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How the Lower East Side has changed since the 1988 rom-com ‘Crossing Delancey’

(New York Jewish Week) — The classic and very Jewish 1988 film “Crossing Delancey” is one of those movies that feels both extremely of its time and also completely timeless. 

Director Joan Micklin Silver’s film has all the classic rom-com trappings: A woman who’s torn between two men (and to that end, two worlds); complaints about how hard it is to meet a man in New York City (as true in 1988 as it is in 2022), and a “mother” figure who knows better (here, a Jewish grandmother known as Bubbe, and in this case, she actually does know better). You could pluck all these specifics and drop them into a present-day film — and, if told with the heart and care of “Crossing Delancey,” still have a pretty good movie.

Yet there’s one thing about the “Crossing Delancey” that fully anchors it in the past, and that is  its late-1980s Lower East Side setting. While our heroine, Izzy (Amy Irving), lives and works on the Upper West Side, she pays frequent visits to her Bubbe (Yiddish theater actress Reizl Bozyk), her grandmother, downtown. From the moment that Izzy steps off the train at Delancey Street, she’s transported to another world: a bustling Jewish enclave with market-goers shopping for produce, friends and neighbors in the streets kibbitzing and a Hasidic child sitting outside the subway, enjoying a treat from a local bakery.  

This dichotomy between the “Old World” of the Lower East Side and the “New World” uptown is the central conflict of the film: Izzy’s inability to reconcile her Jewish roots with her desire to live a secular, intelligentsia lifestyle, as represented by her two love interests (Sam the Pickle Man and Anton, the self-important author). 

However, rewatching the film in the present day, I can’t help but wonder: Would Izzy run from the shtetl if she knew that in a few years, it wouldn’t exist anymore? That due to rising rents and a shift in population, many Jewish businesses would meet their end — or, somewhat ironically, be part of the flight to Brooklyn that began in the early-to-mid 2000s? In some ways, 1988 itself was the beginning and the end: It marked the opening of the Lower East Side Tenement Museum, an effort to preserve the neighborhood’s immigrant past, and it was the very same year that Mayor Koch created a new redevelopment proposal for the Seward Park Extension, a canary in the coal mine for the sea change of development the city would see over the next 30 years.

Re-watching the film in 2022, it struck me how the Lower East Side’s bustling Jewish enclave  — the same place where my grandparents were born and raised — has since been lost to time, gentrification and re-zoning plans. These days, the neighborhood paints a different picture entirely: giant buildings hog entire city blocks, with construction promising even more sky-high buildings. There’s no specific character to the neighborhood, no story to tell, few places more integral to the city’s fabric than the Delancey-Essex McDonald’s.

Of course, if you’ve lived in the city long enough, you know there’s no getting comfortable. New Yorkers have to, in essence, harden their hearts. We must accept that the local business you love that’s here today very well could be gone tomorrow — even if that business is a Duane Reade. The Lower East Side of today is not the neighborhood of 1988, or 1968 or 1928.

But amongst all of the present-day residential developments, upscale clothing stores and fast food chains, old-school Jewish businesses like The Pickle Guys, Kossar’s Bagels and Bialys and Yonah Schimmel’s Knish Bakery are still thriving. (And, I’d like to think that if you look hard enough, you’ll find some meddling but well-meaning bubbes and yentas, too.)

While we might not be able to fully experience the Lower East Side as the cast and crew of “Crossing Delancey,” here are four places from “Crossing Delancey” that you can still visit, and four that are sadly gone forever.

What Remains Today

Bubbe’s Apartment

154 Broome Street

The interior shots of Bubbe’s apartment, where Izzy fulfills all of her granddaughterly duties, like singing with her grandmother in Yiddish and plucking her chin hairs, were filmed at 154 Broome Street. The 181-unit building sits at the mouth of the Williamsburg Bridge — which is why Bubbe has that spectacular view — and is part of the New York City Housing Authority’s Seward Park Housing Extension. So while you still can visit the exterior of Bubbe’s apartment building today, don’t linger too long — it might weird out the current tenants.

