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In Mel Brooks’ ‘History of the World Part II,’ Jewish jokes reign from BCE to the Beatles

(JTA) — In a scene that will soon stream on Hulu, a group of early Christian bishops gathers to set a promotion strategy for their newish religion — to “make the Bible an international blockbuster,” as one puts it.

But the plot is unclear: “Who are the bad guys in this story?” asks one. He and his fellow clerics consider two options: the Jews and the Romans.

“Let’s make them the Jews, for sure,” says a bishop. “They run everything,” says another.

And thus the First Council of Nicaea, a gathering in 325 C.E. that is considered the birth of Christian antisemitism, gets the Mel Brooks treatment in “History of the World Part II,” the long-awaited sequel to the classic Mel Brooks film that revolves around Jewish history — and skewers it. The new four-part series even has a Jewish premiere date — March 6, the eve of the merrymaking holiday of Purim.

As with the 1981 original — written, directed and produced by Brooks, who also stars — the new series is littered with Jewish subject matter, even in the sketches that aren’t about Jews. And although comedy mores have changed in the past four decades, the series aims to retain Brooks’ signature combination of sharp parody, vaudevillian vulgarity and Borscht Belt antics.

“We really tried to embrace what we loved about [Brooks’] work and apply that to the work that we were doing, whether that was the themes of funny character names, or breaking the fourth wall or anachronisms or certain kinds of playful blocking,” director Alice Mathias told the Jewish Telegraphic Agency. “The kind of comedy work that I was doing up until this point was a touch more restrained and not quite as slapstick in places. So it was really fun to get a little sillier.”

And the creators aren’t concerned about a show with repeated send-ups of Jewish history at a time of rising antisemitism.

“Saying ‘the Jews are the bad guys’ is only funny because you’re making fun of the people saying it,” said showrunner David Stassen. “You’re punching up, you’re making fun of the bishops in power. That was the intent.”

Pictured from left to right: Nick Kroll, Wanda Sykes, Mel Brooks, Ike Barinholtz, and David Stassen at the Los Angeles premiere of History of the World Part II. (Tommaso Boddi via Getty Images)

Part of the series’ Jewishness is thanks to Nick Kroll, the Jewish comedian who had been interested in creating “History of the World Part II” for a very long time and “nudzhed” Brooks to agree, Stassen told JTA, using the Yiddish word for pester. Kroll is the co-creator of the critically acclaimed cartoon “Big Mouth,” which was largely based on his experience attending the Solomon Schechter School of Westchester. He also grew up in a Conservative, kosher-keeping household.

Kroll joins Brooks, 97, Wanda Sykes, Ike Barinholtz and David Stassen as a writer and executive producer, with Mathias of Netflix’s absurdist sketch series “I Think You Should Leave” as director.

“It wasn’t a matter of, is this the right time for this?” Stassen told JTA. “It was just like, how do we honor Mel? How do we do a show that’s different than current sketch shows, that is in Mel’s tone?”

“History of the World Part I” spoofs the epic films of the mid-20th century, with sketches including a musical number take on the Spanish Inquisition; an alternate history of Moses receiving the Ten Commandments; and cavemen discovering music. The new series puts a 21st century spin on that idea, reminiscent of Comedy Central’s “Drunk History” (and featuring many of the same cast members, including Joe Lo Truglio, who plays one of the bishops at Nicaea) with hints of the Netflix series “I Think You Should Leave.”

Audiences will see comedic sendups of historical events including Black congresswoman Shirley Chisholm’s historic run for president; Marco Polo’s arrival at the palace of Kublai Khan in China; the Russian Revolution; and the signing of the Oslo Accords, the 1993 Israeli-Palestinian peace agreement.

Schmuck Mudman (Nick Kroll), Fanny (Pamela Adlon), and Joshy (Charles Melton) discuss leaving the shtetl as the Russian Revolution breaks out. (Courtesy of Hulu)

Just a few of the Jewish jokes: Jason Alexander makes an appearance as a notary-slash-mohel who brings the wrong bag, full of his ritual tools, to the official signing of the Confederate Army’s surrender at the end of the Civil War.

“Useless. Unless somebody wants to take a little off the top,” Alexander’s character says, gesturing to his tools.

