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Inside the auction house driving the rare-book craze in the Orthodox world
(JTA) – Israel Mizrahi joined dozens of fellow connoisseurs of rare Jewish books last December to watch the livestream of Genazym, the hottest auction house in the market. A bookdealer by trade, Mizrahi was also on the phone being paid to advise a wealthy client who had signed up to make bids.
But as the auction proceeded, Mizrahi’s advice had little use. His trigger-happy client didn’t seem to care about established valuations: He ended up paying about $50,000 for a book estimated at half that price. “He just pressed the button and kept on bidding until the bidding was over,” Mizrahi said. “There was no convincing him out of it. He spent nearly $600,000 that day and there was no sense to it.”
Behavior that confounds veterans of the rare Jewish book market has become routine at auctions organized by Genazym.
Mizrahi recalled the sale in 2021 of a Passover Haggadah printed in the 1920s in Vienna. With attractive illustrations of a prominent 19th-century rabbi named Moses Sofer and his family, the book makes for a nice addition to a collection. It also happens to be very common.
“I sell copies for $100, and I have probably sold 150 copies in my life,” said Mizrahi, whose shop in Brooklyn is a mecca for Jewish book lovers. “It sold for about $5,500 at Genazym’s auction. I currently have it on sale still for $100.”
At the highest end of sale prices, a 16th-century first-edition Shulchan Aruch, a book of Jewish law, commanded $620,000 at a Genazym auction last September, while a copy of Noam Elimelech, a classic rabbinic treatise, printed in 1788, fetched $1.4 million four months later — in both cases at least doubling or tripling what experts thought the items were worth based on past sales of the same texts.
“Genazym has come on like a freight train into the world of Jewish auctions. Some of the prices realized are far beyond what this market has seen before,” said David Wachtel, the former Judaica consultant for Sotheby’s auction house.
Since Genazym’s first auction in 2017, it has sold some 1,900 books, manuscripts and other collectible documents for about $26 million plus commission, roughly $12 million above total starting prices, according to an analysis by the Jewish Telegraphic Agency of auction records on Genazym’s website. Genazym has increasingly outperformed the longest-standing Judaica auction firms in New York and Jerusalem.
A page from an illustrated Passover haggadah printed in Vienna in the 1920s. (Courtesy of Genazym)
It’s hard to tell exactly what’s driving the boom because the identity of Genazym’s customers is confidential and few flaunt their collections widely. One of the auction house’s owners, in a rare public comment, ventured that Jewish buyers are craving a connection with their heritage. What’s clear is that at a time when traditional libraries are cutting back on buying Jewish texts, Genazym is tapping into an emerging luxury market among Orthodox Jews — and fueling the rise of religious texts as both a status symbol and investment vehicle in some communities.
“I know the sellers, the customers and everybody involved and there is a new wealthy class of Orthodox Jews that have a limited range of things they can splurge on,” Mizrahi said. “They don’t go to Vegas, they don’t do crazy vacations. They keep kosher. So this is a way that they can splurge and show off.”
Rabbi Pini Dunner, who collects rare Jewish books, said investing in Judaica is likely attractive for some in the Hasidic community, whose religious observance is stricter than that of congregants at his Modern Orthodox synagogue in the Los Angeles area.
“There are people I know here in Beverly Hills who’ve got car collections worth tens of millions of dollars,” Dunner said. “In the Hasidic world that has no currency, just as the wow factor of a Picasso has no currency. An original manuscript or first-edition of the Noam Elimelech has a real wow factor, particularly if you can tell people the book sold for more than a million dollars at a Genazym auction.”
The impression that the Hasidic world has grown wealthier over the last decade or two is widespread and based, at least in part, on the proliferation of luxury products and services tailored for the community in places like Lakewood, New Jersey, and Kiryas Joel, New York. Weddings have become increasingly expensive and elaborate, fine dining options are common, and high-end kosher wine and liquor are more readily available.
“It wasn’t that long ago that sit-down dining was looked down upon or not even available. Now there are a plethora of options,” said Chaim Saiman, a law professor at Villanova University who studies the intersection of commerce and Jewish law. “It’s no secret that $200 bottles of Scotch appear at kiddush clubs all the time. $50 used to be a big deal, then $100 was a big deal, now we are at $200.”
