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How bathroom graffiti inspired this Jewish comedian and singer

(New York Jewish Week) — The graffiti scrawled on public bathroom walls may not seem like the highest form of art. But for Jewish comedian and musician Caitlin Cook, a particular phrase she saw on a bathroom stall became the catalyst for a decade of creative inventiveness.
“Since writing on bathroom walls is neither for critical acclaim nor financial reward,” it read, “it is the purest form of art. Discuss.”
“I just knew that this was something I did want to discuss,” Cook told the New York Jewish Week. “I love art history, I love found art, and I loved the way that [graffiti] broke down the idea of what art is and can be. So, I started photographing bathroom graffiti all over the place.”
A few years later, Cook realized she could turn her extensive collection of found phrases into lyrics for songs. And then, after a few more years, she figured out a way to project the original bathroom images behind her as she sang her songs. The project then developed into a one-person musical, “The Writing on the Stall,” which is playing at the Soho Playhouse through Sept. 23. As implied by the title, the musical takes place entirely in a public bathroom; the song’ lyrics are almost entirely quotes from actual graffiti Cook found in restrooms across the globe.
“I think everyone has seen something funny or sad written in the bathroom stall when they’ve sat down,” said Cook, adding that the show “really hits this universal human experience.”
Cook, 33, who moved to New York in 2016, grew up in Los Angeles, where she was raised by her parents and grandparents in a culturally Jewish but atheist home. “Both my grandparents were from very large families who escaped Poland and Belarus and grew up very poor in the Jewish tenements and in the Bronx, then moved to L.A. and made something of themselves,” she said. “My grandma would always say, ‘We’re Jewish, it’s very important that you know that, but we don’t believe in God because [the Holocaust] happened.’”
“I think that was a very common attitude for Jews in L.A.,” she continued. “As a result, I never went to Hebrew school and sometimes I feel like I’m not Jewish enough to be Jewish. Then, other times, I feel I am very Jewish.”
Cook addresses her complicated Jewish identity head-on in “The Writing on the Stall.” Early in the musical — after the show opens with Cook sitting on a toilet, asking the audience for some toilet paper — she talks about being a “Jewish atheist,” and the seemingly inherent contradiction therein.
“I come from a wonderful, creative family that really prioritized education, intellectualism and thinking beyond the surface level of things,” she told the New York Jewish Week, “That search for deep meaning feels very inherent to the way I experience Jewish identity.”
To Cook, this Jewish instinct to sense a deeper message in something seemingly mundane is, essentially, how she came to find graffiti to be so profound in the first place. As an example, she cites a message — “Do what scares you, even if it’s everything” — she found in a stall. It became “part of my life philosophy,” Cook told the New York Jewish Week. “Putting myself outside of my comfort zone, exploring why I am the way that I am, dealing with fears and anxiety … of growing up as a Jewish person who’s always thinking beyond the surface level.”
The short musical (approximately 60 to 75 minutes, depending on audience participation) features songs like “The Difference,” which explores the types of graffiti found in men’s, women’s and non-gendered restrooms. “Girl, keep ya head up,” and “ Love like you’ve never been ghosted,” the women write, while men’s stalls feature lines like, “roses are tits, violets are tits,” and many, many drawings of genitalia.
Another song, called “Conversations With Strangers,” depicts the unique interactions created when strangers answer one another’s contributions to bathroom graffiti. “Follow ur dreams,” one person scratched into a stall. Below it, in Sharpie, someone answers, “I literally only have nightmares.”
“There’s a song about confessional bathroom graffiti [in which] I confess some things about myself and get the audience to confess some secrets, while talking about how intimate bathrooms can be,” Cook said. “[The show also goes into] graffiti that bullies and the beautiful, poetic, sad, wonderful things that people have written.”
Cook, whose previous credits include New York Comedy Festival and SF Sketchfest, alongside iconic venues like The Comedy Cellar, crafted this version of “The Writing on the Stall” with the aid of two chief collaborators: Director A.J. Holmes, best known for his performance as Elder Cunningham in “The Book of Mormon,” and Ali Gordon, actor and alumna of the Upright Citizen’s Brigade.
Cook and Holmes met at the Edinburgh Fringe Festival, where the two were performing at nearby theaters. (Cook was performing an earlier version of “The Writing on the Stall.”) “My immediate impression was that the songs crush,” Holmes told the New York Jewish Week.
