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‘It Needs to Be Seen’: Israeli Broadcaster Releases Documentary of ‘Real-Time Footage’ From Music Festival Massacre
Yes TV, a leading Israeli broadcaster and streamer, premiered on Wednesday an original documentary that exclusively uses real-time footage to chronicle the terrorist onslaught at the Supernova electronic music festival, where Hamas murdered more than 300 young people and kidnapped 40 others on Oct. 7.
The film, called #NOVA, is also available to broadcasters worldwide through yes Studios. It was produced by Kastina Communications for yes Docu and directed by Dan Pe-er.
Pe’er volunteered to help survivors in the days following the massacre at the outdoor festival, which was held in Re’im, Israel, close to the border with Gaza, and attended by more than 3,500 people. He started collecting videos and audio clips from festival survivors and arranged the media chronologically before approaching the production company Kastina Communications to create #NOVA.
Guy Lavie, vice president of documentaries at yes TV, explained that the documentary is compiled “solely from real-time footage, much of it exclusive — and with no testimonials nor commentaries,” capturing “the genuine emotions and horror endured by thousands of music lovers, their families, and indeed our whole nation.”
“The number of stories emerging from that awful Saturday is inconceivable, and the Israeli filmmaking community is fully committed to documenting these stories and sharing the realities of that dreadful day,” he added.
Sharon Levi, managing director at yes Studios said, “We’ve all seen some clips from this day on news bulletins worldwide but to have all of this extraordinary and exclusive footage combined into one linear timeline makes for a really powerful and visceral narrative, sharing the true horror of the atrocities. It may be an extremely difficult watch for some, but this is an important film — and while we are all praying for a peaceful resolution to this centuries-old conflict — it needs to be seen.”
The attack at the music festival was part of a series of raids that Hamas carried out in southern Israel during the early hours of Oct. 7. In total, roughly 1,200 people, mostly civilians, were murdered by Hamas-led Palestinian terrorists during the massacre, and 240 others were kidnapped and taken back to the Gaza Strip. More than 100 hostages have thus far been released, mainly as part of a temporary ceasefire agreement between Israel and Hamas.
The post ‘It Needs to Be Seen’: Israeli Broadcaster Releases Documentary of ‘Real-Time Footage’ From Music Festival Massacre first appeared on Algemeiner.com.
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Missile Strikes Alone Will Not Defeat the Houthis
JNS.org – For two consecutive nights on Dec. 24 and 25, 2024, air raid sirens sent millions of Israelis for cover as the Houthi terror regime in Yemen each day fired a ballistic missile at the country.
Israel’s Arrow system intercepted those missiles, but before dawn on Dec. 21, a Houthi attack reportedly featured a re-entry warhead capable of maneuvering following separation from its engine. That missile was not intercepted and crashed into a Ramat Gan school. No one was injured as it was well before the school day.
Despite the IDF’s previous precision strikes on Yemeni energy infrastructure and ports, the threat persists. This suggests that additional offensive measures such as missiles may be necessary.
However, warned Israeli Navy Cmdr. (res.) Eyal Pinko, a researcher at the Begin-Sadat Center for Strategic Studies at Bar-Ilan University in Ramat Gan, missile attacks alone will not be sufficient to end the threat.
“In my assessment, the Houthi leadership has gone underground. Their infrastructure, like missile bases and weapons storage sites, can be attacked [with missiles]. This will cause damage, but it won’t be enough to subdue them,” he told JNS on Wednesday.
According to Pinko, who also served in an intelligence organization, “We need a much more massive attack from the air and sea. The maritime threat has to be lifted, and not only their missile array. Since the Saudis and Egyptians struck them from the air for a duration of eight years and did not succeed in subduing them, I doubt that hitting them with missiles alone will succeed, including striking their infrastructure.”
Over the past 14 months, the Houthis have launched hundreds of missiles and UAVs targeting Israel. These attacks not only violate international law, but also pose a clear and ongoing threat to regional security and stability. In response, Israel has carried out a series of airstrikes targeting Houthi ports and energy infrastructure, showcasing the IDF’s long-range operational capabilities. However, the strikes also highlighted their inherent limitations.
2,000 kilometers
There are logistical and operational challenges associated with IAF missions over 2,000 kilometers (1,250 miles) away against an elusive enemy like the Houthis. As explained last week by IDF International Spokesperson Lt. Col. Nadav Shoshani, these operations demand significant intelligence preparation, operational coordination, and time for implementation. For instance, the IAF strike on Dec. 19 required two separate waves of attacks involving 14 fighter jets and multiple aircraft types.
