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Low Cut Connie’s Adam Weiner chronicles his Jewish evolution on new single ‘King of the Jews’
(JTA) — Adam Weiner, leader of the rock band Low Cut Connie, says he can find inspiration in just about anything.
“I could be sitting at a salad bar at a mall, and that gives me everything I need to know,” he said on a video call from a house in New Mexico, where he was taking a short break from his summer touring schedule.
But in recent years, Weiner has been pulling from what he calls his “Jewy-ness” in his songwriting. On Tuesday, the process of exploring that side of his identity hits a peak, as he releases a single titled “King of the Jews,” which will feature on the band’s next album, “Art Dealers,” out Sept. 8.
The soulful piano ballad doesn’t break distinctly new ground for Low Cut Connie, which for over a decade has churned out several albums of bluesy, bar-soaked rock and roll with just a slight contemporary garnish. Weiner’s retro style has earned him fans from Elton John to Barack Obama and a devoted following who closely follow his boisterous live act.
But lyrically, the song gathers up several bits and pieces of the Jewish theme that has been more hidden in his previous work: the feeling of being an outsider, of feeling uncool, of being at the end of a “millennia-long anxiety about what’s coming.” (It also contains what seems to be his favorite Yiddish word, schmuck, which he has used several times in other songs.)
He said in the past he has downplayed those feelings and his Jewish identity, especially on the road. These days, he often wears a Star of David necklace; he recalled tucking it under his shirt while playing to a bar crowd in rural Illinois, where he could see swastika tattoos on some people in the crowd.
“When you’re a touring artist like me, and you play in Kansas and Iowa and overseas, I’ve been in so many situations for the last 15-plus years, where I, consciously or unconsciously, obscured talking about being a Jew,” Weiner said. “I’ve run into very ropey situations out there.”
The music video for “King of the Jews,” which is premiering a day early on the Jewish Telegraphic Agency, shows Weiner slowly wrap tefillin around his arm (something he does not do regularly as a mainly secular Jew). Some of the non-Jews who watched the video in its early stages thought the ritual phylacteries were part of an S&M object.
“They thought it was some sort of like Robert Mapplethorpe kind of kinky thing,” he said, referring to the photographer known for his erotic black and white photographs from the 1960s and 1970s.
The song and video position Weiner as one of the most outwardly Jewish personalities in contemporary rock. Ezra Koenig, the leader of Vampire Weekend, has hinted at his Jewish identity in lyrics and a music video that includes a staged Passover seder. The sisters of Haim often make Jewish references on their social media accounts (and talk about how they earned matzah ball soup as payment for their first gig). Pop producer Jack Antonoff made headlines for wearing a Star of David necklace. And Sabrina Teitelbaum, aka up-and-coming rocker Blondshell, is a recent example of a new voice mining her secular Jewish identity in her music.
Weiner said he has been putting his Jewish identity — and neuroses, the fear that something bad is coming — at the heart of his project for a while now, even as it might not always have been detectable to all his listeners.
“In this culture and in the politics, you think you’re on safe ground, and you might not be. And delivering that message with a lot of humor and levity is very Jewish,” he said.
In an interview, Weiner, 43, argued that being Jewish was more “cool” in the 1970s, and explained how being a Jew in a completely different time has affected him.
“There were so many Jewish entertainers and musicians who were very Jewy, whether it was Barbra Streisand or Neil Diamond or Lou Reed or Bob Dylan. Then in acting you had like Dustin Hoffman and Elliott Gould,” he said. “There was a real Jewish sensibility in that era.”
He said he thought the times had changed.
“It’s not particularly cool to be Jewish at this time,” he said. “The models of beauty and popularity … I realized that I kind of had internalized certain things about how I should look, talk and present myself that were very unflattering for myself. And luckily, over the years, my Jewy-ness asserted itself so much that I shed a lot of those things.”
Adam Weiner wraps tefillin on tour. (Jacob Blickenstaff)
Weiner grew up in Cherry Hill, New Jersey, in what he called a “traditional Conservative” household — on the dial between Conservative and Orthodox.
