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Meet the real-life rabbi in the synagogue scene of ‘Are You There God? It’s Me, Margaret’

(JTA) — Rabbi Michael Wolk was nervous when he stepped foot onto his synagogue’s bimah in May 2021 — but not because his congregation was returning to in-person prayer after a pandemic pause.

The jitters were because he was about to debut as an actor, in a role for which he hadn’t auditioned: as the rabbi in “Are You There God? It’s Me, Margaret,” which debuted in theaters on Friday.

Wolk was initially brought on as a consultant for the synagogue scene in the film adaptation of Judy Blume’s classic coming-of-age novel, published in 1970 — more than a decade before he was born. He was elevated to on-screen talent when the original actor for the role of Rabbi Kellerman left the project.

“They called me that night and said he doesn’t feel that he can do it — would I be willing to play the rabbi?” Wolk told the Jewish Telegraphic Agency. He said yes.

The story centers on a sixth-grader, Margaret (played by Abby Ryder Fortson), who has a Christian mother and Jewish father who have raised her in neither tradition. As part of Margaret’s grappling with her anxiety about growing up, she embarks on an effort to explore religion and visits a synagogue with her grandmother Sylvia, portrayed by Kathy Bates, who is pushing her to identify with Judaism.

Abby Ryder Fortson as Margaret Simon in “Are You There God? It’s Me, Margaret” with Kathy Bates as Sylvia Simon, her Jewish grandmother. (Dana Hawley/LionsGate Publicity)

In the story, Margaret and her family live in New Jersey, but the filming took place in Charlotte, North Carolina, where Wolk has been the rabbi of Temple Israel, a Conservative synagogue, since 2020. (That year, the synagogue petitioned to have its name removed from a local memorial to Judah Benjamin, the Confederacy’s most prominent Jew.) A Long Island native, he came to the synagogue from a pulpit in Louisville, Kentucky.

The film’s producers asked Wolk to prepare what he referred to as a “sermonette” and to stand in the prayer leader’s traditional spot on the bimah in Temple Israel’s sanctuary, surrounded by stained glass. Some of his congregants sat in the pews as extras, which Wolk recalled as a breakthrough moment for Temple Israel, coming a year into the pandemic.

“It was my first time being in the room, being on the bimah with the people in the congregation,” he said. “Even little things like that moment of people responding ‘Shabbat shalom’ when I said it to them, there was something very moving about that.”

But the moment was hardly a typical Shabbat service. For one thing, it was a weekday. For another, Wolk was wearing a black robe, commonly worn by Conservative rabbis and cantors in the mid-20th century but not in fashion today. And his sermon was interrupted repeatedly.

Margaret, the main character in “Are You There God? It’s Me, Margaret,” prays by herself as she searches for meaning in her life. (Screenshot from YouTube)

“It did not feel like I was leading a service at any given time because they would have me say ‘Shabbat shalom’ 100 times and have the people and the extras in the room respond ‘Shabbat Shalom’ over and over again,” Wolk said.

The synagogue scene, which is just a few minutes long, took 14 hours to film.

Besides the rabbi’s attire, there are a few differences between the American Jewish world of “Are You There God? It’s Me, Margaret” in the 1960s and 1970s and the one today. The film has a female cantor, which wouldn’t have been the case at the time the movie takes place. While the book and movie don’t specify which movement of Judaism the synagogue Margaret visits belongs to, women weren’t ordained in the Reform movement until 1972 and in the Conservative movement until 1985.

“I did point that out and they were interested in representation,” Wolk said. “And that doesn’t bother me that much, but I know that it’s historically inaccurate.”

There are some other continuity issues with the scene: The actors used the prayer books in Temple Israel’s sanctuary, which were only published in the last decade. While the congregation is well over a century old, its current building wasn’t constructed until 1992. And, Wolk confessed, he is wearing an Apple watch, though it is obscured by his robe.

But also, he said, norms around interfaith families like Margaret’s have changed over the decades. In the United States, Jews who married before 1970 married non-Jews 17% of the time, according to a 2013 population study; now, that number is well over 50%. But contrary to what some feared, many of those interfaith couples are raising their children at least in part with Judaism. Their synagogues have adjusted accordingly.

