Uncategorized
In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind
(New York Jewish Week) — “You never know how people are going to respond,” says Jewish comedian Ari Shaffir, referring to his new standup special, “Jew,” which has more than 3 million views (and counting) on YouTube.
The self-released, 90-minute showcase of stories and jokes goes deep into his life story, including his studies at a Jerusalem yeshiva. Shaffir, who eventually left Orthodoxy behind, balances Talmud lessons with the neuroticism of Jewish culture.
The show gives the entire backstory of Judaism, starting with Adam and Eve, interweaving tales about Hanukkah and Passover, going through customs and traditions. It’s an oral history of Judaism, told through a brutally honest comedic lens.
After it was released two weeks ago, the special has been praised by numerous comics in the podcast world, including Tim Dillon, Shane Gillis, Chris Destafano and Joe Rogan, whom Shaffir calls a longtime friend.
There are also over 25,000 comments on the special, most of them positive. One goes as far to say that it is “the best special of the century so far.”
Shaffir, who lives in the East Village, said he has not received much negative feedback for the special, which is rare for a comedian who once received death threats and had to cancel shows for joking about NBA player Kobe Bryant’s death in 2020.
“Jew,” which was shot and performed in Brooklyn, was released Nov. 2. The date, Shaffir told the New York Jewish Week, was set far in advance — but it arrived at a moment when antisemitism became a national conversation topic, thanks to recent tweets from rapper Kanye West and Brooklyn Nets star Kyrie Irving.
“I was worried for a minute — I thought for a second it was going to derail it,” he said of the timing, adding that he “wasn’t looking for this kind of press” in regards to his special.
The conversation only grew more intense last week, after Dave Chapelle delivered a monologue on “Saturday Night Live” abut the West and Irving controversies that critics, including the Anti-Defamation League and Simon Wiesenthal Center, called antisemitic.
“They’re ready to say that, regardless,” Shaffir said. “The complaints were already written. Most people think it’s funny.” Jewish organizations, he said, are “not known as great comedy critiquers.”
“People don’t understand that we enjoy that,” Shaffir added, referring to the criticism. “I can speak for Chapelle on this. We’re only here to make people laugh, but we also enjoy when dorks get mad.”
Shaffir, 48, has made a career off of making dorks mad, weaving tales about drugs, sex and Judaism into world tours, a podcast, spots at the Comedy Cellar in New York and the Comedy Store in Los Angeles.
While he’s known for his edgy humor, Shaffir appears more introspective and personal in “Jew” when compared to his previous work. On his Comedy Central show “This Is Not Happening,” which ran for four seasons between 2015 and 2019, he talks about planting weed for strangers and fans at sports arenas and shopping malls (the police weren’t amused). He also appeared in a sketch called “The Amazing Racist,” where he spoofs “The Amazing Race” by playing a character who constantly brings up offensive stereotypes.
With “Jew,” by contrast, Shaffir has channeled his persona into a hyper-focused, cohesive take on all aspects of Judaism, including mikvahs, Yom Kippur chicken rituals and the minutiae of when certain foods can be considered kosher. At the same time, he keeps the material palatable for a non-Jewish audience.
“You can make anything accessible,” Shaffir said. “It’s the same thing as saying, ‘My dad does this weird thing, or my country does this weird thing.’ You just explain it and you’re fine.”
Ari Shaffir holds the crown as my favorite j-w. He’s Moshiach in my eyes. pic.twitter.com/8kLFSaqgqp
— Adam Green – Know More News (@Know_More_News) November 14, 2022
While Shaffir may have turned away from religion as a young man, he said he has since found “a love for how interesting and cool it was.”
“I now see that Judaism leaves your kids with intelligence, where they value education and family,” Shaffir said. “It’s great stuff and I wanted to show that.”
When the special was released, Shaffir left a note on his web site saying that it is his “love letter to the culture and religion that raised me.”
