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How New Yorker writer Ariel Levy adapted Philip Roth’s filthiest book for the stage
(JTA) — A scruffy, bearded Jewish man in his mid-60s — distressed, disheveled but wickedly self-satisfied — is invited to spend the night at the Manhattan apartment of an old friend and benefactor. Put up in the bedroom of the man’s college-age daughter, he slips a pair of her panties over his head and searches her drawers in hopes of finding nude Polaroids.
That’s a scene from Philip Roth’s 1995 novel “Sabbath’s Theater” and now a stage adaptation by the actor John Turturro and the New Yorker writer Ariel Levy. Turturro also stars as Sabbath, a washed-up artist best known for his transgressive puppet theater in the ’60s — and best known to readers, perhaps, as Roth’s most repellant character. Drenched, sometimes literally, in sex, the play begins with a riotous bout of intercourse and climaxes, as it were, with two old lovers remembering their kinks.
But if the book were only about sex it might not have earned its National Book Award. It is also a tender meditation on mourning: Sabbath’s Croatian mistress, Drenka Balich, is dead, as are his mother, his brother and his career. “And there are other kinds of love and loss: about mourning his family and his health and his youth and his virility,” Levy told me when we spoke earlier this week.
As a journalist, Levy often delves into the way sex and gender shape the lives of both celebrities and people on the margins. Her 2017 memoir, “The Rules Do Not Apply,” began life as an award-winning essay on her miscarriage in a hotel room while on assignment in Mongolia, when she was 19 weeks pregnant, and expanded into a rumination on her dissolving marriage and roads not taken.
The New Group’s adaptation of “Sabbath’s Theater” opened Wednesday night and runs through Dec. 17 at the Pershing Square Signature Center in Manhattan. Turturro (who played another Roth character, the craven Rabbi Lionel Bengelsdorf, in the HBO adaptation of “The Plot Against America”) inhabits Mickey’s filthy, seductive charm. Elizabeth Marvel plays Drenka and other women in his life, and Jason Kravits plays the men. The play is as dirty as Mickey’s torn carpenter’s pants, but also poignant: When Sabbath cradles the belongings of his dead brother, lost in battle during World War II, it’s an echo of the violence and loss that have become overwhelming in recent weeks.
Levy and I spoke about adapting a quintessentially Jewish writer like Roth, the appeal of flawed protagonists and how an Italian actor like Turturro captures the Jewish soul of yet another Roth alter ego.
This interview was edited for length and clarity.
With very few exceptions, adaptations of Roth’s work haven’t been all that successful. Do you agree and were thinking about how you might approach the material differently?
Well, I mean, I’d never adapted anything. Adapting Roth properly was like only one of many potentials for crises. Roth is my literary God. I like the way he uses language the most. He might not have liked me saying this because he was obviously very insistent on being an American writer, not a Jewish writer, but nobody captures the rhythm of the language of people whose first language is Yiddish and then move over to English. The way he uses those rhythms, that humor. The cultural familiarity is a powerful addition to my appreciation for his mastery of language and plot, irony and the level of his imagination, the level of his sense of play and his appreciation for what he calls, in ”Sabbath’s Theater,” the “nasty side of existence.”
John Turturro came to you through a recommendation by Hilton Als, a fellow writer at The New Yorker. Tell me about your writing process. What did you both agree on and disagree on — if you disagreed?
Oh, for the first couple of years, we kind of agreed on everything. It was the pandemic so we were going back and forth on Zoom. We had a very, very aligned vision of what the crucial stuff was. You could just tell that certain parts were going to work theatrically and certain parts were not, and then once we started rehearsing, after working on this together for two years and then going on this workshop at the National Theatre in London in January 2023 — once we got through that, we started to have a better sense of what will work theatrically. The unbelievable challenge for John was to be working on his performance and contemplating the script, because every change means a new thing you have to learn [as an actor].
Ariel Levy and John Turturro at the opening night party for The New Group Theater’s new play “Sabbath’s Theater,” at Green Fig Urban Eatery in New York City, Nov. 1, 2023. (Bruce Glikas/Getty Images)
How does a journalist learn to be a playwright? Was there anyone you were taking clues from about how to do this?
