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How a Kentucky lawmaker’s friendship with a Jewish woman helped inspire her viral speech decrying anti-trans legislation
(JTA) — Pamela Stevenson, a Democratic state representative in Kentucky, was chatting recently with her friend Zahava Kurland about one of Kurland’s duties at her Orthodox synagogue: preparing the dead for burial.
“She was trying to explain to me certain things that had to be done,” Stevenson, who is also a Black Baptist minister, told the Jewish Telegraphic Agency last week. The seemingly esoteric topic was one of many the two women have discussed over more than a decade of weekly Friday-morning conversations — which cover anything from politics and friendship to faith and being one’s true self.
Stevenson said her conversations with Kurland have made her attuned to Jewish sensibilities. “She’s always listening for and giving me information” about Judaism and Jewish experiences, said Stevenson, who was first elected to the Kentucky legislature in 2020.
So Kurland was not surprised when, in a viral speech on Wednesday decrying her fellow lawmakers for signing off on a law that bans gender-affirming care for trans youth, Stevenson also centered antisemitism.
“First, you hated Black people,” Stevenson said, addressing the Republican lawmakers who voted for the legislation. “Then, you hated Jews. Now, you’re hating everybody. So the question is, when the only people left are you, will you hate yourself?”
Kurland said her friend is a listener and naturally empathetic, so she would be sensitive to how hatreds intersect.
“She’s truly well balanced,” said Kurland. “She truly cares about people.”
Stevenson says she looks forward to her Friday morning talks with Kurland. She said the conversations have helped give her a more expansive perspective on life, which drives her to fight bigotry.
“I really believe that I will never know as much as she knows,” Stevenson said. “But I can develop an appreciation for what it’s like and not use my view of the world as the only view of the world.”
What prompted Stevenson’s floor speech was the overwhelmingly Republican legislature’s override of Democratic Gov. Andy Beshear’s veto of a law that bans a range of medical treatments and practices for trans youth. It outlaws doctors from providing gender-affirming treatment to youth; requires them to cease care if it has already begun; bans conversations in schools about gender identity or sexual orientation; bans school districts from allowing transgender students to use the bathroom aligned with their gender identity; and allows teachers to refuse to use a child’s preferred pronouns.
The bill was introduced weeks after state Sen. Karen Berg’s trans son, Henry Berg-Brousseau, died by suicide. Berg, who is Jewish, said that referring to the anti-trans bill as a parents’ rights bill is an “absolutely despicable affront to me personally,” according to The Washington Post. Stevenson, who has appeared alongside Berg at rallies, called her “phenomenal” and said, “This is infinitely more personal for her.”
Stevenson said that she mentioned anti-Jewish hatred in her speech because she believes hatreds are mutually reinforcing, and she connects the anti-trans sentiment she sees with rising racism and antisemitism.
“If you have a model where you have to hate somebody to win, then you always have to have somebody to hate,” she said. “People say it was out of nowhere, but it’s really out of somewhere. We’ve gone through the cycles of the Native Americans, the Black folks have been hated for a long time, the disabled. Everybody is always on the bottom of that model. And in just recent years, it was the Muslims, then it was the immigrants, and then it was back around the Blacks again. And so because of this overflow of hate, there’s been an uptick in antisemitic actions.”
Stevenson said her mission is to make people cognizant of the roots of hatred. “People want to say that all the attacks against the Jewish temples and the Jewish people in recent times came out of nowhere,” she said, referring to reports of a spike in antisemitic attacks. “No, it did not. We just have chosen not to pay attention to what’s been said.”
Kurland, who is a member of Congregation Beth Jacob in Atlanta, and Stevenson, a retired Air Force Colonel and an attorney who is running to be Kentucky’s attorney general, met in 2006 when Stevenson was serving in the Air Force and Kurland was working as an accountant in Atlanta. They attended a three-day course with Landmark, the personal development program that presses participants to face uncomfortable truths about themselves.
“When we were closer-in logistically she came over very often for Shabbos meals,” Kurland said. “I often invite people for Shabbos meals and the holidays and I love explaining, you know, how Judaism gave more to the world than anything, anybody, any person. Torah, Judaism has given the world its whole structure for society.”