Where the new wealth is coming from is not totally clear. Limited survey and U.S. Census data suggests that Orthodox Jews feel crunched by costs associated with practicing religion and that there are large pockets of poverty among them, particularly in Hasidic communities, according to Mark Trencher, the founder of Nishma Research, a nonprofit dedicated to studying the Orthodox Jewish community. The prevalence of large families also means that generational wealth can be harder to accrue for Orthodox Jews.
But there have always been high earners whose philanthropy has buttressed their communities, Trencher noted. “There are a lot of people in that community that are very successful in their businesses and they have large amounts of wealth,” he said. “Those people generally are huge donors to charities. From a financial perspective, those communities are probably doing much better than you would expect them to.”
Many of those high earners make their money through entrepreneurship rather than professional success in the white-collar world. Many nursing home chains — an industry valued at an estimated $171 billion and where growth is expected — have Orthodox owners. Amazon has also created new opportunities for Orthodox businessmen. Orthodox landlords, meanwhile, have benefited from skyrocketing real estate prices in places like Williamsburg, Brooklyn.
A page from a 16th-century first-edition Shulchan Aruch, a book of Jewish law, which fetched $620,000 at a Genazym auction. (Courtesy of Genazym).
Recent reporting in The New York Times about the Hasidic education system has provided a window into another stream of revenue for private businesses in the community. Entrepreneurs in the community have responded to the increased availability of government funding for special education in New York in recent years by establishing companies to service Hasidic schools, with the government footing the bill. In one example highlighted by the Times, a married Hasidic couple opened such a business in 2014 when they were 21 and 19 years old; in 2022, their company received more than $38 million in government funding.
The owners of another set of companies providing services to Hasidic schools appear to have used their windfall to purchase rare books through Genazym. The owners were indicted in January for allegedly billing the government for more than $1 million in childcare services that they never provided and otherwise defrauding the government out of more than $2.8 million.
Prosecutors are seeking to have the alleged fraudsters forfeit seven books and other documents as listed in a federal indictment. They include manuscripts with a rabbinic signature and rare books of blessing and Jewish law, all of which match items listed on Genazym auctions, where they sold for a total of about $274,000.
Buying Jewish texts at auction can seem like a savvy investment for buyers seeking to safeguard or grow their wealth. Before Genazym launched, a typical Genazym buyer might have invested in U.S. Treasury bills or the stock market, according to Wachtel, the former Sotheby’s consultant.
“I think Genazym has been able to convince people that this is a good vehicle for establishing and growing wealth,” he said. “That also dovetails with your ability to, let’s face it, show off. Somebody comes to your house, you can show them a first-edition Shulchan Aruch. But you’re not going to say, hey, come look at my T-bills.”
The auction house’s tactics appear tailor-made for this growing market. Its motto is “Own your heritage,” and it’s printed on the catalogs the company distributes through popular Orthodox magazines like Ami or Mishpacha or podcasts, places where people with no prior interest in books might encounter the hype. The catalogs also appear in synagogues in heavily Hasidic areas like Brooklyn or Lakewood, but without the prices printed on them so as not to violate a Jewish prohibition against discussing financial matters on Shabbat.
The descriptions in the catalogs emphasize any links that exist between the items for sale and notable rabbis from history, especially figures who established rabbinic dynasties that continue to exist today and who are revered by yeshiva-educated Orthodox Jews. The link might be a signature of a rabbi in a ledger from an old fundraising tour that took place 200 years ago. Or it might be that an important rabbi owned the book in question or even prayed out of it. Like a pair of pants of a prominent Israeli rabbi that drew widespread attention when they briefly went up for auction last month, these texts are seen by some as conferring holiness onto those who possess them. By virtue of their pedigree, these artifacts might even be seen as a segula, or Jewish protective charm.
In its promotional materials and live auctions, Genazym also uses more colloquial and hyperbolic language to describe its items than traditional auction houses, which tend to stick to the kind of terminology used by academic scholars.
“Genazym found a formula to make books and manuscripts really exciting for the layperson, especially in the Orthodox community,” said Yoel Finkelman, a former curator of the Judaica Collection at the National Library of Israel. “They are not using the vocabulary of experts, they’re using plain ordinary language, like ‘very old’ or ‘very rare.’ No one at Sotheby’s would ever refer even to a thousand-year-old book that way.”