I was extremely worried and insecure about it. John knew I’d never written a play. He could have found plenty of playwrights who would have done this, but the way I’ve heard him explain it is that he didn’t want someone who’s gonna come in and say, “I know how to write a play. I’m going to rewrite this.” He wanted to use Roth’s language. We’re barely going to write stage directions, the stage directions are largely lifted from Roth’s writing. The most important thing to John was finding somebody who was Roth-reverent, and then also we just hit it off, we just liked each other. We liked the same parts of the book, and we both felt the book was a love story.
So, how did I learn to do it? I figured out that storytelling is storytelling. And also, I had John guiding me, John knows what a play is, and I had [the director] Jo Bonney guiding me through the process once we were in rehearsal.
You talked about your affinity for Roth. Was there something about “Sabbath’s Theater” that particularly connected to the things you’ve always been writing about and thinking about?
I’ve written a fair amount about the fundamental human drives for domesticity and comfort and kinship and security on the one hand, and adventure and novelty and stimulation on the other — those conflicting poles that human beings stretch between. And that’s very much in there in the realm of Sabbath. And John and I both cared a lot about the depiction of grief and the way the dead can become more real for you than the living sometimes and how, as you age, the accretion of missing people in your life just starts to pile up.
And then there is thinking about — not just sex, but the body. “Sabbath’s Theater” has so many amazing meditations on what it is to live inside a human body. I think we’re both really interested in all of that and the kind of animal reality of being a human who’s alive versus dead.
Were you worried at any point that some of Mickey’s transgressions — he has been tossed from a teaching job at a university after a phone-sex scandal with a student, he visits an old friend and rifles the dresser drawers of his host’s teenage daughter — would make him unredeemable in a post-#Me-Too era? And on the flip side, do you feel the play is pushing back against the #MeToo orthodoxy in some way?
I think that, you know, we didn’t put in every transgression from the book, but we put a lot. There’s a beautiful Garth Greenwell essay in The Yale Review about the book where he talks about how he teaches “Sabbath’s Theater” to undergraduates, and it bothers him when the question becomes whether a protagonist should be an example of moral rectitude. That’s not what art is for. This isn’t meant to be propaganda. This is raw. This is art. In some of my favorite literature of the 20th century, the moral compass, the moral core of the whole thing is reminding us that a human being is more than their worst or most repellent urges and behaviors. A human being contains multitudes. This is Mickey in all his humanity, and we certainly didn’t want to sanitize him. I mean, I think the play is still plenty, plenty dirty.
I’m going to quote your own words to you. I was rereading a profile you wrote about the film director Nicole Holofcener, and you say something about her that made me think, “Oh, this is why Levy wrote ‘Sabbath’s Theater.’” You wrote: “This is the kind of creature Nicole Holofcener is drawn to: weirdly alluring, mangled by life, and unable to resist lashing out against her own best interests.”
That’s so funny. Yeah, that’s it, isn’t it? That’s Mickey Sabbath. That’s eerie. That is Mickey Sabbath.
I have to ask you to weigh in on what I think is the world’s most boring debate, which is whether a non-Jewish actor like John Turturro should be playing a Jewish character like Mickey Sabbath written by a Jewish author like Philip Roth. Do you have any qualms about that?
I feel so culturally connected to John Turturro. I wouldn’t be a bit surprised if we had genetic overlap. I mean, it’s like the food’s different, and the accents are different, but it’s the same shit, you know? John in particular to me is very culturally recognizable. And, you know, he’s married to a Jewish person. He’s raising children with a Jewish person. He’s steeped in it. We are not an exotic.
Also, he’s an actor. It’s like a novelist, which I’m not: They can inhabit other realities. That’s what their job is.
I sometimes feel that the readership for Roth is a men’s club. I’ve rarely come across women who idolized him the way I did. Do you feel that?
