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Harry Belafonte, singer and civil rights activist who popularized ‘Hava Nagila’ in the US, dies at 96
(New York Jewish Week) — Barrier-smashing singer, actor and civil rights activist Harry Belafonte, who once boasted of being “the most popular Jew in America” because of his rendition of a Hebrew classic, died Tuesday at his longtime Upper West Side home. He was 96.
The New York City native was the one of the first Black artists to achieve widespread commercial success in the United States, and while he was raised Catholic, his life frequently dovetailed with Jewish causes, values and people. Among Belafonte’s many Jewish connections — which included brokering a meeting between Nelson Mandela and Jewish leaders in 1989 — was his marriage to his Jewish second wife, dancer Julie Robinson. The couple, who were married from 1958 to 2004, raised two children, Gina and David.
In 2011, Belafonte revealed in his autobiography, “My Song: A Memoir” that his paternal grandfather was Jewish. Belafonte’s parents were both Jamaican immigrants: his mother, Melvine, was the child of a white mother from Scotland and a Black father, and his father, Harold George Bellanfanti, who later changed the family name, was the son of a Black mother and white Dutch-Jewish father. In his book, Belafonte describes his paternal grandfather, whom he never met, as “a white Dutch Jew who drifted over to the islands after chasing gold and diamonds, with no luck at all.”
Belafonte was born Harold George Bellanfanti Jr., in Harlem on March 1, 1927. His father was largely absent during his childhood; his mother, who struggled with finding work, forged a relationship with a Jewish tailor who taught her how to mend garments. “That tailor gave me my first sense of kinship with Jews, which would deepen over time,” Belfonte wrote in his memoir. He spent a portion of his childhood with his grandmother in Jamaica, but he returned to New York to attend George Washington High School in Washington Heights — where Alan Greenspan and Henry Kissinger were also educated — before dropping out.
Following a stint in the U.S. Navy during World War II, Belafonte was bitten by the acting bug when, working as a janitor’s assistant, he was given a pair of tickets to the American Negro Theater as a gift. “It was there that the universe opened for me,” he told NPR in 2011. “I decided with any device I could possibly find, I wanted to stay in this place. What I had discovered in the theater was power: power to influence, power to know of others and know of other things.”
In the late 1940s, Belafonte enrolled in acting classes, where he met his lifelong friend Sidney Poitier. The impoverished pair would often share a single theater ticket, trading places at intermission. He also befriended Jewish actor Tony Curtis, writing in his memoir: “He lived in the Bronx with his family; why live downtown, he’d say, when he could live uptown for free? And who cared if they still greeted him up there as Bernie Schwartz?”
He and Curtis frequently went to parties together, he wrote, sometimes with the actress Elaine Stritch, “who swore more colorfully than any sailor I’d known,” and “the blunt Jewish comic” Bea Arthur, “who’d start matching wits with Elaine until the two of them had everyone in uncontrollable laughter.”
To pay for acting classes, Belafonte began dabbling in singing at nightclubs, and it was there that a true superstar was born. One of Belafonte’s early successes were his performances of the Hebrew dance hit “Hava Nagila” at the classic downtown folk club the Village Vanguard. His rendition, Belafonte joked to The New York Times in 2017, made him “the most popular Jew in America.”
In that same interview, Belafonte recalled the tough uptown streets of his childhood, and how he was drawn to the fast money his uncle’s number-running business earned. “Everybody in that world were role models in how to survive, how to be tough, how to get through the city, how to con, the daily encounters,” he said. “But my mother saw to it that unless I wanted to live life absent of testicles, she wasn’t going to have me follow her brother Lenny. Somewhere in there is a Sholem Aleichem — a rich story to be told of the lore of that time.”
With his 1953 breakthrough album, “Calypso” — which included his most iconic work, “The Banana Boat Song” — Belafonte “almost single-handedly ignited a craze for Caribbean music,” according to The New York Times’ obituary. “Calypso” climbed to the top of the Billboard album chart shortly after its release and stayed there for 31 weeks; it is reported to be the first album by a solo artist to sell more than a million copies. By 1959 he was the most highly-paid Black performer in history, according to the Times.
Known around the world as the “King of Calypso,” Belafonte recorded and performed a wide range of global and folk classics throughout his wide-ranging musical career — Jewish standards among them. In 1959, he performed “Hine Ma Tov” in England, with what appears to be an Israeli military choir; his 1963 album, “Streets I Have Walked,” includes a rendition of “Erev Shel Shoshanim” (“Evening of Roses”), a popular Jewish wedding song.