The duo brought Gordon on board, and they developed “The Writing on the Stall” so it touches on a larger message about finding beauty and meaning in the everyday.
“It feels like everyone wants to hide in the friggin’ bathroom right now,” Gordon said. “Whether it’s on a political level or a personal level, everything has become too much of a mess, the desire to bury our heads in the sand is stronger than ever.”
“In the show, that’s what we find our hero doing — hiding from the party outside,” she continued. “But the audience gets to see how she finds her way out … instead of staying in a shame spiral and beating herself up, she finds beauty in the darkest corners. She uses that to shine a light for the rest of us.”
Cook agrees. “It’s a show about shared humanity and finding meaning in unexpected places,” she said. “It’s about sharing vulnerable stories and connecting with strangers unexpectedly, whether it’s writing something in conversation on the wall of a bathroom, or meeting in a bathroom line, or just sharing a little bit about who you are with someone at a bar.”
“The Writing on the Stall” can be silly or salacious at times, but amid the projected images of crude drawings of genitals and cheery, if oversimplified, “you go, girl!” scrawls, Cook is trying to find answers to life’s big questions. She’s inviting audiences to connect with themselves and with one another by reaching out past the edge of the stage. She’s interested in who she is, certainly, but also in who we are to each other as members of a society that so often seems torn beyond repair.
“The Writing on the Stall” is playing at Soho Playhouse (15 Vandam St.) Wednesdays through Saturdays through Sept. 23. Click here for tickets and info.
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The post How bathroom graffiti inspired this Jewish comedian and singer appeared first on Jewish Telegraphic Agency.
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US Clamps Sanctions on Israel-bashing UN Rights Monitor Albanese

Francesca Albanese, UN special rapporteur on human rights in the Palestinian territories, attends a side event during the Human Rights Council at the United Nations in Geneva, Switzerland, March 26, 2024. Photo: REUTERS/Denis Balibouse
The Trump administration has imposed sweeping sanctions against Francesca Albanese, the United Nations Special Rapporteur for the Occupied Palestinian Territories, citing the UN official’s lengthy record of singling out Israel for condemnation.
In a post on X, US Secretary of State Marco Rubio announced the sanctions under a February executive order targeting those who “prompt International Criminal Court (ICC) action against U.S. and Israeli officials, companies, and executives.” He accused Albanese of waging “political and economic warfare” against both nations and asserted that “such efforts will no longer be tolerated.”
“Today I am imposing sanctions on UN Human Rights Council Special Rapporteur Francesca Albanese for her illegitimate and shameful efforts to prompt [International Criminal Court] action against U.S. and Israeli officials, companies, and executives,” Rubio announced on X/Twitter.
“Albanese’s campaign of political and economic warfare against the United States and Israel will no longer be tolerated,” declared the Trump administration’s top foreign affairs official. “We will always stand by our partners in their right to self-defense.”
Rubio concluded: “The United States will continue to take whatever actions we deem necessary to respond to lawfare and protect our sovereignty and that of our allies.”
The decision to impose sanctions on Albanese marks an escalation in the ongoing feud between the White House and the United Nations over Israel. The Trump administration has repeatedly accused the UN and Albanese of unfairly targeting Israel and mischaracterizing the Jewish state’s conduct in Gaza.
Albanese, an Italian lawyer and academic, has held the position of UN special rapporteur on human rights in the Palestinian territories since 2022. The position authorizes her to monitor and report on alleged “human rights violations” by Israel against Palestinians in the West Bank and Gaza.
Last week, Albanese issued a scathing report accusing companies of helping Israel maintain a so-called “genocide economy.” She called on the companies to cut off economic ties with Israel and warned that they might be guilty of “complicity” in the so-called “genocide” in Gaza.
Critics of Albanese have long accused her of exhibiting an excessive anti-Israel bias, calling into question her fairness and neutrality.
Albanese has an extensive history of using her role at the UN to denigrate Israel and seemingly rationalize Hamas’ attacks on the Jewish state.
In the months following the Palestinian terrorist group’s atrocities across southern Israel on Oct. 7, 2023, Albanese accused the Jewish state of perpetrating a “genocide” against the Palestinian people in revenge for the attacks and circulated a widely derided and heavily disputed report alleging that 186,000 people had been killed in the Gaza war as a result of Israeli actions.