Genazym’s unique approach extends to the delivery of items to buyers. A traditional buyer in the rare Jewish book market, like Michelle Margolis, Columbia University’s Jewish studies librarian, might only care that the book they bought is safely delivered. But with Genazym, the books come wrapped in a proper clamshell and velvet bag. “I rolled my eyes when my delivery arrived, but at the same time that’s a lot of investment,” Margolis said, adding that many other auction houses have been cutting costs, for example, by doing away with their customary printed catalogs.
Jacob Djmal, who lives in Brooklyn, has dabbled in Judaica collecting for many years, an interest he picked up from his grandfather. He remembers suddenly seeing Genazym’s advertising everywhere. “They started reaching out to you in every way possible, finding a demographic that wasn’t aware before. Every Genazym auction I have people texting me — ‘Did you hear about this? Did you hear about that?’ — as if something is happening that had never happened before.”
Sometimes, that is true. A breakout moment came during the December auction, when Genazym cleared $4.4 million in sales, about $2.6 million above total starting prices.
“If there was any doubt that Genazym were now the most commercially remarkable rare book auction house on Earth, the results of their latest Judaica auction this week put paid to that: essentially almost every lot sold for at least twice [the estimated amount],” a major British book collector living in France said on his anonymous Twitter account, which has around 110,000 followers, in December.
If there was any doubt that Genazym were now the most commercially remarkable rare book auction house on earth, the results of their latest Judaica auction this week put paid to that: essentially almost every lot sold for *at least* twice estimate…. 1/https://t.co/iAC4sQudIz pic.twitter.com/eeunjqWzAs
— Incunabula (@incunabula) December 13, 2022
It remains to be seen whether Genazym can challenge Sotheby’s Judaica division as the destination for sellers with the rarest and most valuable books. Last year, a medieval prayer book sold for $8.3 million at Sotheby’s and this year, the New York auction house is accepting bids for the oldest known copy of the Hebrew Bible, which is expected to fetch as much as $50 million.
But Djmal considers especially remarkable about Genazym is not just the high prices but also the way in which rare books have caught on among Orthodox youth as something cool. “My son and his friends in yeshiva are talking about these items,” Djmal said. “These books represent rabbis they have heard about from a young age.”
The team behind Genazym’s success is led by three brothers from the Stefansky family who live in Jerusalem and New York. Before starting an auction house they worked for many years as private dealers in the rare book market. Their names, Chaim, Moshe and Bezalel, rarely appear anywhere and they almost never grant interviews. Chaim Stefansky made an exception for the Jewish Telegraphic Agency and requested that this article not put him in the spotlight nor portray Genazym’s success as a product of his business acumen.
Stefansky said Genazym has tapped into a universal and deep-seated desire of people to strengthen their identities by connecting with the past. The Jewish community, he said, has been poorly served by an emphasis on historical and even current persecution.
“Always, we are victimized and we cry,” Stefansky said. “What we have in common maybe is that your grandmother and my grandmother were sharing the same bed in Auschwitz. Give me something positive of my past to be proud of. Your heritage has not only sorrow but also a happy, rich, and huge intellectual tradition. So Genazym comes and tells people about their heritage. It’s yours. It belongs to you.”
He said the same thing can be done with any ethnic or religious group.
“If you go to the Irish community and press the right buttons in terms of what you know that every Irish person is extremely proud of, I think you’ll be very successful,” Stefansky said.
He rejected the impression that Genazym’s buyers come primarily from the ranks of the nouveau riche in the Hasidic world.
“It’s coming from all sections,” Stefansky said. “People will say that there’s a lot of fresh money in the market. But we also have very good old money. We have institutions. And, also, the regular man. Mostly, the regular man, who never knew he could have access to any of this.”
One of the only customers who agreed to be identified and interviewed for this article is Rick Probstein, who says he’s spent more than $100,000 at the company’s auctions. He can’t remember when he started seeing Genazym catalogs but he had never collected Judaica before, which is perhaps surprising given that he’s an Orthodox Jew who’s been working in the collectibles business since he was a child trading baseball cards.