Belafonte’s greatest passion, however, was neither acting nor singing — it was civil rights activism. There, too, he worked closely with many Jewish activists, as part of the historic Black-Jewish civil rights alliance of the 1950s and 1960s. But, as he recalled in his memoir, it was racism delivered by a Jewish TV executive that first inspired him to take on racial segregation in the United States.
The executive, a Jew from Montreal named Charles Revson, asked Belafonte to stop hosting white dancers on his performance show, citing the preferences of Southern viewers. Belafonte said he rejected the instruction and let Revson cancel the show. He realized, he wrote, that TV could only reflect societal attitudes, not change them. “To change the culture you had to change the country,” he concluded.
Through his civil rights activism, Bellafonte befriended Martin Luther King Jr. in 1956; the pair remained close until King’s assassination in 1968. “My apartment was a retreat for him,” Belafonte told NPR of King and his 21-room apartment in 2008. “He had his own entrance, his own kitchen. The home became, for him, a place where he could think and reside, take his shoes off, have his collar open and be him.”
Belafonte helped provide the seed money to launch the Student Nonviolent Coordinating Committee, and he was one of the lead fundraisers for that organization and King’s Southern Christian Leadership Conference. He was “deeply involved” in the 1963 March on Washington and helped fund the Freedom Rides.
Belafonte’s commitment to social justice endured throughout his long life and career. In the 1980s, he helped organize the Live Aid concert, and he served as UNICEF’s goodwill ambassador after Jewish entertainer Danny Kaye pioneered the role. He was also a co-chairman of the Women’s March on Washington in January 2017, along with Gloria Steinem, though ill health kept him from attending.
Though primarily famous for his singing, Belafonte continued to make movies throughout his career; in 1970 he produced and co-starred in “The Angel Levine” alongside the original “Fiddler on the Roof” star Zero Mostel. Based on a story by Bernard Malamud, Belafonte starred as the titular Jewish angel. (The “project had a sociopolitical edge,” the Times noted, as the entertainer’s Harry Belafonte Enterprises hired 15 Black and Hispanic apprentices to work on the film’s crew.)
The cause of Belafonte’s death was congestive heart failure. He is survived by his two children with Robinson; the two children he had with his first wife Marguerite Byrd, Adrienne Biesemeyer and Shari Belafonte; and eight grandchildren. After divorcing Robinson in 2004, he married photographer Pamela Frank in 2008; Frank also survives him, along with stepchildren Sarah Frank and Lindsey Frank and three step-grandchildren.
“There’s just so much left that’s in my basket of possibilities,” Belafonte told The New York Times ahead of his 90th birthday in 2017. “I’m not as young as I feel, or as young as I would consider myself to be. The 90 figure is a blur. But I do know that if there’s anything left for me to do, I had best hurry up and do it, because time is not an ally.”
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Civil Rights Group Blasts ‘Drop Hillel’ Campaign as Attack on Jewish Identity
Anti-Israel protesters in New York City in April 2024. Photo: REUTERS/David Dee Delgado
A California-based civil rights advocacy group on Tuesday condemned a campaign to ban chapters of Hillel International from college campuses as a “transparent” assault on Jewish identity which aims to force the community and support for Israel underground.
StandWithUs, a nonprofit currently litigating a slew of antisemitism cases across the US, issued the comments in response to the “Drop Hillel” initiative being spearheaded by Students for Justice in Palestine (SJP) and a network of other anti-Zionists groups, some of which claim to be Jewish. The cause is being amplified by a robust social media effort, and at least one undergraduate student government attempted earlier this month to pass legislation based on it only to be vetoed by the administration.
“The campaign makes false and misleading accusations about Israel, then frames Jewish students and institutions as guilty by association simply because they refuse to erase Israel from Jewish life,” said StandWithUs, which is currently representing dozens of victims of antisemitism in legal cases across the US. “This campaign echoes a long history of Jewish communities facing pressure to abandon core aspects of their identity to gain acceptance and/or safety.”
Drop Hillel — a component of the boycott, divestment, and sanctions (BDS) movement against Israel — increased its presence on college campuses after Hamas’s Oct. 7, 2023, massacre across southern Israel triggered an explosion of extremist student activism. Students for Justice in Palestine says it targets the organization, which is the largest for Jewish college students in the country, for having “monopolized … Jewish campus life into a pipeline for pro-Israel indoctrination, genocide-apologia, and material support to the Zionist project and its crimes.”
Said the group in October 2024, “Across the country, Hillel chapters have invited Israeli soldiers to their campuses; promoted propaganda trips such as birthright; and organized charity drives for the Israeli military … Such actions reveal Hillel’s ideological and material investment in Zionism.”