The Air Force started moving Stevenson around. “That’s when we started talking on the phone all the time, because we couldn’t get together,” Kurland said.
Stevenson is “a committed listener, someone who’s going to hear you and call you out on your stuff,” Kurland said. “It’s not a friendship where you massage each other’s egos. It’s a friendship where you hold each other to account for who you say you are.”
They each speak with outrage at the lawmakers who, they feel, would breach the relationship between a parent and a child.
“As a mother, how dare you interfere with one of the most intimate relationships?” Stevenson said two weeks ago during debate on the bill, addressing Rep. Jennifer Decker, a Republican who was its lead sponsor. “We have no right to interfere in the parental rights.”
Kurland agrees. “These are all decisions to be made between a child and his parents or her parents and their doctor,” she said. “It has no place for the government to have anything to do with anything.”
And both Kurland and Stevenson say religion is a key part of their identities.
“Judaism is the center part of my life,” said Kurland. “It’s what I am, it’s who I am, it’s what I’m about. And as a Jew, you cannot sit by and let another one of God’s human beings [be excluded]. I mean, when we honor other people, we are doing God’s work. We are honoring God. When we cut people out, then we’re not “
Stevenson likewise calls herself “a woman of faith.”
“I believe what is required, in almost every faith that I know of, is to love one another and take care of the people around us,” she said.
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The post How a Kentucky lawmaker’s friendship with a Jewish woman helped inspire her viral speech decrying anti-trans legislation appeared first on Jewish Telegraphic Agency.
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VIDEO: Memories of the Workmen’s Circle in Montreal
מער ווי הונדערט יאָר לאַנג האָט דער אַרבעטער־רינג געשפּילט אַ וויכטיקע ראָלע אין דעם ייִדישן לעבן פֿון מאָנטרעאָל. די אָרגאַניזאַציע איז געווען איינע פֿון די וויכטיקסטע וועלטלעכע ייִדישע כּוחות אין דער שטאָט און האָט אין משך פֿון לאַנגע יאָרן אַנטוויקלט אַ רײַך קולטור־ און געזעלשאַפֿטלעך לעבן.
אין דער רעקאָרדירונג וועט איר זיך באַקענען מיט שלום (סאָל) עדלשטיין, וואָס האָט אָנגעפֿירט דעם אַרבעטער־רינג אין מאָנטרעאָל אין אירע לעצטע יאָרן. מיטן שמועס פֿירט אָן אלי בענעדיקט פֿון דער ייִדיש־ליגע.
אין די ערשטע יאָרן פֿונעם 20סטן יאָרהונדערט זענען געווען אַ ריי אַרבעטער־רינג-„ברענטשעס“ איבער קאַנאַדע, וואָס האָבן געפֿירט אַ רײַכע קולטור־אַרבעט, אַרײַנגערעכנט שולן, טעאַטער־טרופּעס און כאָרן. במשך פֿון די יאָרן האָבן זיך די „ברענטשעס“ צו ביסלעך פֿאַרמאַכט, און די פֿאַרבליבענע אַקטיוויטעטן האָבן זיך צונויפֿגעקליבן אין איין הויז אין מאָנטרעאָל. אין דעם לעצטן יאָר האָט זיך אויך דאָס הויז פֿאַרמאַכט. אין דעם שמועס וועט שלום עדלשטיין דערציילן וועגן די „ברענטשעס“, וועגן דעם לעבן און די אויפֿטוען אין דעם הויז, און וועגן זײַנע אייגענע איבערלעבונגען דאָרט.
The post VIDEO: Memories of the Workmen’s Circle in Montreal appeared first on The Forward.
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Facebook suspends radio broadcaster’s account over video of Holocaust survivor
Facebook has abruptly banned a Jewish broadcasting executive in Minnesota after he posted a link to a video of a 104 year-old Holocaust survivor in Texas sharing his story, prompting the Minnesota Attorney General to intervene.
