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Meet the rabbi who is helping bring legal cannabis to New York
(New York Jewish Week) — As New York gears up for a new landscape of legal marijuana, one rabbi will bring his experience retailing weed to help others “squeeze more out of life.”
Rabbi James Kahn is part of a company, “Keep It A 100,” that is one of the first to be licensed to open a cannabis dispensary in the state. When he wasn’t teaching Jewish college students or running chaplaincy services for a Jewish social service agency, he helped run a family-run marijuana business in Washington, D.C. and is the executive director of Liberty Cannabis Cares, the social impact arm of Holistic Industries, a prominent dispensary business in Maryland.
“Suffering is not a mitzvah,” Kahn, who was ordained at Boston’s Hebrew College and has served as the senior Jewish educator at the University of Maryland Hillel, told the New York Jewish Week. “Giving people permission to use cannabis to enjoy and to take time for self care, for healing, for connecting with people, it’s just another tool that Hashem has given us to live better lives.”
Keep It A 100 is one of the 36 winners of the state’s Conditional Adult-Use Retail Dispensary (CAURD) program, which offered the licenses to sell weed to people and nonprofits who had previously been convicted of marijuana-related crimes. New York’s first dispensary, opening Thursday at 750 Broadway in Manhattan’s Astor Place neighborhood, is being run by Housing Works, the HIV/AIDS service organization.
“When done right, cannabis can be a force for good — for individuals and the communities they live in,” Kahn said. “That is my mission.”
Kahn has partnered with Marquis Hayes, a Bronx native and former drug dealer who got out of prison in 2007 and has since become a highly regarded professional chef. He will source the product for Keep It A 100, while Kahn will provide capital and expertise. Their first “retail experience” will be on Long Island.
Rabbi James Kahn, shown with a menorah-shaped bong, saw the benefits of cannabis when his grandfather sought relief from multiple sclerosis. (Courtesy)
“It’s focused on giving licenses to people who have been injured by the war on drugs, who have really worked to not let that injury define them, but have come out of that place and form businesses that were profitable,” Kahn said of the CAURD program. “I wanted to take what I know about how to run a successful and impactful cannabis retail store and share that knowledge with a partner who really deserves this opportunity. I want to make sure he is as successful as possible.”
Kahn does not have a set date for when the dispensary will open, but said that “it will be in a few months.”
Kahn also worked at the Washington, D.C.-area Jewish Social Service Agency. At Liberty Cannabis Care, he works “to make cannabis a force for good in every state we operate in, and in every neighborhood we’re lucky to be a part of,” according to its mission statement.
Other partners in Keep It A 100 include psychotherapist Kim Stetz and experienced Maryland cannabis business owner Christina Betancourt Johnson.
Kahn’s connection to cannabis goes back to his grandfather: When Kahn was a teenager, his mother’s father suffered from “severe” multiple sclerosis and asked Kahn to help him find marijuana.
“He was hesitant to try cannabis because of the stigma that surrounded it,” Kahn said. “He was not a fan of hippies or cannabis. An aide offered him cannabis and it worked. The first bong I ever saw was my grandfather’s.”
Kahn’s father, Rabbi Jeffrey Kahn, was a rabbi during the AIDS epidemic in the 1980s, where many people were “benefitting from cannabis around that time.”
“[My father] was thinking about it back then,” Kahn said. “There were a lot of folks who were concerned about the stigma and shame that was attached to cannabis. Was cannabis kosher? Not just from the technical standpoint — it is just a plant — but from a moral standpoint.”
In 2011, the family opened the capital’s first medical cannabis dispensary, the Takoma Wellness Center.
Kahn said that he sees his dispensaries as a gathering place for “folks of every kind and background who love cannabis.”
“It’s a place to be seen and to be valued and to get to talk about their favorite plan,” Kahn said. “Marquis is a world-renowned chef and knows how to create this unique experience.”
He added that the dispensary will also offer a delivery service, which will “probably open prior to the retail store.”
He added that while cannabis has not been “at the forefront of the modern Jewish age, the cannabis industry is full of Jews.” A current exhibit at the YIVO Institute for Jewish Research, “Am Yisrael High: The Story of Jews and Cannabis,” also explores the extensive Jewish presence in the weed industry, legal and not.
“Judaism is relevant because it helps us squeeze more out of life,” Kahn said. “It’s helped me use cannabis in a way that I would call sacred.”
Kahn said he is fascinated by the history of cannabis within Judaism, mentioning an archaeological dig site in Tel Arad in Israel, where traces of cannabis were found in the ancient remnants of a Jewish temple.
“This would have created a dense smoke that is responsible for creating a high from cannabis,” Kahn said.
He added that he has had “interesting experiences reading sacred texts while consuming cannabis.”
“All cannabis is medicine,” Kahn said. “The word ‘recreational’ is often seen as less than. We Jews have long known the value of rest, of stopping. That’s at the heart of Shabbat. In order to have holiness, we need to give ourselves the space to experience it.”
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The post Meet the rabbi who is helping bring legal cannabis to New York appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”