He tells a story in the special about meeting with his rabbi from the Jerusalem yeshiva and telling him he was a standup comedian. “All he wanted to know was, ‘do you still use the teaching?’” Shaffir says in the special.
Shaffir then talks about how the rabbi gave him a lesson about Noah’s Ark, which he then turns into a bit about anal sex — all while leaving the audience with a positive spin on Judaism.
“Not all religion is stupid,” Shaffir says in the special. “It’s a good lesson, especially in this day and age.”
Shaffir was born in New York and spent most of his childhood in North Carolina and Maryland. He was “a Modern Orthodox Jewish kid” who attended the Hebrew Academy of Greater Washington (now the Berman Hebrew Academy). After high school, Shaffir went to Bris Medrash L’Torah, an Orthodox yeshiva in Jerusalem, which he said was the “standard track” for a Jewish kid at his age, but eventually he had “a crisis of faith.”
“I just came home and really thought about it and I was like, ‘I’m out,’” Shaffir said. “I don’t want to do this anymore.”
Since then, Shaffir said he does not believe in God, but believes in the “shared history” of Judaism.
And while he’s had moments of Jewish jokes and stories in his previous specials, this is his full show on the topic, going deep within himself to find the humor within the religion, even in the darkest of places.
Shaffir’s father is a Holocaust survivor from Romania, who moved to Israel following the war. Shaffir said his story of survival was “a major part of our upbringing.”
“Their village got taken later in the war,” Shaffir said of his father’s family. “Most of the family was wiped out. I don’t know all the details exactly.”
He now has a good relationship with his parents and said they saw him perform the special live. “They liked it,” Shaffir said. “They probably liked it more than my other specials, where I was talking about [having sex with] chicks with herpes.”
While working on the special, Shaffir workshopped his material at the Fat Black Pussycat, the “sister showroom” of the Comedy Cellar in New York’s Greenwich Village. There, an audience member once asked him a question about “the pillow” that Jews carry.
“I was like, ‘I don’t know what you’re talking about,’” Shaffir said. “But then it hit me: It’s tallis and tefillin,” the velvet bags containing prayer shawls and phylacteries that Jews carry to synagogue. “It looks like a pillowcase. You can look at it from an outside perspective, their point of view: It looks like a pillow. Their questions would get me to riff.”
He later took his special abroad, including Israel, where “it did not work,” he said. “They knew too much about it. All the exposition, they were like, ‘We know.’”
In contrast, he performed the material in places where there were few or possibly no Jews, such as Perth, Australia and Reykjavik, Iceland, where it went well. “Places where they are like, ‘I’ve never heard of [Jews],” Shaffir said. “I had to make sure it went well there because it’s gotta be accessible.”
He also performed a version of the show as part of the Edinburgh Fringe Festival in Scotland, which he said greatly inspired the special.
Another aspect of the Shaffir’s special is countering the narrative of Orthodox Jews as outsiders. “They work regular jobs,” Shaffir said. “There are ambulance drivers with yarmulkes. There’s just some weird stuff that they do. We would play basketball and we would have tzitzit [ritual fringes] and a yarmulke on, but we were on the courts with everybody.”
Shaffir has a joke in the special about using a yarmulke as a move to distract a defender during a basketball game.
This year, Ryan Turell became the first Orthodox player drafted into the NBA’s developmental G League
“I love it,” Shaffir said. “Hopefully it goes well for him and he loses his religion. That would be cool.”
—
The post In ‘Jew,’ comic Ari Shaffir delivers a raunchy love letter to the religion he says he left behind appeared first on Jewish Telegraphic Agency.
Uncategorized
In Miami, rekindling the Black-Jewish alliance that Clarence Jones insisted never died
The day before the March on Washington in 1963, a man who embodied much of what that civil rights action was all about left this world. The march went on, and changed history, in dedication to the life and work of W. E. B. Du Bois. During it, the NAACP’s Roy Wilkins told the crowd, of Du Bois, that “his was the voice that was calling to you to gather here today in this cause.”