Joel Glaser, CEO of AMPERS, a group of community radio stations across Minnesota, received an email from Facebook last month informing him that his personal account had been suspended because it violated the platform’s “child sexual exploitation” policies.
Because Glaser also administers the account for an AMPERS radio series titled MN90: Minnesota History in 90 Seconds, Facebook also took down that account, which has more than 10,000 followers.
The video produced by an NBC affiliate in Dallas and shared by an ABC affiliate in the Twin Cities, featured a talk by Walter Levy, a survivor who fled Germany in the late 1930s and still tells his story about how his family survived Kristallnacht and struggled with whether to flee to then-British mandated Palestine or America. His family eventually joined relatives in Arkansas.
“How it got flagged as being child sexual exploitation is absolutely beyond me,” said Glaser, who unsuccessfully appealed.. “It did not give me the opportunity to explain anything, ask any questions, provide any screenshots, do anything at all.”
Facebook has said the case has been “flagged for the team” and is “looking into this.”
Glaser initially speculated that an antisemite, Holocaust-denier, or a bot operating on their behalf had flagged his post. But then he started leaning toward the notion that it was probably just artificial intelligence run amok.
“I guess Meta’s AI isn’t smart enough to differentiate between child sexual exploitation and a legitimate news story,” he said.
Because Glaser also oversees AMPERS’ news coverage, losing access to Facebook has made his job more difficult.
“I’m being hindered from doing that,” Glaser said. “They need to fix it.”
Experts say Glaser’s experience is not unusual, underscoring a need for significant work on content moderation systems, as well as transparent correction mechanisms. Without seeing Meta’s internal enforcement signals, it’s impossible to know why the system acted to suspend Glaser’s accounts.
On the morning of June 25 Glaser received an email from Facebook saying that his personal account was being suspended and he had 180 days to appeal. While the platform attributed the suspension to a violation of child sexual exploitation standards, it did not specify what content of Glaser’s had violated those standards. The video of Levy just happened to be his most recent post.
Glaser appealed right away, taking the required nine photographs of his face to prove it was him. Facebook denied the appeal that afternoon and permanently banned him with no opportunity for additional appeals.
Glaser contacted Minnesota’s Attorney General, a standard recourse for Facebook subscribers in a number of states who have
unfairly had their accounts suspended. Brian Evans, press secretary for Minnesota Attorney General Keith Ellison, told Glaser that the office has interceded with Meta previously regarding their “heavy-handed approach to account deactivation.”
The Attorney General’s Consumer Action team will work to get Glaser’s two accounts reactivated, he wrote.
“The Minnesota Attorney General’s Office has received numerous complaints from consumers about moderation decisions that appear to have been made in error by Facebook,” Evans said.
Minnesota State Rep. Ginny Klevorn, a Democrat who represents the suburbs northwest of Minneapolis, has also asked that the state party’s liaison to Meta look into the matter, noting that AMPERS is partially funded by the state of Minnesota.
“Why is a public service network that deals with factual historic events being banned?” she said. “I think they owe Joel some sort of explanation.”
The post Facebook suspends radio broadcaster’s account over video of Holocaust survivor appeared first on The Forward.
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Artists are boycotting a show about Israel. The run’s already sold out
In the third act of Jonathan Spector’s Birthright, the character Izzy delivers the closest thing the play has to a thesis.
“I can go up on the bimah at my parents’ shul and I can say I am married to a woman, I can say I don’t keep kosher, I can say I don’t believe in God,” the character, a former J Street employee played by Molly Bernard, says. “The one thing that would get me kicked off the bimah, kicked out of the shul, kicked out of my family is if I say I am an anti-Zionist.”
There is an unspoken flipside to this equation: Just as Jewish communal life has instituted litmus tests, the pro-Palestine movement also has its dogma.
Jewish organizations once accepted all comers — gay, bacon-eating, atheist — Spector told me in an interview the day the show, tracking six members of a Birthright group over 18 years, opened at MCC Theatre. Recently, though, when it comes to the Jewish state, “there’s been a similar kind of shift away from tolerance from people on both sides of that divide.”