 

Essex Market

108 Essex Street

This one is a little complicated. The original Essex Market, where Bubbe shows off her Korean-language skills, still stands today. (If you get off at the subway at Delancey Street, you can’t really miss it.) But that iteration of the market closed its doors in 2019 — in order to relocate to a building across the street so big and so glassy it would make Michael Bloomberg blush. In addition to apartments, office space and a movie theater (it’s a truly mixed-use building for our modern times!), Essex Market does boast local, independent vendors, such as Essex Olive & Spice, Porto Rico Importing Co. and Puebla Mexicana food. Per the New York Times, only one of the market’s vendors decided to forgo the moveopting instead for retirement. But you  might want to pay a visit to the original Essex Market while you still can — even if only to give it one last look. Following the move, Essex Market initially housed some avant-garde art installations, but it has since seemingly closed its doors for good. According to Gothamist, it’s to be razed to create — what else? — more condos.

 

Seward Park Handball Court

Essex Street between Grand and Hester Streets

From the moment Sam and Izzy meet, he makes no effort to hide his ardor. In fact, I’d say he uses every weapon in his arsenal to demonstrate his interest — even going so far as to try to impress her with his handball skills when she unexpectedly drops by the court. (You might also clock his CUNY sweatshirt, as I most certainly did.) The handball court is still there, should you decide you want to play a pickup game, but sadly the court’s colorful mural depicted in the film has since been painted over.

 

Bonus: Gray’s Papaya

2090 Broadway

While this article is focused on the film’s Lower East Side locations, and with good reason, we’d be remiss if we didn’t point out that one important New York institution Izzy visits triumphantly remains: The Upper West Side Gray’s Papaya. There, Izzy celebrates her birthday with a friend and a hot dog — the right way to do it, in my opinion — when a woman bursts in singing “Some Enchanted Evening,” for everyone and no one in particular. It’s one of many of the film’s classic New York moments.

 

What’s Been Replaced

Steinberg’s Dairy

21 Essex Street

When Izzy emerges from that train at Delancey Street, director Silver takes great care to immerse us in this world. The camera stays on Izzy as she walks from the subway to Bubbe’s apartment, passing a host of local businesses along the way. Among them is Steinberg’s Dairy, which once lived at 21 Essex Street. Steinberg’s Dairy, which also had an Upper West Side location, offered staples like herring, egg salad and vegetarian chopped liver for less than a dollar back in 1941. Today, if you’re in the area, you can grab a drink at the punk rock bar Clockwork, which opened in 2013.

 

Zelig Blumenthal

13 Essex Street

Izzy also takes us by Zelig’s Blumenthal (also known as Z & A Kol Torah), where three older women sit outside, enjoying the sights and sounds around them. Once a popular Judaica store, it unexpectedly closed its Lower East Side doors in 2010 after 60 years in business. At the time, then-owner Mordechai Blumenthal made the decision to relocate the store to Flatbush due to a dwindling Orthodox population and foot traffic in the area, and a landlord who made clear he “wanted him gone.” It’s unclear if the Flatbush location remains open today, but a vintage clothing store called Country Of has taken up its original spot.

 

Posner’s Pickles (AKA Guss’ Pickles)

35 Essex Street

Posner’s Pickles, as run by Sam the Pickle Man in the film, was never exactly a real place to begin with. Filming took place at the world-famous Guss’ Pickles, which first opened on Hester Street in 1920, before relocating to Essex Street, where there were once over 80 pickle vendors for locals to choose from. After a stint on Orchard Street, Guss’ Pickles followed in the footsteps of so many others by then, leaving Manhattan to open up shop in Brooklyn’s Dekalb Market in 2017. While Guss’ Pickles is today based out of the Bronx, their delicious pickles are available to order no matter where you are in the country, via Goldbelly. Today, 35 Essex Street is home to Delancey Wine —  appropriately named, but  doesn’t offer possibilities for a slogan like “a joke and a pickle for only a nickel,” as Posner’s Pickles did in the film.

 

Schapiro’s Kosher Wines

124 Rivington Street
For 100 years, Schapiro’s Kosher Wines proudly served the Jewish community as the only kosher winery in New York City. It’s where Bubbe chides Izzy for her lack of interest in Sam, and while today the pair couldn’t have this conversation outside Schapiro’s, they could grab brunch at the restaurant Essex. Home to New York City’s “longest-running Brunch Party,” Essex salutes its Lower East Side roots with dishes like potato pancakes and Israeli couscous.

 


The post How the Lower East Side has changed since the 1988 rom-com ‘Crossing Delancey’ appeared first on Jewish Telegraphic Agency.

