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Holocaust ‘Book of Names’ to be inaugurated at the UN underscores the individual identities of the 6 million
When Yad Vashem was created in 1953 on the slopes of Jerusalem’s Mount of Remembrance to commemorate the Holocaust, its founders understood that one of the central functions of the institution would be to document the names of the 6 million Jewish victims.
It was seen as a moral imperative: to demonstrate that behind the almost inconceivable number were real individuals whose lives were cut short by the Nazis.
Now, to mark International Holocaust Remembrance Day on Jan. 27, Yad Vashem is inaugurating its Book of Names — a monumental installation containing the names of 4,800,000 victims of the Shoah — at the United Nations headquarters in New York.
Among those participating in the Book of Names opening ceremony on Jan. 26 will be U.N. Secretary General António Guterres, Israel’s permanent representative to the United Nations, Ambassador Gilad Erdan, and Yad Vashem’s chairman, Dani Dayan, a former consul general of Israel in New York.
“The Shoah was the murder of 6 million individual Jews. Each one who died deserves to be remembered as an individual, and not only as part of a nameless collective,” Dayan said.
The Book of Names will be on display at the United Nations for a month. Afterward it will be transferred to its permanent location at Yad Vashem, the World Holocaust Remembrance Center, in Jerusalem, where it will be open to public viewing in time for Yom HaShoah, the Israeli and Jewish Holocaust remembrance day, in April.
The installation is an updated version of the Yad Vashem Book of Names that has been on permanent display at the Auschwitz-Birkenau State Museum in Poland since 2017. The new version, which contains 500,000 additional names, stands 6.5 feet high and approximately 3.3 feet wide. Its total length is 26.5 feet. The massive volume lists the names of the victims in alphabetical order and, where the information is known, includes their birth dates, hometowns and places of death. The book has blank pages at the end symbolizing the approximately 1 million victims whose names are not yet recorded.
The names in the Book are sourced from Yad Vashem’s Central Database of Shoah Victims’ Names.
“We have been collecting the names of the individual Holocaust victims since 1954, mainly through Pages of Testimony,” said Alexander Avram, director of Yad Vashem’s Hall of Names and the Central Database of Shoah Victims’ Names. The Pages of Testimony are one-page forms that survivors and remaining family and friends complete with the names and biographical information of the victims.
“Starting about 20 years ago, we have been able to go beyond these pages and look to thousands of other sources for names,” Avram continues. “These include lists of victims produced by federal archives or organizations in different countries, deportation lists compiled by researchers and museums, and names gathered by memorial sites and institutions. We have also sourced hundreds of thousands of names from our own collections.”
The special team that finds the names and archives them in Yad Vashem’s names database is challenged by the fact that the Nazis either tried to eliminate traces of their crimes against humanity by destroying records, or never registered Jews’ names in the first place — especially in Eastern Europe.
“Few ghettos had censuses or name registrations,” noted Avram. “Hungarian transport lists had numbers, but not names — and they were all taken to extermination sites. Similarly, there were only numerical reports of the Jews killed by the Einsatzgruppen [the mobile paramilitary killing squads organized by the Nazis]. At Auschwitz, 900,000, men, women and children were sent straight to their deaths. Only the names of those sent to slave labor there were registered on cards, and the Nazis destroyed most of these records.”
The Book of Names is one component of Yad Vashem’s new strategic plan to improve and increase Holocaust remembrance in Israel and the world at a time when the number of survivors is dwindling and Holocaust denial and antisemitism are on the rise, Dayan said.
The names in the book are sourced from Yad Vashem’s Central Database of Shoah Victims’ Names, which the institution has been collecting since 1954. (Courtesy of Yad Vashem)
In addition to the permanent installations at Auschwitz and Yad Vashem, there are plans for a third version of the book to be created as a traveling exhibition.
“Our mission will be much more challenging, but also much more important and vital,” Dayan said of the coming era when no survivors remain. “We have to find innovative ways to reflect on and educate about what happened. I believe that you cannot remain indifferent to such a huge display when you see it.”
Dayan said he first experienced the power of the installation when he traveled to Auschwitz to see its initial version and found the names of his father’s uncles who were murdered in Poland.
New Yorker Bronia Brandman, a child survivor of Auschwitz originally from Jaworzno, Poland, was similarly moved when she embarked on a “roots trip” with her grandson Sruli Klaristenfeld in April 2017. Brandman’s large immediate and extended families were almost entirely wiped out by the Nazis.