I mean, until his mature period, [his] women weren’t as interesting. They didn’t come off the page the way the men did. So I can understand, you know, it’s a drag reading a novel where the women aren’t coming off the page. It doesn’t feel great. But then everything changes: When he grows up he becomes this incredibly sophisticated, nuanced writer who realizes that women are half the human race. “Sabbath’s Theater” is the work that preceded the American trilogy [“American Pastoral,” “I Married a Communist” and “The Human Stain”]. That’s when everything starts to become like a masterpiece, and that’s when the women get really interesting. I defy anyone to find a richer, more complicated and fascinating and alluring female lead than Drenka. I mean, she’s unbeatable.
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The post How New Yorker writer Ariel Levy adapted Philip Roth’s filthiest book for the stage appeared first on Jewish Telegraphic Agency.
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Anti-Israel protesters demonstrated outside a Thornhill synagogue, despite a bylaw protecting houses of worship
A raucous anti-Israel protest outside a synagogue in Thornhill, Ont., which was hosting an Israeli real estate event, is being called a failed test of a bylaw that was intended to keep demonstrations at a distance from religious institutions.
The protest in front of the Beth Avraham Yoseph of Toronto synagogue (BAYT) on Dec. 9 saw chaotic swarms of counter-protesters and police officers following demonstrators along residential sidewalks while the event took place inside the synagogue. York Regional Police (YRP) had closed a number of streets in advance of the event.
In June, Vaughan city council passed a bylaw preventing “nuisance demonstrations” within 100 metres of synagogues and other vulnerable infrastructure, in direct response to previous demonstrations over Israeli real estate events at synagogues.
Yet on Monday night, demonstrators assembled across from the synagogue, on the south side of Clark Avenue, well within 100 meters of BAYT, for the majority of the hours-long event.
Vaughan’s Protecting Vulnerable Social Infrastructure bylaw prohibits “anyone from organizing or participating in any and all nuisance demonstrations within 100 metres of the property line” of places of worship, schools, childcare centres, hospitals and group-care facilities.
“Nuisance demonstrations,” according to the bylaw, “includes one or more people publicly protesting or expressing views on an issue in any manner—whether intended or not—that causes a reasonable person, on an objective standard, to be intimidated meaning that they are either concerned for their safety or security, or unable to access vulnerable social infrastructure.”
The bylaw cites examples of potentially intimidating behaviour; however, enforcement of the bylaw appears to be subject to interpretation by YRP officers and city bylaw enforcement officers onsite to determine if protests are deemed “peaceful gatherings, protests or demonstrations” as opposed to “nuisance demonstrations.”
“When deciding whether a reasonable person would be intimidated by a demonstration, enforcement staff will make a case-by-case assessment having regard to the objective facts and also what prior court decisions have said about what a ‘reasonable person’ is,” the bylaw read. “Not all instances of individuals stating they are intimidated will necessarily lead to by-law enforcement. Enforcement staff will use best efforts to enforce the by-law and minimally impair individuals’ Charter rights.”
At one point, police—responding to complaints reportedly coming from the demonstrators, whose loud noises such as drums and PA systems police had prohibited—investigated noise from a nearby home blasting Israeli music, and residents were asked to lower the volume while protesters walked nearby streets.
While hectic, there were no reports of property damages or physical assaults. Similar protests at Israeli real estate expos in March resulted in arrests and physical altercations.
Rabbi Daniel Korobkin of BAYT said he had been in close contact with Vaughan Mayor Steven Del Duca before, during and after the real estate event and protest on Dec. 9. He said that while Del Duca and other officials, including MPP Laura Smith, are “trying their best to help the Jewish community,” he thinks there’s a disconnect between what the bylaw was supposed to allow police to do and what took place.
“We don’t know where this directive is coming from, where the [police] have interpreted the bylaw in as liberal a way as possible,” Rabbi Korobkin told The CJN in a phone interview. He said he’d met with YRP officers ahead of the event and asked them to specifically uphold trespassing laws and a noise bylaw that he says police did not enforce during the last protests.