The campaign, while not successful so far, has been operating within a campus ecosystem in which animus toward Israel and anti-Jewish discrimination are widespread and often go hand in hand.
In the 2024-2025 academic year, Drop Hillel almost caught on at the University of North Carolina at Chapel Hill. In that case, SJP planted the seed of the idea during a “no more Hillel” during a rally which, among other things, demanded removing Israel from UNC’s study abroad program and adopting the BDS movement. Addressing the comments to the school’s student newspaper days later, SJP, which has been linked to Islamist terrorist organizations, proclaimed that abolishing Hillel is a coveted goal of the anti-Zionist movement.
“Zionism is a racist supremacist ideology advocating for the creation and sustenance of an ethnostate through the expulsion and annihilation of native people,” the group told The Daily Tar Hell. “Therefore, any group that advocates for a supremacist ideology — be it the KKK, the Proud Boys, Hillel, or Heels for Israel — should not be welcome on campus.”
SJP recently targeted The New School in New York City for the campaign, an effort which yielded a successful student Senate vote to defund Hillel and revoke its university recognition on May 1. The measure conditioned restoration of the chapter’s status on its severing ties with Hillel International and shuttering a program which awards trips to Israel. While the New School’s administration blocked the measure, it declined to reject the ideology which motivated it.
“By distorting a qualified student organization and characterizing it as something it is not, the [student government] is using its platform to target fellow students in a misguided attempt to hold those students responsible for the acts of government,” the university said in a statement which also said the student Senate “does not have the authority to determine the recognition, funding eligibility, or official status of registered student organizations.”
Punching back, the student Senate vowed to continue its participation in Drop Hillel, saying that it “will continue to sanction Hillel” for its “direct material collaboration with a foreign military.” Meanwhile, in its own response, Hillel said, “We are not going anywhere.”
This week, StandWithUs implored Jewish students, faculty, and staff to continue fighting Drop Hillel wherever it appears.
“No one can ever sever the Jewish connection to Israel,” the group said. “As with all challenges like this, the Jewish people and our institutions will continue with solidarity and strength, and we will not only survive, but we will continue to thrive.”
Follow Dion J. Pierre @DionJPierre.
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Britain to Legislate to Tackle Threats From Hostile State Proxies After Wave of Antisemitic Attacks
Orthodox Jews stand by a police cordon, after a man was arrested following a stabbing incident in the Golders Green area, which is home to a large Jewish population, in London, Britain, April 29, 2026. Photo: REUTERS/Hannah McKay
Britain will legislate to strengthen its ability to deal with proxies for malign state actors, taking powers to make it possible to ban them in light of increased activity in Britain and a rise in antisemitic attacks.
Prime Minister Keir Starmer has said the government has to “deal with malign state actors” in the wake of a series of attacks on Britain‘s Jewish community.
In a speech outlining the government’s agenda, King Charles said it would “introduce legislation to tackle the growing threat from foreign state entities and their proxies,” and would also take urgent action to tackle antisemitism.
POSSIBLE BAN ON THE IRGC?
Several British lawmakers have called for the proscription of Iran’s Islamic Revolutionary Guard Corps (IRGC).
The IRGC is an elite military force whose purpose is to protect Shi’ite Muslim clerical rule in Iran. It controls large parts of Iran’s economy.
While Starmer has not publicly named the IRGC as being the target of the legislation, in an introduction to the King’s Speech, he said that Britain would tackle extremism “including where it is sponsored by foreign powers that are hostile to the UK, such as Iran.”
The move comes after a spate of arson attacks on sites in London linked to the Jewish community and the targeting of Iranian dissidents, with police saying they were examining possible Iran links.
Britain‘s security chiefs have for years warned about threats from “hostile“ states such as Iran, Russia, and China, with a number of convictions of people who had been accused of carrying out spying or other offences on their behalf.
The new law would allow the government to specify state-backed organizations that threaten national security through espionage, sabotage, interference, or other means. A review last year found that Britain‘s existing framework had a legal difficulty in proscribing state entities.
There will be new offenses created for belonging to such organizations or raising support for them, and the government said that collectively the measures would create a “tougher operating environment for foreign intelligence services and their proxies.”
The king’s speech also promised a new National Security Bill which would address those who were fixated on violence and planning mass killings, but were not obviously inspired by a particular ideology.
The new law would aim to criminalize the creation and sharing of the most harmful online material.
As part of an approach to align countering state threats with addressing terrorism risks, the bill would add “polygraph testing as an available license condition for state threat offenders,” the government said.