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When ‘Context’ Becomes Complicity — The Language That Incited the Bondi Beach Massacre

People walk at the scene of a shooting incident at Bondi Beach, Sydney, Australia, December 14, 2025. Photo: REUTERS/Kirsty Needham

On Sunday, a Chabad Hanukkah candle-lighting at Bondi Beach was turned into a massacre. At least 16 people are dead. Witnesses report that the terrorists shouted “Allahu Akbar” between bursts of gunfire. What should have been a moment of communal joy became a scene of mass murder, carried out in full view of a society that has spent years purposefully ignoring antisemitic incitement and terror attacks that led to this moment.

Around the same time, elsewhere in Australia, the same moral failure surfaced again. On a Melbourne tram, an Australian woman verbally accosted a rabbi and his two children, aged eight and 14, telling them to “go to the gas chambers.” She was carrying a bag bearing the PLO flag. A Jewish father and his children were told, in public, to imagine their extermination.

And that was after “protesters” in Sydney chanted “gas the Jews” — with absolutely no consequences.

“Go to the gas chambers.” There is no metaphor here. No policy critique. No political argument hiding behind rhetoric. There is only genocidal hatred, delivered calmly and directly.

And yet anyone familiar with the pattern already knows what comes next. Not moral clarity, but “context.” Not unambiguous condemnation, but explanation.

We will be told about anger, about trauma, about spillover from Israel’s war with Hamas. We are reminded that emotions are high, tensions are inflamed, and nothing can be viewed in isolation.

This is not analysis. It is evasion.

This is the anti-Zionism exception.

In any other context, this kind of mass murder would end the conversation. No editor would ask what provoked it. No official would suggest it must be understood through global politics. No journalist would hesitate to call the racism exactly what it is. And don’t forget that before the State of Israel was created, one third of the entire global Jewish population was murdered for their religion. But now we’re going to be told that this is only happening because of Israel.

When the targets are Jews, and when the hatred can be draped in the language or symbols of the Palestinian cause, the rules change. Antisemitism becomes negotiable. Murderous language becomes expressive speech. The victims become abstractions.

This is why anti-Zionism has become the dominant framework through which antisemitism is excused in the modern West. Zionism is the belief that Jews, like any other people, have the right to collective self-determination and national survival through sovereignty in part of their indigenous and historical homeland. To deny that right uniquely to Jews — while granting it to every other people — is not a policy disagreement. It is a moral inversion that recasts Jewish survival itself as illegitimate.

For years, Australia, like much of the democratic West, has tolerated rhetoric that would be unthinkable if directed at any other group.

Crowds have chanted “gas the Jews” and many other murderous slogans with no consequence. Universities have hosted speakers who portray Jewish sovereignty as a unique moral crime. Media outlets have repeatedly softened or obscured antisemitic incidents — like burning synagogues — treating them as political reactions rather than as hatred with a long and documented history.

Law enforcement responses have been hesitant and inconsistent, often focused on crowd control instead of stopping incitement.

In England, Jews wearing yarmulkes and Stars of David have been arrested for “provocation,” while standing before crowds chanting “Globalize the Intifada,” “Hamas, Hamas, Jews to the Gas,” and “Khaybar, Khaybar ya Yahud” — an explicit invocation of the massacre of Jews in seventh-century Arabia.

This matters because antisemitism does not operate like other hatreds. It has always depended on permission structures. It advances not only through violence, but through ideas that render violence against Jews intelligible, justifiable, and even necessary to those inclined to act.

When genocidal slogans are tolerated in public space, when Jewish identity is reframed as provocation, when Jewish self-determination is condemned as uniquely evil, and when hatred is endlessly contextualized rather than condemned, the distance between speech and action collapses.

What happened at Bondi Beach was 100% predictable. A slogan shouted yesterday becomes gunfire today. The targets were not symbols or states or abstractions. They were Jews lighting candles.

The media plays a central role in this process, whether it admits it or not. Language is softened. Headlines are hedged. Victims are pushed to the margins of their own stories. A massacre becomes an “incident.” A threat of extermination becomes “heated rhetoric.” Jewish presence itself is recast as a political act that invites response.

This is how a Hanukkah celebration becomes a “flashpoint.” This is how a rabbi and his children become “part of a broader conflict.” This is how Jews going about their lives in Sydney, London, or New York are quietly reassigned responsibility for the hatred directed at them.

Some will insist that Bondi Beach and the Melbourne tram were isolated events. They never are. Antisemitism has never announced itself first with bullets. It begins with the libels societies allow to circulate. It begins when calls for violence against Jews — “Globalize the Intifada,” “Hamas, Hamas, Jews to the Gas” — are treated as political opinions rather than warnings.

