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In Ukraine, Hanukkah candles are a lifeline in the midst of power outages
(JTA) — In the days before Hanukkah, which starts Sunday night, a few men and women from two Conservative institutions in Israel will travel to the small Jewish community in Chernivtsi, Ukraine, with a supply of needed items.
Amid the power outages stemming from Russian attacks, the volunteers will have blankets and sweatshirts for the cold, as well as menorahs and kippahs for religious observance purposes.
The 300 boxes of Hanukkah candles will do double duty.
These days, the power in Chernivtsi, a city of around 250,000 (before the war) in western Ukraine, is more off than on. So the candles will do more than allude to the story of the Maccabees — they will help light Jewish homes across the city.
“This year it’s really important” to have and use Hanukkah candles, said Lev Kleiman, leader of the city’s Conservative Jewish community, in a recent Zoom interview.
Although the need is urgent, “We will hold onto the candles until Hanukkah,” Kleiman added, his words in Russian interpreted by Rabbi Irina Gritsevskaya, the Russian-born and Jerusalem-based “circuit rabbi” of the Conservative movement’s Schechter Institutes and executive director of its Midreshet Schechter Ukraine. The organizations are coordinating the transport of holiday supplies to Chernivtsi.
Among a few “couriers” bringing needed items to Jewish communities in Ukraine, Gritsevskaya has made several trips there over the last 10 months. At the start of the war, she urged Jews in other cities to make their way to Chernivtsi, which was far from the intense fighting on the eastern border.
Chernivtsi, which served as a place of refuge for thousands of displaced people from elsewhere in parts of the Soviet Union threatened by the Nazi army during World War II, is again attracting refugees from throughout the country. Earlier in the current war, Kleiman turned his synagogue into a refugee center for some of the millions of Ukrainians fleeing their homeland. The city also became a gathering site for worldwide faith leaders who have denounced the violence and expressed solidarity with the embattled Ukrainians.
In addition to no heat and light in Chernivtsi, lack of electricity means lack of TV and radio use, along with spotty internet service. (Erin Clark/The Boston Globe via Getty Images)
Located on the Prut River, Chernivtsi (known at one time as “Jerusalem upon the Prut” for the strength of its Jewish community) is 25 miles north of the Romanian border and home to one of the country’s most active Conservative communities. The city’s Jewish population before the war began was estimated at 2,000, including many Holocaust survivors.
And today, following the invasion? The number could be larger or smaller, no one is counting — but some western cities have experienced population growth due to all of the migration.
“No one knows,” Kleiman said. “Many left, but many came.”
As in other Ukrainian cities, many Jews in Chernivtsi — especially women, senior citizens and children, everyone except draft-age males — have migrated. But uncounted other ones have come to a place of relative safety, either renting apartments or staying in ones under the auspices of the Jewish community. Most of the Jews in Chernivtsi now are those exempt from military service, Kleiman said. Others stayed in order to be with their husbands and fathers who joined the Ukrainian army after the war began, or to care for their aged parents.
Despite signs of war — rifle-carrying soldiers and policemen on the streets, empty shelves in stores because of shortages, people hurrying to safety when they hear sirens — Jewish life there has continued, according to Kleiman. The most active organizations in the city are the local outpost of the Hasidic Chabad-Lubavitch movement, the JDC-supported Hesed Shoshana Welfare Center and Kleiman’s Kehillat Aviv Synagogue (his official title is coordinator), which sponsors daily Jewish activities.
The synagogue — located near the Chabad center, with which it cooperates on relief activities — is housed in a small, two-story building that contains an office, a kitchen and a large multi-function hall. Kleiman says Hanukkah in 2022 will be more important than in past years because in addition to its ability to bring people together,the holiday also asserts Jewish survival.
“There are a lot of parallels,” Kleiman said of the holiday and his community’s current situation.