“We asked them to uphold the new bylaw, which allegedly prohibits any kind of intimidating protest, or nuisance protest, within 100 metres of the house of worship. We had every reason to believe that the police would prevent protesters from being within 100 metres of our property. But that did not transpire,” he said.
“What instead transpired is that the police told us that anyone who wants to stand within 100 metres is welcome to do so provided that they are not threatening, that they are not chanting hate speech, that they are not saying something that’s inciteful. And so, the police allowed the protesters to be on the other side of Clark Avenue from the synagogue.”
He notes “a very sincere effort to uphold the bylaw on noise” by officers who would shut down loud sounds “any time someone tried a drum or a loudspeaker.”
“We’re grateful for that. But when it came to the shouting of epithets, like to ‘Go back to Europe’ or ‘You’re guilty of genocide,’ which was one of the signs that was held up, the police did not uphold their side of the bargain.”
He says there were different police unit commanders on each side of the road, and that “the police presence that was on our side basically said, ‘I’m not in charge of their side.’”
“The fact is that they were only doing some of their job, they weren’t doing the entire job,” said Rabbi Korobkin.
“There were groups of protesters who were walking private streets… making loud and boisterous comments, intimidating the neighbourhood, and—bylaw or no bylaw—that simply is their right to do so, and the culture that currently persists within the GTA is that you can say whatever you want, even if it’s inciteful, even if it’s hate speech, and no one’s going to stop you.
“While I’m not intimidated, and we’re going to continue doing business as usual, I think there is fear within the Jewish community, and concern that people feel that our authorities don’t really care about the Jewish community.”
The test of the Vaughan bylaw, according to Rabbi Korobkin, shows the need to “go back to the drawing board and start all over again.”
“There needs to be a different strategy, where our society has a zero-tolerance policy for hatred on either side.
“There is fear in the community. People just want a sense of security. We’re right now on a powder keg,” he said, referring to the synagogue in Melbourne, Australia, set on fire the previous Shabbat, while people were inside.
“We’ve experienced Jewish schools being shot at and vandalized. People… want to know that the police care as much about the Jewish community as they do about these violent protesters.
“To give you an illustration…. [as the night was] winding down, the police went first to the Jews on the side of the synagogue telling them to disperse, before they told the protesters to disperse, which to me is just a further indication that there’s a lopsided sense of priority here.”
He says the real estate event inside the synagogue included 22 realtors who came from Israel, and that the synagogue discouraged the inclusion of properties for sale in the West Bank. The CJN did not independently verify details of properties for sale at the event.
“We made it clear to them that we did not want them to showcase any properties on the other side of the Green Line, even though, personally, I have no issue with that,” he says. “We did not want to deliberately be a provocation.”
“In retrospect, that was probably naive, because the opposition, the people who came out and were told to come out in protest, are people who sincerely believe that any square inch that exists in the country called Israel today cannot be legitimately purchased by Jews.”
Mayor Del Duca, who played a substantial role in creating and passing the bylaw, acknowledges that the Dec. 9 protest shows there’s plenty to learn from how recent events played out.
“People are, it’s a range of confused and angry, concerned, disappointed… I think mostly looking for answers to the legitimate questions they have about what took place on Monday and the difference between their understanding of the bylaw and then what they saw in real time, or what they’ve heard about in the aftermath,” he said.
“There [are] a lot of lessons I think we do have to learn from Monday night and I am going to work very, very hard along with city staff and YRP and others to make sure that we do learn those lessons so that we can do even better going forward, should the need ever arise,” he said.
Del Duca told The CJN in a phone interview on Dec. 11 that the city and YRP need to work together to “go through real-time potential scenarios” to learn and improve on the response to Monday’s demonstration.
He says in speaking to residents Monday night and since, he’s had to explain what “nuisance” demonstrations mean from a legal standpoint.
“I totally understand where [residents who are upset are] coming from. They think of the concept of a nuisance in somewhat of a conventional way. But there’s also a legal definition of what that’s supposed to mean, and where’s the line between what was and what wasn’t,” he said. “None of what I’m saying is meant to diminish the fears, the concerns, the anger that our residents are [feeling].
