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Meet Amichai Chikli, Israel’s new Diaspora minister, who opposes BDS and Reform Judaism
(JTA) – The Israeli ministry responsible for engaging with the half of the world’s Jews who don’t live in Israel has gotten a new name — and a leader who disdains the values of many American Jews.
Amichai Chikli announced during his swearing-in ceremony Monday that his ministry was changing its name from the Ministry of Diaspora Affairs to the Ministry for Diaspora Affairs and the Struggle Against Antisemitism. The name change is a sign that Chikli could plan to focus on the problems of the Diaspora more than his predecessors, who have focused largely on promoting Israel to Diaspora Jews.
Chikli is the son of a Conservative rabbi who lives on a kibbutz founded by the Conservative movement of Judaism, which he defends but says he no longer identifies with. He vaulted into prominence within Israel last year when he became the first member of the Knesset, Israel’s parliament, to break with then-Prime Minister Naftali Bennett over Bennett’s decision to form an alliance with left-wing and Arab parties.
Though Chikli holds some views promoted by Diaspora Jews, he is disdainful of Reform Judaism, the largest denomination in the United States, and of the politics of American liberals, including President Joe Biden, who won a wide majority of U.S. Jews’ votes. He has said he believes the Pride flag is an anti-Zionist symbol and also equates public criticism of the Israeli government with antisemitism, a position that American Jewish groups have been fastidious about saying they do not hold.
“I have a problem with the trend of Reform Jews seeking to assimilate and affiliate themselves with groups who are anti-Israel,” Chikli told the Forward last year.
“The Reform movement has identified itself with the radical left’s false accusations that the settlers are violent, so they have earned the criticism against them, and I cannot identify with them,” he told the Jerusalem Post, also last year. “They are going back to their roots in Germany of anti-Zionism and anti-nationalism. It’s a tragedy that they are going there.”
Chikli’s appointment comes as Israel inaugurates a right-wing government that includes extremist parties, as well as one minister who has been convicted of inciting violence. The government and its priorities have drawn sharp criticism from Diaspora Jews, including from hundreds of U.S. rabbis who have pledged not to invite any members of extremist coalition blocs to speak to their communities.
Unlike some of his colleagues in the new government, Chikli says he believes there should be a space for egalitarian prayer at the Western Wall, a priority for many Diaspora Jews. He also criticized a haredi rabbi’s condemnation this week of Amir Ohana, a gay ally of Prime Minister Benjamin Netanyahu who is the new Knesset speaker, saying on Twitter, “There is no disease more dangerous than baseless hatred.”
But he appears to be on the same page as some of the extremist politicians about the propriety of LGBTQ demonstrations, calling Tel Aviv’s Pride Parade a “disgraceful vulgarity” in a Facebook post this summer. (He said he believes sexual identity should be “subdued.”) He also shares their disdain of Reform Judaism, a frequent target for some of the Religious Zionist politicians who are part of the governing coalition.
In his new role, Chikli faces the task of winning over American Jewish leaders who may well be skeptical of or dismayed by Israel’s rightward shift. With his coalition seeking to narrow the definition of who is considered Jewish, make it harder to move to Israel, and strip rights from minority groups within Israel, including LGBTQ Jews, Israeli Arabs and non-Orthodox Jews, that task could be quixotic.
One area of ideological overlap, though, is in the fight against antisemitism, which watchdogs say is on the rise in the Diaspora.
Israel has gotten more involved in fights over antisemitism and anti-Zionism in the United States in recent years, appointing actress and activist Noa Tishby as its first ever “special envoy for combating antisemitism and delegitimization” last year. Tishby’s travels have included visiting the campus of the University of California-Berkeley in the midst of a student anti-Zionist controversy at that school, and making appearances as a talking head on Fox News.
Chikli has indicated that colleges and universities are an area of special interest for him. “I am very worried about what is happening on the campuses,” he said in the Jerusalem Post interview. “It is heartbreaking to see Jewish young people who concede their connections to their people and their heritage in order to connect to the latest fashionable movement that they are calling woke.”
