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How Jewish comedy found religion, from Philip Roth to ‘Broad City’
(JTA) — In the 2020 comedy “Shiva Baby,” a 20-something young woman shows up at a house of Jewish mourners and gently offers her condolences. When she finds her mother in the kitchen, they chat about the funeral and the rugelach before the daughter asks, “Mom, who died?”
While “Shiva Baby” explores themes of sexuality and gender, the comedy almost never comes at the expense of Jewish tradition, which is treated seriously by its millennial writer and director Emma Seligman (born in 1995) even as the shiva-goers collide. It’s far cry from the acerbic way an author raised during the Depression like Philip Roth lampooned a Jewish wedding or a baby boomer like Jerry Seinfeld mocked a bris.
These generational differences are explored in Jenny Caplan’s new book, “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials.” A religion scholar, Caplan writes about the way North American Jewish comedy has evolved since World War II, with a focus on how humorists treat Judaism as a religion. Her subjects range from writers and filmmakers who came of age shortly after the war (who viewed Judaism as “a joke at best and an actual danger at worst”) to Generation X and millennials, whose Jewish comedy often recognizes “the power of community, the value of family tradition, and the way that religion can serve as a port in an emotional storm.”
“I see great value in zeroing in on the ways in which Jewish humorists have engaged Jewish practices and their own Jewishness,” Caplan writes. “It tells us something (or perhaps it tells us many somethings) about the relationship between Jews and humor that goes deeper than the mere coincidence that a certain humorist was born into a certain family.”
Caplan is the chair in Judaic Studies at the University of Cincinnati. She has a master’s of theological studies degree from Harvard Divinity School and earned a Ph.D. in religion from Syracuse University.
In a conversation last week, we spoke about the Jewishness of Jerry Seinfeld, efforts by young women comics to reclaim the “Jewish American Princess” label, and why she no longer shows Woody Allen movies in her classrooms.
Our conversation was edited for length and clarity
[Note: For the purpose of her book and our conversation, this is how Caplan isolates the generations: the Silent Generation (b. 1925-45), the baby boom (1946-65), Generation X (1966-79) and millennials (1980–95).]
Jewish Telegraphic Agency: Let me ask how you got into this topic.
Jenny Caplan: I grew up in a family where I was just sort of surrounded by this kind of material. My dad is a comedic actor and director who went to [Ringling Bros. and Barnum & Bailey’s] Clown College. My degrees were more broadly in American religion, not Jewish studies, but I was really interested in the combination of American religion and popular culture. When I got to Syracuse and it came time to start thinking about my larger project and what I wanted to do, I proposed a dissertation on Jewish humor.
The key to your book is how Jewish humor reflects the Jewish identity and compulsions of four sequential generations. Let’s start with the Silent Generation, which is sandwiched between the generation whose men were old enough to fight in World War II and the baby boomers who were born just after the war.
The hallmark of the Silent Generation is that they were old enough to be aware of the war, but they were mostly too young to serve. Every time I told people what I was writing about, they would say Woody Allen or Philip Roth, two people of roughly the same generation.
In “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials,” Jenny Caplan explores how comics treated religion from the end of World War II to the 21st century. (Courtesy)
The Roth story you focus on is “Eli, the Fanatic” from 1959, about an assimilated Jewish suburb that is embarrassed and sort of freaks out when an Orthodox yeshiva, led by a Holocaust survivor, sets up in town.
Roth spent the first 20 to 30 years of his career dodging the claim of being a self-loathing Jew and bad for the Jews. But the actual social critique of “Eli, the Fanatic” is so sharp. It is about how American Jewish comfort comes at the expense of displaced persons from World War II and at the expense of those for whom Judaism is a real thriving, living religious practice.
That’s an example you offer when you write that the Silent Generation “may have found organized religion to be a dangerous force, but they nevertheless wanted to protect and preserve the Jewish people.” I think that would surprise people in regards to Roth, and maybe to some degree Woody Allen.
Yeah, it surprised me. They really did, I think, share that postwar Jewish sense of insecurity about ongoing Jewish continuity, and that there’s still an existential threat to the ongoing existence of Jews.