The action comes as Israeli Prime Minister Benjamin Netanyahu visits Washington, where he has received a warm reception from the Trump administration. Netanyahu has been meeting with US officials to discuss next steps in the ongoing Gaza military operation.
Gideon Sa’ar, Minister of Foreign Affairs for Israel, commended the Rubio announcement with his own post on X/Twitter, exclaiming: “A clear message. Time for the UN to pay attention!”
The post US Clamps Sanctions on Israel-bashing UN Rights Monitor Albanese first appeared on Algemeiner.com.
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Hardball: Trump Administration Reports Harvard to Accreditor Over Antisemitism Allegations

US President Donald Trump speaks during a Cabinet meeting at the White House in Washington, DC, July 8, 2025. Photo: Kevin Lamarque via Reuters Connect.
The Trump administration escalated its showdown against Harvard University on Wednesday, reporting the institution to its accreditor for alleged civil rights violations resulting from its weak response to reports of antisemitic bullying, discrimination, and harassment following Hamas’ Oct. 7, 2023 massacre across southern Israel.
The US Department of Education (DOE) announced the action on Wednesday. Citing Harvard’s admitted failure to treat antisemitism as seriously as it treated others forms of hatred in the past, the DOE called on the New England Commission of Higher Education to review and, potentially, revoke its accreditation — a designation which qualifies Harvard for federal funding and attests to the quality of the educational services its provides.
“Accrediting bodies play a significant role in preserving academic integrity and a campus culture conducive to truth seeking and learning,” said Secretary of Education Linda McMahon. “Part of that is ensuring students are safe on campus and abiding by federal laws that guarantee educational opportunities to all students. By allowing anti-Semitic harassment and discrimination to persist unchecked on its campus, Harvard University has failed in its obligation to students, educators, and American taxpayers.”
The DOE, McMahon added, “expects the New England Commission of Higher Education to enforce its policies and practices, and to keep the Department fully informed of its efforts to ensure that Harvard is in compliance with federal law and accreditor standards.”
As previously reported by The Algemeiner, Harvard’s Presidential Task Force on Combating Antisemitism has acknowledged that the university administration’s handling of campus antisemitism fell well below its obligations under both Title VI of the Civil Rights Act of 1964 and its own nondiscrimination policies.
In a 300-plus-page report, the task force compiled a comprehensive record of antisemitic incidents on Harvard’s campus in recent years — from the Harvard Palestine Solidarity Committee’s endorsement of the Oct. 7 terrorist atrocities to an anti-Zionist faculty group’s sharing an antisemitic cartoon depicting Jews as murderers of people of color. The report identified Harvard’s past refusal to afford Jews the same protections against discrimination enjoyed by other minority groups as a key source of its problem.
Coming several weeks after President Donald Trump ordered the freeze of $2.26 billion in federal research grants and contracts for Harvard, the task force report found it was “clear” that antisemitism and anti-Israel bias have been fomented, practiced, and tolerated not only at Harvard but also within academia more widely.”
The university is now suing the federal government over the funding halt.
President Trump has spoken scathingly of Harvard, calling it, for example, an “Anti-Semitic, Far Left Institute … with students being accepted from all over the world that want to rip our Country apart” in an April post to his Truth Social platform.
In recent weeks, however, both Trump and McMahon had commended Harvard’s constructive response in negotiations over reforms the administration has asked it to implement as a precondition for restoring federal funds. The requested reforms include hiring more conservative faculty, shuttering diversity, equity, and inclusion [DEI] programs, and slashing the size of administrative offices tangential to the university’s central educational mission.
The administration has since changed its tone in the wake of a report by The Harvard Crimson that interim Harvard President Alan Garber has said “behind closed doors” that he has no intention of doing anything that would make Harvard more palatable to conservatives.
Earlier this month, the Trump administration’s Joint Task Force to Combat Antisemitism issued Harvard a formal “notice of violation” of civil rights law. Charging that Harvard willfully exposed Jewish students to a flood of racist and antisemitic abuse both in and outside of the classroom, it threatened to strip whatever remains of Harvard’s federal funding.
