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Hassidic Rapper Nissim Black Explains Why Upcoming Album ‘Glory’ Is ‘Very Different’ From Past Albums

Nissim Black. Photo: Provided

American-Israeli Hassidic rapper Nissim Black spoke to The Algemeiner on Monday about his new album dropping next month and how its tone is quite different sonically from his past projects.

Glory, which will be released on July 7, is an infusion of all the different parts of Black’s musical styles in one album, he explained.

“I’m very purpose-driven on this record and nothing sounds the same,” the Love Me singer said. “Every time I thought I was going in one direction, I wanted to go another place and another place. And I wanted to beat myself up and say, ‘Listen, can you just stay grounded somewhere?’ It was a really honest conversation I had with myself and was like no, I can’t. Because I’m all of this. I’m pop, I’m rap, I’m R&B … these are the components that have shaped me musically. On this record you get almost an element of everywhere I’ve ever been, musically, ever. I’ve popped all over the place.”

Glory was originally intended to be released in November 2023, but the release date was pushed following the Oct. 7 Hamas terrorist attacks in southern Israel. Black has not released an album since 2019. At a sneak peak listening party for Glory that took place on Monday night in New York, Black played all 18 tracks from the upcoming album.

“God got me feeling that I’m here for a reason,” Black sings in one song. On another track, he says: “You may have to face some fears/and you may have to shed some tears/and you may have to change some peers/all for you to do God’s will.” In another song, he sings to a friend who attempted to commit suicide, saying, “I heard you tried to take your own life … how can I go on? Please just look up. Life will get better.”

Black told The Algemeiner that a rabbi he became close with in recent years in Beit Shemesh, where the rapper lives, inspired him to name the album Glory. A native of Seattle, where his parents were part of the hip-hop scene, Black explained that he also recently experienced a period in his life when he thought a lot about his purpose in this world.

“I came to the conclusion alone that it was to spread the glory of God in the world. That’s what I’m here [to do],” said the He Is The King singer, who converted to Judaism in 2013. “I’m not here to hide it, to do it in a way where I’m kind of talking about it and nobody knows what I’m saying, I’m the type of person where I was put here to be open about that. [And] when I went to the rabbi, he kept screaming, ‘Glory to God. What he kept saying resonated to me, so I said, ‘The next project I’m doing, is [going to be called] Glory.’ And every time I would come into the beit midrash [study hall], the rabbi would put me on the spot and say, ‘Nissim, you need to make songs l’kavod shemayim [in honor of God].’ For him to be saying that about me, it was a good push.”

While the songs on Glory discuss sanctifying the name of God, they also address other topics, such as being bullied, pretending to be something other than one’s authentic self, mental health, having good friends, and “sticking true to who we are no matter what and allowing God to fight our battles,” Black noted.

“I was trying to capture and bottle some of the emotions and feelings that I’ve had over the years,” he added.

Black’s favorite track on the album is titled Ayeh, from the Hebrew expression “Ayeh Mekom Kevodo,” which means, “where is the glory of God?” In the song, Black sings about someone being in a very dark place in their life, crying out and asking, “God, where are you?”

“Each album is representative of me, of where I am at the time, but this is just another revealed layer,” he said. “Album after album, I’ve been more comfortable to use my singing voice — before I was always very shy about it. I had to strip away the idea growing up in the hood that you are either a rapper or a singer, that you can’t do both. And today, there’s no rules. And the more comfortable I’ve become with myself, I’m more comfortable with the gifts God gave me, so I’m able to use them shamelessly on this album.”

Black has already released two tracks from his upcoming album: Love Me featuring Oryahh, and Hu Hamelech/He Is The King featuring Gad Elbaz.

While speaking to The Algemeiner last year about Glory and other projects, he said about the upcoming album: “I’m really laying out my heart on a platter.”

The post Hassidic Rapper Nissim Black Explains Why Upcoming Album ‘Glory’ Is ‘Very Different’ From Past Albums first appeared on Algemeiner.com.

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Rising Antisemitism on European Campuses: Italian Professor Assaulted, French Students Excluded From Online Groups

Youths take part in the occupation of a street in front of the building of the Sciences Po University in support of Palestinians in Gaza, during the ongoing conflict between Israel and Hamas, in Paris, France, April 26, 2024. Photo: REUTERS/Gonzalo Fuentes

Violence and intimidation against Jewish and Israeli students as well as faculty are on the rise across European campuses, as an Italian professor was assaulted at the University of Pisa and students in France were excluded from online groups over their Jewish identities.

On Tuesday, pro-Palestinian protesters stormed a classroom at the University of Pisa in Tuscany, Italy, and assaulted an Italian professor who has opposed cutting ties with Israeli universities.

According to local reports, protesters burst into the classroom waving Palestinian flags and shouting antisemitic slurs, targeting the professor over his opposition to the university’s recent decision to sever ties with two Israeli universities.

A student who tried to intervene was attacked by protesters. When the professor stepped in to protect him, he too was assaulted and later hospitalized with injuries to his head and arms.

On the same day, anti-Israel protesters disrupted a lecture by a visiting Israeli speaker at the Polytechnic University of Turin in northern Italy, shouting antisemitic slogans as they stormed the classroom.

Shortly after the incident, the university announced it was cutting ties with the speaker because he had defended the Israel Defense Forces (IDF) during the confrontation with the protesters.