I hear that and I think of Woody Allen’s characters, atheists who are often on the lookout for antisemitism. But you don’t focus on Allen as the intellectual nebbish of the movies. You look at his satire of Jewish texts, like his very funny “Hassidic Tales, With a Guide to Their Interpretation by the Noted Scholar” from 1970, which appeared in The New Yorker. It’s a parody of Martin Buber’s “Tales of the Hasidim” and sentimental depictions of the shtetl, perhaps like “Fiddler on the Roof.” A reader might think he’s just mocking the tradition, but you think there’s something else going on.
He’s not mocking the tradition as much as he’s mocking a sort of consumerist approach to the tradition. There was this sort of very superficial attachment to Buber’s “Tales of the Hasidim.” Allen’s satire is not a critique of the traditions of Judaism, it’s a critique of the way that people latch onto things like the Kabbalah and these new English translations of Hasidic stories without any real depth of thought or intellect. Intellectual hypocrisy seems to be a common theme in his movies and in his writing. It’s really a critique of organized religion, and it’s a critique of institutions, and it’s a critique of the power of institutions. But it’s not a critique of the concept of religion.
The idea of making fun of the wise men and their gullible followers reminds me of the folk tales of Chelm, which feature rabbis and other Jewish leaders who use Jewish logic to come to illogical conclusions.
Yes.
You write that the baby boomers are sort of a transition between the Silent Generation and a later generation: They were the teenagers of the counterculture, and warned about the dangers of empty religion, but also came to consider religion and tradition as valuable. But before you get there, you have a 1977 “Saturday Night Live” skit in which a bris is performed in the back seat of a luxury car, and the rabbi who performs it is portrayed as what you call an absolute sellout.
Exactly. You know: Institutional religion is empty and it’s hollow, it’s dangerous and it’s seductive.
Jerry Seinfeld, born in 1954, is seen as an icon of Jewish humor, but to me is an example of someone who never depicts religion as a positive thing. (Not that there’s anything wrong with that.)
“Seinfeld” is more a show about New York than it is necessarily a show about anything Jewish. The New York of Seinfeld is very similar to the New York of Woody Allen, peopled almost entirely by white, middle-class, attractive folks. It’s a sort of Upper West Side myopia.
But there’s the bris episode, aired in 1993, and written by Larry Charles. Unless you are really interested in the medium, you may not know much about Larry Charles, because he stays behind the camera. But he also goes on to do things like direct Bill Maher’s anti-religion documentary “Religulous,” and there’s a real strong case for him as having very negative feelings about organized religion which feels like a holdover from the Silent Generation. And so in that episode you have Kramer as the Larry Charles stand-in, just opining about the barbaric nature of the circumcision and trying to save this poor baby from being mutilated.
The few references to actual Judaism in “Seinfeld” are squirmy. I am thinking of the 1995 episode in which a buffoon of a rabbi blurts out Elaine’s secrets on a TV show. That was written by Larry David, another boomer, whose follow-up series, “Curb Your Enthusiasm,” is similarly known for its irreverence toward Judaism. But you say David can also surprise you with a kind of empathy for religion.
For the most part, he’s classic, old school, anti-organized religion. There’s the Palestinian Chicken episode where the Jews are rabidly protesting the existence of a Palestinian-run chicken restaurant near a Jewish deli, and where his friend Funkhouser won’t play golf on Shabbos until Larry gets permission by bribing the rabbi with the Palestinian chicken. There, rabbis are ridiculous and can be bought and religion is hollow and this is all terrible.
But then there’s this bat mitzvah montage where for one moment in the entire run of this show, Larry seems happy and in a healthy relationship and fulfilled and enjoying life.
That’s where he falls in love with Loretta Black during a bat mitzvah and imagines a happy future with her.
It’s so startling: It is the most human we ever see Larry over the run of the show, and I believe that was the season finale for the 2007 season. It was much more in line with what we’ve been seeing from a lot of younger comedians at that point, which was religion as an anchor in a good way — not to pull you down but to keep you grounded.
So for Generation X, as you write, Judaism serves “real, emotional, or psychological purpose for the practitioners.”
I wouldn’t actually call it respect but religion is an idea that’s not just something to be mocked and relegated to the dustbin. I’m not saying that Generation X is necessarily more religious, but they see real power and value in tradition and in certain kinds of family experiences. So, a huge amount of the humor can still come at the expense of your Jewish mother or your Jewish grandmother, but the family can also be the thing that is keeping you grounded, and frequently through some sort of religious ritual.