“I think the responsibility that I have and we have is, we saw in real time how using the bylaw is a tool played out, or maybe not using it as a tool played out,” he said.
Del Duca says the work ahead involves developing policies and protocols for city and police, including addressing the distinctions between types of demonstrations.
“The notion of the 100 metres is something that’s really important. Obviously, it’s foundational to the bylaw itself, and I know that’s captured a lot of attention through the months since we introduced and passed the bylaw.
“Where it becomes less clear, and we said this throughout this entire process… is that the bylaw doesn’t impact what is peaceful protest,” he said.
“Regardless of the issue or the cause… if a person is standing within 100 metres of a place of worship or a school or a daycare, and they’re engaging in what is legitimately peaceful protest, you know, that that’s not something that would trigger the bylaw in terms of making them move further away.”
He says the key question to determine will be whether a peaceful protest turns to a nuisance demonstration.
“I think we have more work to do in terms of playing out all of those scenarios and then having a strong sense of how to respond in the moment.”
He says that while much work was done in developing the bylaw’s policies or protocols “so that if we ever ended up in a situation like this, that would be a clear understanding of how we would deal with it,” this was also the first time the bylaw was tested.
Vaughan was also the first municipality to pass such a bylaw, he said.
Toronto considered a similar “protest bubble zone” bylaw, but councillors voted against it, instead allowing the City and police to develop plans for managing protests and rapid responses to hateful graffiti.
Del Duca acknowledges there aren’t always immediate, clear distinctions, for example, in the middle of a demonstration.
“It does come down to interpretation. But I’m convinced that with enough collaboration and enough scenario planning that we should be able to come to a good spot. It would have been ideal if that had been in place before Monday, I think some of it was, but there’s always a difference between the theoretical preparedness and the practical realities on the ground in a tense situation like we were dealing with on Monday night,” he said.
He says he understands how community members are feeling, and confirms he’s been speaking with Rabbi Korobkin regularly.
“I would just say to the community, I’m aware of the work that still needs to be done and I am committed to making sure that we do it and that I think will position all of us even more strongly to be even better prepared in the future.”
Gila Martow, the Vaughan Ward 5 councillor who represents BAYT’s district, echoed the call to answer questions about the disconnect between expectations and outcomes on Dec. 9, and address community concerns around protest scenarios outside synagogues in the area.
“I have a lot of questions that I’m trying to get answers to, including why police would tell my residents to turn down Israeli music in their backyards, supposedly at the request of the uninvited visitors,” wrote Martow in a brief email statement.
“While I respect the efforts of York Regional Police to keep everyone safe, we need to come up with strategies to emotionally support the Jewish community in the face of unrelenting hate.”
The CJN contacted York Regional Police, who confirmed the service would provide written responses to questions; however, the statement was not received by publication time.
The post Anti-Israel protesters demonstrated outside a Thornhill synagogue, despite a bylaw protecting houses of worship appeared first on The Canadian Jewish News.
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Israeli Defense Chief Says ‘Now a Chance’ for Deal to Release All Hostages in Gaza
Israeli Defense Minister Israel Katz looks on, amid the ongoing conflict in Gaza between Israel and Hamas, in Jerusalem, Nov. 7, 2024. Photo: REUTERS/Ronen Zvulun
Israeli Defense Minister Israel Katz told his US counterpart, Defense Secretary Lloyd Austin, in a phone call on Wednesday that there was a real chance to reach a deal to release all the remaining hostages held in Gaza.
“There is now a chance for a new deal that will allow the return of all the hostages, including those with American citizenship,” Katz said during the call, according to a readout from his office.
Hamas-led Palestinian terrorists kidnapped over 250 hostages during their invasion of and massacre across southern Israel last Oct. 7, dragging the captives into neighboring Gaza. Israel responded to the onslaught with an ongoing military campaign aimed at freeing the hostages and dismantling Hamas’s military and governing capabilities.