As if one needed more proof of Spector’s assertion, the group Theater Workers for a Ceasefire announced on Tuesday a call to boycott the production for “normalization,” even though the show is, at press time, sold out.
In an open letter, the organization outlines its concerns. “Normalization includes any plays, festivals, and other kinds of cultural activities that are based on the false premise of symmetry between oppressors and oppressed or which assume colonizers and colonized are equally responsible for the ‘Israel/Palestine conflict.’”
Birthright, they argue, meets this definition in its third act, when Izzy and Chaya (Zoë Winters), a former Obama staffer, debate the Gaza War in the aftermath of Oct. 7. “Chaya and Izzy perpetuate the fallacy that genocide has two equally legitimate sides,” the Theater Workers wrote. “The play does not challenge Chaya’s beliefs — it privileges them.”
But does it? We learn Chaya resigns from her job at the domestic nonprofit she founded over a pressure campaign by her staffers, who share an offensive text she sent via Instagram. The text: “Maybe they should spend a week in Gaza, and then come back and tell us if the rapes are real or not.”
In an Instagram carousel, Artists For Ceasefire describes this as “a text accusing Palestinians of being rapists.” This is a distortion, but reveals a familiar taboo in certain pro-Palestinian activism: the acknowledgment that Hamas and Palestinian Islamic Jihad committed sexual violence.
“Birthright emphasizes Chaya’s victimhood, whereby her own personal and professional losses in the wake of October 7th are greater than that of any Palestinian,” the letter continues. “Izzy is depicted as immoral for caring more about Palestinian strangers than her friend.”
This smacks of a bad faith reading. Once again we are in the realm of depiction not equalling endorsement. Cherries are being picked. That the play doesn’t “challenge” every argument, or “encourag[es] audiences to empathize with” an Israeli character’s “subjectivity” is seen as morally deleterious, rather than what it is: a play, with characters, not a debate, op-ed or struggle session.
As Spector told me, “plays contain ideas, but plays are about people.”
We needn’t wonder what Theater Workers for a Ceasefire would recommend as counter-programming: on Instagram they argued for an example in Seven Jewish Children by Caryl Churchill, a non-Jewish playwright. That play is more polemic than drama and runs on an engine of Holocaust inversion, which makes sense when you look at their Instagram post.
“Conventional drama demands we present contrasting viewpoints in the name of conflict,” the group concedes, “But how we write the conflict is not an ideological [sic] benign matter.”
The overriding interest is not art, but ideology. Not the mirror up to life, but of the funhouse variety that warps reality to an endless, echo chamber tunnel.
Eli Gelb, an actor in the show, acknowledged the boycott in an Instagram story, wrote “I’ve been outspoken as an antizionist Jew and I remain so. I believe in the show and will be continuing to perform in the production.” Molly Bernard’s Instagram stories Wednesday are of devastation in Gaza.
The letter makes clear “this would not be a boycott of MCC, nor of Jonathan Spector, but of this specific cultural product.” How can you boycott a run that, at press time, has no seats left to buy? Yield your tickets while ye may, someone will gladly snap them up.
In the play, a character, whose identity I won’t reveal due to spoilers, discusses an episode recounted in the Talmud, where a Super Bowl-sized crowd witnesses one priest stab another for the privilege of cleaning up ashes from a ritual sacrifice.
Rabbi Tzadok says all present were responsible for creating the conditions for the attack. But then the father of the stabbed priest retrieves the knife from his son’s back, and tells the crowd that, as he is not yet dead, the knife is still ritually pure. The onlookers cheer.
In the show, the story is cryptic, but speaks to Israel, where the ideal of the state has given way — perhaps irreversibly — to a culture of violence.
“This is how far they had fallen in this period,” the character says, “how far they had strayed, that they valued the laws of ritual purity over human life.” It’s an argument that would seem to align with Artists for Ceasefire, for whom the suffering in Gaza supersedes any gestures at complexity.
In their demands for a purity test, they may have missed it.
The post Artists are boycotting a show about Israel. The run’s already sold out appeared first on The Forward.