A similar scenario is unfolding in Miami today with the start of a major convening of groups committed to the Black-Jewish alliance. It comes in the shadow of the death of Clarence B. Jones, a lawyer and speechwriter for Martin Luther King, Jr., who embodied that alliance and its cause for much of his life. He died last Friday at 95.
Chairman emeritus of the Black-Jewish alliance group Spill the Honey, and long cemented in history as the legal mind behind King’s protest strategies who also contributed passages to the “I Have a Dream” speech, Jones would vociferously argue that despite endless fissures, the alliance never ended.
That is a position I too have long maintained, particularly because a major part of the alliance is acknowledging the existence and power of Black Jews. As I and so many others tirelessly repeat, the two groups are not mutually exclusive. It’s a misnomer to say “Blacks” and “Jews” when each group overlaps with the other.
And if the alliance did die sometime during the last 30 or 40 years, did my existence and that of every other Black Jew not get the memo?
Our reality hasn’t stopped others from restarting the alliance with all the patentability of reinventing the wheel. I’ve lost count over the years of how many times a new Blacks-and-Jews group — again, usually ignoring Black Jews — would form as if it alone had the answer to whatever discord was then going on, from disputes over affirmative action after the Supreme Court’s 1978 Bakke decision to the latest over Israel’s horrific actions in Gaza and Lebanon.
That led me and Bruce Haynes, author of The Soul of Judaism and an African American professor who recently discovered his Jewish ancestry, to wonder last February if it was time to form an umbrella organization for all the organizations so dedicated.
While we discussed it, others were mobilizing.
An influential — and funded — group was already working on exactly that, calling for the National Convening of the Black-Jewish Alliance in Miami this week. Organizers include the Redstone Family Foundation and the EXODUS Leadership Forum, founded by CNN commentator Van Jones.
At 95, Clarence Jones would not have made the trip. But Spill The Honey, the organization he recently chaired and for which Haynes and I both serve as board members, is also among coalition partners.
Nearly 100 Black, Jewish, and Black Jewish leaders (this time, we’re being heard) will gather in what will be a show of unity merely in all of us being together, even if we don’t agree on everything. No coalition does, and those that do succeed (think of the not-always-comfortable bedfellows of the civil rights and labor groups that pulled off the March On Washington) do so despite their differences. What’s important is that we’ll be in the room together.
Will it work? Who knows. The alliance has always been rocky, even if it has also always survived.
And don’t count Clarence Jones out yet. His spirit will definitely be with us, which he foreshadowed in a conversation we had in the Forward three years ago.
“When I die, I’m coming back Jewish,” he said.
“But still Black?” I asked.
“Absolutely!”
The post In Miami, rekindling the Black-Jewish alliance that Clarence Jones insisted never died appeared first on The Forward.
Uncategorized
Floyd Mayweather showered cash on Jewish causes — and now he’s suing their ‘Robin Hood’ alleging $175 million got diverted
They made for an odd photo: The diminutive boxing legend with a platinum grin and diamond chain, and the Orthodox macher who sported a black velvet yarmulke.
But when Floyd Mayweather, Jr., appeared in public in recent years — at LA Lakers games, promotional appearances and repeated trips to Israel — he was rarely without his jeweler, friend and business adviser, Jona Rechnitz.
For a few Jewish groups, the partnership was a gold mine.
With Rechnitz in his inner circle, Mayweather donated more than $1 million to Israeli and Jewish institutions that included United Hatzalah, Magen David Adom and Aish. And when Rechnitz and Mayweather traveled to Israel after Oct. 7, they were welcomed as heroes.
Now the relationship has come to a screeching halt with a lawsuit Mayweather filed last week in a Manhattan court, alleging Rechnitz defrauded him of $175 million in jewelry consignment funds, diverted settlement proceeds and unauthorized loans against his properties.