A culture that cannot draw a red line at “go to the gas chambers” has already erased the line entirely.

Bondi Beach was not unforeseeable. It was foretold — in slogans excused, in threats contextualized, in hatred endlessly rebranded as politics. The massacre did not appear without warning. It appeared after years of permission.

Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, antisemitism, and Jewish history and serves on the board of Herut North America.

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The Maccabees taught us persistence and hope – even when the light flickers, as it has this Hanukkah

The first time I lit a Hanukkah candle as a Jew wasn’t at a synagogue or around a large family table. It was in a tiny apartment kitchen with my then-fiancé, Reid. I didn’t yet know the blessings by heart or if I belonged. But when that first shamash, the special “helper” candle used to light the Hanukkah menorah, flickered to life, something in me shifted. I knew I had reached a place where curiosity wasn’t a problem to be solved, it was a doorway.

Lighting the candles with Reid and our two children as we process the horrifying news from Sydney, Australia, I find myself thinking back to that first candle and to a tradition that empowers us through learning and debate, where hard questions are not avoided or feared but welcomed, even in times of great heartbreak and adversity. In a moment when so much pushes us apart and so many try to make us afraid, those values draw us together and give us strength.

Hanukkah itself is a story of a community striving to stay whole in the face of profound forces of division. The Maccabees stood against a regime that attempted to erase Jewish practice by banning observance, desecrating the Temple, and punishing the very acts that defined Jewish life. The victory we celebrate is the enduring resilience of Jewish identity, a small, committed people, deeply diverse in their own ways, coming together around a shared purpose to reclaim the right to live authentically.

When the Temple was rededicated, they relit the ner tamid, the eternal flame, with only a day’s worth of consecrated oil. The miracle, tradition teaches, is that the flame lasted eight days until new oil could be secured. But perhaps the greater miracle is that they lit the flame at all, despite their fear, the uncertainty, and the enormity of the moment. Even in the darkest times, our light shines brightest when we choose to light it together.

My journey to becoming Jewish was many years in the making. I was raised Catholic in the church my mother grew up in. I was a curious child, always pressing to understand the world around me. After the sudden death of my father at nine, I craved answers to life’s toughest questions and felt increasingly out of place in a setting where questions were treated as a lack of faith. In Judaism, I found a spiritual home that teaches that questions are holy, learning is lifelong, truth is revealed through wrestling with ideas, and our sacred bonds to each other are strengthened through debate.

I still remember the moment I first learned this about Judaism. More than a decade before my conversion, Reid and I sat on a lumpy sofa in a University of Chicago lounge debating life’s mysteries the way only college students can. After I had shared my frustrations about organized religion, Reid explained that in his experience, Judaism didn’t fear disagreement, but welcomed it. It was a tradition built on commentary layered over commentary, where even the margins of our texts are alive with centuries of Jews arguing, interpreting, questioning, refining, and expanding on the ideas that came before them.

As I continue to grow into my Jewish identity, it becomes ever more clear that the Jewish community is not a monolith. We span countless traditions, cultures, and perspectives. Our disagreements are real, deeply felt, and sometimes painful. But disagreement is not the opposite of unity. Judaism gives us the tools to lean into complexity without letting it tear us apart.

At this difficult moment we are living in, that seems a daunting task. Antisemitism is surging in ways both familiar and surprising, and Jews are being targeted simply for being Jewish. Millenia-old tropes are finding new life in the ugliest corners of the internet and on our sidewalks, with online conspiracy-theories fueling real-world violence. This bigotry is often smuggled into mainstream discourse using criticism of the State of Israel as a Trojan Horse, with the intention of pitting Jews against each other.

We must reject this attempt to co-opt political disagreements by those who wish to destroy us and remember that for many American Jews, Israel represents shared history, culture, and the enduring light of Jewish peoplehood –  the very light that antisemites have long tried to extinguish.

The goal of antisemitism is, as it has always been, to divide us, isolate us, and snuff out our light. Hanukkah reminds us that our story did not end in the ancient world. From Jerusalem to Sydney to New York, we are still here, still connected, still carrying that light forward, and the miracle the Maccabees fought for endures in Jewish survival and the promise of a Jewish future. Hanukkah teaches that when Jewish people, by birth and by choice alike, stand together in shared purpose, bound together as B’nei Israel, we can overcome even the greatest darkness.