“It was not fun,” he said. “I had friends who went to Reform synagogues with a hippie vibe, with acoustic guitars and secular popular songs and stuff. And that wasn’t how I grew up, mine was very strict, and very, very stone-faced.”
Weiner felt alienated from religion in his 20s, throughout which he worked several jobs — including at a mall as a perfume spritzer, a word he pronounces in its Yiddish version, as shpritzer — before his music career took off in his 30s. He steadily gained a following, and in 2020 earned his biggest wave of press coverage for his “Tough Cookies” series of quarantine shows he live-streamed from his apartment with his Low Cut Connie guitarist. He started many of those streams with a greeting of “Mazel tov, motherf—ers,” and occasionally talked about Yiddish words — in his view, he got “outrageously Jewy.”
“People really responded to it,” he said. “And it was a nice moment for me because I realized that I had been obscuring a lot of that, and trying to be cool in a way. And I was like, I am extremely Jewy. Just gotta embrace it. And that is cool.”
Low Cut Connie, shown here at the SXSW festival in Austin, March 18, 2023, has been known to play hundreds of shows per year. (Salihah Saadiq Barnett/Rolling Stone via Getty Images)
He did something else after the start of the pandemic that he had never wanted to do before: perform at his hometown Jewish community center. He had long been the pride of the Cherry Hill Jewish community, and the JCC had asked him to perform multiple times over the previous decade. He had always thought his rowdy, sometimes profanity-laced show wasn’t a good fit.
But in 2021, he agreed and performed at a fall festival there.
In the end, he described it as a career highlight — mostly because he could lean into a sense of humor he felt doesn’t translate everywhere. The following night’s headliner, after Low Cut Connie’s night, was going to be Jake Tapper, in discussion with an interviewer.
“Before the show, they were like ‘We’ll take each of you to your dressing room,’ and they took me into the men’s locker room at the JCC, literally with like 85-year-old men with sweaty balls, putting talcum powder on themselves,” he said. “And they’re like, ‘We know you’re gluten-free. So we got you a gluten-free meal.’ They brought me a plate with five microwaved chicken nuggets on it and a couple ketchup packets.
“So I come out on stage, and I was like ‘Jake Tapper is here tomorrow night — I want to know if Jake Tapper is going to be in the locker room with all the sweaty balls. And are you going to give him five gluten-free chicken nuggets?’ …It really worked well.”
His Jewish-tinged humor hasn’t worked everywhere. He recalled a performance at Jack White’s hip Nashville record label and small venue, Third Man Records, that bombed. When he made a Jewish joke and one person laughed, Weiner pointed at the man and yelled “Jew!” A local paper called the routine antisemitic the following day.
Weiner is excited for what is next for the band and his unabashed in leaning into his Jewish side on stage. He pointed out that he sometimes wears a jacket covered in Stars of David.
“I realized that even though I don’t have religious faith, even though I don’t keep kosher, and I don’t pray, I’m one of the most Jewish people that I know,” he said.
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The post Low Cut Connie’s Adam Weiner chronicles his Jewish evolution on new single ‘King of the Jews’ appeared first on Jewish Telegraphic Agency.
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Black Muslim Leaders Call on Supporters Not to Vote for Kamala Harris Due to Gaza, Israel Policy
US Vice President and Democratic presidential candidate Kamala Harris speaks during a campaign event in Eau Claire, Wisconsin, US, Aug. 7, 2024. Photo: REUTERS/Erica Dischino
Black Muslim leaders across the United States are calling on their supporters to withhold their vote from Democratic presidential nominee Kamala Harris, accusing the incumbent US vice president of facilitating a so-called “genocide” in Gaza.
In a letter published by the Middle East Eye on Monday, 50 black Muslim leaders called on members of their community to embrace the legacy of “black liberation” by only voting for candidates who support a ceasefire in Gaza and an arms blockade on Israel. The coalition of Muslim leaders urged their followers to reject the notion that Harris would be better on domestic issues and that a Donald Trump presidency would pose greater danger to Palestinians.
“As black Muslims, we also know that the Israeli government’s genocide in Gaza is a war on Islam,” the letter read. “The Israeli government and its unhinged army of cowardly criminals have filmed themselves destroying mosques, burning Qurans, and slandering our sacred religious figures. The supremacist Israeli government has also destroyed churches and attacked the Palestinian Christian community.”