Electricity in Chernivtsi flows only a few hours each day, and at night, no street lights are on, thanks to incessant Russian bombing of Ukraine’s infrastructure, and to government-imposed restrictions designed to conserve the little available resources.
A holiday of lights sans lights? “We’ve never done it before,” Kleiman said, adding that the Jews in his city understand the holiday’s symbolism.
Some will come to the synagogue for a communal candle-lighting, according to Kleiman. Others will light their candles at home, in their windows. Like all other buildings in Chernivtsi, Kleiman’s office and apartment are subject to periodic electricity blackouts, often announced in advance.
“With G-d’s help we will soon have a generator” – and 24/7 lights and heat in the synagogue, he said. Until then, he and the other residents of Chernivtsi will shiver. The temperature in the city was 29 degrees Fahrenheit during the Zoom interview, and a light snow was falling.
Lev Kleiman is shown with his community’s Torah ark. (Courtesy of the Schechter Institute of Jewish Studies)
Though no Russian missiles have fallen inside Chernivtsi itself, some have reached the outskirts, causing damage to the area’s infrastructure and utilities. Other parts of the country have not escaped the Russian onslaught; two months ago more than 4,000 Ukrainian towns, villages and cities had experienced outages, and 40% of the country’s grid was crippled. The bombing of power stations is a major part of Vladimir Putin’s plan to weaponize Ukraine’s weather to bully the country into submission as winter sets in. (In addition to candles and other supplies, some Jewish groups are sending generators and heaters.)
Home in past years to such prominent Jews as actress Mila Kunis, the late Israeli writer Aharon Appelfeld, former Knesset speaker Yuli Edelstein and the late poet-translator Paul Celan (born Paul Antschel), Chernivtsi has an honored place in the country’s history. On the eve of World War II, some 45,000 Jews lived in the city, about a third of the country’s total Jewish population. The collaborationist Romanian authorities, who ruled the area, established a ghetto in Chernivtsi where 32,000 Jews, including many from the surrounding region, were interned; from there, they were shipped to concentration camps in the nearby Transnistria area, where 60% died.
A third of the city’s Jews survived the war. The population grew to about 17,000 when widespread migration from the USSR began in the late 1980s. Like many cities in the former Soviet Union, Chernivtsi has experienced a modest Jewish revival since Communism fell and open expression of Judaism was allowed again. The revival was spurred largely by the arrival of Chabad emissary couples and programs sponsored by the American Jewish Joint Distribution Committee.
But though Chabad, an Orthodox movement, is the prime Jewish mover in Ukraine, there is also a growing non-Orthodox presence in the country. The Israeli branch of the Conservative movement sent its first full-time representatives to Ukraine a decade ago. The movement’s Jerusalem-based Masorti Olami organization sponsors a network of synagogues, schools, camps, youth groups and kosher certification services across Ukraine. A few decades ago, Kleiman attended the Midreshet Yerushalayim day school in Chernivtsi and Camp Ramah Ukraine.
In addition, the Reform movement’s World Union for Progressive Judaism has established 10 congregations in the country; the movement estimates that 14,000 Ukrainian Jews identify as members.
Even though the need is urgent, Kleiman said his community will wait to use the candles until the start of Hanukkah. (Courtesy of the Schechter Institute of Jewish Studies)
These are boring days in southwest Ukraine. TV and radio are only available when electricity is available, and internet and cellphone service is always spotty. Kleiman calls the war a test of the people’s mettle, a spur to their growing national unity. As a form of solidarity, many have switched the language of their conversations from Russian — the lingua franca during the Soviet days — to Ukrainian.
Nobody in Chernivtsi’s Jewish community is starving, Kleiman said. Kosher food is available at the synagogue, and volunteers bring supplies to people unable to travel. Overall, the morale of the Jewish community is good, he says. Native-born members of the community “support each other,” while some people from other parts of the country, separated from their families, with fewer personal connections, are depressed, he said.
