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How Jewish studies scholars navigated Jewish law and fire-code rules to save Hanukkah at their conference
(JTA) — The email landed like a batch of soggy latkes last week: Hanukkah candle-lighting would not be permitted at the annual conference of the Association for Jewish Studies.
“We recognize the sacrifice many of you will make to attend the conference during the holiday of Chanukah. We apologize that the conference hotel will not allow us to light candles in a separate room, as we have done in the past,” the professional group for Jewish studies scholars said in a message to its members, of whom approximately 1,200 are expected at this week’s convening in Boston.
Thus began a MacGyver-like scramble by some of the country’s leading Jewish studies scholars to hack a Hanukkah solution that would comply with both halacha, Jewish law, and the Sheraton Boston’s interpretation of Massachusetts fire code.
At first, the scholarly group directed conference-goers to details about a Hanukkah celebration at a nearby synagogue where menorahs could be lit, at least on the first night of the holiday Sunday. But that was little consolation for those whose personal practice of Judaism is rooted in traditional Jew law — which says the Hanukkah menorah must be lit in the place one eats and sleeps.
Some conference attendees said they would rely on Jewish law’s provision for travelers, which says someone on the road can be considered as having fulfilled the commandment to ignite a Hanukkah light if his family at home does so. But not everyone at the conference has a family, and even some who do were unsatisfied with that option.
Electric menorahs offered another possibility. After all, such devices are frequently found in hotels and other public spaces, and they’re what Chabad, the Orthodox denomination, uses in its famous public Hanukkah celebrations, this year scheduled for more than 15,000 locations around the world. But not everyone owns one, and at any rate, the use of oil wicks or, in the last few centuries, wax candles that offer a similar experience is considered preferable, according to some interpreters of Jewish law.
On Facebook and over email, anger was expressed. Impractical suggestions for the conference to relocate were made. And fear mounted that some conference-goers would smuggle in contraband menorahs and light them in their hotel rooms.
“You can’t stop people from breaking the rules, and it’s certainly much less safe to have that than something being watched,” Joshua Shanes, a historian at the College of Charleston who was part of the behind-the-scenes scramble, told the Jewish Telegraphic Agency.
Finally, on Friday morning, with some scholars already Boston-bound, Laura Arnold Leibman, a professor at Reed College and a member of the AJS board, announced a solution.
“We were able to negotiate with the hotel what I am referring to as the ‘Kaplan-Shanes compr[om]ise’ this morning that should allow for a halachic solution to the candle lighting situation (see details below), and I was able to get a beautiful hanukkiah this morning from the Israel Bookstore in Brookline that will meet the fire code,” she wrote on Facebook, to plaudits from association members.
Under the plan, a single Hanukkah lamp can be lit, under supervision, at the hotel. But each candle must be contained within a glass enclosure with at least 2 inches of space above the flame — so Leibman bought glass votives used to hold yahrzeit memorial candles, as well as a massive menorah to which they could be affixed.
“This was the only Hanukkiah I could find in Brookline large enough to handle them [and] will clean them up before Sunday and glue them down for safety to the inserts,” Leibman wrote alongside pictures of the brass menorah on her hotel windowsill.
That solved the problem of the flames themselves. But what of the obligation to light, which under traditional Jewish law each household must fulfill individually?
Enter the “Kaplan” of the compromise: Lawrence Kaplan, a professor of Judaic and rabbinic philosophy at McGill University who is perhaps best known for compiling and editing the teachings of Rabbi Joseph Soloveitchik of the philosophy of Maimonides, the 12th-century Jewish philosopher.
Kaplan wrote on Facebook that he had consulted Rabbi Daniel Fridman, the rabbi of the Teaneck Jewish Center and the top rabbi at the Torah Academy of Bergen County, for a way to have a single conference-goer fulfill the mitzvah of lighting a Hanukkah lamp on behalf of others. He learned that a contribution of a penny (or more) could enable someone to buy into the mitzvah — so a bowl for coins will sit aside the jerry-rigged menorah.