Today, at 53, Probstein is one of the largest sellers of sports collectibles in the world, operating through a dedicated account on eBay. “I run a humongous business — I am doing something like $160 million a year,” he said of his sales volume.
Probstein, who lives in Passaic, New Jersey, had long felt a pang of guilt about the lack of Jewish content in his collection. “I collect things but what do I have of my own heritage?” he recalled thinking to himself. “So when I started getting the catalogs, I said, ‘I gotta be a good Jew.’ I started bidding on things and I got really into it.”
Once Probstein got started, the Stefansky brothers began checking in on him, providing concierge service and cultivating him as a client.
“This is a boutique run by a Jewish family with a personal touch,” Probstein said “They call me on the phone, saying, ‘Rick, did you get the catalog? What did you think? Here are some items that you could really like.’”
Bidding on Genayzm items is not purely sentimental for Probstein. “I’m putting real money into it because I think that from an investment standpoint, it has a lot of upside,” he said.
Still, the items he buys tend to have personal significance.
“I am partial to items relating to the Chofetz Chaim,” Probstein said, referring to the rabbi and Jewish scholar Yisrael Meir Kagan, who died in 1933. Probstein’s oldest son is named Yisrael Meir in his honor. The Chofetz Chaim also appeals to Probstein because of his writings about lashon hara, the prohibition in Jewish law against speaking evil of people. “I think that speech is important and he’s sort of the embodiment of that,” Probstein said.
Genazym has sold six letters and a handwritten blessing signed or written by the Chofetz Chaim at prices ranging from about $16,000 to $68,000.
Ever since Probstein started collecting Judaica, these items have served as a draw for family and friends visiting his home.
“People in my community that come over for kiddush [refreshments after Shabbat service] know that I have this stuff and they always want to see it,” Probstein said. “Nobody ever looks at my sports memorabilia collection because it’s in my office but my Judaica stuff is in my house. They look at the letters and talk about the historical context. People love it.”
The revelation that so many Jews appear fascinated with their own history and want to engage with scholarly tradition comes at a time when many Jewish libraries have been struggling.
The library of the Jewish Theological Seminary in Manhattan, which has the most comprehensive and significant collection of Jewish books outside of Israel, has seen its footprint downsized amid budget cuts at the Conservative movement seminary. Also under financial pressure, American Jewish University was forced to sell its Bel Air campus in Los Angeles, which housed a library. Hebrew Union College, meanwhile, opted to end its Reform rabbinical training program in Cincinnati and even though the campus library has survived the cuts, financial uncertainty remains.
Genazym’s populist approach might hold lessons for Jewish institutions and university libraries with significant Judaica collections that hope to engage the public around books.
“The lesson is to lay off the snobbery a little bit,” said Finkelman, the former Judaica curator at the National Library of Israel, which is slated to reopen in a new and more accessible space later this year. “The goal of public institutions is to enable preservation but also to enable public access and public education. There are great stories in books and archives.”
Finkleman said he has encountered sneering reactions to the way Genazym promotes books, and they are similar to the response in the United States when the pop star Lizzo played a crystal flute that belonged to James Madison on stage at the Library of Congress.
“There are echoes of the same thing here,” he said. “Get out of the snobby ivory tower and realize you are preserving history for people.”
—
The post Inside the auction house driving the rare-book craze in the Orthodox world appeared first on Jewish Telegraphic Agency.
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The Media Takes Sides in the Iran War — and It’s Usually Sympathetic to Iran
Iran’s Supreme Leader Ayatollah Ali Khamenei speaks during a meeting in Tehran, Iran, Feb. 1, 2026. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
Who could forget The Washington Post‘s foolish unforced error in 2019 when its obituary for Abu Bakr al-Baghdadi, the self-proclaimed Caliph of ISIS, called him an “austere religious scholar“?
Apparently, the editors at the Post forgot, because they printed an obituary for the Islamic Republic of Iran’s Supreme Leader Ali Khamenei that makes its praise for al-Baghdadi look restrained.
It portrays Khamenei as a modest man, quoting him as saying “I consider myself a common religious student without any outstanding feature or special advantage,” and provides details on his reading habits.
It even claims that Khamenei “declared [nuclear weapons] to be forbidden by Islam” and quotes him as saying he “issued a fatwa, based on Islamic teachings, forbidding the production of nuclear weapons.”