Who exemplifies that?
My favorite example is the 2009 Jonathan Tropper novel, “This Is Where I Leave You.” I’m so disappointed that the film adaptation of that sucked a lot of the Jewish identity out of the story, so let’s stick with the novel. In that book, where a family gathers for their father’s shiva, the characters are horrible people in a dysfunctional family writ large. They lie to each other. They backstab each other. But in scene where the protagonist Judd describes standing up on the bimah [in synagogue] to say Kaddish [the Mourner’s Prayer] after the death of his father, and the way he talks about this emotional catharsis that comes from saying the words and hearing the congregation say the words — it’s a startling moment of clarity in a book where these characters are otherwise just truly reprehensible.
Adam Sandler was born in 1966, the first year of Generation X, and his “Chanukah Song” seems like such a touchstone for his generation and the ones that follow. It’s not about religious Judaism, but in listing Jewish celebrities, it’s a statement of ethnic pride that Roth or Woody Allen couldn’t imagine.
It’s the reclamation of Jewish identity as something great and cool and fun and hip and wonderful and absolutely not to be ashamed of.
From left, Ilana Glazer, Abbi Jacobson and Seth Green in an episode of “Broad City” parodying Birthright Israel. (Screenshot from Comedy Central)
Which brings us to “Broad City,” which aired between 2014 and 2019. It’s about two 20-something Jewish women in New York who, in the case of Ilana Glazer’s character, anyway, are almost giddy about being Jewish and embrace it just as they embrace their sexuality: as just liberating. Ilana even upends the Jewish mother cliche by loving her mother to death.
That’s the episode with Ilana at her grandmother’s shiva, which also has the B plot where Ilana and her mother are shopping for underground illegal handbags. They spend most of the episode snarking at each other and fighting with each other and her mother’s a nag and Ilana is a bumbling idiot. But at the moment that the cops show up, and try to nab them for having all of these illegal knockoff handbags, the two of them are a team. They are an absolute unit of destructive force against these hapless police officers.
I think all of your examples of younger comics are women, who have always had fraught relationships with Jewish humor, both as practitioners and as the target of jokes. You write about “The JAP Battle” rap from “Crazy Ex-Girlfriend,” which both leans into the stereotype of the Jewish-American Princess — spoiled, acquisitive, “hard as nails” — and tries to reclaim it without the misogyny.
Rachel Bloom’s character Rebecca in “Girlfriend” self-identifies as a JAP, but she doesn’t actually fit the category. It’s her mother, Naomi, who truly is the Philip Roth, “Marjorie Morningstar,” Herman Wouk model of a JAP. So Bloom is kind of using the term, but you can’t repurpose the term when the original is still there.
So as an alternative, I offer up a new term: the Modern Ashkenazi American Woman. It’s very New York, it’s very East Coast, it’s very particular to a type of upbringing and community that in the 1950s and ’60s would have been almost exclusively Conservative Jews, and then may have become a bit more Reform as we’ve gotten into the ’90s and 2000s. They went to the JCC. They probably went to Jewish summer camp.
But even that doesn’t even really speak to the American sense of what Jewish is anymore, because American Jews have become increasingly racially and culturally diverse.
There is also something that’s happening historically with Generation X, and that’s the distance from the two major Jewish events of the 20th century, which is the Holocaust and the creation of Israel.
The Silent Generation and baby boomers still had a lingering sense of existential dread — the sense that we’re not so far removed from an attempted total annihilation of Jews. Gen X and millennials are so far removed from the Holocaust that they don’t feel that same fear.
But the real battleground we’re seeing in contemporary American Judaism is about the relationship to Israel. For baby boomers and even for some older members of Gen X, there’s still a sense that you can criticize Israel, but at the end of the day, it’s your duty to ultimately support Israel’s right to exist. And I think millennials and Zoomers [Gen Z] are much more comfortable with the idea of Israel being illegitimate.
Have you seen that in comedy?
I certainly think you can see the leading edge of that in some millennial stuff. The “Jews on a Plane” episode of “Broad City” is an absolute excoriation of Birthright Israel, and does not seem particularly interested in softening its punches about the whole idea of Jews going to Israel. I think we can see a trend in that direction, where younger American Jewish comedians do not see that as punching down.
