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Heirs of German-Jewish banker sue for restitution of one of van Gogh’s most famous paintings
(JTA) — Heirs of a German-Jewish banker are suing a Japanese insurance company for the return of one of Vincent van Gogh’s famed “Sunflowers” paintings or at least $750 million in punitive damages.
In December, Julius H. Schoeps, Britt-Marie Enhoerning and Florence Von Kesselstatt, heirs of Paul von Mendelssohn-Bartholdy, filed a 98-page complaint with an Illinois federal court alleging that Mendelssohn-Bartholdy was forced to sell the painting in 1934 as the result of “racially exclusionary Nazi policies and concomitant coercion calculated to evict Jews from the economy and society of Germany.” They argue that the painting should be returned to his heirs as stipulated in his will.
A Sompo Holdings representative Courthouse News Service that the company “categorically rejects any allegation of wrongdoing and intends to vigorously defend its ownership rights in ‘Sunflowers.’” It displays the painting in a museum housed in its Tokyo headquarters building.
“It is a matter of public record that Yasuda Fire & Marine Insurance Company [Sompo’s predecessor] purchased the Vincent van Gogh ‘Sunflowers’ work at public auction from Christie’s in London in 1987. For over 35 years, the Sompo Museum of Fine Art in Tokyo, Japan has proudly displayed ‘Sunflowers,’” the statement reads.
Sompo International did not return a request for comment in time for publication.
The complaint alleges that Yasuo Goto, president of the Yasuda Fire & Marine Insurance Co. — which was incorporated into Sompo Holdings in 2002 — was aware of the painting’s previous owner when he purchased it at the Christie’s auction in 1987. It was sold for $39.9 million, at the time a record high price for a painting sold at an auction.
In 2001, a Yasuda representative wrote to the Art Institute of Chicago ahead of an exhibition including the painting that the company was “deeply concerned” and that its provenance had not been further investigated. The company displayed the “Sunflowers” work at the Art Institute anyway, and, according to the complaint, concealed the story behind its original sale from U.S. authorities, in violation of the National Stolen Property Act of 1934.
“By knowingly and fraudulently exploiting a Nazi-tainted painting in the U.S. for commercial gain, Sompo Holdings has violated multiple U.S. domestic and foreign policies,” the complaint states.
Representatives for the heirs declined to speak on the record.
Some art experts have argued the painting, the most famous in van Gogh’s “Sunflowers” series, is a forgery.
Paul von Mendelssohn-Bartholdy was a member of the prolific German-Jewish Mendelssohn family, whose members included composer Felix Mendelssohn and Jewish philosopher Moses Mendelssohn. In the late 1700s, family members founded the Mendelssohn & Co. banking house, which became the largest private bank in Berlin. Facing Nazi persecution, they were forced to close Mendelssohn & Co. in 1938.
According to the complaint, Nazi laws that targeted Jewish banks crippled Mendelssohn-Bartholdy financially, forcing him to sell some works in his art collection — which included pieces by Pablo Picasso, Vincent van Gogh, Pierre-Auguste Renoir and Georges Braque. He died in Germany in 1935 of a heart attack.
Other members of the family were forced into exile, committed suicide while under arrest by the Gestapo or went into hiding and abandoned their Jewish names.
The complaint is only the latest in an ongoing saga as Mendelssohn-Bartholdy’s heirs seek restitution of his collection. Thus far, they have filed lawsuits against the Museum of Modern Art, the Guggenheim Museum, the Andrew Lloyd Webber Foundation, the National Gallery of Art in Washington, D.C., and the German state of Bavaria for the restitution of five paintings by Pablo Picasso.
Settlements were reached on three of the cases while one — against the National Gallery of Art — resulted in the return of Picasso’s “Head of a Woman” to the family. The case against Bavaria is ongoing, as the Bavarian State Painting Collections refuses to refer the case to the German commission established to address disputed ownership over Nazi-era looted art.
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251 hostages were taken to Gaza on Oct. 7. The bodies of these two remain there.
Hamas on Tuesday returned to Israel the body of Dror Or — a 48-year-old father from Kibbutz Be’eri who was abducted with his family on Oct. 7. The handover was mediated by the Red Cross and confirmed by Israeli forensic testing. Or’s wife was killed in the attack, and two of their children were later released during a previous ceasefire.
In exchange, Israel returned 15 Palestinian bodies, completing the latest exchange under the ceasefire as talks begin on advancing to the agreement’s second phase.
Hamas took more than 250 people hostage on the day of the attack. With only two captives now believed to remain in Gaza, the transfer marks a grim but significant step in resolving one of the central flashpoints of the current truce negotiations.
The bodies of one Israeli and one Thai national are still in Gaza.
- Ran Gvili, 24, was a member of a police counter-terror unit who was on medical leave with a broken shoulder when he heard about the attack. He rushed south and helped evacuate fleeing concertgoers at the Nova music festival. It was later determined that Gvili was shot and killed by Hamas on Oct. 7, his body dragged into Gaza.
- Sudthisak Rinthalak, a 43-year-old agricultural worker from northeastern Thailand, was killed in Kibbutz Be’eri during the attack, and his body was taken into Gaza. He had been working in Israeli agriculture since 2017, and was regularly sending money back home to support his parents.
Hamas said Wednesday it remained committed to the deal and intends to return both bodies.
Related: Jews around the world pinned yellow ribbons to their clothes and wore dog tag necklaces. How will they continue to mark Oct. 7 once all the hostages have been returned?