The story of Jesus Christ gets parodied via multiple genres and is arguably one of the most Jewish recurring sketches of the whole series. In a “Curb Your Enthusiasm”-inspired sketch in the second episode, Judas (Kroll) and Luke (JB Smoove) realize that Jesus (Jay Ellis) has abandoned keeping kosher when they catch him publicly eating a bacon cheeseburger. A subsequent sketch spoofs the documentary “The Beatles: Get Back,” in which fans of the apostles eat matzah on sticks outside of the Apples & Honey recording studio.

A fan of the apostles (Quinta Brunson) stands outside of Apples and Honey Studios. (Courtesy of Hulu)

And a recurring sketch focusing on the Russian Revolution and parodying parts of “Fiddler on the Roof” features a literal mud pie salesman named “Schmuck Mudman” who lives in an Eastern European shtetl. Mudman sells his wares via Putz Mates, a Yiddish play on the food delivery app PostMates. After moving from the village to Moscow, Mudman, played by Kroll, is surprised to find a meeting of the Mensheviks, the opposition to the Communist Bolshevik party, in his apartment.

“Your misery looks familiar to me. Are we from the same shtetl?” Mudman asks one of the Mensheviks in a depressing round of early 20th century Jewish geography.

“No. I get this all the time,” the man responds. “But I’m a miserable city Jew.”


The post In Mel Brooks’ ‘History of the World Part II,’ Jewish jokes reign from BCE to the Beatles appeared first on Jewish Telegraphic Agency.

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Jane Yolen, children’s book author whose ‘The Devil’s Arithmetic’ became a Holocaust classic, dies at 87

(JTA) — Jane Yolen was already an award-winning author and illustrator of more than 100 titles for young readers when her editor suggested she write a Jewish children’s book.

At first, she resisted the idea. Sure, she was Jewish. But she didn’t grow up in a religiously observant family, and she insisted she didn’t know enough about Judaism to take on the project.

Finally, she relented. Drawing on a spark of an idea about a Holocaust time-travel fantasy, Yolen turned in the first draft of what would become “The Devil’s Arithmetic,” her 1988 young adult novel. “I thought, ‘OK, I’m going to try this,’” Yolen recalled to the Jewish Telegraphic Agency years later.

The book won immediate acclaim and garnered multiple awards. Today, it’s seen as a classic of the genre — and one that remains caught up in banned-book lists.

For Yolen, who died Thursday at 87 in her home in Western Massachusetts, “The Devil’s Arithmetic” became her signature title. Still in print, the book was also made into an Emmy Award-winning Showtime feature starring Kirsten Dunst. It was the cornerstone of a titanic legacy in children’s literature, her family said in a statement.

“It is with profound sadness that I, along with my brothers, Adam Stemple, and Jason Stemple, share the news of our mother, Jane Yolen’s passing,” her daughter Heidi Stemple wrote on Facebook, adding that Yolen had “passed gently with no pain or stress” and her family by her side, reading one of her books to her.

Yolen was born on Feb. 11, 1939, in New York City. Her father was a journalist and her mother was a psychiatric social worker until Yolen was born.

An alumna of Smith College, where she won poetry and journalism awards, she worked first as an editor in New York City, writing at her breaks and time off. Her first published book, “Pirates in Petticoats,” a nonfiction work about women on the high seas, was published when she was 22.

She soon pivoted to children’s literature, becoming one of the most prolific authors in the genre. She went on to publish 450 children’s books, including more Jewish titles, and was known as “the Hans Christian Andersen of America.” She won the prestigious Caldecott Medal for her 1987 picture book, “Owl Moon,” and her “How Do Dinosaurs …” series is a staple in many preschool classrooms. (It includes one Jewish title: “How Do Dinosaurs Say Happy Chanukah?” Her 450th title was published just this year, her children said.

But it was “The Devil’s Arithmetic,” scholars have said, that cemented her legacy as a leading author for young Jews. The novel was a trailblazer for its blending of time-travel with historical veracity, according to the late Norman H. Finkelstein, a National Jewish Book award winner who was a children’s librarian himself.

“It was a different Holocaust book,” Finkelstein told JTA in 2018, on the occasion of the title’s 30th anniversary. “It was not strictly factual, it was not a memoir. Jane did a superb job in taking the story of the Holocaust down to a level that ordinary American kids could understand. The characters were realistic, not paper cutouts.”