“With his bushy white beard and easy smile, Ayatollah Khamenei cut a more avuncular figure in public than his perpetually scowling but much more revered mentor,” author of the obituary William Branigin gushes.
The New York Times
The New York Times obituary writers, Alan Cowell and Farnaz Fassihi, must have been reading from the same set of notes when they wrote that Khamenei “affected an avuncular and magnanimous aloofness, running the country from a perch above the jousting of daily politics.”
They portray Khamenei as an effective leader who “lacked his predecessor’s charisma and mystique” but “cannily exploited political instabilities in the Middle East to extend Iran’s reach.”
Like Branigin, Cowell and Fassihi claim that “nuclear arms … were banned by the ayatollah in a 2003 religious edict.”
Obituaries are handled by the news division at The Wall Street Journal. It’s hard to imagine the Editor of the Editorial Page, Paul A. Gigot, approving Sune Engel Rasmussen’s Khamenei obituary, which opens with a sentence identifying him as “Supreme Leader Ayatollah Ali Khamenei, the austere cleric who ruled Iran for more than three decades and reshaped the balance of power across the Middle East.”
And while Rasmussen doesn’t call Khamenei “avuncular,” he describes him as “A pragmatist as well as an ideologue” who “endorsed diplomacy when convenient” and held a “popelike position in the Shiite Muslim world: elected by a council of elders to convey the word of God.”
He even goes so far as to credit Khamenei with making “progress in some important areas” including offering “some of the best healthcare and education in the region” and “boost[ing] female literacy rates.”
Like his peers at the Post and New York Times, Rasmussen also appears to accept uncritically Khamenei’s insistence that “the program was peaceful” and mentions that he “issued a religious pronouncement asserting that Iran wouldn’t acquire nuclear arms.”
What could compel journalists to praise an avowed enemy of the US, ignore his lies, downplay his nuclear program, and overlook his slaughter of thousands of Iranians and his genocidal campaign to destroy Israel?
Khamenei the Diplomat
The Khamenei-as-diplomat portrayal in the obituaries of the three most important American newspapers revolves around Barack Obama’s Joint Comprehensive Plan of Action (JCPOA), the so-called “Iran nuclear deal” that rewarded Iran handsomely for doing very little and set the stage for a legal Iranian nuclear bomb.
All three obituaries misrepresent the JCPOA through both omission and commission.
First, the errors of commission.
The Washington Post states that the JCPOA “restricted Iran’s nuclear program in exchange for the easing of crippling economic sanctions.” The New York Times claims that it “restricted Iran’s right to enrich uranium in exchange for the lifting of international sanctions.” And The Wall Street Journal claims that it “granted Iran relief from sanctions in return for restrictions on its uranium enrichment program.”
The error here is that Iran’s “restrictions” were largely self-imposed and self-policed. Unlike Ronald Reagan’s “trust but verify” approach to negotiations, Obama naively agreed to Iranian “self-inspections” of sensitive military sites.
In terms of omission, none of the three obituaries acknowledges the fact that had the US not withdrawn from the JCPOA and reinstated the “maximum pressure” sanctions, Iran’s nuclear program would be mostly legal by now due to the JCPOA’s sunset clauses.
Trump the Villain
Each obituary frames the US withdrawal from the JCPOA as evidence of Trump’s belligerence.
The New York Times is the most direct of the three with the claim that Khamenei’s “mistrust was validated three years later, however, when Mr. Trump withdrew from the agreement, restoring sanctions and piling on new ones.”
The Wall Street Journal puts the sense of validation in Khamanei’s mouth: “After President Trump in 2018 withdrew from the historic nuclear pact that Iran struck with global powers in 2015, Khamenei said he was vindicated.”
But The Washington Post actually provides cover for Khamenei’s rush for nuclear breakout capacity and crossing the 90% enrichment threshold, with the claim that after Trump voided Obama’s agreement, “In retaliation, Iran began disregarding some provisions of the nuclear deal.”
In fact, Khamenei had been breaking the JCPOA from the very start. None of the three obituaries reminds its readers of that fact.
The obituaries also subtly attempt to downplay Khamenei’s desire for nuclear weapons, believing, it seems, his lie that the Islamic Republic is only interested in nuclear energy.