Since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, anti-Israel activity on campuses has intensified, with Jewish and Israeli students facing frequent targeting and isolation in an increasingly hostile environment.

On Monday, a group of first-year economics students at Panthéon-Sorbonne University in Paris created a group chat on Instagram that excluded several students, accusing them of being Zionists based on their Jewish-sounding names or surnames, French media reported.

“If there are any other Zionists in this group besides those I’ve already kicked out, leave now — we don’t want you here,” wrote one of the students who created the group, placing a Palestinian flag in the middle.

This latest antisemitic incident follows a similar episode last month, when a student created a poll in a WhatsApp group chat titled, “For or Against Jews?”

Yossef Murciano, president of the Union of Jewish Students of France (UEJF), denounced the rising wave of anti-Jewish incidents, noting that the group had posted notices across multiple campuses to highlight the latest antisemitic episodes.

“We reported the incident to the university, but so far nothing has been done. We were told that measures would be taken, but we don’t know when or how,” Murciano said.

In a press release, the university strongly condemned such “unacceptable behavior,” expressing its full support for those students affected by the recent antisemitic incidents.

The university also announced that it had submitted “all available evidence to the public prosecutor” regarding these two incidents and plans to initiate “disciplinary proceedings” against each of the perpetrators.

“These two acts, whose antisemitic nature seems clear, deserve a punishment commensurate with their severity,” the statement read.

French Minister of Higher Education and Research Philippe Baptiste strongly condemned the latest incidents, demanding a zero-tolerance approach.

“I stand with these young people, victims of antisemitism that must be opposed everywhere, including, sadly, in our universities. There is only one possible response: zero tolerance!” Baptiste wrote in a post on X.

Yonathan Arfi, president of the Representative Council of Jewish Institutions in France (CRIF), also spoke out against the incident, calling it a disturbing example of rising antisemitism on campuses.

“This is not a pro-Palestinian campaign, it is a campaign of antisemitic intimidation,” Arfi said in a post on X.

The incidents occurred weeks after two international Jewish groups and a German watchdog published a report showing that antisemitism on European university campuses following Hamas’s Oct. 7 invasion of Israel has fostered a “climate of fear” for Jewish students.

Then earlier this week, the Anti-Defamation League (ADL) and the World Union of Jewish Students (WUJS) released their own report which found that the vast majority of Jewish students around the world resort to hiding their Jewishness and support for Israel on campuses to avoid becoming victims of antisemitism.

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Radio-Canada Suspends Journalist After Antisemitic Comments Spark Outrage

Radio-Canada reporter Élisa Serret. Photo: Screenshot

A journalist at Canada’s national public broadcaster, Radio-Canada, has been suspended after using antisemitic language during a Monday television broadcast, prompting an official apology from the network.

On the news program “Sur le terrain,” correspondent Élisa Serret, reporting from Washington on US Secretary of State Marco Rubio’s visit to Israel, was asked why the US continues to support Jerusalem despite its recent military offensive in Gaza.

Serret responded, saying in French, “The Israelis, in fact the Jews, finance a lot of American politics” and control a “big machine.”

The journalist then went on to claim that the largest US cities and Hollywood are “run by Jews,” echoing long-standing antisemitic stereotypes and hateful rhetoric about supposedly outsized and nefarious Jewish power.

After Serret’s comments went viral, sparking outrage from political leaders and the local Jewish community, Radio-Canada issued an apology, describing her remarks as “”stereotypical, antisemitic, erroneous, and prejudicial allegations against Jewish communities.”

“These unacceptable comments violate Radio-Canada’s Journalistic Standards and Practices and do not reflect the views of the public broadcaster,” the statement read.

“As a result, the news department has decided to relieve the journalist of her duties until further notice,” it continued. “We are aware that these comments have offended many viewers. We sincerely apologize and regret this.”

The Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, strongly condemned Serret’s comments, accusing Radio-Canada of spreading “antisemitic lies.”

Eta Yudin, CIJA’s vice-president for Quebec, called on the public broadcaster to take concrete measures to keep antisemitic content out of Canadian homes.

“This incident cannot be allowed to pass without serious internal reflection on the damage such hateful rhetoric inflicts on our democratic values,” Yudin said in a statement. “Antisemitism is corroding the fabric of our society.”

Canadian Identity and Culture Minister Steven Guilbeault, who is responsible for overseeing the public broadcaster, also condemned the incident, saying that “antisemitism has no place in Canada” and describing Serret’s remarks as “pernicious antisemitic tropes.”

“When antisemitic language is used by journalists, or anyone in a position of trust, it risks normalizing hatred in deeply dangerous ways,” Guilbeault said.

Anthony Housefather, the government’s special adviser on Jewish community relations and antisemitism, denounced the incident, saying Serret’s remarks echoed “textbook tropes that are antisemitic under the IHRA definition,” referring to the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which was adopted by the government in 2020.

Melissa Lantsman, a member of the opposition Conservative Party, criticized the public broadcaster for failing to “uphold the values of this country” by airing what she described as an “antisemitic rant.”

“Overt antisemitism on TV is part of the deep systemic rot corroding our society, and it flourishes when tax-funded institutions provide it with a platform,” Lantsman said in a statement.

“Canadians deserve better than excuses and carefully worded apologies,” she continued.

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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission

A scene from “The Sea.” Photo: The Israeli Academy of Film and Television

Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.

At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.

The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.

“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.

In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.

“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”

Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.

“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”

Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.

Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.

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