Klaristenfeld navigated through the massive Book of Names at Auschwitz-Birkenau and found the names of his grandmother’s parents and other relatives. “It was a physical and permanent manifestation of their memory,” Klaristenfeld said.
Brandman said the impact of the monumental installation cannot be underestimated.
“People are indifferent. Many have no concept of the Holocaust ever happening and how it could be that 6 million innocent people were murdered in cold blood, including 1.5 million children,” she said. “The importance of the Book of Names is that the victims are immortalized for the future, and the past is never forgotten.”
Dayan said he looks forward to the Book of Names’ arrival at Yad Vashem after its display at the United Nations.
“Yad Vashem is the natural permanent home for the Book of Names,” Dayan said. “The public will be able to come and browse and find relatives, people with the same name as theirs or from the same locations as their families — or even to just pay respect to the victims.”
Avram said he expects the pages of the new book to be as worn from touch by visitors seeking the names of their family members as are the pages of the Book of Names exhibited at Auschwitz.
“Many families need a tangible, tactile way to reunite with the memory of the victims,” he said. “It’s the closest we can get to providing a gravestone.”
Meanwhile, the work of recovering the unknown victims’ names will continue apace, as it has for the last seven decades.
“It’s a debt we have toward the victims,” Dayan said. “We cannot let them be consigned to the lost pages of history. That is our promise to them — and to future generations.”
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He reconnected with Judaism as an adult. With his art, he hopes others do the same.
Bruce David’s magnum opus is a psychedelic lithograph depicting practically the entire Torah. Over eight months, David filled it with a plethora of hidden symbols: If you look closely, you can see Joshua blowing a shofar, which hugs the Israeli flag. Squint even more and you’ll notice Joshua’s face is the flared end of an even bigger shofar that encompasses the Ten Commandments, a shofar made up of dozens of small people, seven of whom hold flames as if making a human menorah.
To understand every hidden image in just this one painting would take more words than I have space for. David gave me the “short version” of the piece’s story on Zoom — it still took six minutes.
Although David has now spent decades making Jewish art — prints, mosaics, stained glass and metal works — and exhibiting it across the country, it wasn’t what he had anticipated doing with his life. David doesn’t have any formal art training and for several years, he lost touch with his Judaism.
“Oftentimes I’ll refer to myself as a deeply flawed holy man wannabe,” David told me over Zoom from his house in Bloomington, Indiana. “But I always had this spiritual pull.”
David grew up in Louisville, Kentucky, with a Reform father and a mother from an Orthodox family. His Orthodox grandmother, Bess Harris — who he described as a force to be reckoned with — was a particular influence on him.
“I really learned my Jewish heart from her and her love of God,” David said. “She was involved with starting a Jewish day school, a Jewish nursing home, the synagogue, and she would lead trips to Israel.”
But traditional religious practice didn’t speak to him when he was a kid. He told me that one time he even climbed out of the window during Hebrew school to go play basketball.
Years later, his wife Diane was the one who helped him find new ways to connect with Judaism. Although she was raised Catholic, Diane was curious about Judaism. David needed to refresh himself on the answers.
“We started looking at the different aspects of Judaism and different things started to make sense,” David told me. “Shabbat made sense — you know, everybody needs a time to rest, recharge. Yom Kippur makes sense as a time to forgive and be forgiven. Rosh Hashanah to start again. Sukkot to get out and celebrate and get close to nature.”
When the couple met, David’s job was making deliveries for his grandfather’s wholesale store in Louisville. For David’s 30th birthday, Diane gave him a set of pigment pencils and the art started flowing out of him. Many of his pieces are concerned with biblical stories — like his mosaic of Jonah emerging onto the shores of Nineveh or his rainbow colored print of Balaam and his donkey — and he refers to them as “visual midrash.”
Unsure what to do with his art, David went to the Hillel at Indiana University Bloomington to see if the rabbi had any ideas. The rabbi connected him with art professor Mazelle Van Buskirk who was taken with David’s work. She arranged for an exhibit at IU’s School of Fine Arts, making him the first community artist to be given such an honor and kicking off his career.
He has presented his art at Jewish schools and exhibited it at events like the National Hadassah Conference, the Cincinnati Jewish Folk Festival, and the Coalition for Alternatives to Jewish Education. His work has been on the cover of books and Jewish publications. Many of the events that have had the greatest impact on David’s life were unplanned.
