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International news outlets deny photographers colluded with Hamas after report suggests they knew attack plans
(JTA) — International news outlets denied that photographers they hired had advance knowledge of Hamas’s Oct. 7 attack on Israel, after a report suggested without hard evidence that the journalists may have coordinated with the terror group ahead of the invasion.
But the Associated Press and CNN have said they will no longer work with one of the photographers named in the report, Hassan Eslaiah. The other publications named in the report are Reuters and The New York Times.
The report, by pro-Israel media watchdog Honest Reporting, said freelance photographers working with the four publications were at the scene in the early hours of the Hamas attack, saying their presence raised “ethical questions.”
It comes as dozens of journalists have been killed in the war, mostly in Gaza, and as reporters and photographers in the territory face scrutiny for their approach to the conflict. According to the Committee to Protect Journalists, 39 journalists have been killed since the start of the war, including 34 Palestinians, four Israelis and one Lebanese journalist. (Some have died in their homes and not while engaging in journalism.)
On Thursday, Sherif Mansour, the Committee to Protect Journalists’ Middle East and North Africa program coordinator, said in a statement that “journalists are civilians doing important work during times of crisis and must not be targeted by warring parties.”
But citing the Honest Reporting document, the Israeli Government Press Office said it “demands explanations” of the international outlets, adding that the “involvement of their photographers” in the attack “crosses every red line, professional and moral.” Israeli Communications Minister Shlomo Karhi wrote a letter to the news outlets, demanding they investigate possible collusion between the photographers and Hamas.
The report released on Wednesday, did not include concrete evidence of collusion. But it suggested the photographers knew ahead of time about the assault or “coordinated” with the attackers, since Hamas breached Israel’s border early on a Saturday morning when the journalists would likely not be working.
“Is it conceivable to assume that ‘journalists’ just happened to appear early in the morning at the border without prior coordination with the terrorists? Or were they part of the plan?” the report said, placing quotation marks around the word “journalists.”
“Even if they didn’t know the exact details of what was going to happen, once it unfolded did they not realize they were breaching a border?” the report added. “And if so, did they notify the news agencies?”
The four publications all denied that they coordinated with Hamas. Reuters said in a statement that it “categorically denies that it had prior knowledge of the attack or that we embedded journalists with Hamas.” AP said it “had no knowledge of the Oct. 7 attacks before they happened.” The New York Times called the allegations “untrue and outrageous.”
CNN told the Israeli publication Ynet it has not “found reason to doubt the journalistic accuracy of the work [Eslaiah] has done for us,” even as it cut ties with him.
The four photographers named in the report took pictures of a burning Israeli tank from which soldiers were killed or kidnapped, as well as attacks on Israeli homes and terrorists taking hostages and bodies back into Gaza.
HonestReporting, citing screenshots of deleted tweets, said Eslaiah posted footage of himself in front of a burning tank and photographed attacks on Kfar Aza, the scene of one of the worst massacres of the day. Eslaiah was not wearing a press vest or helmet to identify him as a member or the media, the report said.
Eslaiah, who works with CNN and AP, was also seen in an undated photograph with Hamas leader Yahya Sinwar that Honest Reporting shared after the report was released. Sinwar is kissing Eslaiah’s cheek in the image, suggesting that he was friendly with the terror group official in a way that crosses clear ethical lines in journalism.
And here is footage of Eslaiah after he crossed into Israel and took photos of a burning Israeli tank. He then captured infiltrators entering Kibbutz Kfar Azza.
Note that he is not identifiable as a member of the press. But AP & CNN deemed it acceptable to use his services. pic.twitter.com/fA0VI2df2i
— HonestReporting (@HonestReporting) November 8, 2023
Amit Segal, a prominent Israeli reporter, said Eslaiah appeared to hold a grenade while riding a motorcycle on the day of the attack in a video posted to Eslaiah’s Facebook page. His face is not clearly visible in the video.
Yo, @AP, @Reuters, @cnn – what your freelancer in Gaza Hassan Eslaiah is doing on a motorbike with a grenade, on his way to the massacre of women and babies? Is a grenade part of the equipment you provide? pic.twitter.com/jU85KEo7Ec
— עמית סגל Amit Segal (@amit_segal) November 9, 2023
The publications say they haven’t breached any journalistic ethics. Reuters said it had no prior relationship with the photographers before Oct. 7, though it did not elaborate on that, and said that their images were taken two hours after Hamas launched a rocket barrage against Israel. The terrorists breached the border shortly after the salvo.
AP said the first pictures it used had been taken more than an hour after the attack started.
The New York Times, which has worked with a different photographer named in the report, said, “It is reckless to make such allegations, putting our journalists on the ground in Israel and Gaza at risk.”