That their relationship collapsed in a big-money dispute did not shock anyone familiar with their histories. Mayweather had a long record of domestic violence incidents, with three separate convictions over the course of a decade, and more recently had allegedly skipped out on money owed. Rechnitz pleaded guilty in 2016 in a high-profile bribery case in New York City, getting a reduced sentence in exchange for cooperation with prosecutors. (Mayweather claims in his suit that Rechnitz, serving as his financial manager, did not initially disclose his criminal past.)
The two had also been linked to an alleged cryptocurrency pump-and-dump scheme in a case that was dismissed in 2022, and both are named as defendants in separate lawsuits related to an alleged ticket selling scam. (Rechnitz has denied the claims.)
Yet while the going was good, Jewish organizations and causes lined up to take part in their largesse. Now most have gone silent. But those willing to speak out say they have no regrets about the relationship.
“I don’t give a s— if he’s a Robin Hood and he’s stealing from the rich to help the poor — good, let him keep doing it.”
Adina SashOrthodox women’s activist, on Jona Rechnitz
Adina Sash, an Orthodox women’s activist, shared on Instagram a screenshot of an April 2025 message from Mayweather, asking her to contact Rechnitz so they could help her cause. Sash advocates for agunahs, women whose husbands refuse to grant a Jewish divorce, often generating headlines for stunt-driven pressure campaigns against the men.
Sash called Rechnitz a “massive” behind-the-scenes supporter of agunahs, estimating he had donated $250,000 to cover the women’s legal fees.
“I don’t give a s— if he’s a Robin Hood and he’s stealing from the rich to help the poor,” Sash said in an interview. “Good, let him keep doing it.”
Rechnitz, who denied Mayweather’s claims through an attorney, said he was unavailable for a phone interview Wednesday. But in a text message, he said he had brought Mayweather to organizations “involved in holy work.”
“Nobody stood by our side and I asked him to do so for me,” Rechnitz added, “and I also arranged for any out of pocket costs incurred for his trips to Israel such as airfare and hotels.”

Lavish gifts
In the first few days after Oct. 7, Mayweather quickly emerged as a rare ally for the Jewish state. He made public statements defending Israel on social media to his more than 25 million Instagram followers. He sent his private jet, loaded with emergency supplies, to the country less than a week after the attack. And he visited the country at least four times over the next two years, each time accompanied by Rechnitz.
Rechnitz, a real estate scion, had begun working his way into Mayweather’s inner circle after moving to his hometown of Los Angeles in 2017. Rechnitz was coming off a stint in New York that concluded with his sentencing to five months in jail for a bribery scheme involving the city’s then-deputy mayor for public safety and the leader of the New York City correction officers’ union. (The sentence was overturned on appeal in 2023.)
Mayweather was a controversial figure in his own right. In addition to his domestic violence record, he has been ordered by a judge to pay child support, and he is currently being sued based on allegations that he failed to pay rent and the bill for his private jet.
Rechnitz said he was forewarned. “Many people told me not to deal with him and criticized Jewish organizations for honoring him,” Rechnitz said in a text message to the Forward. “People make mistakes and I do not think that anyone can pass judgment without being in the same situation. Like many people, Floyd has his faults.”
The relationship between the two seemed to serve them both: Mayweather was flattered by Jewish leaders willing to look past their bad qualities, and bringing the boxer around helped rehabilitate Rechnitz in the Jewish world. Mayweather’s lawsuit described Rechnitz as his “de-facto” investment manager, real estate advisor, and banking liaison; it did not say how much Rechnitz was paid for those services but said it was a “constructive fiduciary relationship.”
They also made money together, according to one filing against them related to the cryptocurrency EthereumMax. Mayweather promoted the token at a boxing match and a Miami bitcoin conference in 2021. A class action lawsuit against the company alleged that Rechnitz had made hundreds of thousands of dollars selling his tokens after a raft of promotions from celebrities like Mayweather inflated their value. The filing claimed Mayweather was paid $2.5 million to be a “marquee promoter” of the coin. A judge later dismissed the case.