You’re teaching a class on Jewish humor. What do your undergraduates find funny? Now that Woody Allen is better known for having married his adoptive daughter and for the molestation allegations brought by another adoptive daughter, do they look at his classic films and ask, “Why are you teaching us this guy?”
For the first time I’m not including Woody Allen. I had shown “Crimes and Misdemeanors” for years because I think it’s his most theological film. I think it’s a great film. And then a couple years ago, I backed off, because some students were responding that it was hard to look at him with all the baggage. He’s still coming up in conversation because you can’t really talk about the people who came after him without talking about him, but for the first time I’m not having them actually watch or read any of his stuff.
They have found things funny that I didn’t expect them to, and they have not found things funny that I would have thought they would. They laughed their way through “Yidl mitn fidl,” the 1936 Yiddish musical starring Molly Picon. I also thought they’d enjoy the Marx Brothers’ “Duck Soup” and they did not laugh once. Some of that is the fact that Groucho’s delivery is just so fast.
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Belgium Indicts Jewish Mohels, Sparking Diplomatic Firestorm With US and Israel
Belgian army personnel patrol a street as part of a deployment of soldiers outside Jewish institutions in Antwerp and Brussels following attacks at Jewish sites in Belgium and other European countries, in Antwerp, Belgium, March 23, 2026. Photo: REUTERS/Yves Herman
Belgian authorities have indicted two mohels for allegedly performing illegal circumcisions, amid a government probe into the Jewish ritual — with Jewish and political leaders warning the case is a direct threat to religious freedom.
A mohel is a trained practitioner who performs the ritual circumcision in Jewish tradition known as a bris.
On Wednesday, the Antwerp Public Prosecutor’s Office formally indicted two local mohels for “intentional assault or bodily harm with premeditation against minors, as well as the illegal practice of medicine.”
Prosecutors in the northern Belgian city announced they have concluded their investigation into suspected illegal circumcisions and found sufficient evidence to refer the case to criminal court.
The two men are now set to appear before a closed-door pre-trial chamber on June 18, which will decide whether the case proceeds to trial.
The prosecution comes as the Belgium Jewish community is sounding the alarm over a surge in hostility and targeted violence against Jews across the country. In March, following an explosion at a synagogue in Liege that authorities called an antisemitic act, soldiers were deployed on the streets of leading Belgian cities to bolster security for the Jewish community.
With Jewish leaders warning their way of life is being threatened, the legal proceedings against the mohels have sparked fierce backlash, escalating into a public row involving Belgian authorities and Israeli and US officials.
Israeli Foreign Minister Gideon Saar condemned the case as an attack on Jewish religious practices, calling on the Belgian government to intervene immediately and seek a swift resolution.
“With this act Belgium joins a short and shameful list, together with Ireland, of countries that use criminal law to prosecute Jews for practicing Judaism,” the top Israeli diplomat wrote in a post on X.
“This is a scarlet letter on Belgian society,” Saar continued.
Belgium have just announced the indictment of the three Mohels who were investigated last year in Antwerp.
With this act Belgium joins a short and shameful list, together with Ireland, of countries that use criminal law to prosecute Jews for practicing Judaism.
This is a…
— Gideon Sa’ar | גדעון סער (@gidonsaar) May 6, 2026
US Ambassador to Belgium Bill White also condemned the legal action, calling it a “shameful stain” on the European country.
“The prosecution of these religious figures (mohels), one of whom is American, is wrong and won’t be tolerated,” White wrote in a post on X.
“The Trump Administration condemns this judicial action and also condemns the political inaction by the Belgian Government to find a solution with the beautiful Jewish communities here in Belgium,” he added.
The US diplomat had previously slammed the Belgian government’s probe against the mohels as a “ridiculous and antisemitic prosecution.”
In response, Belgian Foreign Minister Maxime Prévot urged White to “exercise greater restraint” and to view his role in “its proper context.”
“It is inappropriate to publicly criticize a country and tarnish its image simply because you disagree with judicial proceedings,” the top Belgian diplomat said in a post on X.