Other titles of hers included “Meet Me at the Well: The Girls and Women of the Bible,” with Barbara Diamond Goldin, and “Jewish Fairy Tale Feasts,” with her daughter Heidi, who developed and illustrated the hands-on recipes.

Yolen relished the collaborations with her daughter. They lived next door to each other, along with Stemple’s family, with two grandchildren who were taste-testers of Stemple’s recipes.

“Jane was a treasure, and it is difficult to think of the world of books — indeed the world itself – without her,” Richard Michelson, an award-winning author of Jewish children’s books and Yolen’s friend and neighbor, wrote on Facebook. Describing her as a cherished mentor of younger writers, he added, “Jane created classics as if it were as easy as breathing.”

While often assigned in schools as part of lessons on the Holocaust, Yolen’s titles are not without controversy. In 2025 a Texas school district, using artificial intelligence, flagged “The Devil’s Arithmetic” for removal as a title containing “DEI,” or diversity, equity and inclusion content. The book became one of several well known Holocaust titles to be pulled from schools in the last few years.

Though she had initially resisted the idea of being a Holocaust author, Yolen would go on to publish a trilogy of unconventional young-adult novels about the subject. She incorporated elements of “Sleeping Beauty” into 1992’s “Briar Rose.” “Mapping the Bones” followed in 2018 as a riff on “Hansel and Gretel.”

“Whenever we think of the Holocaust, we think of remembering,” Yolen told JTA in that same 2018 interview. “We think of never forgetting. Soon all we will have are the stories.”

In addition to her children, Yolen is survived by six grandchildren. Her husband, David Stemple, to whom she was married for 44 years, died in 2006.

This article originally appeared on JTA.org.

The post Jane Yolen, children’s book author whose ‘The Devil’s Arithmetic’ became a Holocaust classic, dies at 87 appeared first on The Forward.

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Hebrew Union College claims Ohio’s charity-law suit violates its First Amendment rights

(JTA) — The Reform movement’s central rabbinical seminary filed a motion to dismiss the state of Ohio’s lawsuit against the school Friday, claiming the suit violates “foundational Jewish religious doctrine.”

It was the latest escalation in a pitched battle between Hebrew Union College and the state attorney general’s office, which has accused HUC of violating nonprofit law by shuttering degree-granting programs on its historic Cincinnati campus.

The suit, HUC argues, “violates the First Amendment by entangling government and religion.”

The suit was originally filed in April by then-Ohio AG Dave Yost his second against the college related to its controversial plan to wind down its Cincinnati operations in favor of its New York and Los Angeles campuses. Yost claimed HUC’s actions in Cincinnati misled its donors by leaving a city where they were actively fundraising to support operations, and also violated its charter, which states that the school would “permanently maintain” a residence there.

The state seeks to seize HUC’s assets in Ohio and redirect them to a new, yet-to-be-decided nonprofit with a similar mission; an upstart rabbinical school founded by HUC alums says it wants them.

Such a move “is an unconstitutional and illegal governmental assault upon religion,” HUC’s strongly worded motion reads.

It continues, “The Attorney General has no role in dictating the religious affairs of institutions like HUC. The Court should reject his overreach into religious matters and should dismiss the Complaint because it is unconstitutional and unlawful.”

HUC also argues its vote to shutter the Cincinnati campus was done in full compliance with the law, adding that it intends to maintain the campus’s other assets, including the Klau Library, the American Jewish Archives and the Skirball Museum. In addition, citing a passage in the Torah that states “God will come to his people wherever they welcome him,” the school argues that considering “Jewish demographic realities” is part of its religious mission.

“These decisions were made thoughtfully and responsibly to ensure the long-term success of the institution and our ability to continue graduating strong Jewish leaders,” HUC president Andrew Rehfeld said in a statement accompanying the motion. The lawsuit, he added, “improperly seeks to interfere in the decisions of a religious organization, and this cannot be allowed to go unchallenged.”

Yost himself resigned as AG this week to join the Alliance Defending Freedom, a conservative Christian legal group that, in 2022, represented a Tennessee adoption agency that refused to foster a child to a Jewish couple. The suit against HUC continues under the state AG’s office.