Despite the checkered past of both the boxer and his confidant, Jewish groups received them enthusiastically. United Hatzalah festooned its headquarters with Mayweather banners upon his first post-Oct. 7 visit to Jerusalem, with its president, Eli Beer, donning a Mayweather-branded cap during the visit. Magen David Adom’s American fundraising affiliate presented the boxer with a rhinestone-studded emergency vest.
Aish, an international Orthodox outreach group, bestowed Mayweather with a “Champion For Israel” award, with Mayweather and Aish CEO Rabbi Steven Burg posing for a photograph overlooking the Western Wall.
Mayweather also spoke to students and faculty at Rae Kushner Yeshiva High School, an Orthodox institution in New Jersey, last year, accompanied by Beer and Rechnitz and introduced by head of school Rabbi Eliezer Rubin, who said he was “exhilarated” to have Mayweather there.
Jewish groups characterized Mayweather’s support for the Jewish people as authentic and purely motivated. But it was also clear that it was driven by Rechnitz’s ties to the community. At a 2025 gathering of the Republican Jewish Coalition, Jona’s father, Bobby — himself an eminence grise of the pro-Israel lobby — proudly told those gathered at the event that his son was the boxer’s entree into Israel and Jewish affairs. When Mayweather took the mic, he said he saw Bobby as a “father-like figure” and Jona as a brother.

Responding to questions about the lawsuit, United Hatzalah spokesperson Simmy Allen said in a statement Wednesday that the organization would not comment on legal matters between private parties.
“Mr. Mayweather visited United Hatzalah’s headquarters in Jerusalem twice and saw firsthand how United Hatzalah is on the frontlines of emergency medical services in Israel and we are grateful for his support,” Allen wrote. He did not mention Rechnitz.
In an email, Rubin, Kushner’s head of school, said he did not regret welcoming Floyd and that Rechnitz did not facilitate the visit.
“When even influential Jews are remain silent about the malicious and vile attacks against the Jewish people, we need to commend and support people outside of our faith who are standing with us,” Rubin wrote.
He added that the school had no relationship with Rechnitz.
Representatives from Aish and the Republican Jewish Coalition did not respond to questions.
The new allegations
Mayweather’s lawsuit alleges that Rechnitz exploited the boxer’s trust — and his property — to enrich himself.
The bulk of the $175 million claim relates to jewelry belonging to Mayweather that Rechnitz allegedly pawned to a Miami jeweler for $13 million. Mayweather says its real value was closer to $100 million, and that Rechnitz did not have permission to borrow against the assets.

Mayweather also claimed that Rechnitz drew loans totaling tens of millions of dollars on various properties owned by Mayweather entities without his consent, and diverted at least $15 million in funds intended for Mayweather into accounts controlled by co-defendants.
Morris Missry, an attorney for Rechnitz and co-defendants Ayal Frist and Alexander Seligson, said Wednesday in a statement that Mayweather’s claims were “utterly baseless.”
“Mr. Mayweather’s gambling issues, prolific spending habits, monies owed to third party creditors and IRS tax liens and levys, as well as other unseemly behavior will be exposed and we believe that Mr. Mayweather will be the one paying significant damages to our clients,” Missry wrote.
Mayweather’s lawsuit is not the first lodged against Rechnitz since his 2016 plea agreement. In 2023 a judge granted $17.7 million plus interest to a jeweler who said Rechnitz’s checks to him had bounced. Separate lawsuits filed by a former neighbor of Rechnitz’s, Joe Englanoff, alleged that Rechnitz convinced Englanoff to invest $1.4 million in tickets to a Mayweather fight, which Rechnitz promised he could resell at several times the value.