“To portray this as a country’s effort to undermine the religious freedom of Jews is defamatory. This freedom has never been called into question and never will be in our country. Our Constitution protects it,” he continued.
Prévot also noted he would be willing to travel to Israel to discuss the issue, adding that he remained open to dialogue.
“Enough with these caricatures,” he further said. “In Belgium, the judiciary is independent and makes its decisions — whether one agrees with them or not — free from any political influence.”
Saar responded by saying that Prévot’s comments “completely miss the point,” insisting that the core issue was being misrepresented and must be addressed directly.
“There should never have been such an investigation, had the issue of Brit Milah been regulated like in other European countries that respect Jewish religious freedom,” the Israeli diplomat posted.
“Especially so in a country with one of the oldest Jewish communities in Europe,” he said. “Had Belgium had a strategic plan to fight antisemitism and foster Jewish life, you might have known this. Alas, it doesn’t.”
Belgian Prime Minister Bart De Wever said on Wednesday evening that his country “is not an antisemitic state,” dismissing such accusations as “nonsense” and arguing that Belgium has always been able to reconcile its laws with Jewish traditions.
“Circumcision is essential to the Jewish faith and Islam, but so are the quality standards of our legislation. You have to reconcile the two,” he said.
The highly controversial case began a year ago when Belgian police raided the homes of several mohels in Antwerp, seizing their circumcision tools after a local anti-Zionist Jewish rabbi filed a complaint.
Last May, Belgian authorities specifically raided three locations in the Jewish Quarter, searching for knives and other equipment allegedly used in unauthorized or illegal circumcisions.
Among the homes raided by the Belgian police was that of Rabbi Aharon Eckstein, a highly experienced mohel and a prominent leader within the Antwerp Jewish community.
According to a police report, the searches were ordered by a judge following a complaint filed in 2023 by Rabbi Moshe Aryeh Friedman, an anti-Zionist activist previously accused of Holocaust denial, against Eckstein and other mohels within the Jewish community.
Since 2024, prosecutors have been investigating illegal circumcisions in the country amid concerns from local authorities that some Jewish circumcisions were being performed by individuals without proper medical training.
In his complaint, Friedman accused six mohels, whom he identified to the police, of endangering infants by performing the metzitzah b’peh ritual, in which the mohel uses his mouth to suction blood from the circumcision area.
However, Eckstein and other rabbis, along with parents of children circumcised by them, have denied such accusations, insisting that they do not perform this practice.
At the time, Jewish and political leaders accused local authorities of using the raids as part of a broader effort to intimidate religious figures in Belgium.
In Antwerp, Friedman is known for publicly criticizing several customs that are important to ultra-Orthodox Jews, who represent the majority of the city’s 18,000 Jewish residents.
Despite several attempts to ban it across Europe, ritual circumcision remains legal in all European countries – though many, including Belgium, limit the practice to licensed surgeons and often perform it in a synagogue.
Last July, dozens of European Jewish leaders called on the European Union to take action against Belgium, arguing that the Belgian police’s actions “represent a breach of an EU fundamental right, that of freedom of religion” and warning that this “echoes one of the darkest chapters in European history.”
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ADL Reports Overall Drop in US Antisemitic Incidents, Rise in Assaults
A man with an Israeli flag looks on next to police officers working at the site where two Israeli embassy staff were shot dead near the Capital Jewish Museum in Washington, DC, US, May 21, 2025. Photo: REUTERS/Jonathan Ernst
Antisemitic incidents in the US decreased overall in 2025, but violent attacks targeting American Jews remained at alarmingly high levels, according to the Anti-Defamation League (ADL), whose new report pointed to several lingering areas of concern.
The ADL on Wednesday released its annual “Audit of Antisemitic Incidents” for the last calendar year, tallying 6,274 incidents of antisemitic assault, harassment, and vandalism in 2025, an average of 17 such outrages per day.
While antisemitic assaults increased by just 4 percent, from 196 in 2024 to 203 in 2025, perpetrators increased their use of “deadly” weapons by nearly 40 percent, the ADL said. Incidents of assault involving a deadly weapon increased to 32 in 2025 from 23 in 2024.