In the boxes of materials that Rabbi Gritsevskaya is to bring to Chernivtsi from Israel are also some Israeli-style dreidels, whose Hebrew letters stand for the words “Nes gadol haya po”: “A great miracle happened here.” On dreidels used in the Diaspora, the last word usually is sham, “there.”
The linguistic symbolism in a land under siege is clear, said Kleiman, who plans to explain the message to the members of the community taking home a dreidel.
“I understand — they will understand too,” he says. “I hope the miracle will also happen in Ukraine.”
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In a family divided over Israel, which side would Tevye choose?
Sixteen members of my family spent two terrifying years concealed in the attic of a peasant’s home in rural Poland during the Holocaust. Their lives depended on the extraordinary courage of the Polish couple and on the hope that the world outside would eventually become a place where they could live freely again. When liberation came, the 13 survivors emerged carrying memories that would shape generations to come.
My mother was among them. Like so many survivors, she rarely spoke of the past, but its presence was unmistakable in our childhood. We inherited our parents’ anxieties, their sense of vulnerability and their understanding of how suddenly the familiar world could become dangerous.
For the generation raised in the shadow of the Holocaust, the establishment of Israel represented an extraordinary transformation in Jewish history. After centuries of persecution, culminating in the systematic murder of six million Jews, the Jewish people possessed a sovereign state capable of providing refuge and defending its citizens. For families such as mine, whose survival had depended on the willingness of a stranger to risk her life on their behalf, the significance of Jewish self-determination carried an emotional weight far beyond the ordinary language of politics.
For many younger American Jews, their understanding of Israel has been shaped by the occupation of the West Bank, the expansion of Jewish settlements there, the suffering of Palestinians and now the Oct. 7 attacks and the devastating consequences of the war in Gaza.
The result is a profound generational divide in which people who share a historical inheritance increasingly struggle to recognize one another’s moral reasoning. For parents whose understanding of Israel emerged from the Holocaust and its aftermath, challenges to the legitimacy of the Jewish state can awaken deeply embedded fears about Jewish vulnerability. For their children, expressions of unconditional loyalty to Israel can seem incompatible with the moral responsibilities they associate with their Jewish upbringing.
As I began thinking about how to explore these divisions dramatically, I found myself returning to Sholem Aleichem and Fiddler on the Roof. Tevye the milkman struggles to reconcile his love for his daughters with their rejection of traditions he has spent his life upholding. His conversations with God, his humor and his anguish capture something timeless about Jewish family life: the painful realization that the next generation may not embrace the values and beliefs that have sustained its parents.
I wondered what Tevye’s dilemma might look like in an American Jewish family today. The questions have changed, but the underlying struggle remains remarkably familiar. Where Tevye wrestled with his daughters’ choices about marriage and religious tradition, today’s Jewish parents may find themselves confronting children whose views about Israel challenge their deepest understanding of Jewish history and survival. Like Tevye, they must ask themselves how far they can bend without betraying what they believe, and whether holding too tightly to those beliefs risks losing the people they love most.
Marc Chagall’s paintings provided another source of inspiration. His floating violinists, suspended above the rooftops of Eastern European villages, evoke a Jewish world that has largely vanished but whose traditions, memories and anxieties continue to shape succeeding generations. The image of a violinist hovering above a modern Manhattan street became a way for me to connect that lost world to the lives of an American Jewish family struggling with questions their ancestors could scarcely have imagined.
Such tensions form the central conflict of my new play, The Blue Violinist Over West End Avenue, which unfolds during a gathering in the Upper West Side apartment of a Jewish family. The evening descends into confrontation when the youngest son arrives with his anti-Zionist girlfriend, whose convictions challenge the father’s understanding of Jewish history and survival.
As the argument deepens, the son insists that Jewish identity carries no automatic obligation of loyalty to a state, while his father, for whom Israel embodies the aspirations and sacrifices of generations, demands an affirmation of the Jewish state’s importance. Their disagreement becomes so painful that the father orders the young couple to leave, turning a family celebration into an occasion of rupture and exposing the fragility of relationships that had seemed secure.