“Failure to institute adequate changes immediately will result in the loss of all federal financial resources and continue to affect Harvard’s relationship with the federal government,” wrote the federal officials comprising the multiagency Task Force. “Harvard may of course continue to operate free of federal privileges, and perhaps such an opportunity will spur a commitment to excellence that will help Harvard thrive once again.”
In Wednesday’s announcement, US Department of Health and Human Services Secretary Robert F. Kennedy Jr. said Harvard’s conduct “forfeits the legitimacy that accreditation is designed to uphold.”
“HHS and Department of Education will actively hold Harvard accountable through sustained oversight until it restores public trust and ensures a campus free of discrimination,” he said.
Follow Dion J. Pierre @DionJPierre.
The post Hardball: Trump Administration Reports Harvard to Accreditor Over Antisemitism Allegations first appeared on Algemeiner.com.
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IDF Strikes Hezbollah Sites in South Lebanon as Terror Group Pushes to Rebuild Amid US Disarmament Talks

IDF operating in southern Lebanon. Photo: IDF Spokesperson
Israeli forces uncovered and destroyed Hezbollah weapons caches in southern Lebanon on Wednesday, as a new report indicated that despite ongoing U.S.-led efforts to secure a disarmament deal, the Iran-backed group is making repeated, largely concealed attempts to rebuild its military presence in the area.
Troops carried out several operations targeting Hezbollah infrastructure in southern Lebanon on Wednesday morning, destroying weapons depots, explosives and multibarrel launchers concealed in forested terrain, the IDF said, in violation of the November ceasefire, which requires Hezbollah to withdraw its forces 20 miles from the Israeli border.
A new report released this week by the Alma Research and Education Center found that Hezbollah is focused on rebuilding in three areas: operational deployment, weapons acquisition, and financial recovery.
“Hezbollah didn’t give up its resistance narrative and motivation,” Alma’s director, Lt. Col. (Res.) Sarit Zehavi, told The Algemeiner.
“It wants to rebuild its capabilities and infrastructures, whether it’s the villages that will be used as human shields or the military infrastructure in South Lebanon and in Lebanon in general.”
According to Zehavi, Hezbollah is attempting to return Radwan fighters to positions south of the Litani River as part of a wider plan to restore its elite forces to operational readiness. The IDF on Monday killed Radwan commander Ali Abd al-Hassan Haidar in a targeted strike. The action came hours after US Special Envoy for Syria Thomas Barrack met with Lebanese President Joseph Aoun, Prime Minister Nawaf Salam and Parliament Speaker Nabih Berri in Beirut to discuss a long-term deal that would include an Israeli withdrawal and complete disarmament of Hezbollah.
Barrack described the Lebanese response to the proposal as positive. Later, he issued a blunt warning to Hezbollah in response to a vow by the terror group’s leader, Naim Qassem, not to lay down its arms. “If they mess with us anywhere in the world, they will have a serious problem with us,” Barrack said in an interview with Lebanese news network LBCI. “They don’t want that.”
Zehavi said it was premature to predict the outcome of the diplomatic efforts. She warned that the challenge of disarming Hezbollah remains enormous and emphasized that the Lebanese Armed Forces have not demonstrated the capability or willingness to confront the group.
“It’s too soon to be optimistic or pessimistic,” she said, noting that no firm commitments have emerged from the Beirut talks.
Hezbollah’s efforts to smuggle and manufacture weapons have been complicated by both Israeli strikes and the regional realignment over recent months. While Israeli strikes have disrupted many supply routes, according to Zehavi, Syrian authorities have intercepted far more Hezbollah-bound weapons than the Lebanese Army, which claims to have uncovered 500 arms caches but has provided no evidence.
The financial front marks the third aspect of Hezbollah’s rebuilding effort. Last week, the group halted cash payments to Shiite civilians whose homes were damaged in the war, citing liquidity problems. Zehavi attributed the shortfall to disruptions in Iran’s funding networks — an outcome of the 12-day war against the regime in Tehran — and said the constraints would likely hamper Hezbollah’s ability to compensate its base and sustain operations.
“I hope they will continue to have problems with the cash flow, that way it will be very difficult for them to recover,” she said.
The post IDF Strikes Hezbollah Sites in South Lebanon as Terror Group Pushes to Rebuild Amid US Disarmament Talks first appeared on Algemeiner.com.