considered herself Jewish. (Note: she absolutely does consider herself Jewish; it’s an analogy.) Broad City was such a triumph of Jewish female representation that maybe I am, on some level, unjustly attached to the idea of its creators as female and as Jews.
The CJN’s opinion editor Phoebe Maltz Bovy can be reached at pbovy@thecjn.ca, not to mention @phoebebovy on Bluesky, and @bovymaltz on X. She is also on The CJN’s weekly podcast Bonjour Chai. For more opinions about Jewish culture wars, subscribe to the free Bonjour Chai newsletter on Substack.
The post Glazed over: 2010s vibes abound in Ilana Glazer’s made-in-Toronto comedy special ‘Human Magic’ appeared first on The Canadian Jewish News.
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Northwestern University Touts Progress on Addressing Campus Antisemitism Amid Federal Scrutiny
Signs cover the fence at a pro-Palestinian encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect.
Northwestern University on Monday touted its progress in addressing the campus antisemitism crisis, issuing a statement containing a checklist of policies it has enacted since being censured by federal lawmakers over its handling of pro-Hamas demonstrations which convulsed its campus during the 2023-2024 academic year.
“The university administration took this criticism to heart and spent much of last summer revising our rules and policies to make our university safe for all of our students, regardless of their religion, race, national origin, sexual orientation, or political viewpoint,” the statement said. “Among the updated policies is our Demonstration Policy, which includes new requirements and guidance on how, when, and where members of the community may protest or otherwise engage in expressive activity.”
The university added that it has adopted the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, a reference tool which aids officials in determining what constitutes antisemitism, and begun holding “mandatory antisemitism training” sessions which “all students, faculty, and staff” must attend.
“This included a live training for all new students in September and a 17-minute training module for all enrolled students, produced in collaboration with the Jewish United Fund,” it continued. “Antisemitism trainings will continue as a permanent part of our broader training in civil rights and Title IX.”
Other initiatives rolled out by the university include an Advisory Council to the President on Jewish Life, dinners for Jewish students hosted by administrative officials, and educational events which raise awareness of rising antisemitism in the US and across the world. Additionally, Northwestern said that it imposed disciplinary sanctions against several students and one staff member whose conduct violated the new “Demonstration and/or Display Policies” which regulate peaceful assembly on the campus.
“In closing, although Northwestern has made significant progress in the fight against antisemitism on campus, the university remains vigilant and will continue to do what is necessary to make our campus safe,” the statement concluded. “Importantly, the fight against antisemitism is NOT [sic] a zero-sum game. All members of our communities on campus — all religions, races, national origins, genders, sexual orientations, and political viewpoints — deserve to feel safe and know that our rules will be enforced to protect them against hate, discrimination, harassment, and intimidation. Northwestern is committed to this principle.”
As previously reported by The Algemeiner, Northwestern University struggled for months to correct an impression that it coddled pro-Hamas protesters and acceded to their demands for a boycott of Israel in exchange for an end to their May 2024 encampment.
University president Schill denied during a US congressional hearing held that year that he had capitulated to any demand that fostered a hostile environment, but his critics noted that part of the deal to end the encampment stipulated his establishing a scholarship for Palestinian undergraduates, contacting potential employers of students who caused recent campus disruptions to insist on their being hired, creating a segregated dormitory hall that will be occupied exclusively by students of Middle Eastern and North African (MENA) and Muslim descent, and forming a new advisory committee in which anti-Zionists students and faculty may wield an outsized voice.
The status of those concessions, which a law firm representing the civil rights advocacy group StandWithUs described as “outrageous” in July 2024, were not disclosed in Monday’s statement.
Northwestern University is not the only school creating distance between itself and the anti-Zionist movement, a step many colleges have taken in response to US President Donald Trump’s vowing to cut the flow of taxpayer funds supplementing their budgets should they refuse to crackdown down on illegal protests and antisemitism. Following the Trump administration’s cancelling of over $400 million in federals contracts and grants awarded to Columbia University, former interim president Katrina Armstrong proposed a list of reforms the school would agree to undertake — in areas ranging from undergraduate admissions to campus security — to restore the funds.
Armstrong later resigned from her position, saying in a statement which explained the decision that she wishes to return to her role as executive director of the university’s Irving Medical Center, as well as several other positions she holds.
Meanwhile, Harvard University recently fired a librarian whom someone filmed ripping posters of the Bibas children, two babies murdered in captivity by Hamas, off a kiosk in Harvard Yard and denounced him as “hateful.” Additionally, it paused a partnership with a higher education institution located in the West Bank, a move for which prominent members of the Harvard community and federal lawmakers had clamored in a series of public statements. The Trump administration initiated a review of $9 billion in taxpayer funds it receives anyway, prompting interim president Alan Garber to defend Harvard’s handling of the issue.