The father’s anguish emerges from a history that has shaped his deepest convictions, while his son’s resistance reflects a different understanding of the responsibilities that accompany Jewish identity. Each approaches the argument with the conviction that something essential is at stake, and each experiences the other’s position as a challenge to values that have become inseparable from his sense of self. Their inability to recognize the emotional and historical foundations of each other’s beliefs transforms a political disagreement into a crisis of familial belonging.
I recognize in this conflict an echo of the questions that first led me to explore my history. In 1988, I made a documentary about my family’s experiences, returning to Poland with my aunt and cousins to meet the couple who had sheltered our relatives. The journey was an attempt to recover a history that had shaped our lives while remaining largely beyond the reach of ordinary family conversation.
My mother’s generation carried experiences whose enormity often exceeded the possibilities of language, while their children absorbed the consequences of those experiences through the atmosphere of family life. The silence surrounding the Holocaust became a form of communication in itself, shaping our understanding of danger, responsibility and the precariousness of Jewish existence.
Today, the challenge facing many Jewish families arises from the intensity of their disagreements and the difficulty of sustaining meaningful conversation across them. The language of political conviction can leave little room for complexities, and can seem to contradict inherited experience, particularly when arguments about Israel become measures of moral character or Jewish authenticity.
I have experienced some of these tensions within my own extended family, particularly in conversations with younger relatives whose understanding of Israel differs sharply from mine. One nephew has been intensely critical of Israel’s conduct during the war in Gaza and deeply sympathetic to the Palestinians, while firmly rejecting Hamas. He accepted many of the accusations made against Israel during the war, including some that were subsequently disputed or discredited, such as an early account of a hospital bombing. Our disagreements reflected the different sources of information we trusted, as well as the different assumptions and experiences we brought to the conflict.
My nephew and I eventually recognized how quickly our conversations became heated and decided to try a different approach, exchanging articles, podcasts and other material that might help each of us understand the other’s perspective. Even that effort generated tension, and we gradually abandoned it, leaving Israel as a subject we largely avoid when we are together. I have often wondered whether the play might help us find a way back to those conversations, allowing us to recognize in the characters something of ourselves and perhaps understand why the same events can provoke such different reactions among people who love one another.
The fears of older generations deserve to be understood within the historical circumstances that produced them, just as the ethical concerns of younger Jews deserve serious consideration on their own terms. Acknowledging the suffering of Palestinians and the legitimate aspirations of their people can coexist with an understanding of Jewish historical vulnerability and the importance of Israel to Jewish collective life. Such recognition requires a willingness to engage with the experiences and convictions that give different perspectives their emotional force.
Families possess a particular responsibility in this regard because their bonds reach beyond the political positions of any given moment. Parents transmit values, memories and traditions to their children, but the meaning of that inheritance inevitably changes as children encounter the world through their own experiences. The continuity of a family depends in part on its capacity to accommodate that transformation while preserving the relationships through which its history is passed along.
In my play, the father eventually encounters a form of ancestral wisdom through a dream in which his family’s long-departed relatives return, including the milkman who, according to family lore, inspired Sholem Aleichem’s Tevye. These ancestors urge him to apologize for the harm he has caused and to leave the door open for his son, an appeal that places the preservation of their relationship alongside the convictions that have divided them. Family can and must prevail, even when the questions at stake touch the deepest elements of identity.
When I think of the 16 members of my family who survived together in that attic in Poland, I think of the extraordinary value of the lives that were preserved and of the generations that followed because a courageous woman chose to shelter them. Their story belongs to a history of persecution and survival, but it also attaches to the human capacity for solidarity and the responsibility we bear toward one another.
