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How Jewish studies scholars navigated Jewish law and fire-code rules to save Hanukkah at their conference
(JTA) — The email landed like a batch of soggy latkes last week: Hanukkah candle-lighting would not be permitted at the annual conference of the Association for Jewish Studies.
“We recognize the sacrifice many of you will make to attend the conference during the holiday of Chanukah. We apologize that the conference hotel will not allow us to light candles in a separate room, as we have done in the past,” the professional group for Jewish studies scholars said in a message to its members, of whom approximately 1,200 are expected at this week’s convening in Boston.
Thus began a MacGyver-like scramble by some of the country’s leading Jewish studies scholars to hack a Hanukkah solution that would comply with both halacha, Jewish law, and the Sheraton Boston’s interpretation of Massachusetts fire code.
At first, the scholarly group directed conference-goers to details about a Hanukkah celebration at a nearby synagogue where menorahs could be lit, at least on the first night of the holiday Sunday. But that was little consolation for those whose personal practice of Judaism is rooted in traditional Jew law — which says the Hanukkah menorah must be lit in the place one eats and sleeps.
Some conference attendees said they would rely on Jewish law’s provision for travelers, which says someone on the road can be considered as having fulfilled the commandment to ignite a Hanukkah light if his family at home does so. But not everyone at the conference has a family, and even some who do were unsatisfied with that option.
Electric menorahs offered another possibility. After all, such devices are frequently found in hotels and other public spaces, and they’re what Chabad, the Orthodox denomination, uses in its famous public Hanukkah celebrations, this year scheduled for more than 15,000 locations around the world. But not everyone owns one, and at any rate, the use of oil wicks or, in the last few centuries, wax candles that offer a similar experience is considered preferable, according to some interpreters of Jewish law.
On Facebook and over email, anger was expressed. Impractical suggestions for the conference to relocate were made. And fear mounted that some conference-goers would smuggle in contraband menorahs and light them in their hotel rooms.
“You can’t stop people from breaking the rules, and it’s certainly much less safe to have that than something being watched,” Joshua Shanes, a historian at the College of Charleston who was part of the behind-the-scenes scramble, told the Jewish Telegraphic Agency.
Finally, on Friday morning, with some scholars already Boston-bound, Laura Arnold Leibman, a professor at Reed College and a member of the AJS board, announced a solution.
“We were able to negotiate with the hotel what I am referring to as the ‘Kaplan-Shanes compr[om]ise’ this morning that should allow for a halachic solution to the candle lighting situation (see details below), and I was able to get a beautiful hanukkiah this morning from the Israel Bookstore in Brookline that will meet the fire code,” she wrote on Facebook, to plaudits from association members.
Under the plan, a single Hanukkah lamp can be lit, under supervision, at the hotel. But each candle must be contained within a glass enclosure with at least 2 inches of space above the flame — so Leibman bought glass votives used to hold yahrzeit memorial candles, as well as a massive menorah to which they could be affixed.
“This was the only Hanukkiah I could find in Brookline large enough to handle them [and] will clean them up before Sunday and glue them down for safety to the inserts,” Leibman wrote alongside pictures of the brass menorah on her hotel windowsill.
That solved the problem of the flames themselves. But what of the obligation to light, which under traditional Jewish law each household must fulfill individually?
Enter the “Kaplan” of the compromise: Lawrence Kaplan, a professor of Judaic and rabbinic philosophy at McGill University who is perhaps best known for compiling and editing the teachings of Rabbi Joseph Soloveitchik of the philosophy of Maimonides, the 12th-century Jewish philosopher.
Kaplan wrote on Facebook that he had consulted Rabbi Daniel Fridman, the rabbi of the Teaneck Jewish Center and the top rabbi at the Torah Academy of Bergen County, for a way to have a single conference-goer fulfill the mitzvah of lighting a Hanukkah lamp on behalf of others. He learned that a contribution of a penny (or more) could enable someone to buy into the mitzvah — so a bowl for coins will sit aside the jerry-rigged menorah.
“I really l appreciate the effort and expense to which you went,” Kaplan wrote on Liebman’s Facebook post. “It was easy for me to suggest the idea but it was you who transformed it into a reality.”
Now, the discussion has shifted to whether contributions in excess of a penny can be turned into donations to the Association for Jewish Studies — and what can be done to prevent such a snafu in the future. Next year’s conference in San Francisco starts after the holiday ends, and the 2024 conference will be online-only. But in 2025, the first day of the conference again corresponds with the first night of Hanukkah.
Shanes and Liebman both indicated that they expected the right to light candles to be written into the contract with any future conference host, marking a return to the old custom of having conference-goers light candles on their own schedule.
“At least for this year,” Shanes said, “we’re all coming together. It’s a silver lining I suppose.”
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The post How Jewish studies scholars navigated Jewish law and fire-code rules to save Hanukkah at their conference appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