“I really l appreciate the effort and expense to which you went,” Kaplan wrote on Liebman’s Facebook post. “It was easy for me to suggest the idea but it was you who transformed it into a reality.”
Now, the discussion has shifted to whether contributions in excess of a penny can be turned into donations to the Association for Jewish Studies — and what can be done to prevent such a snafu in the future. Next year’s conference in San Francisco starts after the holiday ends, and the 2024 conference will be online-only. But in 2025, the first day of the conference again corresponds with the first night of Hanukkah.
Shanes and Liebman both indicated that they expected the right to light candles to be written into the contract with any future conference host, marking a return to the old custom of having conference-goers light candles on their own schedule.
“At least for this year,” Shanes said, “we’re all coming together. It’s a silver lining I suppose.”
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Trump administration says 2nd phase of Gaza ceasefire is underway, despite Israeli hostage remaining
(JTA) — Middle East envoy Steve Witkoff announced on Wednesday the beginning of the second phase of the U.S.-brokered ceasefire deal between Israel and Hamas, which includes a transitional Palestinian committee to oversee Gaza’s governance.
The announcement drew alarm from the family and advocates of Ran Gvili, a police officer murdered on Oct. 7, 2023, who is the final Israeli hostage remaining in Gaza.
“Moving to phase two at this moment, while the efforts to return Ran have yet to be exhausted, is a loss of the most significant leverage and may be a sentence of eternal disappearance for Ran,” Gvili’s mother, Talik, said in a statement. “Until Ran is returned, the State of Israel will not be able to close its most bloody wound and will not be able to begin the rehabilitation and healing that it so desperately needs. Phase two must not be implemented as long as Ran has not returned home.”
Israeli officials have reportedly assured the family that the advance in the U.S.-engineered plan for Gaza does not undercut pressure to return Gvili’s body. The second phase was supposed to start as soon as all living and dead hostages had been returned, which the original agreement struck in October said should happen immediately.
Witkoff’s announcement follows repeated signals from President Donald Trump that the second phase was imminent, despite allegations of truce violations from both Israel and Hamas.
“Today, on behalf of President Trump, we are announcing the launch of Phase Two of the President’s 20-Point Plan to End the Gaza Conflict, moving from ceasefire to demilitarization, technocratic governance, and reconstruction,” Witkoff wrote in a post on X.
Witkoff said the second phase established a “transitional technocratic Palestinian administration in Gaza,” and would begin the “full demilitarization and reconstruction of Gaza.” The leader of the administration is a former Palestinian Authority deputy minister named Ali Abdel Hamid Shaath.
In a joint statement, the other mediators of the ceasefire deal — Egypt, Turkey and Qatar — wrote that the second phase was an “important development … aimed at consolidating stability and improving the humanitarian situation in the Gaza Strip.”
The details of how Hamas will be disarmed — a requirement for a permanent peace — remain unclear. Hamas has not agreed to lay down its arms, and fighting in Gaza has continued in fits and starts, including in areas controlled by Israel.
Last month, Israeli Prime Minister Benjamin Netanyahu met with Trump at his Mar-a-Lago estate where the president said that Hamas would be given “a very short period of time to disarm.”
Witkoff indicated in his post that the move to phase two did not preclude consequences for Hamas. He did not specify any, but Israeli officials are reportedly preparing for a potential major Gaza City operation this spring.
“The US expects Hamas to comply fully with its obligations, including the immediate return of the final deceased hostage,” Witkoff wrote. “Failure to do so will bring serious consequences.”
Israeli officials offered a muted response to Witkoff’s announcement, which comes as Israel is preparing for a possible new confrontation with Iran. Netanyahu reportedly sought to cast the announcement as symbolic only.
Some liberal pro-Israel groups offered cautious praise while emphasizing that more needed to be done for a lasting peace.
Brian Romick, the president and CEO of the Democratic Majority for Israel, called the second phase a “welcome step,” but called for the return of Gvili’s remains and increased aid in Gaza. He also called for Hamas to be “fully disarmed” and have no role in Gaza’s governance.