The advocacy group noted that the upward shift was reflected in the shocking murders of Jews in antisemitic attacks in the US for the first time since 2019. Two Israeli embassy staffers — a young couple set be engaged — were shot dead in Washington, DC last May, and weeks later a firebombing in Colorado claimed the life of an octogenarian. In both crimes, the alleged killers cited anti-Zionism as their motivating ideology.
Other statistics dropped by digit double digits, according to the ADL. Antisemitic vandalism was down 21 percent in 2025. So too was antisemitic harassment, which decreased 39 percent. However, both categories still combined for a total 6,071 incidents, a figure which eclipses the number of hate crimes the FBI said was committed against African Americans in 2024. For context, the Black community is roughly 7 times larger than the Jewish community.
“Behind every one of these incidents is a real person: a family threatened at their synagogue, a rabbi attacked on the street, a student harassed on campus,” ADL senior vice president Oren Segal said in a statement released with the report. “[The year] 2025 brought some of the most violent antisemitic attacks in recent memory. Even as overall incidents declined, the surge in physical assaults is a stark reminder that a historically high level of antisemitism puts Jewish lives at risk.”
“The safety of Jewish communities depends on our collective willingness to meet this moment with urgency, which is what we’re doing every day at ADL,” he added.
The ADL recorded its steepest decline on campuses, where Jewish university students have reported alarming levels of anti-Jewish bias often disguised as or justified by anti-Israel animus. Such antisemitic incidents fell 66 percent to 583 incidents in 2025, down from 1,694 the previous year. The plunge coincided with the second term of US President Donald Trump, whose administration has launched dozens of federal investigations into campus antisemitism and impounded taxpayer funding from schools found to have failed to address the issue.
Last year saw a wide range of antisemitic incidents covered by The Algemeiner. These included, among many others, a public-school principal inveighing against “Jew money,” an attempted arson at the Hillel International chapter in San Francisco, California, and the movement of some conservative students into the far-right ecosystem of antisemitism — a path cleared by Nicholas Fuentes, Candace Owens, Kanye West, and troops of social media influencers. In New York City, home to the world’s largest Jewish population outside of Israel, Jews were targeted in the majority of all hate crimes despite comprising a small fraction of the total population.
The wave of hatred has changed how American Jews perceive their status in the US. According to the results of a previous survey commissioned by the ADL and the Jewish Federations of North America, a striking 57 percent of American Jews believe “that antisemitism is now a normal Jewish experience.”
The survey results revealed other disturbing trends: Jewish victims are internalizing their experiences, as 74 percent did not report what happened to them to “any institution or organization”; Jewish youth are bearing the brunt of antisemitism, having faced communications which aim to exclude Jews or delegitimize their concerns about rising hate; and the cultural climate has instilled a pervasive fear that the non-Jewish community will not act as a moral guardrail against continued violence and threats.
On Wednesday ADL chief executive officer Jonathan Greenblatt committed his organization to reversing this trend.
“Our 2025 audit, which shows that it was one of the most violent years for American Jews on record, is a reminder of how dramatically the threat landscape has shifted. Numbers that would have shocked us five years ago are now our floor,” Greenblatt said. “People are being murdered because of antisemitism on American soil, and thousands more are threatened. ADL will not stop until that baseline changes.”
Follow Dion J. Pierre @DionJPierre.
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An Israeli genocide scholar looks to Israel’s history to understand ‘what went wrong’
On Nov. 10, 2023, the Israeli-American historian Omer Bartov published a guest essay in the New York Times. Though scarcely a month had passed since the Hamas massacre of hundreds of Israeli men, women and children, Bartov expressed fears over Israel’s military response to this horrifying act of barbarity. But, he concluded, while “it is very likely that war crimes, and crimes against humanity, are happening,” he concluded, there is “no proof that genocide is taking place in Gaza.”
By mid-2025, however, Bartov revised his stance in a second Times essay. As a scholar of genocide who has taught classes on the subject — including at Brown University, where he is currently based — for a quarter of a century, he announced, “I can recognize one when I see one.”
In his new book Israel: What Went Wrong?, Bartov offers a searing analysis, both personal and professional, of the tragically entwined history of Israelis and Palestinians that climaxed with the disaster of October 7, 2023, when Hamas attacked Israel, followed by the even more disastrous response of Israel. Bartov’s account resembles an earlier book on an earlier war: Marc Bloch’s Strange Defeat, in which the veteran of two world wars examines the causes to France’s collapse in 1940. Both internationally known historians, and patriots who served their nation in arms, each man wrote their book when the debacles were still fresh.