“At the point when the book was written, there was no expectation that an interfaith family would want to participate in the religious life and Jewish life of a synagogue,” Wolk said. “And we know that’s not true right now. We have any number of interfaith families who are active and involved in Temple Israel.”


The post Meet the real-life rabbi in the synagogue scene of ‘Are You There God? It’s Me, Margaret’ appeared first on Jewish Telegraphic Agency.

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New York Teacher Seeking to Unseat Ritchie Torres Calls for Socialism, Removal of All Pro-Israel Politicians

Andre Easton speaks to supporters in New York City (Source: Youtube: PSL National)

Andre Easton speaks to supporters in New York City. Photo: Screenshot

The race to unseat incumbent US Rep. Ritchie Torres (D-NY) is drawing attention not only for its electoral implications but also for the broader ideological project outlined by some of his opponents.

Andre Easton, a far-left, anti-Israel high school teacher and member of the Party for Socialism and Liberation, is running as an independent in New York’s 15th Congressional District on a platform that goes beyond defeating the incumbent. In new remarks, Easton suggested that unseating Torres would not, on its own, achieve the political transformation he seeks.

“We understand that this has to be built in the election system, in the election cycle, and outside of the election cycle,” Easton said, describing a strategy that blends electoral participation with grassroots organizing aimed at shifting political and economic power toward the working class. Easton then asserted that the implementation of socialism in the US was necessary to empower the economic downtrodden. 

Easton made the comments on Monday night during an event hosted at The People’s Forum in New York City. The event, titled “Palestine: A Test of Democracy,” featured a panel of individuals all donning keffiyehs — a traditional Arab headdress that has been repurposed following Hamas’s Oct. 7, 2023, attack on Israel to signify support for the anti-Israel political cause. 

Easton also argued that removing elected officials who support Israel would only address “a symptom,” framing his campaign as part of a broader effort to build a socialist system in the United States. He stated that having a few politicians removed for their “complicity in funding and supporting a genocide is a step in the right direction,” appearing to lend support to the false claim that Israel pursued genocide against the Palestinians during its campaign against the Hamas terrorist group in Gaza.

Torres, one of the most outspoken pro-Israel Democrats in Congress, has consistently backed the US-Israel alliance and condemned rising antisemitism. His positions have made him a prominent voice within the party at a time of growing internal divisions over Middle East policy. Leftists have taken aim at Torres, accusing him of supporting a so-called “genocide” in Gaza. 

During his remarks this week, Easton claimed that “349 members” of Congress have received “direct funding from Israel,” a characterization that misrepresents how US campaign finance works. Organizations such as the American Israel Public Affairs Committee (AIPAC) are US-based and funded by American donors, though they advocate for strong US-Israel ties and support candidates aligned with that position.

Supporters of Torres argue that such rhetoric suggesting foreign funding risks fueling harmful narratives, particularly amid heightened concerns about antisemitism. They contend that backing for Israel among US lawmakers reflects policy alignment rather than external control.

Easton, for his part, framed his campaign as an effort to mobilize supporters beyond traditional electoral participation. He encouraged individuals to become “active participants” and “active protagonists” in shaping political outcomes, emphasizing sustained engagement outside of election cycles.

Political analysts have noted that campaigns like Easton’s bid often aim to influence the broader ideological landscape even when victory is unlikely. By promoting more expansive policy goals and organizing committed supporters, such efforts can seek to shift the boundaries of mainstream political debate, sometimes referred to as the Overton window.

For Torres and his allies, the race underscores a wider debate within the Democratic Party over foreign policy, economic systems, and the role of activism in electoral politics. While the outcome of the primary remains uncertain, the contest highlights competing visions not just for a congressional seat but for the direction of the party itself. 

Another candidate seeking to defeat Torres is Michael Blake, a progressive former New York state assemblyman who is running an insurgent anti-Israel, left-wing campaign.