The Israeli government also involved itself in recent legal negotiations that resulted in regional rights to ice-cream maker Ben & Jerry’s being sold to an Israeli company after the Ben & Jerry’s U.S. board attempted to halt the sale of its products in “occupied Palestinian territories.”
Like U.S. Jewish leaders (and Biden), Chikli vociferously opposes the movement to boycott, divest from and sanction Israel, known as BDS. He believes that anti-Israel sentiment is inherently antisemitic, issuing a stern warning to American Jews in his Forward interview.
“Don’t think that joining anti-Israel movements will help you with anything,” he said. “In the end, the folks from the BDS movement will attack you and your children because it’s not Israel that they hate, they hate Judaism.”
On Wednesday, Chikli accused Yair Lapid, the opposition leader and past prime minister, of being “the spearhead of the BDS movement” because Lapid plans to speak critically to U.S. audiences about the new government.
“What Lapid is doing now as an outgoing prime minister is a disturbing irresponsibility,” Chikli said in public comments that he also tweeted. “He does not understand that when he tells the whole world that this is a ‘dark’ government, the world does not make a separation between government and state. That’s exactly how BDS does its work.”
Chikli’s predecessor, Nachman Shai, met early in his tenure with the heads of the Reform, Conservative and Orthodox movements in the United States to push the message that Israel would embrace all denominations of Judaism equally.
On the occasion of the new government, Shai recently said that Israel could soon become hostile to Reform and Conservative Judaism.
Exactly how Chikli plans to engage with Diaspora Jews in his role, and when, is not yet clear; he did not respond to a request for an interview on Thursday. But he has started his tenure by taking action — canceling a 5 million NIS ($1.4 million) contract with a nonprofit group that Shai had struck shortly after the election. Chikli said the group, which has ties to Israel’s left, was “political” but that he was canceling the contract because it was inappropriate to strike one when the ministry’s leadership was set to change.
Another plan approved shortly before the election also faces an uncertain future: a $2.3 million contract with the Reform and Conservative movements in the United States to improve Israel’s image among young and liberal American Jews.
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The post Meet Amichai Chikli, Israel’s new Diaspora minister, who opposes BDS and Reform Judaism appeared first on Jewish Telegraphic Agency.
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At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption
(JTA) — BERLIN — They stood outside Berlin’s Babylon theater, bundled against the cold, laughing and dragging on cigarettes: the Cunio twins David and Eitan, and their younger brother Ariel.
David and Ariel were among the last Israeli hostages released in October from Hamas captivity, after 738 days. Their presence in Berlin — for a screening of a film about them, now recut with a redemptive ending — felt almost like an apparition. On the other side of two heavy glass doors were hundreds of theatergoers, people who had long waited for this moment.
The brothers and their extended family were in Berlin for a second premiere of Tom Shoval’s film “Letter to David.” The original film, shown in 2025 at the Berlin International Film Festival, or Berlinale, dove deep into the struggles of a family whose members had been abducted from Kibbutz Nir Oz on Oct. 7, 2023. By then, six kidnapped members of the family, including three children, had been freed. But David and Ariel remained in captivity.
“Last year I was standing before the screening with a poster of David and Ariel. I was determined, every time I showed the film, to say that it’s an unfinished film,” Shoval told the sold-out audience at the theater in former East Berlin.
“And now I’m standing here. I have David in the audience, and I have Ariel in the audience,” he continued. “This is a precious, precious moment.”
The film “is a testament to love, hope and all the people who did not give up during the two years I was in captivity,” David Cunio said in Hebrew, standing on the stage with his extended family. “You gave me a voice when I could not be present. You were there for me.”
The film’s second showing came as tensions over the war in Gaza and Germany’s support for Israel roiled the Berlinale. After the jury’s president, director Wim Wenders, brushed off a journalist’s exhortation for the festival to take a stand against Israel, the Indian author Arundhati Roy announced she would not attend, and some 80 filmmakers and stars signed an open letter of protest.
Festival director Tricia Tuttle issued a statement saying that “artists should not be expected to comment on all broader debates about a festival’s previous or current practices over which they have no control. Nor should they be expected to speak on every political issue raised to them unless they want to.”