This article originally appeared on JTA.org.

The post Hebrew Union College claims Ohio’s charity-law suit violates its First Amendment rights appeared first on The Forward.

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6 months after her father was killed at Bondi Beach, Sheina Gutnick has become a leading antisemitism advocate in Australia

(JTA) — MELBOURNE — Six months ago, Sheina Gutnick was a 31-year-old mother of three at the end of her maternity leave. She had degrees in social science and psychology, and several years of experience worked at a Jewish school. She was an average mother looking to get back into a 9-to-5 routine after her baby started daycare.

Then, on the first night of Hanukkah, everything in her life changed.

Gutnick was at a Hanukkah party in Melbourne, Australia, with her husband and three children when she crossed paths with a friend from Sydney. He looked ghostly white and told her there had been a shooting at a Hanukkah party in Bondi. Her parents, who were visiting Sydney from their home in Melbourne, had been planning to attend.

“I immediately called my dad, but he didn’t answer. Then I called my mum and she answered and I could hear shooting, and she was screaming and told me they are shooting people on the beach and that my dad is running after the terrorists,” said Gutnick.

Her father, Reuven Morrison, would be one of 15 people murdered on Bondi Beach that night. Before he was killed, Morrison was filmed throwing a brick at the terrorists, charging toward them with whatever he could find, trying to shield his community with his body. The footage of his bravery against the terrorists would be seen around the world within hours. After diverting the terrorist’s attention from others, Morrison bled out on the beach after being shot 11 times. He was 62.

“At 7:13 p.m. I found out that my dad is no longer alive, and my first reaction was to tell my husband to get me on a plane to Sydney,” she said. “As I was standing at the doorframe to leave the house before I went to the airport, I turned to my husband and said, ‘This is the day our lives have changed.’”

Gutnick boarded the last flight from Melbourne to Sydney that night. She couldn’t stop crying, and a flight attendant asked what was wrong. “I told her that my dad had just been killed in Bondi,” she recalled. “She didn’t really know what to say, but told me, if you need vodka let us know, we’ll sort you out.”

Six months after the attack, the deadliest antisemitic incident in Australia and one of the bloodiest anywhere in recent history, Australia is still reeling. A royal commission is unearthing searing allegations of antisemitism and accounts of Jewish fear, and has started rolling out recommendations designed to shore up public safety and cohesion.

Gutnick, meanwhile, has vaulted into public view not just at home but abroad. This week, Anti-Defamation League CEO Jonathan Greenblatt posted a picture of himself with Gutnick on social media.

“I was honored to meet with Sheina Gutnick, daughter of Bondi hero Reuven Morrison z”l,” Greenblatt wrote. “Since Sheina’s father and 14 others were murdered by terrorists on Bondi Beach during Hanukkah, Sheina has tirelessly and relentlessly demanded that Australia take action against antisemitism. She is an inspiration.”

After throwing herself into speaking about her father, her experience and the challenges facing Australian Jews, Gutnick has now joined an international coterie of advocates transformed by their proximity to historic antisemitic violence.

“I get people saying to me, ‘Aren’t you exhausted?’” she said. “But the truth is, I get energy from it. I’m not a person that can sit when something has happened to me.”

The path that made Gutnick who she is was forged first in the former USSR, which Reuven Morrison left at 14 for Australia. Like many Soviet Jewish emigres, he knew little about Judaism when he arrived and for a time did not have much connection to Jewish practice in his new country, either.

But he became more religiously observant later in life, affiliating with the Chabad-Lubavitch movement that emphasizes outreach to Jews of all levels of observance. He became heavily involved in building Chabad of Bondi, a synagogue and community center in Sydney’s iconic beachfront neighborhood, helping to fight several legal battles while getting the building permits approved.

More than a decade ago, he moved to Melbourne. But the Sydney Jewish community, and especially Chabad of Bondi, remained close to his heart and he visited regularly. Its Chanukah by the Sea celebration, he decided, was one he would not miss.

Gutnick arrived in Sydney at 10 p.m., just a few hours after two men opened fire on the celebration, killing 15. Her father’s body still lay on Bondi beach, covered by a sheet, unable to be released for burial until all evidence had been collected from the scene of the massacre by Australian homicide detectives. She made her way to her uncle and aunt’s home, where her traumatized mother was waiting.