None asks why Iran denied IAEA inspectors access to the nuclear enrichment facilities it built deep underground or why a peaceful nuclear energy program would need underground facilities. None mentions that nuclear energy requires uranium enrichment of about 5% whereas Iran has admitted to having 460 kg of uranium at 60% enrichment.
Khamenei’s obituaries come as no surprise to anyone who follows media bias and understands how journalists increasingly side with America’s enemies in general and our Islamist enemies in particular.
While claims that journalists are the enemies of the American people are hyperbolic, the Khamenei obituaries show that many of them are not the enemies of our enemies. The Washington Post, New York Times, and Wall Street Journal have demonstrated that they are not interested in portraying the world’s number one supporter of terrorism, a man who has killed thousands of his own countrymen and women and threatened to wipe America off the map, as the villain that he was, preferring instead to humanize him.
Chief Investigative Project on Terrorism (IPT) Political Correspondent A.J. Caschetta is a principal lecturer at the Rochester Institute of Technology and a fellow at Campus Watch, a project of the Middle East Forum where he is also a Milstein fellow. A version of this article was originally published by IPT.
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Australia’s Largest Arts Festival to Open With Wave of Anti-Israel Artists, Led by Controversial Creative Director
A view of Sydney, Australia. Photo: Reuters/David Gray.
The 25th edition of the Sydney Biennale, Australia’s largest arts festival, opens to the public on Saturday and will feature a slew of artists with anti-Israel views similar to those expressed by the festival’s artistic director, Emirati princess and curator Hoor Al-Qasimi.
The 25th Biennale of Sydney, which will take place from March 14-June 14 across multiple venues, receives taxpayer funding and support from the federal government of Australia, the state government of New South Wales, and the City of Sydney. However, several of the festival’s other partners and sponsors may be problematic for supporters of Israel.
Qatar Museums and Rubaiya Qatar, a new nationwide contemporary art quadrennial that will debut in November 2026, are the festival’s “major strategic” sponsors, according to the event’s website. Qatar has a long history of aligning itself with Hamas and the Muslim Brotherhood, providing a home for the senior leaders of both organizations.
Hamas and the Muslim Brotherhood are both internationally designated terrorist organizations. In the US, Hamas has carried the label for years, and the Trump administration has, in recent months, proscribed branches of the Muslim Brotherhood in Africa and the Middle East.
The festival’s “major partners” include the global property developer Arada, co-founded by Al-Qasimi’s brother-in-law, Sheikh Sultan bin Ahmed Al Qasimi. When the partnership was announced in November 2025, it caused significant concern among the Jewish community. Another partner of the festival, the Barjeel Art Foundation, is controlled by the princess’s family.
“There were grave concerns that the appointment of Hoor Al Qasimi would result in one of our flagship cultural institutions becoming a tool of ideology and exclusion,” Alex Ryvchin, co-chief executive of the Executive Council of Australian Jewry, said last year, as cited by The Australian Financial Review. “The announcement that Al Qasimi’s family is now financially sponsoring the festival increases those concerns significantly, given that the family has a record of villainizing Israelis and calling for their boycott. The immense creative and financial power the family now exerts over the festival is alarming and risks undermining the spirit of the festival.”
Al Qasimi is the daughter of the ruler of Sharjah, one of seven emirates that comprise the United Arab Emirates. She is also the founder, president, and director of the Sharjah Art Foundation, an independent public arts organization in the UAE. She has a history of making anti-Israel comments and declaring “Free Palestine.”
When she was the artistic director of Japan’s Aichi Triennale in 2025, she said, “I didn’t imagine we would be witnessing a genocide live-streamed through our phones … this ongoing violence that can no longer be ignored … we all live under the same sky and none of us are free until all of us are free.” She also talked about “ongoing ethnic cleansing, and genocides.”
In October 2023, shortly after the Hamas-led Oct. 7 massacre in southern Israel, she signed an open letter that voiced support for “Palestinian liberation.” The same open letter called for an end to Israel’s “human rights violations and war crimes” and “escalating genocide” in the “occupied and besieged Gaza Strip.” It further talked about “oppression,” “occupation,” and the “collective punishment of Gaza civilians,” but made no mention of the deadly rampage on Oct. 7 in which Hamas-led terrorists killed 1,200 Israelis and kidnaped 251 hostages.