While the IDF has refined its ability to carry out such missions, these operations cannot match the speed and immediacy that missiles offer.
As it is impossible to prepare and execute an airstrike within minutes of receiving actionable intelligence or an order from manned aircraft, complementing the IAF’s impressive capabilities with missile firepower seems like a logical step. A missile-based attack system would enable Israel to launch immediate, weather-agnostic strikes in response to emerging threats. Furthermore, a ground-based missile corps would have a small maintenance and operational footprint without endangering aircrews.
Pinko added that it is critical to sever the Houthis’ supply line from Iran, to attack Sanaa, and to completely paralyze all of the Houthi infrastructure.
In recent years, the Houthi arsenal has grown increasingly sophisticated, with Iranian support playing a key role in transforming its ballistic and cruise missile capabilities. Iranian Supreme Leader Ayatollah Ali Khamenei spent over a decade ensuring that proxies such as Hezbollah and the Houthis possess advanced precision-guided weaponry, effectively creating a surrogate “air force.”
A large-scale attack on the Houthis, Pinko emphasized, “has to be a joint Israeli, American, British, Saudi and Egyptian operation.”
Israeli missiles, if they are acquired, alone may not be sufficient, but they can help further diversify Israel’s offensive toolkit. A missile corps would not only complement the IAF, but also provide options for rapid response and degrading Houthi infrastructure with minimal operational delays.
The post Missile Strikes Alone Will Not Defeat the Houthis first appeared on Algemeiner.com.
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‘Judenrein’ Hollywood? The Troubling Trend in Jewish Representation
JNS.org – Every year, as Hollywood shuts down for the winter holidays, an unassuming list makes its way into executive inboxes. “The Black List,” as it has been known for the last two decades, ranks the most popular unproduced screenplays of the year, according to the executives and producers who read them.
Getting a screenplay on this list can be a career-defining moment for a screenwriter. Ranking near the top of the list can fast-track a project to production. Many “Black List” screenplays have been produced, and a notable percentage have gone on to win Oscars. For a screenwriter like me, the list is a valuable source of industry intel. What stories are execs responding to this year? Who are the agents and managers shepherding these scripts?
I always scan the list for the kinds of stories that I like to write—elevated genre fare, mostly, as well as Jewish content. Without being able to read the screenplays themselves, I can only make my assessments of the screenplays based on the short loglines that describe them. The list usually includes some films with overtly Jewish content, typically Holocaust dramas or stories that center on antisemitism. This year, in the long shadow of the terrorist attacks in Israel on Oct. 7, 2023, I was particularly curious to see how Hollywood’s selective appetite for Jewish fare might have shifted. Here’s what I found.
Almost nothing.
Not even the usual clichés of Holocaust survival or the Jewish high-achiever biopic.
I found only one logline that might have some Jewishness to it. A script called “Bridgehampton” by Jeremy Leder. Here’s the logline: “Recently dumped Ezra Green accidentally brings a terminally ill woman home to Bridgehampton for a long weekend with his eccentric family. Don’t judge—he needs to cope with his estranged father who just got out of white-collar prison.”
The stereotypical Jewish coding here goes far beyond Ezra’s name. He’s “recently dumped” and “accidentally” brings a terminally ill woman home. So, he’s nebbish and inept, particularly when it comes to his relationships with women, see the persona popularized by Woody Allen. He’s from the Hamptons, so obviously he’s wealthy. His family is “eccentric” (read: “Jewish” and “other.”) And his father just got out of white-collar prison (“financial crimes,” Bernie Madoff, anyone?)
I don’t want to cast aspersions on Leder’s screenplay. For all I know, the story draws from his own lived experiences, and it might be a valuable piece of a diverse Jewish tapestry. But that this might be the only Jewish story that Hollywood execs found compelling enough to include on the “Black List” this year speaks volumes about the industry’s skittishness around Jewish content.