The generations that followed inherited both the memory of that vulnerability and the opportunity to build lives enriched by freedoms their ancestors could hardly have imagined. Honoring that inheritance requires an understanding of the fears that shaped our parents, together with an openness to the different moral questions that confront our children.
The future of Jewish family life will depend in part on our ability to sustain those conversations with generosity, humility and a recognition of the profound bonds that connect us across generations. Our disagreements over Israel may remain intense, and the questions they raise will continue to demand serious engagement. Yet the preservation of our relationships is itself an expression of the continuity that our ancestors struggled so desperately to secure.
We can honor their memory by keeping our doors open to one another.
The post In a family divided over Israel, which side would Tevye choose? appeared first on The Forward.
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This 90-year-old Jewish performer and promoter is the Zelig of folk music
Harry Tuft was in a taxi with Judy Collins, who had her guitar with her. The cab driver looked back and asked if the two of them were folk singers. They replied in the affirmative.
“Folk music is dead,” the cab driver asserted.
“We kind of chuckled a little and said, ‘Oh, really, how come?’” Tuft recalled.
“Did you see Ed Sullivan last night?”
The passengers replied that they hadn’t.
“There was a group on there called The Beatles. Folk music is dead.”
To paraphrase Mark Twain, the reports of the death of folk music were an exaggeration.
“That was a time when, really, we didn’t know what was going to happen,” Tuft said during a recent Zoom interview from his home in Denver.
“I think it’s thanks to groups like Peter, Paul and Mary and maybe somebody like Joan Baez and Judy Collins and John Denver — people who were popular enough and smart enough to appeal to a larger segment of the population. They really kept folk music alive.”
The genre lived on, also, thanks to the efforts of the now-90-year-old Tuft, who was more than a bit player in the folk music revival during the 1960s. He founded the Denver Folklore Center in 1962 and, with others in 1979, founded the Swallow Hill Music Association, which presents concerts, teaches music classes for all ages and offers outreach programs. In 2012, Tuft was inducted into the Colorado Music Hall of Fame.
Tuft was also a link in the chain that led to Bob Dylan meeting the Beatles. He also may be the only nonagenarian who released an album this year.
“Friends, Lovers & Other Strangers” includes songs by artists like Bob Dylan and Paul Simon, as well as ones by some of Tuft’s friends. It also includes a cover of the Nat King Cole Trio’s “Nature Boy.”
“I grew up in Philadelphia listening to pop music of the day on radio stations WPEN and WIBG, and R&B stations at night,” Tuft writes in the album’s liner notes. “This song was popular across the board.”
Tuft’s paternal grandfather, Dr. Jacob L. Manasses, was the founder of Bushkill Farms Camp, a Jewish boys camp in the Pocono mountains. Tuft went to Indian Lake, another Jewish camp in the Poconos. A counselor at his camp played the ukulele. Tuft, who played piano and clarinet, soon acquired a ukulele. “I found out there was such a thing as a baritone uke and it turns out that the tuning of the baritone is the same as the four highest strings of the guitar, so I was already two-thirds of the way to a guitar,” he said. “It was very customary in those days for Jewish kids somewhere in their college years to go to Europe so I bought a Chimes guitar and carried it with me.”
Tuft intended to become a doctor like his father and paternal grandfather. But his grades weren’t good enough to get into medical school. Instead, he graduated from Dartmouth in 1957 with a degree in philosophy. He went to graduate school for architecture at the University of Pennsylvania with thoughts of being a city planner.
“But music won out,” said Tuft.
While at Dartmouth, Tuft met Pete Seeger at a folk club. Seeger met with the club members in the afternoon and performed that night.
“He was really intent on getting us as a group to go out into the community and see if we could find people who had songs to offer. He arrived in a blue Plymouth station wagon with his kids on a mattress in the back. His wife, Toshi, set up a display in the hall and sold Pete’s Folkways Records after the concert. Here was this icon, this important person in my musical life in the moment, and he was just getting along,” he said.