Efforts to unseat Torres are considered a longshot. Though little recent polling of the race has been publicly released, existing polls show Torres with widespread approval across his district. The 15th district, which contains the heavily Jewish Riverdale suburbs, is expected to reelect Torres, although the Democratic primary is still to be held in June, followed by the general election in November.

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German Intelligence Warns of Rising Iran-Linked Terror Threat

Broken glass and shattered storefront windows mark the façade of an Israeli restaurant in Munich after assailants smashed the windows and threw pyrotechnic devices inside during an overnight attack on April 9-10, 2026. Photo: Screenshot

As escalating tensions in the Middle East ripple into Europe, Germany’s domestic intelligence agency has raised the alarm over a growing threat from Iran-linked terrorist networks, prompting Jewish communities to heighten security amid fears of targeted attacks.

On Tuesday, the German Federal Office for the Protection of the Constitution warned of a rising threat level across the country and Europe more broadly from pro-Iranian extremist groups, specifically citing the expanding activities of Harakat Ashab al-Yamin al-Islamiya and signaling broader concerns about coordinated operations on the continent.

“What’s new is [the terrorist group’s] warning that they will no longer limit themselves to ‘simple’ attacks but will also include more dangerous means in the long term,” an agency spokesperson told the German newspaper Handelsblatt, pointing to an apparent shift toward more sophisticated and potentially lethal methods, including the use of explosives or weapons.

Since the start of the US-Israeli campaign against Iran earlier this year, European governments have tightened domestic security amid mounting fears that Tehran could activate proxy networks across the continent to retaliate against US, Israeli, and Jewish targets.

But even with increased security and heightened intelligence monitoring, Europe has seen a string of attacks targeting Jewish and Israeli institutions, several of them claimed by the newly emerged Iran-linked terrorist organization.

Just in April, Harakat Ashab al-Yamin al-Islamiya claimed responsibility for a wave of attacks across the UK, Germany, North Macedonia, Belgium, and the Netherlands, many of them concentrated in London.

Since emerging in early March, the group has taken credit for at least 15 attacks against Jewish and Western targets across Europe.

German intelligence has identified a recurring pattern, with young individuals repeatedly recruited via social media and encrypted platforms to carry out attacks in exchange for modest payments.

German officials suspect the terrorist group may be part of a broader Iraqi Shiite network with ties to Iran’s regional proxy infrastructure, raising concerns about cross-border coordination and external direction.

“The organization uses various channels from the Shiite extremist and pro-Iranian sphere on different social media platforms to report on its activities,” the agency said in a statement. 

“The group has also recently stated its political motivation behind its actions and openly threatened Israeli institutions as well as the so-called ‘enemies of Islam’ in Europe,” it continued.

In recent weeks, six sites across Greater London have been targeted, including a Jewish ambulance service and a Persian-language media outlet. In the latest incident on Saturday, an accelerant-filled bottle was hurled through the window of a synagogue in Harrow, on the outskirts of London.

Marc Henrichmann, who chairs the parliamentary oversight committee of Germany’s intelligence services, told Handelsblatt that the surge in incidents is “closely linked to the escalation of the Iran conflict,” warning that the spillover is already being felt across Europe as alarm grows among security experts.

“The threat to Jewish, Israeli, and American institutions remains high, even though they are already under special protection,” Henrichmann said.

“Our objective must be clear: to identify and dismantle these foreign-controlled terrorist networks, and to do so we must significantly strengthen our intelligence capabilities, particularly in the digital domain,” the German official continued.

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Israel Condemns Venice Biennale Jury Decision to Ban Israeli Artist From Winning Top Awards

Israel’s Foreign Minister Gideon Saar attends a press conference with the Danish Foreign Minister (not pictured) in Jerusalem, Sept. 7, 2025. Photo: Ritzau Scanpix/Ida Marie Odgaard/via REUTERS

Israel’s Foreign Ministry has denounced the International Jury of the 61st Venice Biennale after its five members announced last week that they will not consider awarding top prizes to an artist from Israel.

In a released statement, the Venice Biennale’s jurors said they will exclude from consideration for the Golden and Silver Lion awards artists from “those countries whose leaders are currently charged with crimes against humanity by the International Criminal Court (ICC),” which applies to both Israel and Russia in relation to the wars in Gaza and Ukraine, respectively.

