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Holocaust ‘Book of Names’ to be inaugurated at the UN underscores the individual identities of the 6 million
When Yad Vashem was created in 1953 on the slopes of Jerusalem’s Mount of Remembrance to commemorate the Holocaust, its founders understood that one of the central functions of the institution would be to document the names of the 6 million Jewish victims.
It was seen as a moral imperative: to demonstrate that behind the almost inconceivable number were real individuals whose lives were cut short by the Nazis.
Now, to mark International Holocaust Remembrance Day on Jan. 27, Yad Vashem is inaugurating its Book of Names — a monumental installation containing the names of 4,800,000 victims of the Shoah — at the United Nations headquarters in New York.
Among those participating in the Book of Names opening ceremony on Jan. 26 will be U.N. Secretary General António Guterres, Israel’s permanent representative to the United Nations, Ambassador Gilad Erdan, and Yad Vashem’s chairman, Dani Dayan, a former consul general of Israel in New York.
“The Shoah was the murder of 6 million individual Jews. Each one who died deserves to be remembered as an individual, and not only as part of a nameless collective,” Dayan said.
The Book of Names will be on display at the United Nations for a month. Afterward it will be transferred to its permanent location at Yad Vashem, the World Holocaust Remembrance Center, in Jerusalem, where it will be open to public viewing in time for Yom HaShoah, the Israeli and Jewish Holocaust remembrance day, in April.
The installation is an updated version of the Yad Vashem Book of Names that has been on permanent display at the Auschwitz-Birkenau State Museum in Poland since 2017. The new version, which contains 500,000 additional names, stands 6.5 feet high and approximately 3.3 feet wide. Its total length is 26.5 feet. The massive volume lists the names of the victims in alphabetical order and, where the information is known, includes their birth dates, hometowns and places of death. The book has blank pages at the end symbolizing the approximately 1 million victims whose names are not yet recorded.
The names in the Book are sourced from Yad Vashem’s Central Database of Shoah Victims’ Names.
“We have been collecting the names of the individual Holocaust victims since 1954, mainly through Pages of Testimony,” said Alexander Avram, director of Yad Vashem’s Hall of Names and the Central Database of Shoah Victims’ Names. The Pages of Testimony are one-page forms that survivors and remaining family and friends complete with the names and biographical information of the victims.
“Starting about 20 years ago, we have been able to go beyond these pages and look to thousands of other sources for names,” Avram continues. “These include lists of victims produced by federal archives or organizations in different countries, deportation lists compiled by researchers and museums, and names gathered by memorial sites and institutions. We have also sourced hundreds of thousands of names from our own collections.”
The special team that finds the names and archives them in Yad Vashem’s names database is challenged by the fact that the Nazis either tried to eliminate traces of their crimes against humanity by destroying records, or never registered Jews’ names in the first place — especially in Eastern Europe.
“Few ghettos had censuses or name registrations,” noted Avram. “Hungarian transport lists had numbers, but not names — and they were all taken to extermination sites. Similarly, there were only numerical reports of the Jews killed by the Einsatzgruppen [the mobile paramilitary killing squads organized by the Nazis]. At Auschwitz, 900,000, men, women and children were sent straight to their deaths. Only the names of those sent to slave labor there were registered on cards, and the Nazis destroyed most of these records.”
The Book of Names is one component of Yad Vashem’s new strategic plan to improve and increase Holocaust remembrance in Israel and the world at a time when the number of survivors is dwindling and Holocaust denial and antisemitism are on the rise, Dayan said.
The names in the book are sourced from Yad Vashem’s Central Database of Shoah Victims’ Names, which the institution has been collecting since 1954. (Courtesy of Yad Vashem)
In addition to the permanent installations at Auschwitz and Yad Vashem, there are plans for a third version of the book to be created as a traveling exhibition.
“Our mission will be much more challenging, but also much more important and vital,” Dayan said of the coming era when no survivors remain. “We have to find innovative ways to reflect on and educate about what happened. I believe that you cannot remain indifferent to such a huge display when you see it.”
Dayan said he first experienced the power of the installation when he traveled to Auschwitz to see its initial version and found the names of his father’s uncles who were murdered in Poland.
New Yorker Bronia Brandman, a child survivor of Auschwitz originally from Jaworzno, Poland, was similarly moved when she embarked on a “roots trip” with her grandson Sruli Klaristenfeld in April 2017. Brandman’s large immediate and extended families were almost entirely wiped out by the Nazis.
Klaristenfeld navigated through the massive Book of Names at Auschwitz-Birkenau and found the names of his grandmother’s parents and other relatives. “It was a physical and permanent manifestation of their memory,” Klaristenfeld said.
Brandman said the impact of the monumental installation cannot be underestimated.
“People are indifferent. Many have no concept of the Holocaust ever happening and how it could be that 6 million innocent people were murdered in cold blood, including 1.5 million children,” she said. “The importance of the Book of Names is that the victims are immortalized for the future, and the past is never forgotten.”
Dayan said he looks forward to the Book of Names’ arrival at Yad Vashem after its display at the United Nations.
“Yad Vashem is the natural permanent home for the Book of Names,” Dayan said. “The public will be able to come and browse and find relatives, people with the same name as theirs or from the same locations as their families — or even to just pay respect to the victims.”
Avram said he expects the pages of the new book to be as worn from touch by visitors seeking the names of their family members as are the pages of the Book of Names exhibited at Auschwitz.
“Many families need a tangible, tactile way to reunite with the memory of the victims,” he said. “It’s the closest we can get to providing a gravestone.”
Meanwhile, the work of recovering the unknown victims’ names will continue apace, as it has for the last seven decades.
“It’s a debt we have toward the victims,” Dayan said. “We cannot let them be consigned to the lost pages of history. That is our promise to them — and to future generations.”
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”