“The Trump administration and the international community must remain focused on enforcing demilitarization, supporting responsible governance, and ensuring that this effort delivers lasting security for Israel and the region,” Romick said.
The president of the liberal Zionist advocacy and lobby group J Street, Jeremy Ben-Ami, also welcomed the announcement in a statement, but called for “prioritizing civilian protection, ensuring the steady flow of humanitarian aid and establishing accountable governance and security arrangements.”
“We support the plan’s focus on Hamas’ demilitarization, Palestinian technocratic governance and reconstruction, and believe that serious diplomacy and international cooperation are essential to saving lives and keeping open a path toward a better future for Israelis and Palestinians rather than endless war,” said Ben-Ami.
The post Trump administration says 2nd phase of Gaza ceasefire is underway, despite Israeli hostage remaining appeared first on The Forward.
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A Yale student returns to class, with a Jewish question (and answer) about why she’s there
“We’re back with the books, in silent rooms, where the world is made of words, like so many before us — and I can’t stop wondering why,” writes Mia Rose Kohn, a cartoonist, journalist and junior studying at Yale University.
In this first installment of a graphic column for the Forward, she draws from the great works of the Jewish Enlightenment to theorists of the modern era, as she asks herself — and us — “If education is a Jewish value, what does Jewish thought have to say about why we’re here?”
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He works at a Holocaust museum by day. How’d he end up in ‘Marty Supreme’?
Heading into his audition for Marty Supreme, Isaac Simon was nervous. But not for the reasons you’d expect.
“I was taking a long lunch break from the museum,” he said, “and at the time I was three or four months into my job.”
Appearing in a Josh Safdie movie was something Simon, who runs internship programs at the Museum of Jewish Heritage, had genuinely never dreamed of. He wasn’t an actor, or an aspiring one. He’d never taken an acting class or been in front of a camera.
But two years after he was scouted at a baseball card convention, Simon was invited to try out for the role of Roger, a cocksure amateur who gets hustled on the ping-pong table by Timothée Chalamet’s Marty Mauser. Standing 6-foot-9 with ice-blue eyes, low eyebrows and flowing brown hair, Simon had the look, the paddle skills and, clearly, the temperament to land a pivotal part in an Oscar-bound — and richly Jewish — cinematic hit.
“I don’t get starstruck,” Simon, 31, said. “I get excited.”
The slew of non-actors who feature in Marty Supreme alongside A-listers like Chalamet, Gwyneth Paltrow and Tyler, The Creator has already become part of the film’s lore. Safdie and veteran casting director Jennifer Venditti have a penchant for casting street regulars; among the first-timers in the movie are basketball legend George Gervin, viral TikTok and YouTube personas and the guy from Shark Tank.
But perhaps none had as personal a connection to the film’s story of post-war Jewish striving as Simon, a native New Yorker whose graduate study at Queens College focused on the development of Holocaust studies in the U.S. In Marty Supreme, which is loosely based on the story of real-life midcentury table tennis star Marty Reisman, one of the protagonist’s best friends is a Holocaust survivor; one of the film’s most arresting scenes is an Auschwitz flashback.
Simon’s day job is, of course, at the largest Holocaust museum in New York. The fateful coincidence of his casting, Simon said, was “like a bizarre lottery ticket I was able to cash in.”
A fateful encounter
The story of Simon’s star turn begins in the summer of 2022, when Venditti spotted him at a baseball card show in Long Island. Venditti was there with Safdie; Simon — then still in grad school — was there with his dad.
Venditti said they was there to cast extras and non-actors for a baseball-related movie, and asked if she could take a two-minute video of him talking about himself. He obliged, and in the recording told her where he was from (New York City) and what he was doing at the show (chasing the famously rare T206 tobacco card series).
“I thought to myself, ‘Wow, could I really have been at the right place and the right time for something I wasn’t even expecting?’” Simon recalled. Then two years passed, and the run-in faded from memory.