Englanoff, who was renting Rechnitz the house next door, moved to evict him and separately sued Mayweather and Rechnitz for $15 million, citing breach of contract. Rechnitz countersued, saying the property was in worse condition than what Englanoff advertised. Rechnitz said in a text that Englanoff “is a serial litigant whose greed has blinded his ways.” Litigation is ongoing.
Englanoff did not respond to an inquiry.
Some on social media called Mayweather’s Instagram post attacking Rechnitz into question for antisemitism, noting that Mayweather had compared him to vermin and chosen a picture of Rechnitz wearing a yarmulke.

One who appeared to side with Mayweather was Rae Kushner Yeshiva High School teacher Rabbi David Schlusselberg, who said on X that Mayweather had spoken admirably to his students when he visited last year.
“When a Jewish person in his inner circle backstabs him and is being sued for $175 million, it isn’t antisemitic for Floyd Mayweather to post about this,” Schlusselberg wrote on X. “I feel terrible for Floyd Mayweather who has only showed love and support for the Jewish people.”
But Schlusselberg later deleted the post. Though he did not want to say why, he told the Forward he did so after speaking to Rechnitz on the phone.
Sash, the agunah activist, said any sentiment supporting Mayweather for pro-Israel advocacy was naive.
“The only reason he ever stood with Israel is because that’s how Jona puppeteered him,” Sash said. “Floyd is a puppet. Jona was the puppet master.
“He told me explicitly that his goal was to position Floyd as a representation of someone who supports Israel,” she added. “He knew that it would be monetarily beneficial for Mayweather’s portfolio to align himself that way.”
Rechnitz said he told Sash he was behind Mayweather’s charitable giving to Jewish groups and that his goal was to position Floyd as a supporter of Israel, but denied mentioning any underlying financial motive.
And he added that he was surprised Sash disclosed his involvement in her cause, which he said was supposed to remain confidential. He said he helped agunahs independent of Mayweather, with the assistance of family and friends.
Despite Rechnitz’s overt machinations with regard to his friend and client, Sash saw Rechnitz’s support for agunot as genuine. In one instance, she said, he had offered an agunah’s husband $500,000 to grant a Jewish divorce. (The man did not accept, Sash said.)
What financial benefits Rechnitz believed would accrue to Mayweather from his pro-Israel support was unclear, but Sash — who said she never took money from Rechnitz or Mayweather — speculated it had to do with real estate, a shared area of interest for the two men.
As to the possibility that Rechnitz paid for his support with someone else’s money, Sash said it didn’t matter.
“Even if it were to be proven that that exact money was taken from someone else, good, because the system is so rigged against agunahs,” she said. “If there is someone else willing to do illegal activity to help agunahs, amazing — we need every ounce of help we can get.”
The post Floyd Mayweather showered cash on Jewish causes — and now he’s suing their ‘Robin Hood’ alleging $175 million got diverted appeared first on The Forward.
Uncategorized
Inspired by a queer Bundist poet, this Jewish composer set her work to Yiddish music
Composer Avi Fox-Rosen, like many Jews looking for meaningful community outside of religion, found a spiritual home in music.
“I think I was looking for, in some ways, a mentor or somebody in a generation ahead of me who can provide another model for how to be Jewish and work towards peace and intersectional justice,” Avi Fox-Rosen said.
He found queer Bundist poet Irena Klepfisz.
Klepfisz is the daughter of Rose and Michał Klepfisz, organizers of the 1943 Warsaw Ghetto Uprising. Michał was killed on the second day of the revolt.
Fox-Rosen recently set to music a poem by Klepfisz, “Di rayze aheym/The journey home.” The Yiddish-English bilingual poem is one of her best known works and has been central to many people who have sought queer, secular and leftist framings for their engagement with Jewish identity. Fox-Rosen is releasing a new original album of the same title on May 30.

“Di rayze aheym” is based on a trip Klepfisz took with her mother to Poland in 1983 around the 40th anniversary of the Warsaw Ghetto Uprising. It was the first time either of them had been back since World War II.