Al Qasimi father also reportedly once said that “the Zionist presence in Palestine is a cancerous growth within the heart of the Arab nation.” Sheikha Jawaher Bint Mohammed Al Qasimi additionally “criticized the UAE’s cooperation with Israel in the education field,” according to The Middle East Monitor.
The Australian Financial Review reported that several donors and sponsors withdrew their support from the 2026 Sydney Biennale in response to Al Qasimi’s appointment. Al Qasimi’s decision to pick mostly pro-Palestinian artists for the Sydney Biennale also prompted the Carla Zampatti Foundation to withdraw funding for the festival, according to The Australian. In January 2026, Sydney Biennale ambassador Bhenji Ra cut ties with the festival after she faced criticism from the Jewish community over social media posts, including one message she shared that said, “Genocidal death cults do not have the right to exist.”
THE ARTISTS
The theme for this year’s Sydney Biennale is “Rememory,” a term adopted from Toni Morrison’s Pulitzer Prize-winning 1987 novel Beloved to describe “how we become subjects and storytellers of our collective present through events of the past.”
Out of the 83 artists and collections from 37 countries being featured in the 25th Sydney Biennale, more than half are Arab and Muslim and no Israeli artists are included the lineup. The only Jewish talent participating is New York-based Iraqi-American artist Michael Rakowitz, who has publicly made anti-Israel comments. In 2017, Rakowitz described his art as a form of “sumud,” an Arabic term meaning resilience, to “not allow Zionism to loot everything from the imagination, to keep alive the reality of what the Middle East was like before.”
French-Lebanese artist, DJ, and embroiderer Nasri Sayegh is also featured in this year’s Biennale, and he previously posted on social media that “Jewish supremacy is a disease.”
Richard Bell, an Australian artist showcasing his work in the festival, posted content on social media that has accused Israel of “genocide” in Gaza and been critical of Israeli Prime Minister Benjamin Netanyahu. In an Instagram Story on Wednesday, he shared a video from Middle East Eye of an economics professor accusing Israel and the United States of a “mass murder of civilians” in Iran, and indiscriminately “carpet bombing Tehran.”
In August 2025, Bell shared a message on Instagram that said in part, “colonial societies target children because they want to take away the future … it is happening in Gaza, where children are being starved to death.” He previously created a large painting in the shape and colors of the Palestinian flag and the piece was titled “From the River to the Sea,” a slogan that is widely interpreted as a call for the destruction of Israel and for it to be replaced with “Palestine.”
Aysenur Kara is an “emerging Turkish artist” featured in this year’s Sydney Biennale who “aims to use her material conceptions to platform those facing genocide in Gaza right now,” according to a description provided on the festival’s website. The festival additionally said that another one of its presenters, Palestinian artist Khalil Rabah, uses his work “to articulate the very real situation of occupation experienced by Palestinians.”
A series of photographs by Iranian photographer Hoda Afsha being featured in the Sydney Biennale depicts indigenous children who had been in the juvenile justice system and was inspired by the fate of children during the “genocide in Palestine.” In late October 2023 – the same month as the Hamas terrorist attack in Israel – the award-winning Melbourne-based photographer posted on Instagram that she wants “Zionists out of our cultural spaces.”
Palestinian-Australian artist Feras Shaheen will put on the dance performance “Blocked Duwar” at the Campbelltown Arts Centre as part of the 2026 Sydney Biennale. In September 2025, the Tasmanian-based artist compared Jewish businessmen to Nazis in a social media post. He uploaded a photo that said, “Treat your local Zionist like you treat your local Nazi: Equality.” The message was featured over images of neo-Nazi Thomas Sewell, and Jewish arts philanthropist John Gandel and former Biennale donor and board member Morry Schwartz.
Photo: Screenshot
Schwartz responded to Shaheen’s social media post in an open letter last year to Kate Mills, chairman of the Biennale of Sydney. “I’m sure you’ll agree with me that a line has been crossed,” Schwartz wrote. “To equate John Gandel and me with Nazis is shocking. The Biennale will not survive this if you don’t act immediately.”
The offensive social media post has not been taken down by Shaheen.