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Boston’s unfinished Holocaust museum hoists boxcar into exhibit space overlooking Boston Common
(JTA) — Traffic on Tremont Street in downtown Boston came to a standstill Tuesday morning as a crane lifted a historic 12-ton railcar onto the fourth floor of the city’s upcoming Holocaust museum.
The museum, the first of its kind in New England, was launched by the The Holocaust Legacy Foundation in 2022, which was founded by couple Jody Kipnis and Todd Ruderman following a 2018 March of the Living trip to Auschwitz.
While construction on the site, which rests on the city’s Freedom Trail near the Boston Common, remains ongoing, the installation of the 20th-century railcar, believed to be the same type used by the Nazis to transport Jews to extermination camps, marked a major milestone for the museum’s creation.
The railcar, which measures 30 feet long, 12 feet high, and nearly 9 feet wide, was lifted into the new museum structure by a 173-foot tower crane before construction continues around it.
A group of supporters, Massachusetts officials, civic leaders, Jewish community representatives and Boston-area partners looked on as the railcar was installed, according to the museum.
“The hardest truth this railcar forces us to confront is this: the Holocaust was not carried out by the Nazis alone. It was carried out by people, ordinary people, who kept the trains running, who stamped the papers, who followed schedules, who chose silence over courage,” said Kipnis, the co-founder and CEO of Holocaust Museum Boston, in a statement. “This railcar will stand at the heart of the Holocaust Museum Boston to confront that truth.”
After the museum opens in late 2026, the railcar will rest in a protruding bay window on the museum’s fourth floor so that pedestrians will be able to see visitors enter the railcar but not exit, a choice the museum said it intended to symbolize “the millions who never returned and the freedoms that were stripped away.”
The railcar was donated to the museum by Sonia Breslow, a Phoenix resident whose father was deported to the Treblinka concentration camp on a railcar of the same kind. Breslow’s father, who later moved to Massachusetts, was among fewer than 100 survivors of Treblinka, where 900,000 Jews were murdered.
The railcar was first discovered in a Macedonian junkyard in 2012, according to the museum, and later transported to Massachusetts, where conservator Josh Craine of Daedalus Art Conservation spent the past six months restoring it for exhibition.
“Seeing this railcar lifted into its new home took my breath away,” said Breslow. “My father survived a transport to Treblinka in a car just like this. Most who were taken there did not survive. For this railcar to be in Massachusetts, a place where he rebuilt his life, is deeply personal. It ensures that his story, and the stories of millions, will never be forgotten.”
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Peter Beinart is speaking in Israel. Cue the criticism from both the left and the right.
(JTA) — Progressive Jewish author Peter Beinart drew a volley of criticism on Tuesday from the boycott Israel movement as well as a right-wing Israeli group over an appearance at Tel Aviv University.
Beinart, who is an outspoken critic of Israel and a journalism professor at the City University of New York, spoke Tuesday evening in Tel Aviv with Yoav Fromer, a senior faculty member at TAU’s English department, in an event titled “Trump, Israel and the Future of American Democracy.”
A founding member of the Boycott, Divestment and Sanctions movement, or BDS, publicly called on Beinart to cancel his visit after saying it had privately urged him to do so. The Palestinian Campaign for the Academic and Cultural Boycott of Israel is the BDS movement’s cultural arm and a leading advocate for boycotts of Israeli academic institutions.
“Palestinians condemn Peter Beinart’s event at complicit Tel Aviv University in the midst of Israel’s genocide in Gaza,” PACBI said in a post on X. “Whitewashing genocide can never be reconciled with any claim to humanism or moral consistency.”
In a press release, PACBI accused the university of being “deeply complicit in enabling and trying to whitewash Israel’s US-armed and funded genocide as well as its decades old regime of settler-colonialism, military occupation and apartheid.”
Beinart declined to comment to the Jewish Telegraphic Agency. But he responded to the criticism on social media, where said he supports a boycott of Israeli academic institutions as well as a right of return for Palestinians and an end to Israel’s occupation of the West Bank — all principles of the BDS movement to which he has long subscribed.
At the same time, he said, while he supports “many forms of boycott, divestment and sanction against Israel and Israeli institutions,” he believes there is “value in speaking to Israelis about Israel’s crimes” by speaking at universities.
“I do so because I want to reach Jews who disagree with me—because I believe that by trying to convince Jews to rethink their support for Israel’s oppression of Palestinians, I can contribute, in some very small way, to the struggle for freedom and justice,” Beinart wrote.
The author of several books including “Being Jewish After the Destruction of Gaza,” published earlier this year, Beinart is also scheduled to speak at Hebrew University later this week, according to Haaretz.
Beinart also wrote that “right-wing Israeli organizations have pressured Tel Aviv University to cancel my talk,” adding that he felt he should “take advantage of this opportunity to say in Israel what I’ve been saying elsewhere for the last two years.”
Matan Jerafi, the CEO of the right-wing Israeli activist group Im Tirtzu, sent a letter to Tel Aviv University’s president, Ariel Porat, on Tuesday urging him to cancel the event, according to Israel National News.
“Why is he hosting someone on his campus who does not recognize the State of Israel and calls for sanctions against Israel?” wrote Jerafi. “We call on Mr. Porat to cancel this absurd event. Stop tarnishing the reputation of Israeli academia. This is not Columbia University.”
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