“He requested a large log, and did a song called ‘Didn’t Old John (Cross the Water).’ It included a place to swing the axe. Unfortunately, the podium was very slick and Seeger ended up chasing the log all over the ‘stage.’”
After graduating from Dartmouth, Tuft joined the growing folk music scene that was centered around the Gilded Cage in Philadelphia. There, he met his lifelong friend Dick Weissman, a banjoist and guitarist who was in the Journeymen with John Phillips, who would go on to found the Mamas and the Papas.
Tuft eventually ventured out to Colorado, where he auditioned at The Exodus, a Denver folk club.
Tuft was told about the owner: “If he was going to hire you he would be critical and if he was not he would be nice to you. And he was nice to me, so I knew that I wasn’t going to get a job there.
“I had a repertoire that was out of the ordinary, and I was never really attracted to the ‘quote’ popular folk songs,” Tuft said. “As a matter of fact, when it came to trying to make a living playing in the bars what they wanted to hear were the popular songs by the Kingston Trio or Peter, Paul and Mary or the Brothers Four, and I didn’t know those songs.”
“I’m a sucker for a story, I’m a balladeer. I love ballads. Quite often, I do ballads of 10, 12, 14 verses because I like the form so much.”
The Exodus owner said that he thought someone could make a part-time living opening a folklore center like Izzy Young’s Folklore Center in Greenwich Village. “I sometimes joke and say that he was right. I opened a full-time folklore center in order to make a part-time living.”
Tuft also sold records, instruments, strings and accessories and it was the strings and accessories that paid the rent.
The shop became a way station for up-and-coming folk musicians traveling between Chicago and the West Coast. When Bob Dylan made his first cross-country tour and played in Denver, he had his mail forwarded to Tuft’s store.
“Even then, he had an attitude about him,” Tuft recalled. “The following summer I saw him at the Kettle of Fish in the Village, and he grudgingly acknowledged that we had met.”
After a visit to Chicago’s Old Town School of Folk Music, he started a school for Denver musicians and soon branched out into promotion. His first job was for Joan Baez who sold out a 2,400 seat house in March 1964.
Baez was involved with Dylan at that time and wanted to get him to meet The Beatles, who were playing Red Rocks on August 26. Baez was scheduled to play at the venue a couple days earlier, so a plan was hatched for her to come out a few days early so that she could meet the lads and arrange for them to meet Dylan in New York, where The Beatles were going after Denver.
The day before The Beatles’ show, Tuft and Baez went to see A Hard Day’s Night. The musicians met before The Beatles show and Tuft recalled that Baez and the band members were deferential to one another. Except for Ringo, who wasn’t interested and was reading a comic book.
Tuft also brought the Mamas and the Papas to Denver’s Municipal Auditorium Theater with 7,600 seats in 1966. Richard “Dick” Lamm, a friend and lawyer, fronted him $5,000 for the guarantee. Lamm later admitted that he had absolutely no idea who the Mamas and the Papas were. “That showed the amount of trust he had in me,” Tuft said. “And he said he was nervous until a week before the concert until they were on the cover of Life magazine.” Lamm used his profits to fund his first run for the Denver statehouse.
Later, John Denver offered his services for a benefit Tuft organized and helped raise more than $40,000 for Lamm’s successful run for governor.
Folk music endures, Tuft said, “because the best of folk music involves music. And the best of music is melodic. And whatever it is in our physical makeup that involves not just the heartbeat, which is our basic rhythm, but something about our voice, maybe, and the way we speak and our desire to communicate that all put together leads to somebody creating a song about something that happened, and if the kernel of it, either the music or the words, or both are such that people like it and repeat it and you get musical history, and history of countries and our country in particular, of the songs.”
Tuft is already putting together his next album — a double album of cowboy and western songs, traditional on one side and contemporary on the other.