For France, the collapse was as much moral and political as it was military. “Whatever the complexion of its government,” Bloch observed, “a country is bound to suffer, democracy becomes hopelessly weak, and the general good suffers accordingly if its higher officials are bred up to despise it.”
As Bartov’s book reminds us, this diagnosis applies not just to the decay that undermined the French Third Republic, but also to the moral rot that has been sapping the foundations of the Israeli republic. In his account, Bartov weaves the parallel histories of Israelis and Palestinians — a history composed of two catastrophes, the Shoah and the Nakba, that have ever since shaped events.
Inevitably, the very mention of these events in the same breath often sparks a violent response from many Israeli and diasporic Jews, but Bartov rightly insists upon their pairing. One of the many reasons why Bartov’s book is so important is his insistence that the two events are “inextricably linked historically, personally and as part of a politics of memory” and that they each have “become constitutive of Israeli and Palestinian national identities.”
William Faulkner’s old chestnut — the past is neither dead nor even past — is the through-line to Bartov’s sharply, at times brutally, etched history of Israeli-Palestinian relations. Crucially, Bartov argues that what has gone so terribly wrong since 1948 was inevitable only in retrospect. An alternative history, one shaped by a Zionism faithful to the ideals of the Enlightenment, was, if unlikely, certainly not impossible. At the very least the history of the past eight decades could have gone in a liberal and democratic direction.
What, then, went wrong? First, there is the simple and tragic fact that the resurrection of one people meant the destruction of another people. Bartov underscores that early Zionist pioneers like his own father and grandfather, the offspring of “mutilated families” that were decimated by the Holocaust, were taught they represented the future of this reborn people. They only slowly grasped that this rebirth required the removal of the Palestinian people. For many Israelis, he observes, this “generated contradictory responses — guilt and regret, or negation and denial; a hope for redress and reconciliation, or a conscious and, just as important, unconscious will to eradicate and erase.”
The will to eradicate has been enabled by the occupations of the West Bank and Gaza, and their management. Since 1967, the metastasizing of walls and fences have transformed these territories into mazes, leading to a different kind of erasure. Israeli civilians, who once regularly encountered the Arab occupants of the land, no longer had occasion to see their Palestinian neighbors, hidden behind these walls, while Israeli soldiers serving in occupied territories were influenced by the burgeoning of ethno-nationalistic sentiment, making them increasingly incapable of seeing Palestinians as fellow human beings.
This form of “social death” — when a group or entire people are shunned and shut into confined spaces — has led with increasing frequency to all-too-real deaths. According to a recent United Nations report, more than 1,000 Palestinians living in the West Bank have been killed by Israeli soldiers, while settler violence has displaced nearly 2,000 Palestinians from their villages since the start of 2026, often with the complicity of the IDF.
For those who have been following events since Oct. 7, 2023, much of what Bartov recounts will not be a surprise. (As Bartov notes, however, the Israeli media have, with a few exceptions including Haaretz and +972, largely shielded the reality of what the IDF has done in Gaza and the West Bank from Israel’s inhabitants.)
Yet as a native-born Israeli who served as an officer during the Yom Kippur War, Bartov brings intimacy and intensity to his account. He confesses to a sense of estrangement from Israel, which now seems to be “a different, strange, and threatening place, whose people, including some of my friends, have been transformed, perhaps irretrievably.”
No less important, as a historian who has written several books on war and genocide, Barton delves into harsher and darker corners of Israeli actions, the entwined histories of Israelis and Palestinians mostly ignored by the media. To better understand the acts and words of brutality and, at times, inhumanity committed and expressed by Israeli politicians and soldiers, Bartov compares the results of his early research on German soldiers — crucially, those serving not in the Nazi SS, but in the Wehrmacht, the broader German army which, after the war, sought to distance itself from the machinery of the Shoah.