“We’ve always lived our lives on miracles,” David told me.
Among these, David said, was Rabbi Shlomo Carlebach, “the Singing Rabbi” who wrote hundreds of liturgical melodies in the 20th century, conducting a (planned) conversion for Diane and an (unplanned) wedding ceremony for the couple in the 80s.
“We went to the mikvah for the conversion,” David told me. “And then he tells us ‘Oh by the way we’re going to marry you Saturday night after Shabbat.’”
Another miracle happened when David met a couple looking for someone to manage 29 acres in Bloomington overlooking Monroe Lake. Nature lovers, the couple quickly took the opportunity to live somewhere they could connect with the earth. David’s admiration for natural forms can also be found in much of his art; the shapes tend to flow and bend.
Over the 46 years that the couple has lived on their property, they’ve turned it into a home base for their Jewish worship and educational group Light of the Nations, which conducts lessons at various synagogues and JCCs through art and music. They host parties for Sukkot and the solar eclipse on their huge lawn, welcoming dozens of visitors.
David said they wanted their home to be a “place where people come out and get close to nature in life and slow down.”
Seventy-five years old and battling blood cancer, David is now spending his time focusing on helping people connect to Judaism in a holistic way and see the beauty that brought him back to religion. He’s slowed down on exhibiting his art, instead working on making sure Light of the Nations’ mission can continue once he is gone and that his art will find a home.
David hopes that people recognize in his art “that there’s this amazing, incredible life force influencing all creation.”
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Metropolitan Police investigating abuse of Jewish attendees at London Pride
(JTA) — London’s Metropolitan Police launched an investigation Monday into antisemitic abuse at a Pride parade after videos and pictures circulated on social media showed Jewish participants enduring taunts at Saturday’s event.
The police department said in a statement that officers were “aware of videos circulating online that show antisemitic verbal abuse directed towards attendees” at the parade in central London and that footage was being reviewed to assess whether criminal offenses had been committed. The department added that it “continues to work hard to tackle hate crimes of all types.”
Videos shared online show people carrying rainbow flags incorporating the Star of David being confronted by individuals shouting “Free Palestine.” The harassment escalated with attendees shouting, “Go back to your Zionist homeland,” “You kill Arab children, you kill gay children,” “F*** you, Jew,” and “How many babies did you kill?”
The Jewish Telegraphic Agency reached out to Pride in London for comment. The group had not replied by press time.
The incident comes amid heightened concern over antisemitism in Britain since Hamas’ Oct. 7, 2023, attack on Israel, with a record number of antisemitic incidents reported over the past two years. It also comes as Pride celebrations around the world have been roiled by tensions over Israel and antisemitism.
Pride in London drew tens of thousands of participants and visitors to the Soho neighborhood in the British capital. Some Jewish LGBTQ+ organizations have in recent years chosen not to participate in Pride, citing hostility towards Zionist Jews. But this year, around 150 people marched as part of a Jewish bloc at the event.
Organizers said the return this year followed discussions with Pride in London over Jewish inclusion and commitments that organizers would undertake antisemitism awareness training in partnership with the Community Security Trust, the main security consultant to the Jewish community. Jewish LGBTQ group Keshet UK stated earlier this year that the measures were intended to help ensure Jewish LGBTQ+ participants could march “safely and openly” following concerns raised after Oct. 7.
It was not clear whether the Jewish marchers who endured the abuse were part of the official Jewish bloc – accounts from marchers who stayed with the Jewish bloc were generally positive.
“A few people came and chanted ‘free, free, Palestine,’” Israeli author and LGBTQ+ activist Hen Mazzig told JTA. “They were passing through. And there was another person who was at a cafe and then they came by and they were just staring at us.”
Mazzig shared footage from the event on X, writing, ”My pride is not affected by the opinions of others. I am gay, I am Jewish, and I’m here to stay. Am Yisrael chai.”
Mazzig splits his time between London and Tel Aviv, because his husband is British. He told JTA in a phone interview that Saturday’s incidents “were scary, especially when a Pride parade is supposed to be inclusive.”
Mazzig said that since Oct, 7, circumstances have been exceptionally challenging for the British Jewish community “but specifically for LGBTQ youth that are being forced to choose between their Jewish identity and their queer identity.”