The black Muslim leaders condemned the Biden administration for supporting Israel’s defensive military operations against the Palestinian terrorist group Hamas in Gaza. The coalition also slammed Harris for not taking a more adversarial position against the Jewish state since she replaced US President Joe Biden at the top of the Democratic presidential ticket.
“All of this has occurred under the watch of the Biden-Harris administration, which has provided steadfast military, financial, diplomatic, and rhetorical support for the Israeli government’s war crimes for four years, including at least $18 billion since the start of the genocide,” the group wrote.
The Muslim leaders lambasted Harris over her repeated refusals to implement an arms embargo against Israel. In recent months, anti-Israel activists have attempted to pressure Harris into agreeing to block weapons transfers to the Jewish state. In August, the her campaign released a statement denying any support for such a move and affirming Harris’s commitment to ensuring “Israel is able to defend itself.”
“Vice President Harris has explicitly opposed an arms embargo on the Israeli government even though US law requires it. She has refused to lay out any plan whatsoever to force [Israeli Prime Minister Benjamin] Netanyahu to accept a ceasefire deal in Gaza that ends the genocide,” the letter stated. “She has validated the Israeli government’s efforts to spark a regional war with Iran, leading to instability in the region and the world at large. Just this week, she said that she would not have done anything differently than President Biden over the past four years.”
The coalition attempted to draw a parallel between the experience of black Americans and Palestinians, arguing that the Palestinian inhabitants of Gaza and the West Bank are subject to brutal racial discrimination.
“As Muslims obliged to uphold justice and as black Americans whose ancestors experienced the worst of crimes, genocide must be our red line,” the letter added.
“There’s a false narrative that is being pushed that the majority of Muslims who are black are Kamala Harris supporters,” Imam Dawud Walid, a Muslim leader from Michigan, told the Middle East Eye. “There’s this narrative that is trying to divide the community to say that the majority of Muslims who aren’t black are supporting third party, but the majority of Muslims who are black are somehow divided from the rest of the community, and that’s not true.”
In the final stretch of the 2024 presidential election cycle, the Harris campaign has scrambled to coalesce support among Muslim voters. Despite aggressive overtures toward the Muslim American community, recent polls indicate that the vice president could experience a collapse of support among the demographic. Some polling data has shown Green Party nominee Jill Stein leading Harris among Muslim voters in the critical swing state of Michigan, while other polls show Harris and Trump tied with Muslim voters across battleground states.
Moreover, many Arab American leaders have continued to urge their community to withhold their votes from Harris, arguing that the Democratic party deserves “punishment” for supporting Israel. Groups such as “Abandon Harris” have encouraged Arab American voters to only throw their support behind anti-Israel candidates. Other groups such as the “Uncommitted Movement” have also pushed voters, especially in the Arab and Muslim communities, to refuse to cast a ballot in favor of Harris.
The post Black Muslim Leaders Call on Supporters Not to Vote for Kamala Harris Due to Gaza, Israel Policy first appeared on Algemeiner.com.
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On Simchat Torah, We Mourn — But Also Hope
In his 2016 book Essays on Ethics, Rabbi Jonathan Sacks wrote, “A people that can know insecurity and still feel joy is one that can never be defeated, for its spirit can never be broken nor its hope destroyed.”
This year, as Simchat Torah draws near, we are painfully reminded that joy and suffering often coexist. While it is a staple of the human condition for Jews, this paradox echoes relentlessly throughout our history.
In the Diaspora, we will feel this contrast differently. Shmini Atzeret — a day marked by solemnity with Yizkor and the prayer for rain — falls on the anniversary of October 7th. Only the second evening transitions into the joy of Simchat Torah.
In Israel, however, the two days merge into one, with the solemnity of Shmini Atzeret intertwined with the joy of Simchat Torah. This year, embracing the usual high spirits will be incredibly challenging for Israelis. The weight of national grief hangs heavy; indeed, no Simchat Torah will ever be the same again.