Journalists and filmmakers continued to raise the issue, even on the festival’s final weekend, when some award winners — including the Syrian-Palestinian director Abdullah Al-Khatib, who won best debut film — swatted back at the festival jury, criticizing what they see as Germany’s general support for Israel. Al-Khatib’s allegation that Germany has been “partners in the genocide in Gaza by Israel” prompted a German minister to walk out of the awards ceremony on Sunday.
Friday’s screening of “Letter to David” was by contrast a love fest, and the two police cars out front and uniformed officers circulating inside appeared to have little to do. The audience gave the entire family a standing ovation before the screening.
“I think this is a piece of history,” audience member Nirit Bialer, an Israeli who has lived for years in Berlin, said in an interview. “Just seeing the family, and just following the story about this family on the media, going to the Hostages Square in Israel every time I was there in the last two years: Wow, I’m speechless.”
The film’s original ending showed twins David and Eitan Cunio as actors, grappling with each other in an embrace that is both tender and violent, in a scene from Shoval’s feature film, “Youth,” screened at the Berlinale in 2013.
That ending now segues into a new conclusion, in which the reunited Cunio family embraces. They also view the film together, and Shoval captures their faces as the projector beams from behind.
Shoval said in an interview that he had not changed anything in the first part of the film. “I wanted to leave it as a time capsule, in a way, of how we perceived it back a year ago,” he said.
Though he had been invited to be with the family at their reunion, he chose not to, explaining, “I thought it’s a moment that belongs to them and not to me.”
But he spoke with David soon after he was released. And shortly afterward, he visited Sharon and David Cunio at their home. “I came in the morning and we sat until sunset together and we talked. Even when I’m thinking about it now, I’m getting emotional, because it was really…” He paused. “You’re waiting for a moment for this for so long.”
The Friday screening was not an official part of the Berlinale, but the beleaguered festival director Tuttle made a point of taking the stage herself. The film has been “finished in the way that Tom only hoped and dreamed and believed that he would be able to finish it,” she told the audience.
“We were horrified along with the world and all of you when David Cunio and many members of his family were abducted by Hamas,” she said. And on their release “we rejoiced with everyone as well.”
Saying that the new version was completed too late to be included in the festival schedule, Tuttle thanked two co-production companies that work closely with Israeli artists for backing Friday’s screening: the Israel-based Green Productions and the Berlin-based Future Narrative Fund.
Audience members seemed loath to leave the theater after the screening, lingering over what some described as mix of happiness and worry.
“The fact that David is able to see the movie makes us see the movie in a different way,” commented Konstantin, who had seen the original version last year. A young Jewish actor who lives in Berlin, he asked that his full name not be used, out of concerns about antisemitism. “With the ending, it’s like a full circle, completed.”
Seeing the film again with the Cunio family present “was very uplifting and very happy,” said Berliner Julia Kopp, who also saw the film last year. “But at the same time, it’s not a happy ending … I also have a bit of a heavy heart,” worrying about “how life will go on for them.”
Both brothers have indicated that reentry into everyday life has been challenging after two years of captivity for them and two years of traumatized advocacy by their loved ones. And Ariel Cunio and his partner Arbel Yehud, who was held in captivity until January, have raised nearly $1.8 million since launching a crowdfunding campaign last week aimed at allowing them the time and space to “come back to life.”
A crowdfunding campaign launched on behalf of David and Sharon Cunio their twin daughters, also former hostages, says, “The family not only has to deal with the trauma that follows being held hostage and the events that transpired on October 7th, but also needs to rebuild their entire lives from scratch.”
Shoval said the film — and the screening — offered a vision for what a more settled future might look like.
“For me, the film is about the unification of the brotherhood, and what that means to be torn apart from each other, but also to get back,” Shoval said. “They can sit in the theater and they can see themselves. They can see what they missed, what happened. They can project about the past, about the present. This is a power of cinema, I feel. It felt natural for me to do that: to bring them back.”
The post At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption appeared first on The Forward.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
The post He may have been the world’s most famous mime, but in this play, he won’t shut up appeared first on The Forward.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
The post US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor appeared first on The Forward.