Mazzig claimed that Jewish marchers are not accepted unless they specify that they are anti-Zionist. “Every statement of solidarity with LGBTQ Jews seems to come with a ‘but,’” he said. ‘We support you, but not if you’re physically Jewish, not if you’re supporting Israel. You have to renounce half of your identity first.’ That’s not equality.”
In advance of Saturday’s event, some 650 Met police officers were deployed to enforce “zero tolerance” on hate crimes and to ensure that attendees could “safely and securely” enjoy the parade.
When JTA asked the Metropolitan police why at least two policemen appeared to stand by as Jews were subject to abuse, the Met requested that JTA provide the video in question. After being supplied with the video, the Met later told JTA that it had nothing further to add at this stage but would provide an update if it did.
Mazzig said the Met police should consider the abuse at the parade “shameful and it should alarm everyone.”
He added, “I hope that we stop debating whether or not antisemitism is real and accept it. And that communities that are supposed to be inclusive and pluralistic start taking action.”
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Israel’s diaspora minister calls Erdogan a ‘grotesque hybrid of Hitler and Sinwar’
(JTA) — Israel’s Diaspora Affairs Minister Amichai Chikli compared Turkish President Recep Tayyip Erdogan to Adolf Hitler and slain Hamas leader Yahya Sinwar in a post on X on Monday.
“We all know how narcissistic power-obsessed fanatics like you begin and how they end. The Jewish people have never feared mere flesh and blood, from Pharaoh until today,” Chikli wrote. “You are nothing but a pathetic blood soaked zero who history will soon forget.”
In the post, Chikli accused the Turkish leader of being a “patron of Hamas and ISIS” and described him as a “grotesque hybrid of Hitler and Sinwar” alongside an AI image of Erdogan in front of a Nazi flag.
Chikli’s post was in response to an address by Erdogan last month, in which the Turkish leader called Zionism a “genocidal occupying expansionist ideology” and said the “struggle” against Zionism was for the “collective survival of ourselves and our nation.”
Long-standing tensions between Turkey and Israel stoked by the war in Gaza have escalated in recent weeks, amid increasing Israeli concerns over the tight ties between Ankara and Washington and the possible sale of advanced American F-35 fighter jets to Turkey. Erdogan, who has consistently voiced support for Hamas, has been one of Israel’s most outspoken international critics.
Chikli’s post followed Israeli Prime Minister Benjamin Netanyahu’s blistering attack against Erdogan during an interview on “Fox & Friends” on Fox News Monday. Netanyahu said Turkey was “governed by a man who calls openly for the annihilation of Israel…and talks openly about conquering Jerusalem.”
The Israeli leader warned against the sale of weaponry to Ankara, portraying Turkey as an aggressive country that didn’t help the U.S. battle Iran. He spoke in advance of U.S. President Donald Trump’s trip to Ankara late Tuesday for a two-day summit of NATO.
“For a regime infected by the Muslim Brotherhood, an extreme movement that hates America and chants ‘death to America’ from that side of the spectrum, I don’t think they should be given F-35’s or the engines for their fighter jets,” Netanyahu told Fox News.
Such a sale would “upset the power balance in the Middle East, which is ultimately guaranteed by Israeli air superiority and … by America’s posture in the Middle East,” Netanyahu said.
Relations between the two regional powers have also been aggravated by the Israeli government’s June 28 decision to recognize the Armenian genocide by the Ottoman Empire during and immediately after World War I.
Turkey has condemned Israel’s recognition of the Armenian genocide. It’s a move so diplomatically controversial that to date, only some 33 countries, aside from Israel, have taken this step, including the U.S. in 2021.
According to Politico, Erdogan said in a public address last week, “We do not give the slightest heed to the slanders about our country from the murder network that has the blood of 73,000 innocent Gazans, most of them children and women, on its hands.”
Israel’s Minister of Foreign Affairs, Gideon Saar, also took aim at Turkey’s foreign minister, Hakan Fidan, during a press conference in Jerusalem Monday, decrying Fidan’s comments to CNN Türk on Friday in which he said that Israel had become a “burden that humanity can no longer bear.”
“The remarks by Turkey’s Foreign Minister are a clear call for genocide,” Saar said. “The Jewish people know all too well what happens when such words are allowed to go unanswered. The first step on the road to genocide is dehumanization.”
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