When we danced with the Torahs last year, despite knowing that a terrible attack was unfolding, the full extent of the horror was not yet clear. It was only after Simchat Torah ended that the devastating truth began to emerge: 1,200 people tortured, murdered, and mutilated; families torn apart; and hostages dragged into Gaza.
In the months since, every painful detail has come to light, making it nearly impossible to embrace the unrestrained joy that typically defines Simchat Torah. How can we celebrate when every smile is shadowed by memory, and every song tinged with sorrow?
And yet, my late mother’s story comes to mind — her first Simchat Torah after the Holocaust, celebrated in the city of her birth: Rotterdam, Holland. It offers a profound lesson for us today.
My mother was born in 1941, a year after my grandparents married during the Nazi occupation. The Nazis invaded Holland in May 1940, and began deporting Jews to concentration camps in 1942.
Fearing for their lives, my grandparents went into hiding, spending more than two years in a cramped space behind a closet in the home of a gentile friend. My grandfather, active in the Dutch resistance, emerged only at night to carry out covert missions against the Nazis — knowing the risks but refusing to submit to despair.
Meanwhile, my mother was taken in by a Christian couple who raised her as their own, shielding her from the terrors outside. After the war, they returned her to her parents.
When the Nazis were defeated by the Allies in May 1945, Jewish life in Rotterdam began to re-emerge, although only a fraction of the community remained — 75% of Dutch Jewry, more than 100,000 people, had perished in Auschwitz, Sobibor, and other camps.
That fall, the synagogue reopened, and Simchat Torah was celebrated once more. The Torah scrolls my grandfather had hidden with gentile friends were retrieved. Miraculously, Rabbi Levie “Lou” Vorst, who had survived Bergen-Belsen and the infamous “Lost Train,” stood at the helm of the diminished community.
But the celebration was bittersweet. Almost everyone in the synagogue had lost parents, siblings, spouses, or children. My grandparents had lost their parents, siblings, and their second child, my uncle Yitzchak, who had died of malnutrition during the war.
And yet, they danced. Survivors — many without homes or families — clung to the Torah scrolls as if their lives depended on it. My mother, only four years old, stood quietly in the synagogue, receiving candy from weeping survivors. With each piece placed in her open mouth, the message was clear: the future must be sweet, even when the past has been unbearably bitter.
When she was born in 1941, during the Nazi occupation, her parents named my mother Miriam Chana, but they also added a third name: Tikva — hope. Naming her Tikva was a bold act of defiance and a statement of faith that they would live to see better days.
Many Dutch Jews from Rotterdam later made their way to Israel, realizing the ultimate Tikva—the dream of building a new life in the Jewish homeland.
Today, some of my mother’s friends from Rotterdam reside at Beth Juliana, a residential retirement complex in Herzliya for Dutch immigrants. But even there, the echoes of violence persist. Just two weeks ago, during Yom Kippur, a Hezbollah drone from Lebanon struck the building.
Though no one was injured, the drone destroyed an apartment filled with precious heirlooms and decades of memories. Miraculously, the resident had sought shelter moments before the impact — a stark reminder that even now, nearly 80 years after the Holocaust, the shadow of antisemitic hatred still looms over Israel.
As we mark the first anniversary of October 7th, I find myself returning to the image of those weeping survivors dancing with the Torahs in Rotterdam. If they could dance, surely we can too.
But just like them, our dancing this year will be different. Maybe it will be slower, or perhaps more enthusiastic — but whatever it is, it will be infused with memory, sorrow, and, most importantly, defiance. Our celebrations will not deny the pain but embrace it, just as my mother’s community did all those years ago.
The joy of Simchat Torah is not naïve happiness; it is the joy that comes from standing together, united in faith, knowing that despite everything, we are still here. Just as my grandparents emerged from hiding to rebuild, and just as the Torahs were salvaged from the ruins of Rotterdam, we too will lift the Torahs this Simchat Torah and say to our enemies: We are still here.
And we will hope. For without hope, there is no future. My grandparents named their daughter Tikva, believing in a day when evil would be defeated. We, too, must carry the torch of hope into the future. We will dance, and we will cry.
But above all, we will hope. Because even after the darkest of nights, the sun will rise again. And when it does, we will be ready to rebuild — one dance step at a time.