“For the past fifteen months, we have devoted considerable effort to addressing antisemitism,” Garber said. “We have strengthened our rules and our approach to disciplining those who violate them. We have enhanced training and education on antisemitism across our campus and introduced measures to support our Jewish community and ensure student safety and security.”
Northwestern University is in the Trump administration’s crosshairs too. It is one of 60 universities being investigated by the Department of Education’s Office for Civil Rights over its handling of campus antisemitism, a project that will serve as an early test of the administration’s ability to perform the essential functions of the agency after downsizing its workforce to increase its efficiency.
“The department is deeply disappointed that Jewish students studying on elite US campuses continue to fear for their safety amid the relentless antisemitic eruptions that have severely disrupted campus life for more than a year,” Education Secretary Linda McMahon said in March. “US colleges and universities benefit from enormous public investments funded by US taxpayers. That support is a privilege, and it is contingent on scrupulous adherence to federal antidiscrimination laws.”
Follow Dion J. Pierre @DionJPierre.
The post Northwestern University Touts Progress on Addressing Campus Antisemitism Amid Federal Scrutiny first appeared on Algemeiner.com.
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Pressure Mounts on UN Members to Block Reappointment of Controversial Anti-Israel Official
Francesca Albanese, UN special rapporteur on human rights in the Palestinian territories, attends a side event during the Human Rights Council at the United Nations in Geneva, Switzerland, March 26, 2024. Photo: REUTERS/Denis Balibouse
The United Nations is facing growing pressure to block the reappointment of Special Rapporteur Francesca Albanese, who has an extensive history of using her role to denigrate Israel and seemingly rationalize the terrorist group Hamas’s attacks against the Jewish state.
The UN Human Rights Council (UNHRC) is set to reappoint Albanese for another three-year term on Friday, despite calls from several countries and NGOs urging UN members to oppose her reappointment due to her controversial remarks and alleged pro-Hamas stance.
Since taking on the role of UN special rapporteur on human rights in the Palestinian territories in 2022, Albanese has been at the center of controversy due to what critics, including US and European lawmakers, have described as antisemitic and anti-Israel public remarks.
In the months following the Hamas-led Oct. 7, 2023, atrocities, across southern Israel, Albanese accused Israel of perpetrating a “genocide” against the Palestinian people in revenge for the attacks and circulated a widely derided and heavily disputed report alleging that 186,000 people have been killed in Gaza as a result of Israeli actions.
She has also previously made comments about a “Jewish lobby” controlling America and Europe, compared Israel to Nazi Germany, and stated that Hamas’s violence against Israelis — including rape, murder, and kidnapping — needs to be “put in context.”
Last year, the United Nations launched a probe into Albanese for allegedly accepting a trip to Australia funded by pro-Hamas organizations.
In the past, she has also celebrated the anti-Israel protesters rampaging across US college campuses, saying they represent a “revolution” and that they give her “hope.”
On Monday, US Rep. Brian Mast, chair of the House Foreign Affairs Committee, sent a letter to the president of the UNHRC, Ambassador Jürg Lauber, to express his strong opposition to Albanese’s reappointment.
In the letter, Mast claimed that Albanese has failed to act “in an independent capacity with a professional, impartial assessment, and maintain the highest standards of efficiency, competence, and integrity.”
“Ms. Albanese unapologetically uses her position as a UN special rapporteur to purvey and attempt to legitimize antisemitic tropes, while serving as a Hamas apologist,” the letter read.
“In her malicious fixation, she has even called for Israel to be removed from the United Nations while likening Israel to apartheid South Africa,” Mast wrote in a letter signed by six fellow lawmakers. “Regrettably, Ms. Albanese’s rhetoric has perverted the very institution and its foundational principles in which she was appointed to serve.”
Governments worldwide, including France, the UK, Germany, Canada, and the Netherlands, have condemned her statements as antisemitic and urged that she not be given another term in her role.
Last month, 42 members of the French Parliament publicly urged the government to oppose Albanese’s reappointment, arguing that it “would send a regrettable signal to victims, human rights defenders, and states committed to credible multilateralism.”
This week, British Labour Member of Parliament David Taylor also objected to Albanese’s reappointment, saying “there is no place for such alleged antisemitism on the international stage.”
“Albanese’s response to the largest antisemitic massacre of the 21st century was to describe it as ‘a response to Israel’s oppression,’” Taylor told the Jewish Chronicle. “She described Israel as being a ‘settler colonial conquest.’”