It was not until the summer of 2024 that he received an email from Venditti: “Isaac Simon audition opportunity – scouted at card show.” No script was provided and nothing about the project was disclosed — just a date and a location.
On his elevator up to the audition, he heard the hollow bouncing of a ping-pong ball. Having seen a headline about Chalamet being attached to a Reisman biopic a few days earlier, he realized what the next few minutes might entail.
“The first audition was a total blur,” Simon recalled. “I remember playing ping pong with the assistant casting director and he was like, ‘Oh you’re good!’” At a subsequent callback, he played out a few improv scenarios — some light trash talking, or being cheated in a game. A few weeks later, he got called in for costume fittings.
He hadn’t solicited any acting tips, or studied film prior to his audition. But his work at the museum, where he trains educators on how to teach the Holocaust in 90 minutes, had prepared him.
“Because teaching is a performance, there is sort of an inherent performative quality to the work I do,” Simon said. “And so I think that that lent itself well — or at the very least, it didn’t hurt — to the work I was being asked to do for Josh.”
‘Cast for a reason’
Having run through his lines with his dad and his girlfriend, Simon headed upstate that fall to play Roger — and play opposite Chalamet. (This time, he took two days off of work.)
Roger, the reigning hotshot at a humdrum bowling alley, features in two scenes. In the first, he’s goaded into wagering $40 against Marty, who’s feigning amateurism, and loses. He reappears a few minutes as Marty fills up at a nearby gas station, realizing he was hustled by the reigning American champion; he and his pals want their money back.
Walking into the converted Bowlero where they shot the first scene, Simon was floored by the set. “Each individual looked like they were from the 1950s, and yet their outfit was distinctly their own,” he recalled. Miyako Bellizzi, the costume designer, had fitted him in a striped button-up and faded blue work pants; Simon’s hair was slicked back and to the side.
He hadn’t met Safdie before he got to set, and his cues from the Uncut Gems co-director were limited.
Over the course of his scenes, there were times when he wasn’t sure he was doing what Safdie wanted. Here, it was his inexperience that Simon drew on. “I kept reminding myself that I was cast for a reason, and I was cast as a non-actor for a reason,” he said, “and what I’m bringing to this experience is inherently different than what a trained actor would be. Therefore, if I were a trained actor, I would not be what Josh was looking for in the scenario.”
He didn’t have too much time to banter with the film’s stars during the shoot; most of his time on set was spent with other bit-players. But when the camera was shooting other actors, Safdie wanted to keep the sound of live table tennis in the background, so he had Chalamet and Simon play each other off-camera.
As to who had the upper hand? “We’re probably about even,” Simon said.
Jewish mythmaking
Even after the shoot, Simon couldn’t quite believe it was real. He told almost no one outside his family, superstitious that the scene would get cut. But then the premiere arrived. “It was surreal,” he said.
He’s now seen the film nine times — yes, all the way through — indulging friends who want to see it with him. And his acting has won some praise, with one X post calling it an “incredible underrated performance” liked more than 2,000 times.
Simon likes the movie, if you couldn’t tell, echoing its director and star in calling it a love letter to New York. The film, Simon said, touches on Jewish identity in a way that reminds him of his own family and their experience in this country.
“The way in which it captured intergenerational relationships in Jewish homes in post-war America, in New York specifically, felt very autobiographical for the way that my relatives talked amongst each other,” he said. “There’s a love there that transcends.”
As a Holocaust educator, Simon felt the movie handled that theme appropriately. He found the honey scene — an Auschwitz flashback too intense to explain here — moving, and the Holocaust humor tactfully dispatched. He loved the yiddish.
Yet Simon still couldn’t wrap his head around his own involvement in such a fitting project. His work passing on the history and memory of the Holocaust to future generations was already meaningful before he got an IMDB page.
“So to be cast in a film and have a speaking line,” he said, “and it just so happens that that film is also this incredibly Jewish film — which has direct references in the scene at Auschwitz — is equally bizarre, but also really beautiful, and oddly perfect.”
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