The post On Simchat Torah, We Mourn — But Also Hope first appeared on Algemeiner.com.
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Germany’s Eurovision Contestant Calls Out ‘So Much Hate’ Against Israeli Singer Eden Golan During Competition
The representative of Germany Isaak at the Eurovision Song Cotest entering the main stage on May 11, 2024 in Malmo, Sweden. Photo: Sanjin Strukic/PIXSELL/Sipa USA via Reuters Connect
Germany’s representative in the 2024 Eurovision Song Contest shared his thoughts in a recent interview about the hatred and booing that Israeli singer Eden Golan received while competing on behalf of Israel in the international competition earlier this year.
“I can definitely understand why everyone was booing, but I think the Eurovision Song Contest says we are all ‘united by music’ and I didn’t see no unity,” German singer Isaak, 29, said in an interview with Irish blogger allthingsadam.ie, referring to the official slogan of the Eurovision competition. He further said of Golan: “It’s a young musician performing quite well and everyone f—ked her off. There was so much hate in this room, and hate shouldn’t be a place in the Eurovision Song Contest.”
Isaak finished in 12th place in the Eurovision finals this year in Malmo, Sweden, while Golan finished in fifth. The Israeli singer competed with a song called “Hurricane,” a reworded version of her original song “October Rain,” which was disqualified for being too political since it referenced the Hamas massacre in Israel that took place on Oct. 7, 2023.
Golan made it to the top five of the Eurovision contest despite being booed on stage by anti-Israel audience members, facing death threats, and having a Eurovision jury member refuse to give her points because of his personal feelings against Israel’s military actions during the ongoing Israel-Hamas war. Golan also said she had to conceal her identity outside her hotel room in Malmo because of the threats she received from anti-Israel activists angry about the Jewish state’s participation in the contest.
Isaak told Irish blogger allthingsadam.ie that he believes Golan was bullied during the competition. He then criticized people for wrongfully targeting Golan with hatred when they have issues with the state of Israel but not the singer herself. The German singer then said the animosity was misguided and it was wrong for Golan to face such abuse just for her affiliation with Israel. He said a personal experience like what Golan faced can deeply scar a musician
“Do you know how young she is?” Isaak asked about the 21-year-old Israeli singer. “This is your life goal and you wanna be part of Eurovision Song Contest and you’re going on that stage … just image Germany f—ks up in some point. And I’m German and I wanna be part of the Eurovision. And I’m just a random musician, I just wanna show them my music. I’m not the f—k president. I’m just a random musician, I just wanna make a small kid’s dream come true. And then I go on that stage and no matter how good I am, no matter how f—k amazing I can sing, the people just see my country and they just boo me out. I think that would be the most terrible thing that could maybe ever happen to me. I think that can definitely leave scars.”
Isaak also talked in the interview about his experience backstage with the other singers at the Eurovision competition. “You didn’t really have that feeling [that] we are all ‘united by music.’ It was a little bit sad behind the stage, that’s what I think. There could have been more love, more connectivity, and more passion,” he said.
The 2025 Eurovision Song Contest will take place in Basel, Switzerland, in May. Bakel Walden, chairman of the Eurovision Song Contest Reference Group, discussed in a recent interview with Swiss media some changes to next year’s competition. He said the European Broadcasting Union (EBU), which organizes the competition, “will pay more attention” to the well-being of artists in the future and stated that it is vital for the competition to maintain political neutrality. He insisted that “antisemitism has no place at the ESC.”
“The ESC stands for freedom of expression. The artists can comment on anything and also demonstrate in front of the hall. But on stage you need certain rules,” he said. “We want an ESC in which everyone puts their heart and soul into it. We cannot solve the many wars and conflicts in the world during the ESC. But it is a strong statement if we treat each other fairly, peacefully, and respectfully.”‘
Walden added that for next year’s competition the EBU will also have a crisis management team and “retreat rooms” for artists to relax where there will be no filming allowed.
The post Germany’s Eurovision Contestant Calls Out ‘So Much Hate’ Against Israeli Singer Eden Golan During Competition first appeared on Algemeiner.com.