The comparison is provocative, but it is also painfully instructive. Just as latter employed animalistic images and apocalyptic claims to justify the systematic destruction of European Jewry, Israeli political and military leaders have used similar rhetoric towards Palestinians. This was true of then-defense minister Yoav Gallant, who declared Israel was fighting against “human animals,” as well as retired Major General Giora Eiland, who promised that “Gaza will become a place where no human being can exist.” No wonder, as Bartov notes, that there have been countless social posts by IDF troops calling to “kill the Arabs” and “burn their mothers.”
Given the postwar imperative of “Never again,” how has it come to this? As Bartov observes, the phrase has always carried two meanings, one applied exclusively to a repeat of a Jewish genocide, the other to the eruption of genocide, plain and simple, against any people at any time and in any place. The first definition, Bartov suggests, has bleak consequences. If the Shoah is seen, as it is by many Israelis, as an event that made the case for a Jewish state, it also turns that state “into a unique entity that operates according to its own rules and logic,” he writes. It unshackles, in short, Israel from the “constraints imposed on all other nations, not least because ‘they,’ as the saying goes, stood by while the Jews were slaughtered.”
Israel thus finds itself overseeing what Raphael Lemkin, the Jewish lawyer who coined the term “genocide,” called the “crime of crimes.” Bartov finds that Israel’s government checks the boxes for the 1948 genocide convention, which defines the crime, in part, as the commission of “acts with the intent to destroy, in whole or part, a national, ethnical, racial or religious group as such.”
When it comes to “intent,” Bartov lists a partial list of vows made by Israeli political and military leaders in the immediate aftermath of the Hamas massacre. These threats of complete destruction were not empty: from the targeting of hospitals and schools and razing of entire cities to causing tens of thousands of civilian deaths, the IDF has repeatedly violated the genocide convention. From the very beginning, the war’s goal, Bartov writes, has always been “to make the entire Gaza Strip uninhabitable, and to debilitate its population to such a degree that it would either die out or seek all possible options to flee the territory.”
In leveling these charges, Bartov does not ignore Hamas’ practice of using civilians and civilian infrastructure as shields against Israeli reprisals. Obviously, these tactics constitute a war crime, as does the unspeakable massacre committed by Hamas on Oct. 7th. Nevertheless, Bartov insists, Israel’s response has been no less criminal, ranging from its consistent failure to apply the principle of proportionality to its policy of blocking all humanitarian assistance in the early 2025.
It is tempting to conclude that apologists for the IDF’s excesses reflexively — though not reflectively — blame Hamas for the deaths of the tens of thousands of innocents. But even this conclusion is problematic given the many blanket accusations made by Israeli leaders against the people of Gaza. For example, President Isaac Herzog declared, a few days after the war, that it is “an entire nation out there that is responsible.”
And yet, the most tragic passages in the book are devoted to the Israeli constitution that never was. With a nod to counterfactual history, Bartov suggests that the unfolding of events over the last seven decades was not inevitable. Though Israel’s Declaration of Independence, inspired by its American counterpart, anticipated a similar constitution, the document never saw the light of day. On the one hand, the Declaration affirms “complete equality of social and political rights to all its citizens irrespective of religion, race, or sex.” As for the other hand, it is empty. The constituent assembly, though required by the UN’s 1948 partition plan, failed to write a constitution. Instead, there has been a series of basic laws, two of which address human rights — an ideal that for Arab citizens of Israel, not to mention Palestinians living in the occupied territories, is mostly a mirage.
What might Israel look like today if its founders had, in fact, endowed the nation with a constitution that resembled our own? For Bartov, it might well be a nation of laws where the Supreme Court, rather than being the frequent enabler of the ethno-nationalist goals of the current government, would instead serve as a powerful check to both the executive and legislative branches. With a constitution, it is conceivable, as Bartov suggests, the now-embattled court might oppose the nature of the occupation of the West Bank, perhaps even the actions of the IDF in Gaza. Israel would be a light onto other nations not because it resolved the inherent tension in being both a Jewish and democratic nation, but because it was committed to managing it.
Of course, this possible Israel never came to pass. The original purpose of Zionism, which Bartov poignantly describes as a “Jewish rebellion against fate and oppression, religious resignation and prejudice,” has given way, he says, to the God of the zealots.
“As Israel is led singing and praying and dancing into the abyss,” Bartov concludes, “it is finally shaking itself free of Zionism and heading down the path of theocracy and apocalypse following a pillar of fire and smoke.”
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