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‘Shame on Hollywood’: Cannes Jury Member Defends Actors ‘Backlisted’ for Anti-Israel Activism Over Gaza War
Workers set up a giant canvas of the official poster featuring actors Geena Davis and Susan Sarandon from Ridley Scott’s road movie “Thelma & Louise” on the facade of the Festival palace before the start of the 79th Cannes Film Festival in Cannes, France, May 10, 2026. Photo: REUTERS/ Marko Djurica
A jury member of the 79th Cannes Film Festival on Tuesday condemned the Hollywood film industry for “blacklisting” actors who have spoken out against Israel’s military actions in the Gaza Strip during the country’s war against Hamas terrorists controlling the enclave.
At the festival’s jury press conference, Cannes award-winning Scottish screenwriter Paul Laverty mentioned Susan Sarandon, Javier Bardem, and Mark Ruffalo, all three of whom have been outspoken in criticizing Israel’s military campaign against Hamas in Gaza. Sarandon’s character in “Thelma & Louise” is on the official 2026 Cannes poster.
“The Cannes Film Festival [and] the wonderful poster they have,” Laverty said at the end of the press conference on Tuesday, held before the opening of the film festival in France. “Absolutely iconic. Brilliant. And isn’t it fascinating to see some of them like Susan Sarandon, Javier Bardem, Mark Ruffalo blacklisted because of their views in opposing the murder of women and children in Gaza? Shame on Hollywood people who do that. My respect and total solidarity to them. They’re the best of us, and good luck to them.”
“I just hope we don’t get bombed now, because we’ve got this poster in Cannes,” the BAFTA winner added in conclusion.
Sarandon was dropped by her talent agency for castigating Israel while participating in a pro-Palestinian demonstration in New York City in November 2023. At the protest, the Oscar winner accused Israel of war crimes, encouraged others to have the “courage to speak out” in support of Palestinians, and compared the Hamas-led Oct. 7 massacre across southern Israel just weeks earlier to hardships Palestinians endure in Gaza.
She talked about the fallout with her agency during an interview in 2024, saying: “I was dropped by my agency, my projects were pulled. I’ve been used as an example of what not to do if you want to continue to work.” Earlier this year, Sarandon further spoke about being shunned in Hollywood for her views about the Israel-Hamas war.
“I was fired by my agency, specifically for marching and speaking out about Gaza, for asking for a ceasefire. And it became impossible for me to even be on television,” she said at a press conference in February before receiving a career achievement honor at the 40th Goya Awards in Spain. “I don’t know lately if it’s changed, but I couldn’t do any major film, anything connected with Hollywood. I found agents ultimately in England and in Italy, and I work there … I know this Italian director that just hired me — he was told not to hire me, so that’s still recently. He didn’t listen, but they had that conversation. Right now, I kind of specialize in tiny films with directors who have never directed, in independent films.”
At the Cannes jury press conference on Tuesday, Laverty further talked about Gaza in remarks about this year’s film festival.
“You see so much violence, genocide in Gaza and all these terrible things,” he said. “The idea of coming to a festival – which is a celebration of diversity, imagination, tenderness — when there’s such vulgar, vicious, systematic violence. The idea of attending to a festival where there’ll be contradiction and nuance and beauty and inspiration. It knocked me out, to be honest.”
Before the start of the Cannes Film Festival last year, more than 350 members of the film industry — including Bardem, Sarandon, Ruffalo, and Richard Gere — signed an open letter condemning the festival’s “silence” over Israel’s military campaign in Gaza targeting Hamas terrorists.
Emmy-winning actress Hannah Einbinder recently criticized Hollywood’s silence about the Israel-Hamas war during a guest appearance on an episode of Zeteo’s “Beyond Israelism” podcast that was released in full on Tuesday.
“It pisses me off,” said the “Hacks” actress. “Because I’m sitting here with [Algerian-Palestinian activist] Mahmoud [Khalil], who has so much to risk and who has risked so much who has sacrificed so much … And I look at these people who have absolutely every privilege imaginable to mankind and they cannot utter a single word. I guess it makes me naive, but I cannot understand it. I really can’t understand it. And I hear people say that they don’t know enough and I — I don’t, it’s like, OK, so what do you do all day?”
“People in Hollywood, unfortunately, need these issues to affect a white person for them to see it as relating to them,” she stated. “Like, they see Jimmy Kimmel getting taken off the air suddenly, they see Stephen Colbert’s show being canceled by CBS, which is owned by the Ellisons, and they go, ‘How could this possibly happen?’ And it’s like, we know how because we saw students and professors and journalists and authors and Palestinian folks be silenced and fired and expelled and imprisoned … it took it happening to these white men for people to be like, ‘Oh my God.’”
In her acceptance speech at the Emmys last year, Einbinder declared “Free Palestine.”