“I’m a song addict,” Tuft said. “And I like to think that I have pretty decent taste in songs. Nothing pleases me more than to be able to find a new song, make it my own, and pass it on and open it up to whatever audience I’m able to bring together.”
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Israel has a lot riding on Nvidia, whose CEO resigned today
Jensen Huang, who co-founded Nvidia and has run it for 33 years, resigned as chief executive on Thursday, ending a tenure that turned a maker of video-game chips into the engine of the artificial intelligence boom. The decision followed revelations of an affair with a businesswoman whom U.S. intelligence officials suspect of being a Chinese spy, and allegations of a second relationship, with an executive who reports to him.
Colette Kress, Nvidia’s chief financial officer, will serve as interim chief executive while the board searches for a permanent successor.
The turmoil is a Silicon Valley story with a significantIsraeli subplot. Nvidia employs roughly 6,000 people in Israel, including on 18 floors of office space in a Tel Aviv skyscraper. Israel is home to the company’s largest R&D hub outside of the U.S. As well, Huang has been the driving force behind a plan to build a giant new campus in the country’s north. Huang has courted Israel for years, and the open question now is what happens to that commitment without him.
Nvidia’s Israeli business traces back to 2019, when it agreed to buy Mellanox, an Israeli chip company, for $6.9 billion. Mellanox made the technology that lets thousands of chips in a data center work together as one machine. That technology is now central to how AI data centers are built.
Huang kept Mellanox in Israel, along with its patents and its sales. The Israeli teams’ work is now woven into Nvidia’s newest products, and includes building a chip meant to rein in AI tools that act on their own.
In the second quarter of 2026 alone, Nvidia’s Israeli operation booked $17.5 billion in sales, nearly a fifth of the company’s worldwide revenue and more than four times the sales of Teva Pharmaceuticals, the multinational Israeli drugmaker. Analysts credit Nvidia with largely driving a 13% jump in Israeli tax revenue, and its workforce there has roughly doubled since Oct. 7, 2023.
A personal stake
Huang’s attachment to Israel is not purely commercial. On Oct. 7, Avinatan Or, a chip engineer at Nvidia’s Israeli operation, was captured at the Nova music festival along with his then-girlfriend, Noa Argamani, in a video seen around the world. She was rescued eight months later. Or remained a hostage for 738 days.
Nvidia colleagues held vigils with his mother, Ditza, and Huang stayed in touch with the family throughout. When Or was freed in Oct. 2025, Huang wrote to employees that “Avinatan has come home.” Huang later hosted Or and Argamani at the company’s headquarters in California. This March, as the war with Iran broke out, Huang told Israeli employees that he was “very worried” about them.
Huang has called Israel a “second home” for Nvidia.
That attachment is intended to last. In December, Nvidia announced plans for a campus in Kiryat Tivon, near Haifa, reportedly second in size only to its Silicon Valley headquarters. Construction is set to begin next year, and the offices are expected to open by 2031, with room for up to 10,000 employees.
What lies ahead
The next CEO has become a question in Israel, too. Kress, 59, has been Nvidia’s finance chief since 2013. The board says it will look both inside and outside the company for a permanent chief executive.
Haaretz speculated Thursday that two Israeli executives could be potential candidates. Both men studied at the Technion in Haifa. Michael Kagan, who was born in St. Petersburg, Russia and moved to Israel with his family after high school, co-founded Mellanox in 1999 and has been Nvidia’s chief technology officer for six years. Johny Srouji, born in Haifa to an Arab Christian family, joined Apple in 2008 and now leads its hardware work, including the chips inside its products.
Nothing so far suggests Nvidia’s plans in Israel will change. The Israeli teams work on products the company depends on, and the new campus has long been in the works.
Nvidia’s stock has fallen by about a third since early October, a loss of more than $1.5 trillion in market value, and the company is due to report earnings on Nov. 17. The numbers will matter in Israel. So will something they can’t show: whether Nvidia’s affection for the country outlasts its last CEO.
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