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Israeli democracy is ‘robust,’ former PM Naftali Bennett assures New Yorkers
(New York Jewish Week) — Former Israeli Prime Minister Naftali Bennett told an audience here that reports of the deaths of Israeli democracy are exaggerated, and urged American Jews to make their concerns known to the new far-right government rather than walk away.
“There are a lot of foolish words flying out in the air,” Bennett said last night in remarks at Temple Emanu-El in Manhattan, referring to various proposals among newly installed Israeli cabinet members. “There’s a core of responsibility that will fend off the most radical of the suggestions, but to be fair, I don’t know.”
Speaking onstage with Eric Goldstein, CEO of UJA-Federation of New York, Bennett appeared to be referring to two critics of LGBT rights in Israel, Bezalel Smotrich and Noam Party leader Avi Maoz, when he said, “No one’s going to touch the LGBT community in Israel. No one’s going to mess around with it. Israel is robust.”
Bennett, who served as prime minister from 2021 to 2022 in the rotation government that preceded Benjamin Netanyahu’s return to power in December, spoke at the Reform synagogue at a particularly tense time in Diaspora-Israel relations. Leaders of groups representing American Judaism’s largely liberal community have expressed deep concerns over proposals by Netanyahu’s new coalition partners to greatly expand Jewish settlement in the West Bank, curb minority rights and strengthen Orthodox control in matters of Jewish religious status.
Two weeks ago, Goldstein wrote a statement saying that he is “alarmed” by recent reforms, introduced by Israel’s newly installed justice minister, that would allow Israel’s parliament to override decisions by the Supreme Court and further politicize the selection of its justices. He implored Netanyahu to reject the overhaul.
On this too, Bennett sought to be reassuring. He criticized a Supreme Court that he said had “gradually usurped authority that it didn’t have,” but said that it needed only a “small little nudge” to address those concerns. “I smell a compromise coming,” he said.
“I recommend you enter a dialogue with the government” in Israel, he urged the audience. “Speak up and talk with the government. Israelis sometimes think the world revolves around Israel and don’t always see the broader view of Jews around the world and the world itself. I think sharing with the Israeli leadership, what’s going on and what it means and what the implications are, is meaningful. There are ministers who have never been abroad, so you are what you are experience.”
Bennett, who stepped away from politics last year ahead of the November election, also spoke at length about his efforts to broker a ceasefire between Russia and Ukraine in the first months of Russia’s unprovoked war on its neighbor. Bennett asserted that in meetings with Vladimir Putin, the Russian president said he would no longer demand regime change and demilitarization in Ukraine. Meanwhile, Ukraine’s President Vlodomyr Zelensky told him Ukraine would “no longer want to join NATO, which was the very reason for the war.” Bennett suggested the negotiations fell apart because of Ukrainian objections. “I want to be cautious here,” he said. “The message [from Zelensky] was ‘we don’t want to run yet to ceasefire for various reasons…. Putin was an aggressor and he needs to pay the price.’”
Despite Bennett’s reassurances that Israel’s democracy remains robust, many audience members remained wary about the new government.
“I’m concerned about what I’m seeing in Israel,” said Asaf Jacobi, 39, who earned his law degree in Israel and served in its military. “They’re trying to unstabilize the checks and balances in Israel to the extreme. [Netanyahu] is clearly putting his interests over the country, and you can see people in the streets are really not happy with what’s happening. It’s too religious and too extreme.”
Debra Delorenzo, who has lived in the Upper East Side her whole life, said Bennett “did a wonderful job. He’s a good speaker and engages the audience.” And yet, she said, “I wanted him to address certain things and he skirted around it. I wanted him to talk about the occupation. I wanted him to talk about [Netanyahu] who I can’t stand. Israel is a democracy, but it’s losing it’s panache about it. It’s become more of an occupier. I love Israel, and I”m Jewish, but there are things going on there that [Bennett] didn’t address.”
One elderly woman, who declined to give her name, welcomed the political changes in Israel.
“We love the government,” she said. “And we think that the change in the judicial system should have occurred long ago.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