“Making statements of this nature in a UN capacity is abhorrent and does so much damage to communities already torn apart by horrific violence, going against everything the United Nations stands for,” Taylor said.
Human rights groups and NGOs have also campaigned to prevent the anti-Israel rapporteur from receiving a second term.
UN Watch, a Geneva-based NGO, has organized a petition against her reappointment, which has garnered over 83,000 signatures.
Last month, Maram Stern, executive vice president of the World Jewish Congress, sent a letter to the president of the UNHRC urging him to reject the renewal of Albanese’s mandate, citing what she described as the UN official’s history of anti-Israel animus and antisemitic statements.
“Ms. Albanese has repeatedly made public remarks that propagate harmful antisemitic tropes, question the legitimacy of the State of Israel, and employ rhetoric that undermines the credibility of the Human Rights Council itself,” the letter read. “Her persistent lack of objectivity and failure to uphold a balanced and impartial approach required of her as special rapporteur compromises her credibility as an independent expert.”
The American Jewish Committee (AJC) also urged UN Members to reject Albanese’s second term, saying she “has systematically demonstrated a troubling pattern of conduct and expression that is incompatible with the responsibilities, neutrality, and integrity expected of a UN special rapporteur.”
“Her actions not only betray the victims of terrorism and antisemitism but also are a stain on the credibility of the Human Rights Council itself,” the AJC wrote in a letter.
The post Pressure Mounts on UN Members to Block Reappointment of Controversial Anti-Israel Official first appeared on Algemeiner.com.
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Three Jewish Coaches Lead Teams in NCAA Men’s Basketball Tournament Final Four
Florida Gators head coach Todd Golden and Auburn Tigers head coach Bruce Pearl talk before the game as Auburn Tigers take on Florida Gators at Neville Arena in Auburn, Ala., on Saturday, Feb. 8, 2025. Photo: USA TODAY NETWORK via Reuters Connect
The men’s 2025 NCAA Tournament Final Four bracket includes four No. 1 seed teams, three of which have Jewish coaches who will lead the way in the two national semifinals taking place on Saturday.
Auburn University Tigers head coach Bruce Pearl has contributed Auburn’s success in the NCAA in part to God and his Jewish faith. He described Israel as the “ancestral homeland for the Jewish people” and called for the release of American-Israeli Edan Alexander from Hamas captivity at a post-game conference last month. He also took the Auburn team on a trip to Israel, where they made stops at the Western Wall and Yad Vashem – The World Holocaust Remembrance Center.
The Tigers will compete on Saturday in the NCAA Tournament Final Four against the Florida Gators whose Jewish coach, Todd Golden, is an Israeli citizen who previously played two years professionally for Maccabi Haifa in Israel.
In 2009, Golden was co-captain of the USA Open Team, coached by Pearl, that won gold at the Maccabiah Games, which is an international multi-sport event for Jewish and Israeli athletes. Golden has been the coach of the Tigers for two seasons, but prior to that he was the assistant coach at Columbia, the head coach at San Francisco, and even worked under Pearl. Golden was director of basketball operations for the Auburn staff for the 2014-15 season and was promoted to assistant coach for the 2015-16 campaign.
Duke and Houston also play each other on Saturday in the Final Four. The head coach of the Duke Blue Devils, Jon Scheyer, also formerly played in Israel and holds Israeli citizenship. He played professionally for Maccabi Tel Aviv from 2011-12. In October 2023, not long after the start of the Israel-Hamas war, Scheyer commented on the conflict and said in part: “My heart breaks for the people in Israel — that have hostages, American lives that are taken, mourning loved ones.” Scheyer is leading Duke to the Final Four in only his third year as head coach.
The Houston Cougars – the fourth men’s team competing in the Final Four – do not have a Jewish coach, but they have a player who was born in Israel and played for Israel’s national youth squad. Guard Emanuel Sharp, who is the son of Derrick Sharp, was part of Israel’s under-16 national basketball team and also played for Maccabi Tel Aviv for over a decade.
This year’s Final Four have a combined record of 135-16. Since seeding began in 1979, this is only the second time in history that all four No. 1 seeds advanced to the Final Four. It previously happened in 2008. Larry Brown was the last Jewish coach to win the NCAA Tournament when he led Kansas to the victory in 1988.
The 2025 NCAA Tournament Final Four begins on Saturday, with two national semifinals taking place at the Alamodome in San Antonio, and ends on Monday with the national championship.
The post Three Jewish Coaches Lead Teams in NCAA Men’s Basketball Tournament Final Four first appeared on Algemeiner.com.