Unity does not mean uniformity. It means choosing one another, especially when the world feels fractured and we, as Jews, are under attack. It means committing to our shared future even as we debate the path to get there. It means recognizing that our strength has always come from community, learning, and a willingness to keep asking the hard questions together.

This is the model I strive to follow as a public servant: to lead with curiosity, to listen across differences, to protect our sacred spaces, and to build bridges through education and shared understanding.

As someone who chose this tradition because of its capacity for honesty, complexity, and hope, I urge us to take the lesson of the Maccabees to heart and keep the light shining – for ourselves, for each other, and for the generations who will inherit the world we shape today.

The post The Maccabees taught us persistence and hope – even when the light flickers, as it has this Hanukkah appeared first on The Forward.

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Will Anything Change After Bondi — and How Will the Story End?

A man lights a candle as police officers stand guard following the attack on a Jewish holiday celebration at Sydney’s Bondi Beach, in Sydney, Australia, December 15, 2025. REUTERS/Flavio Brancaleone

Jews arrived in Australia with the First Fleet in 1788. That is the Australian equivalent of the Mayflower, albeit with convicts.

From their earliest days, Australian Jews integrated into national life visibly, with patriotism and confidence. They built their shuls without apology, established businesses without resentment, and raised families with great pride.

They were disproportionately represented in the military, academia, medicine, and commerce. They embraced their Australian identity fully, while remaining true to their Jewish faith and seeing no contradiction between the two.

Australia was once a country that understood how integration worked. Newcomers were welcome, but they were expected to participate in a shared civic culture. Loyalty, contribution, and respect for Australian society were not considered controversial demands — they were the price of admission. For more than two centuries, Australian Jews lived by that bargain.

This is why the massacre at Bondi Beach during a public Hanukkah celebration seems like more than an act of terror. It feels like a betrayal. Holocaust survivor Alex Kleytman, 92, shielded his wife of 57 years in the crowd before dying. That is the Jewish-Aussie spirit that symbolized this community.

Hanukkah is, by design, a public holiday. It commemorates a minority preserving its identity while remaining part of a broader civilization. Light is placed deliberately in the public square. Faith without withdrawal. Cultural continuity without separatism. That is the message of Hanukkah.

That such a celebration was targeted in one of Australia’s most iconic public spaces is not incidental. It was an attack on a place and a community that exemplified successful integration during a festival that celebrates cohesion and tolerance.

Speaking to Australian Jews over the past two years, a new theme has emerged — not only of fear, but abandonment. The country they love increasingly hesitates to defend them, is embarrassed by its own culture, and is unwilling to confront hateful belief systems it has imported.

This is not an immigration crisis. It is a governance crisis.

Great countries are built by immigrants. The Greeks, Romans, and Americans all understood that growth comes from outsiders who want to become insiders. But instead of importing entrepreneurs, innovators, and builders, we have incubated an endless supply of cultural resentment. A nation cannot transmit to its citizens what it no longer values. Assimilation requires national pride and confidence in one’s own civilizational values.

Deterrence is dismissed for fear of “sending the wrong signal.” Enforcement is denounced as cruelty. Borders are discussed endlessly but defended reluctantly. Politicians still perform the language of control, but with the conviction of actors reciting lines they no longer believe.

Western governments have not failed to implement their will. They have abandoned the idea that they are entitled to have a will in the first place. The result is a system engineered for failure while absolving those responsible for it. Illegal entry is rewarded. Removal is treated as a scandal. Integration becomes optional.

What emerges is grievance without gratitude, and hate without consequence. Flags become suspect. History is reduced to a catalogue of sins. Elites perform ritualized shame as a marker of sophistication. A country that cannot defend its own identity cannot plausibly ask newcomers to adopt it.

Bondi was not a random eruption of violence. It was the predictable outcome of a system that encouraged hate, refused to do anything about years of incitement and terror attacks on Jews, and will likely change nothing after this attack.

The bitter irony is that the community that proved integration was possible is now among the first to feel the consequences of a society that has stopped insisting on it.

Nations do not decline in a single dramatic moment. They erode through a thousand small capitulations; each defended as compassion.

Bondi was not an aberration. It was a warning. The only question is whether the warning arrived too late. The story of Hanukkah ends with our salvation and spiritual redemption; how will this story end?

Philip Gross is a Manhattan-born, London-based business executive and writer. He explores issues of Jewish identity, faith, and contemporary society through the lens of both the American and British experience.

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