That night, nobody slept — and stories began trickling in.

“When I got there, we began hearing that my dad threw a brick at the terrorists. A lot of people started messaging me that he saved their lives based on actions that he took that night,” Gutnick recalled. “My mum had been on the beach and saw him running, and she saw when he went down, and she saw no one was helping and he ran to step in, but she hadn’t seen what he had actually done.”

An Australian homicide detective arrived at 1:30 a.m. to formally advise Gutnick and her mother Leah that Reuven had been murdered, and to explain the process for releasing his body back to the family for burial. It was slightly complicated, the detective told them, because this was Australia’s first major terrorist attack. The protocol was still being clarified.

“At this point, pure adrenaline and pure rage was running through my body, that this had actually happened. The fact that it was Bondi and it was my dad,” Gutnick recalled.

Gutnick returned to the apartment her parents owned in Sydney, situated right behind the Chabad of Bondi building, to collect a few things her mother needed. Outside, members of the Sydney Jewish community stood on the footpath alongside news crews and photographers. People on the street were crying.

Inside, Gutnick found her parents’ dog Simba who had come to Sydney with them, hungry and bewildered that he had been left alone since the night before. According to Jewish law, a Hanukkah menorah must be lit by each person in the place where they are spending the night. Reuven Morrison had set his up before leaving for the beach. On the table, it sat exactly where he had placed it, ready, unlit.

All the while, Gutnick’s phone kept ringing, with journalists asking her for comment. She felt, she recalls, like she was floating outside her own body.

“My mum was completely broken. Her world was torn apart; she has been with my dad for 42 years,” she recalled. “Every semblance of normal life was gone, she’s all of a sudden alone, she’s impacted in this way that is not humanely possible to comprehend.”

With dozens of media requests already flooding her phone, Gutnick ignored all of them — until she spotted one that was framed very differently.

The message came through Facebook from a producer at CBS News in the United States on Monday night, more than a day after the massacre, and it changed her life.

“I still hadn’t spoken to any media. They prefaced their message and said that they needed to help tell the world about my dad’s bravery, that they had seen the footage of him throwing a brick at the terrorists and they wanted to publicise it, so everyone knew about him and what he had done,” Gutnick recalled.

She felt compelled to respond: “It hit me so crushingly hard there is no one else to tell my dad’s story but me, so if I don’t do this, no one will hear about him and his bravery.

She messaged back, saying they could come to interview her the next morning. But CBS suggested they come right over immediately, in the middle of the night, so her interview could be aired on American prime time news. At 1 a.m., a full media crew arrived and Gutnick sat in front of lights that made her room feel like it was the middle of the day.

In the hours that followed, she wrote a personal reflection about what she believed her father’s death represented: a direct result of an Australian government that had been weak on antisemitism. After she circulated it, a prominent local Jewish figure whom she did not then know, the former treasurer of Australia, Josh Frydenberg, shared it on X, and it was republished widely. More media requests started flooding in and Gutnick started speaking about her dad.

“I realized how much I have on me to carry on my father’s legacy,” she said.

In between the interviews, she and her husband were on the phone to the Australian coroner and the chevra kadisha, the Jewish burial society, demanding that Australian authorities release her father’s body. A family friend, not knowing when the body would be released, flew his private plane from Melbourne to Sydney, ready to accompany Morrison home the moment his body was released. When that finally happened, a special flyover was arranged with the air controllers in Sydney so that the private plane with Morrison’s body could circle over Bondi Beach, in a final farewell to the place where Morrison had met his wife 42 years earlier.

Nobody who knew Sheina Gutnick Dec. 14 would have predicted what she’s done since. She says wouldn’t have predicted it either.

When Australian Prime Minister Anthony Albanese initially declined to call a royal commission into the Bondi attack and the broader rise of antisemitism in Australia, Gutnick, alongside other victim families, went to the front page of all of Australia’s major newspapers and called on him to reconsider. After weeks of lobbying, the prime minister relented.

When the royal commission convened, Gutnick was the first witness called to testify.

