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Here’s what Jewish New Yorker cartoonist Roz Chast’s dreams are made of

(New York Jewish Week) — Cartoonist and writer Roz Chast is best known for her work at The New Yorker, where she’s been a contributor since 1978. But the Brooklyn native is also famously associated with the city from which the prestigious publication takes its name.
Chast’s cartoons often explore the mundane hilarity of everyday life in the city, from the vagaries of the subway system to the anxieties of everyday New Yorkers. “I love living in Manhattan because everything is close together,” Chast told the New York Jewish Week. “There’s a kind of density and you don’t need a car — the city is so walkable. Even as an older person, you can have a rich life.”
As a creator, Chast said that New York City offers unlimited material. “There’s always so much going on,” she said. “It’s hard not to find something interesting or funny. Or aggravating.”
And yet, Chast’s focus is decidedly inward in her latest book: “I Must Be Dreaming” takes readers on a nighttime tour of her phantasmagorical mind. In its nearly 200 pages, Chast unpacks her dreams in all their technicolor glory — featuring birds in hats, animated fruits, human distortion (which she categorizes as “body horror”) and celebrity encounters — and includes dream theories from the likes of Carl Jung and Kabbalah.
“I didn’t research it to come to conclusions,” Chast said of the book, which was published last month. “I’m interested in what others make of dreams.”
After all, in a city where a movie ticket can cost $25, dreams provide “free entertainment,” she added.
Rosalind Chast, 68, grew up in a Jewish family in the Flatbush neighborhood of Brooklyn. Her parents, children of immigrants from Ukraine, Poland and Russia, spoke Yiddish to each other, their siblings and friends — but Chast never picked it up, she said, despite the occasional word or phrase that pops up in her cartoons.
Her parents worked in the NYC school system: her mother, an assistant principal, and her dad, a Spanish/French teacher. The anxious pair would become well-known thanks to her award-winning 2014 graphic memoir, “Can We Talk About Something More Pleasant?” which the New York Times describes as “an instant classic of eldercare literature.”
Roz Chast’s latest graphic memoir unpacks her dreams. (Courtesy Bloomsbury)
An only child, Chast said she grew up fairly isolated, not maintaining much of a social life. In an interview with the New York Jewish Week, she recalls fondly how her parents would host friends and they would take turns telling jokes. They had a small apartment and she was not permitted to make a lot of noise, so she would retreat to her room, where her options were limited to reading, writing or drawing.
As it happens, to this day Chast still locks herself in her room alone for hours as she works. “Pretty solitary” is how she describes the life of a cartoonist, adding, “if you spend your childhood doing that, it feels more natural.”
Although she does not consider herself at all religious, Chast’s work typically reflects a Jewish sensibility, exploring Jewish mother stereotypes, for example, or feelings about gefilte fish. Growing up, her family celebrated Hanukkah and Passover, and her mother lit candles on Friday nights and she would return home from college to share Shabbat dinner with her family.
Chast graduated Midwood High School and attended Kirkland College (sister school of Hamilton College) until she transferred to the Rhode Island School of Design, graduating in 1977 with a BFA in painting. She did some cartooning at RISD, but her feelings ranged from “indifference to actual dislike” of the quality of her own work. She found her classmates’ artistic abilities daunting, describing them as “the most incredibly talented people.”
“Any sense that I had that I was talented or special, by the time I left RISD, I knew that not to be the case,” she said.
Chast’s feelings of inadequacy kept her from getting her hopes up when she submitted a cartoon to The New Yorker for the first time in 1978. Although she had been contributing to the Village Voice and National Lampoon, she had no expectation of having any work accepted by the prestigious publication, especially as she was a 23-year-old non-male, and her style was very different.
“My cartoons didn’t look anything like New Yorker cartoons,” she said.
Chast said she was flabbergasted when they accepted her “Little Things” cartoon — a black-and-white diagram of 10 fanciful household objects straight from Chast’s imagination, including a pipe-like “kellat” and a “hackeb,” which vaguely resembles a shish kebab.
The New Yorker ultimately hired Chast, and the magazine was where she met her husband of 39 years, writer Bill Franzen. The pair bonded over shared childhood memories of joke books and a love of pet birds. Chast had a series of parakeets as a child, “because on the pet ladder it’s the highest rung I could go,” she said. Nonetheless, Chast’s love for birds has endured: Her current avian residents are Eli, an 18-year-old African grey parrot, who was presumed male until she laid an egg, and Jacky, a younger female Caique, who snuggles in her hair as evidence of her affection. Chast is proud of Eli’s vocal abilities and doesn’t seem to mind when she exclaims “vanilla ice cream!” whenever she opens the freezer for a late night snack.
Much of Chast’s work is loosely autobiographical, drawing upon her experiences as a daughter, wife and mother. “When I started, graphic storytelling was not a thing,” Chast said, describing how graphic novels and memoirs evolved into an innovative “way to tell stories.”
“They weren’t just, ‘here are the words and now I’m illustrating the words,’” she said. “It was this other different art form, and that was a real breakthrough for people, for cartoonists, for publishing and now it’s kind of exploded.”
Her unique style has become recognizable to many — so much so that on the back cover of “I Must Be Dreaming,” fellow acclaimed cartoonist Alison Bechdel (“Fun Home”) describes the book as “Roz Chast at her Chastiest.”
Her drawing has been described as “scratchy” or deploying “shaky, anxious lines.” Chast maintains that that is just how she draws — whether it’s classically acceptable or not, adding she’s not good at all at uniformity. “One thing I like about cartooning is there’s no strict rule,” she said.
When she isn’t working, Chast loves to visit the Metropolitan Museum of Art, Central Park, Zabar’s and the various trimming stores in the Garment District. “I just like walking around,” she said.
Chast and her husband lived in Park Slope, Brooklyn, when their oldest child, Ian, was young. At 2 ½, he explained to his mother how her job worked, telling her “you go on the train and show your pictures to men.” Soon thereafter they moved to the suburban oasis of Ridgefield, Connecticut.
These days, Ian, 36, is a web developer, and Peter, 32, is a therapist. Chast and Franzen maintain a pied-a-terre on the Upper West Side, not far from where she lived as a young writer for nine years, when she cooked using a hot plate.
“When you live out of New York and hate to drive there’s a bit of a handicapped feeling,” she said of her time in the suburbs, adding she has “a feeling of being a complete person” when she’s back in the city.
In recent years, she has pursued her love of painting Ukrainian pysanky eggs, and working on hook rugs, embroidery and book binding. But sharp-witted Chast gives no indication she will be putting her feet up anytime soon.
“I do feel that things are OK right now, but I think it’s a combination of actually being realistic and maybe just an anxious person, that’s all I can commit to,” she said. “I imagine this tall stack of chairs: One thing goes wrong and the whole thing falls to the ground.”
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The post Here’s what Jewish New Yorker cartoonist Roz Chast’s dreams are made of appeared first on Jewish Telegraphic Agency.
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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War

Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa
Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.
Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.
“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”
GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’
Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.
“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.
“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.
“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.
After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”
RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL
Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”
Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.
“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.
She added: “Maybe there is a chance the war ends at October 7, two years after it began.”
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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests

A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco
Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.
People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.
“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”
Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.
On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.
Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.
On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.
“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.
Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.
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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan

Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas
Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.