Belu-Simion Fainaru is the artist representing Israel at the Venice Biennale this year with his installation “Rose of Nothingness.” Fainaru’s artwork will address topics such as Jewish mysticism, memory, and poetry. The artist – who was born in Bucharest, Romania, and now resides in the northern Israeli port city of Haifa — won the Israel Prize in Design and Interdisciplinary Art last year. A University of Haifa alumnus, he represented Romania at the 2019 Venice Biennale.

Israel’s Foreign Ministry said in a post on X that the jury’s decision to “boycott” Fainaru is “a contamination of the art world.”

“The political jury has transformed the Biennale from an open artistic space of free, boundless ideas into a spectacle of false, anti-Israeli political indoctrination,” the ministry added.

Fainaru believes that the jury’s decision has “created a hostile and degrading environment” and that he is being discriminated against based on his national origin, he said in an email last week cited by Artnet.

“The Biennale has publicly stated that it rejects any form of cultural censorship and confirmed participation of all countries recognized by Italy, including Israel, Russia, and Iran,” he added. “I must mention that other states with serious violations are not excluded. This statement is the violation of essential equality condition based on legally unstable and arbitrary basis.”

“Unfortunately, the Biennale may end up being less about the art on display and more about the turbulent world surrounding it,” he also wrote in an Instagram post on Sunday. “But we are still making art and believe in dialogue. We look forward to hosting you at our pavilion.”

The ICC issued arrest warrants in 2024 for Israeli Prime Minister Benjamin Netanyahu and his former defense chief Yoav Gallant for alleged war crimes and crimes against humanity in the Gaza Strip. The Jewish state has strongly denied the allegations, with officials saying the Israeli military has gone to unprecedented lengths to try and avoid civilian casualties, despite Hamas’s widely acknowledged strategy of embedding its terrorists within Gaza’s civilian population. Israel launched its military campaign against Hamas after the terrorist group’s invasion of and massacre across southern Israel on Oct. 7, 2023.

This year’s Venice Biennale will be open to the public from May 9-Nov. 22, and the awards ceremony will take place in Venice on May 9. The Golden Lion awards are given to the best artist in the main exhibition and to the best national pavilion, and the Silver Lion is awarded to a promising young artist. The winners will be selected among 110 participants.

This is the first year that Russia has been allowed to reopen its pavilion at the Venice Biennale since 2022. The ICC currently has an active arrest warrant against Russian President Vladimir Putin for war crimes against children in Ukraine.

Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, Giovanna Zapperi, and Solange Farkas are the jurors for the Venice Biennale this year. Explaining their decision to exclude Israel and Russia from the event’s top prizes, the jury said they feel “a responsibility towards the historical role of the Biennale as a platform that connects art to the urgencies of its time.”

“We acknowledge the complex relationship between artistic practice and nation-state representation that provides a central structure for the Venice Biennale, particularly the way this relation binds artists’ work with the actions of the state they represent,” they added. The jury also said their decision was inspired by a statement made by the late Koyo Kouoh, who curated the Biennale’s main exhibition this year, titled “In Minor Keys.” Kouoh had said: “In refusing the spectacle of horror, the time has come to listen to the minor keys, to tune in sotto voce to the whispers, to the lower frequencies; to find the oases, the islands, where the dignity of all living beings is safeguarded.”

Following the statement from the jury, the European Union’s foreign policy chief Kaja Kallas announced that the bloc will withdraw $2.3 million in funding from the international art event for allowing Russia to participate. “While Russia bombs museums, destroys churches, and seeks to erase Ukrainian culture, it should not be allowed to exhibit its own,” Kallas said, as reported by Politico. “Russia’s return to the Venice Biennale is morally wrong, and the EU intends to cut its funding.”

Finland announced last week that its political leaders will not participate in the Venice Biennale this year because of Russia’s participation, and Latvia’s Culture Minister Agnese Lāce said she will boycott the event’s opening on May 9 if Russia is included.

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