This may be the most Judenrein list I’ve seen, but the trend of avoiding Jewish stories is almost as old as Hollywood itself. The industry’s founders famously shied away from approving Jewish films for fear of drawing attention to their own Jewish identities. A generation later, it took decades for a mainstream film to depict the Holocaust (Sidney Lumet’s “The Pawnbroker”), and even then, it was only in brief flashbacks. In our era of diversity initiatives and calls for fair and favorable representation of minorities in media, Jews are portrayed through the narrowest possible lens. A recent groundbreaking study from the Norman Lear Center at the University of Southern California’s Annenberg Center quantifies this, noting that the vast majority of Jewish characters are portrayed as white, presumably Ashkenazi, in high-powered professions with little or no religious affiliation. Orthodox Jews fare worse, often being portrayed as “other.”
This monochromatic depiction of Jews in popular entertainment is having serious and significant consequences. Perceptions that Jews have wealth and power drive antisemitic conspiracy theories—theories that might be countered by more stories about working-class Jews. The impression that all Jews are white Europeans plays a big role in the anti-Israel “colonialist” narrative—a narrative that might be undermined by more stories about Jews from Arab lands. Dehumanizing depictions of Orthodox or Chassidic Jews as a backward “other” makes it easier for people to brazenly attack those Jews on the streets of New York—attacks that might be mitigated if those Jews were portrayed and, consequently, seen as friends, neighbors, co-workers or fellow citizens.
A dramatic change is required in the way that Jews are portrayed in popular entertainment. But that change will not come from Hollywood. Those very executives who voted on the “Black List” scripts grew up on the same media stereotypes as the rest of the country. Their perceptions of Jews, even if they, themselves, are Jewish, derive at least in part from Hollywood itself. To break Hollywood’s Jewish mold and expand the palette of Jewish representation, we need to demonstrate the potential of those stories outside of the industry’s centers of power. Fortunately, this is already beginning to happen.
Independent filmmakers like Daniel Robbins are finding ways to push their Jewish stories onto the screen. His hysterical “Bad Shabbas” won the audience award at the 2024 Tribeca Film Festival. Nonprofits like the Maimonides Fund are also putting resources into the creation of Jewish-forward narrative entertainment and into professional development programs like the Jewish Writers’ Initiative Screenwriters Lab, which provides funding, industry access, and a supportive framework for screenwriters to write new, Jewish screenplays.
It’s a great start, but more needs to be done.
If we want Hollywood to invest in diverse Jewish stories, we must first invest in them ourselves. Jewish federations should create their own Jewish film funds to support local filmmakers. Synagogue groups and denominational organizations should do the same to help lift their own stories onto the screen. Most importantly, we all must do as much as we can to help amplify the Jewish content that does, by some miracle, get produced. It’s up to us to demonstrate to Hollywood that Jewish content, full of real, authentic, diverse Jewish voices, is a worthwhile investment. We must be the champions of our own stories.
The post ‘Judenrein’ Hollywood? The Troubling Trend in Jewish Representation first appeared on Algemeiner.com.
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Israel Monitors Iranian Army Training Exercises
i24 News – Israeli security services indicated that they are monitoring the exercises and training of the Iranian army to ensure that there is no hidden intention behind the drills, Israeli national broadcaster Kan reported on Sunday.
This comes amid growing calls for Israel to take action against Iran, after the fall of the Assad regime in Syria and the defeat of Hezbollah in Lebanon.
Israel Beiteinu chairman and lawmaker Avigdor Liberman told Kan he supported a strike against Iran. “Without Iran, there is no Yemen,” the former defense minister said. “We must decide whether we wait to receive missiles from Iran or if we carry out a preemptive strike, calming Iran and eliminating its nuclear program.”
“We must move forward, we do not need to wait for missiles to explode here, in the heart of the country,” he said.
Over the past weeks, the Houthis have escalated their rocket and drone attacks against Israel. The Iran-backed group even launched missiles at the Jerusalem area.
“The government is trying to normalize this madness,” Liberman said. “We can eliminate the Iranian nuclear program ourselves. We have no choice. Following the announcement by the Director General of the IAEA that Iran has violated every agreement, we should have convened the cabinet for a marathon discussion. We do not need to wait, they have never given up the idea of destroying the ‘Zionist entity.’”
Last Tuesday, the Iranian ambassador to the United Nations sent a letter to UN Secretary-General Antonio Guterres, stating that the Iranian attack on October 1 was justified following the confirmation of Hamas leader Ismail Haniyeh’s killing in Tehran by Defense Minister Israel Katz.
The post Israel Monitors Iranian Army Training Exercises first appeared on Algemeiner.com.
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