The Times drew fire from Israel supporters last month for rehiring a Gaza freelancer after finding out he made statements in support of Adolf Hitler. It also received criticism for initially reporting claims by Hamas that Israel bombed a hospital. Later assessments by Israel, the United States and a range of other governments and press outlets have found that a misfired Palestinian rocket was very likely the cause of the explosion.
The Times later said its early coverage of the incident “relied too heavily on claims by Hamas, and did not make clear that those claims could not immediately be verified,” said an Oct. 23 editor’s note. “The report left readers with an incorrect impression about what was known and how credible the account was.”
Pro-Palestinian activists have also criticized the Times, filling its lobby in a protest on Thursday that called for a ceasefire. According to a video posted to X, formerly known as Twitter, protesters held mock copies of the paper with the headline, “Ceasefire Now! Honoring Gaza’s dead — and fighting for the living.”
Israel has drawn criticism for not adequately protecting the lives of reporters covering the region’s violence. But on Thursday, Benny Gantz, a member of Israel’s emergency war cabinet, wrote on social media that Israel would not make allowances for journalists who coordinated with Hamas.
“Journalists found to have known about the massacre, and still chose to stand as idle bystanders while children were slaughtered — are no different than terrorists and should be treated as such,” he wrote.
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The post International news outlets deny photographers colluded with Hamas after report suggests they knew attack plans appeared first on Jewish Telegraphic Agency.
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A new style of magazine is coming from The CJN in 2025
When The Canadian Jewish News launched in 1960, it was as a weekly print newspaper. (Sample front-page headline: “Cannot Locate the Organizer of Toronto’s Mysterious ‘Exclusive’ Jewish Golf Club.”) Over the decades, it covered countless community events and developments, shut down and was reborn, moved from weekly to daily, and expanded beyond the written word.
The CJN’s relaunch, in 2021, took place in an entirely different media landscape than in 1960. News was instantaneous and most of it was read on screens or listened to through headphones; The CJN made the most of the immediacy and connection this new world offered: a daily news website and a slate of podcasts ensured that the community was always up-to-date.
That didn’t mean that print had lost its purpose or value, and so editorial staff developed a quarterly magazine to ensure that readers who were looking for deep dives and visual storytelling, who wanted to sit down and take their time with reporting and analysis, would still have a venue for doing just that.
When The CJN approached me about reimagining that magazine, it was still in the throes of mid-pandemic strictures. Our first meetings were held on park benches, and they were to discuss a fascinating challenge: how to make a genuinely contemporary Jewish magazine, one that is steeped in love for our heritage and also clear-eyed about the changing world around us, one that understands tradition and also speaks to younger generations. For a magazine editor — and for someone who grew up with The CJN but hadn’t, in all honesty, looked at it much as an adult — it was a remarkable chance to think through important questions about the function of journalism and about modern life as a Jewish Canadian.
I am thrilled to announce that the next chapter in The CJN’s own story — the culmination of those first park bench conversations and dozens more we’ve had since — will be unveiled this spring. This reimagined magazine is born of two years of reflection and brainstorming, research and design, developed by CJN veterans and newcomers like myself. It is our best effort to create a genuinely honest, open forum for Jewish Canadians of all persuasions, identities, and experiences to come together to learn from and about each other.
We are calling the redesigned magazine Scribe Quarterly — a name that both hearkens to tradition and evokes the journalistic goals we will be pursuing. We’ll be covering everything from politics to religion, education to food culture. We’re envisioning it as a reader’s guide to the contemporary Jewish world, and it will be landing in your mailboxes this spring. You can get a copy delivered to you, for free, by clicking here.
Hamutal Dotan
Editor in Chief
Scribe Quarterly
The post A new style of magazine is coming from The CJN in 2025 appeared first on The Canadian Jewish News.
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Holocaust Memorial in Poland Dedicated to Warsaw Ghetto Vandalized With Red Spray Paint Condemning Gaza War
The Umschlagplatz monument in Warsaw, Poland. Photo: IMAGO/Schöning via Reuters Connect
A monument in Poland dedicated to the Jews of the Warsaw Ghetto was vandalized with a message that compared the extermination of Polish Jews during the Holocaust to Palestinians living in the Gaza Strip during the ongoing Israel-Hamas war.
Vandals spray-painted “Warsaw 1943 = Gaza 2025” onto the Umschlagplatz monument in Warsaw, which commemorates the site where more than 300,000 Jews were deported from the Warsaw Ghetto to Nazi concentration camp during World War II. Polish media reported that a representative from the POLIN Museum of the History of Polish Jews contacted Polish authorities about the vandalism on Friday and police said they were looking for the perpetrators.