Schwartz told The Australian Financial Review Magazine he had withdrawn his support for the Sydney Biennale, worried that its artistic director might turn the event into a “hate-Israel jamboree.”
Jewish leaders were given the opportunity to preview the Biennale of Sydney but declined the offer after being frustrated that the festival’s senior figures took no action against “objectionable” social media posts by artists included in the event, The Daily Telegraph reported this week.
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Iran Before the Revolution — and the Future Now Being Fought Over
FILE PHOTO: Mojtaba Khamenei, the second son of Iran’s late Supreme Leader Ayatollah Ali Khamenei, visits Hezbollah’s office in Tehran, Iran, October 1, 2024. Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS/File Photo
The conflict between Iran and the United States and Israel arrived only weeks after the Iranian regime violently suppressed nationwide protests in January, when security forces reportedly killed thousands of demonstrators in one of the largest crackdowns since the Islamic Revolution.
For much of the 20th century, Iran stood as one of Washington’s most important partners in the Middle East. The relationship began to take shape during the early decades of the century and expanded significantly during the reign of the Pahlavi dynasty. When Reza Shah Pahlavi came to power in 1925, Iran faced deep internal fragmentation and persistent foreign interference. His government sought to consolidate authority and build the foundations of a modern state. A national army replaced tribal forces, national institutions expanded, and the central government extended its presence across the country.
Reza Shah’s son, Mohammad Reza Pahlavi, succeeded him in 1941 and ruled for roughly four decades. During this period, Iran developed close strategic ties with the United States and other Western powers.
During the Second World War, the country served as a critical supply corridor for Allied aid to the Soviet Union, a route known as the Persian Corridor. After the war, this same geography continued to define the country’s importance. Sharing a border with the Soviet Union during the height of the Cold War positioned Iran as a key barrier to communist expansion in the Middle East.
By the 1970s, Iran had become one of the region’s strongest military powers and a central pillar of the Western security architecture.
In 1973, Iranian forces intervened in Oman to help defeat the Marxist-backed Dhofar rebellion, preventing the establishment of a Soviet-aligned foothold on the Arabian Peninsula. Actions such as these reinforced Iran’s role as a stabilizing partner within the Western alliance system.
That geopolitical alignment ended abruptly with the Iranian Revolution of 1979. The overthrow of the monarchy and the rise of Ruhollah Khomeini transformed Iran’s political system and its place in the world. The new Islamic Republic rejected the Western orientation of the Shah’s government and instead defined itself in opposition to the United States and its regional allies.
Beginning with the hostage crisis that followed the revolution, relations between Tehran and Washington entered a prolonged period of confrontation.
Over the following decades, Iran positioned itself as the ideological center of a revolutionary political movement that challenged the Western presence in the Middle East. Iranian leaders frequently framed the country’s role as one of resistance to American and Israeli influence, while expanding political and military relationships with armed movements across the region.
The consequences of the revolution have shaped Middle Eastern politics for almost half a century.
Iran’s leadership has repeatedly been accused by Western governments of supporting militant groups and projecting influence across regional conflicts. But the events of 2026 may represent the most serious disruption to the Islamic Republic’s political order in decades.
In the days following the strike that killed Supreme Leader Khamenei, Iranian state authorities announced that Mojtaba Khamenei, the late supreme leader’s son, had been chosen as the country’s new supreme leader, marking one of the most consequential leadership transitions in the history of the Islamic Republic. A hereditary-style transfer of power within a system that has long presented itself as a revolutionary republic could deepen internal tensions at a moment when the state is already confronting war abroad and dissatisfaction at home.
If the current conflict weakens the revolutionary political system established in 1979, the geopolitical orientation of Iran could once again become a central question for the region. Such a shift could reshape regional alliances and potentially reduce one of the most enduring sources of instability in the region.
History rarely moves in straight lines. Political orders that appear permanent can unravel quickly when internal unrest and external pressure collide. Nearly half a century ago, the Iranian Revolution transformed one of America’s closest regional partners into a revolutionary adversary.
The situation now unfolding across Iran raises the possibility that the geopolitical legacy of that revolution may once again be entering a period of profound uncertainty.
Ali Karamifard is a PhD student in Industrial Engineering at the University of Massachusetts Dartmouth. His research and writing focus on political systems, institutional change, and contemporary developments in the Middle East.