In an interview with the author, Klepfisz compared today’s clean, well-kept condition of the Jewish cemetery in Warsaw with its appearance during her visit in the ‘80s, when it was overgrown and weathered by time. “It was practically wild,” she said.
“Where ‘Di rayze aheym’ sprang from was that cemetery — there are allusions in the poem to it,” said Klepfisz. The poem contains a total of nine sections, including “Vider a mol/Once again” and “A beys-oylem/A cemetery,” with many of them containing direct translations between English and Yiddish side by side.
Fox-Rosen remembers being drawn to Klepfisz’s work in the time following Oct. 7, as many Jews were finding themselves renegotiating their relationship to Jewish identity. “She has this incredible body of work that explores identity and displacement and diaspora. Also queerness, of course, and this exists alongside her work in prose and activism,” Fox-Rosen said.
Fox-Rosen, the son of Reform Rabbi Karen Fox, comes from Los Angeles. He was not raised with a particularly strong relationship to Yiddish culture. Describing his Jewish schooling, he said that “there was no significant Yiddish content, but a lot of Hebrew content.” He immersed himself in music, Jewish and otherwise, and eventually came to Yiddish music and culture in a roundabout way.
“My first big plan was to be a jazz guitar player, move to New York City and get famous that way. So I moved to New York City and as I worked in the jazz scene, I got to know a lot of Jewish musicians doing meaningful work with Yiddish content,” said Fox-Rosen. Frank London of the Klezmatics, as well as Greg Wall who is often referred to as the “Jazz Rabbi,” are among the musicians Fox-Rosen cites as influential in getting more involved in Yiddish culture.
He was initially drawn more to the secular Yiddish community than the actual Yiddish language or music traditions, he said. “I loved that there was this committed group of secular Jews making really interesting music, that’s what drew me in.”
He went on to become a member of the Yiddish-language rock band Yiddish Princess, alongside Sarah Gordon, Michael Winograd and Yoshie Fruchter.
“I’d been looking for a non-religious way to express Jewishness and find my people, and Irena has largely been one of the people to shape this community,” said Fox-Rosen.
Klepfisz has often referred to herself as a “practicing secular Jew.” She notes the intensely secular values of the Bund in interwar Poland. “The Bundists in interwar Poland didn’t deny their Jewishness; in fact, they emphasized it. But they were also militant secularists. For example, they would insist on meetings on Shabes.”
Not wanting to show up empty-handed when offering Klepfisz to set her poem to music, Fox-Rosen produced a demo of some verses of “Di rayze aheym” set to music.
“I was very flattered,” Klepfisz said. “I thought it was actually a very good choice, because it’s a very minimalist poem, so you don’t have a lot of words to fit. There are a lot of big blank spaces for the music.”
What resulted is an album of art-pop meets klezmer and Yiddish. Fox-Rosen noted influences for him from art-pop musicians Rufus Wainwright as well as Anohni and the Johnsons. Essential for Fox-Rosen in evoking a Yiddish sound are the instrumental contributions of two familiar faces in Yiddish music: klezmer fiddler Alicia Svigals and improvisational pianist Marilyn Lerner. “At times I wanted it to feel like a real fiddle kapelye, which it often does because of Alicia,” said Fox-Rosen. Kapelye is Yiddish for a klezmer band.

“You know, we used to say that Yiddish was ‘on life support,’ but I don’t think that’s true anymore,” Klepfisz said. “There was the revival that popped up in the ‘80s with klezmer music and now I think there’s a much greater appreciation for Yiddish culture.”
“Di rayze aheym/The journey home” is now available for pre-order through Borscht Beat on Bandcamp and will be released on May 30 alongside a concert at Jalopy Theatre in Brooklyn.
The post Inspired by a queer Bundist poet, this Jewish composer set her work to Yiddish music appeared first on The Forward.