She described hearing “Free Palestine” shouted on the streets of Melbourne, chants that she said “not political expression but is explicit, targeted hatred and is designed to intimidate.” She recalled fearing the treatment her child would receive while undergoing surgery at a hospital where nurses had been fired after posting a viral video saying they would not treat Israeli patients. And she recounted being called a “f—ing terrorist” by a man she said had pointed at her Star of David necklace.

It was only one of countless stops to share her story. In the last six months, Gutnick has taken dozens of flights to meet with parliaments and groups to speak about her father and about Australian antisemitism. She has written in major national and international newspapers about her father and spoke at the Sydney reception for Israeli President Isaac Herzog.

She and her mother received condolence letters from across Australia and beyond. The one from King Charles, she said, was especially comforting. “He has an excellent team around him clearly, because it was such a beautiful, personalized letter, the one we received,” she said.

Her advocacy has been noticed at some of the highest levels within Australia’s Jewish community. “Sheina Gutnick never sought the public spotlight. She was thrust into it by the horrific murder of her father, and has responded with remarkable courage, dignity and moral clarity,” Jeremy Leibler, the president of the Zionist Federation of Australia, told JTA. “Her advocacy has resonated because it is authentic.”

Alex Ryvchin, the co-chair of the Executive Council of Australian Jewry, the peak body for Australian Jews, knew Reuven Morrison for years before he was killed. “He was an outstanding human being and now Australia knows him as a hero who gave his life to save others,” he told JTA. “Sheina honours his memory and legacy and I’m proud to stand with her in the fight against antisemitism.”

Rabbi Yehoram Ulman, the rabbi of Chabad of Bondi, whose son in law Rabbi Eli Schlanger and many close friends and congregants were murdered Bondi Beach also has deep appreciation for Gutnick’s advocacy.

She “emerged as one of the most compelling and eloquent new voices in Australia’s fight against antisemitism, transforming personal tragedy into sustained public advocacy,” he said.

After booking dozens of engagements independently, Gutnick was offered a role as the first public affairs officer of the recently established Australian branch of the Combat Antisemitism Movement, an international advocacy organization.

The group’s supporters argue that CAM is responding to a genuine rise in antisemitism and see it as trying to address problems that existing Jewish groups have failed to solve. They also argue that the group’s efforts to push back against anti-Israel sentiment are justified because anti-Zionism is often used as a vehicle for anti-Jewish prejudice.

CAM has indeed attracted criticism from other Jewish groups and civil liberties advocates who argue that it takes an overly broad approach to antisemitism and too often conflates anti-Zionism or criticism of Israel with antisemitism.

In Australia, the organization has also faced scrutiny over its political alliances, including relationships with some conservative and right-wing groups, as well as criticism that it imports American culture-war politics into debates about antisemitism.

Gutnick is aware of some of this criticism but isn’t really bothered by it. “Every organization has its controversial moments, so this stuff — it doesn’t really concern me,” she said. “The work CAM is doing now is so relevant in our lives in a post Oct.-7 world and a post-Bondi world,” she said.

In fact, she is grateful for the many connections they have helped her with both in Australia and around the world as well as their extensive research into antisemitism. “They gave me the ability to tell my dad’s story in many public spaces,” she said. “I continuously say, as Jews, we need to know the facts and figures on the ground about antisemitism, and what resolutions and legislation we need to have in place, and as an international org, CAM has the ability to help me do this.”

The royal commission has presented its first recommendations, designed to improve the processes that left the Bondi Hanukkah celebration with inadequate police protection despite the known threats. Soon, it is expected to say more — with a backlash to follow from those who believe that antisemitism is getting outsized attention and who say that efforts to address it will likely inappropriately constraint anti-Israel protest.

Gutnick doesn’t know exactly what the future will hold for her, but she knows that she will never return to where she stood six months ago — a spot that, in retrospect, feels like it may have been on the sidelines of the fight for Jewish security.

“As Jews, we are being faced with so much darkness,” she said. “I have gone through the worst thing — my father was killed for antisemitism — so I have become stronger, wanting to spread the message that no matter what happens, as the Jewish people we are one people, part of one faith, and although it’s terrible, this is something we have faced before.”

This article originally appeared on JTA.org.

The post 6 months after her father was killed at Bondi Beach, Sheina Gutnick has become a leading antisemitism advocate in Australia appeared first on The Forward.

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