For months, the US, Egypt, and Qatar have unsuccessfully tried to broker a ceasefire and hostage-release deal between the two sides. In recent days, however, there have been signs that stalled negotiations might be revived and a breakthrough is possible.
Since Hamas’s invasion last year, 109 of the 251 hostages have been released, mostly during a week-long truce in late November 2023. Eight others have been rescued alive, and the bodies of 38 have been recovered.
Israel believes 100 hostages remain in Gaza, including 96 who were kidnapped last Oct. 7, and at least a third of them have been declared dead by the Israeli military.
During their Wednesday call, Katz and Austin also discussed the situation in Syria following the collapse of Bashar al-Assad’s regime, which for years had allowed Iran to use Syrian territory to send weapons to its terrorist proxy Hezbollah in Lebanon.
The two leaders “agreed on the danger posed by Iran and its [weapons] shipments, and agreed to cooperate to prevent attempts to smuggle weapons from Iran to Lebanon via Syria.”
Iran has also been the chief international sponsor of Hamas, providing the Palestinian terrorist group with weapons, funding, and training.
The post Israeli Defense Chief Says ‘Now a Chance’ for Deal to Release All Hostages in Gaza first appeared on Algemeiner.com.
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Pentagon Rebuffs Allegations Iran Behind Mysterious Drones Flying Over New Jersey
Drones are seen at a site at an undisclosed location in Iran, in this handout image obtained on April 20, 2023. Photo: Iranian Army/WANA (West Asia News Agency)/Handout via REUTERS
The Pentagon batted down claims by US Rep. Jeff Van Drew (R-NJ) on Wednesday that Iran has spy drones flying over the state of New Jersey.
Pentagon press secretary Sabrina Singh told reporters that the US Defense Department does not believe that the drones floating over New Jersey originate from “a foreign entity or adversary.”
“There is no Iranian ship off the coast of the United States, and there’s no so-called mothership launching drones towards the United States,” Singh said.
The Pentagon’s comments came after Van Drew dropped bombshell allegations about the drones during an interview with Fox News host Harris Faulkner earlier on Wednesday. The lawmaker stated that Iran, which US intelligence agencies have for years identified as the world’s chief state sponsor of global terrorism, has used a stealth drone to illegally surveil America from the air for around a month.
Van Drew said that during his time on the House Transportation and Infrastructure Committee, particularly its subcommittee on aviation, he has “gotten to know people, and from very high sources, very qualified sources, very responsible sources.”
“I’m gonna tell you the real deal. Iran launched a mothership probably about a month ago that contains these drones,” Van Drew said. “It’s off the east coast of the United States of America. They’ve launched drones.”
The lawmaker dismissed the notion that the drones are from US agencies, stating that American lawmakers would have been informed. He also stated that the drones are far beyond the technological capabilities of the standard hobbyist, suggesting that an “adversarial country,” such as Iran, was most likely responsible for the drones.
He added that Iran “made a deal with China to purchase drones, motherships, and technology.”
Van Drew asserted that the drones traveling over American airspace should be “shot down” and that the “military is on alert” over the matter.
Faulkner noted that US President-elect Donald Trump possesses a large home in New Jersey, referencing his large estate and golf club in Bedminster, potentially intensifying the national security threat that the drones present.
Van Drew claimed that the drones are “across the country” and that the federal government must “get them down” before they further compromise American security.
New Jersey residents have raised alarm bells over the past few weeks over mysterious drones traversing across their skies. Thus far, the federal government has been unable to determine the exact origin of the drones. An FBI official told Congress on Tuesday that the agency has not pinned responsibility for the drones on any individual party.
Iran has an extensive history of attempting to puncture the American national security apparatus. The country has been accused of attempting to embed spies within American institutions and agencies. It has also been accused of encouraging violent protests and spreading anti-Israel, Islamist propaganda across social media platforms in an attempt to disrupt American society.
Iran additionally plotted an assassination attempt against Trump, according to the US Department of Justice.
The post Pentagon Rebuffs Allegations Iran Behind Mysterious Drones Flying Over New Jersey first appeared on Algemeiner.com.
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