Israel’s Ambassador to Poland Yacov Livne called the vandalism “shameful” in a post on X, and urged Polish authorities to find the vandals and hold them accountable for their actions. “Poland has a special responsibility to protect Jewish & Holocaust sites,” he wrote.
Shameful vandalism at Warsaw’s memorial for 300,000 (!) Jews deported to Treblinka. Poland has a special responsibility to protect Jewish & Holocaust sites; hold vandals accountable. pic.twitter.com/4No1PI7ZXd
— Amb. Yacov Livne
(@YacovLivne) January 7, 2025
Other Holocaust memorials in Poland have also been vandalized since the start of the Israel-Hamas war. In December, a 36-foot-tall memorial that honors the Jewish fighters who revolted against the Germans during the Warsaw Ghetto Uprising in 1943 was also desecrated with red spray paint. Livne as well as Poland’s Ministry of Foreign Affairs denounced the vandalism on social media.
“The MFA [Ministry of Foreign Affairs] strongly condemns the act of vandalism aimed at the Monument to the Ghetto Heroes — a symbol of remembrance for the victims of the Holocaust and Jewish resistance against German Nazism,” the ministry wrote on X. “Such acts are an attack on history and the values that unite us as a society.”
The European Jewish Congress also condemned the desecration in a post on X. “The vandalism of the Warsaw Ghetto monument is a disgraceful act that disrespects Holocaust victims. We hope authorities will investigate thoroughly and bring those responsible to justice,” the social media post read. “Acts like this highlight the ongoing need for education and vigilance against hate.”
The post Holocaust Memorial in Poland Dedicated to Warsaw Ghetto Vandalized With Red Spray Paint Condemning Gaza War first appeared on Algemeiner.com.
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Gal Gadot Was Not Allowed to Wear Hostage Pin to Golden Globes, Rep Says
Gal Gadot at the 82nd Annual Golden Globe Awards at the Beverly Hilton Hotel in Beverly Hills, California on Sunday, Jan. 5, 2025. Photo: Dan MacMedan-USA TODAY via Reuters Connect
Israeli actress Gal Gadot was forbidden from wearing to the 82nd Golden Globes on Sunday night a pin that would draw awareness to the 100 hostages who are still held captive by Hamas terrorists in the Gaza Strip after more than 450 days, a representative for the “Wonder Woman” star told Israeli media this week.
Gadot, 39, presented at the award ceremony in Beverly Hills wearing a custom black silk Giorgio Armani Privé long sleeve gown that featured an asymmetrical cut out and an oversized pearl detail. She styled the gown with earrings from the 2024 Tiffany & Co. Blue Book Céleste Collection, a Tiffany & Co. Archives bracelet, a Jean Schlumberger by Tiffany Two Bees ring, and another yellow sapphire ring.
Many pro-Israel supporters on social media were quick to criticize her for not wearing to the Golden Globes a yellow ribbon pin, which symbolizes solidarity with the hostages abducted on Oct. 7, 2023, and calls for their return home. However, a representative for the actress explained that the mother of four was not allowed to wear such a pin.
“Gal could not wear the hostage pin because she is presenting an award and there are rules,” the representative said, as quoted by Ynet. “She was tormented and therefore published the [Instagram] post calling for the release of the hostages before the ceremony. She thought of a creative solution together with her managers — and wore a yellow ring. It was important to her to abide by the rules and also to remember the hostages.”
The representative referred to an Instagram post that Gadot published before the start of the Golden Globes about 20-year-old Israeli hostage Liri Albag, who was featured in a video that Hamas released on Saturday. Gadot wrote a message to her 108 million Instagram followers about Albag and the other 99 hostages still held captive by the terrorist organization. She shared pictures of the hostages, including a screenshot of Albag from the new Hamas video, and additionally posted an image that featured a yellow ribbon and the message “#BringThemHomeNow.”
“While I prepare for a festival and joyous evening, my heart is heavy, and my soul aches knowing the hostages are still there [in Gaza],” Gadot wrote. “Every day that passes without an agreement puts their lives in greater danger. I can’t stop thinking about the families, waiting for them, counting the hours, the minutes, clinging to hope. They must come home. We all deserve to see them return, alive. Bring them home now.”
Gadot has four daughters with her husband, Jaron Varsano. She recently shared on social media that when she was pregnant with her forth daughter Ori, who was born in 2024, she was diagnosed with a blood clot in the brain and had to to undergo emergency surgery to treat it.
The post Gal Gadot Was Not Allowed to Wear Hostage Pin to Golden Globes, Rep Says first appeared on Algemeiner.com.
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