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‘Mitzvah Mania’: A Los Angeles synagogue is hosting a show with Jewish professional wrestlers
LOS ANGELES (JTA) — Colt Cabana, real name Scott Colton, is used to walking out to crowds of hundreds of fans as a member of All Elite Wrestling, a popular show that airs on channels such as TBS and TNT.
On Sunday, he’ll be wrestling at a synagogue.
Temple Beth Am, located in Los Angeles’ heavily Jewish neighborhood of Pico-Robertson, is putting on “Mitzvah Mania,” a one-off show with mostly Jewish wrestlers. It’s pegged to another event taking place this weekend: “WrestleMania,” the annual marquee event for the WWE, the country’s largest professional wrestling series.
“Mitzvah Mania” will break new ground for the synagogue with about 900 member families that typically holds more traditional programming, such as Shabbat dinners, adult education offerings and text study.
“We’re trying to do something different that synagogues haven’t seen before,” said Ari Fife, the synagogue’s director of programming and engagement.
The show, which is being billed as the first of its kind, will include six matches, five of which will feature only Jewish wrestlers who perform at various professional tiers, and one with a Jewish referee.
In addition to Cabana, attendees will see former Jewish WWE stars Lisa Marie Varon (or Victoria, as she was known in the ring) and Chris Mordetzky (a two-time National Wrestling Alliance champion known as Chris Masters and later Chris Adonis).
“Certainly in America, this is the first time there’s been representation in every match on the card, Jewishly,” said Jeremy Fine, a Chicago-area rabbi who planned the event.
The backstory started about seven years ago, when Fine, who runs the Jewish sports blog “The Great Rabbino,” went to his first independent wrestling show and saw Cabana, a fellow native of Deerfield, Illinois.
Fine was living in Minnesota at the time, and he recalled telling some of his congregants about the show. When they suggested putting on a wrestling show at the synagogue, he thought the idea was crazy. (Fine’s former synagogue is still innovating: they recently built an ice skating rink.)
“They were very persistent,” Fine told the Jewish Telegraphic Agency. “We did it, and it was a huge success. And by our second show, we were sold out in a Minnesota blizzard on a Wednesday evening.”
Fine ended up hosting three wrestling shows at Temple of Aaron Synagogue in St. Paul Jewish with Israeli athletes and entertainers — “Mitzvah Mayhem,” “Hanukkah Havoc” and “Exodus.” It turned into his own wrestling company, 2econd Wrestling, that puts on shows near his current pulpit in Chicago and around the country, including Sunday’s event in L.A.
“Mitzvah Mania” will be Fine’s most Jewish show yet.
Fine had approached Beth Am about the event to tie it to “WrestleMania,” which rotates its location and is this year being held at nearby SoFi Stadium. Fife said the synagogue’s senior staff was hesitant about the idea, even as they set out to hold more unique events.
Fife, who himself grew up a wrestling fan, said there was initially “a lack of understanding of what wrestling really is.” For the uninitiated, professional wrestling in the likes of the WWE and AEW is a far cry from Olympic-style wrestling. In addition to being athletic performers, wrestlers like Cabana are also entertainment figures, complete with detailed costumes and character backstories.
Fife said once everyone understood the storytelling aspect of the sport — and were assured that it’s not as violent as they thought — the idea was approved.
“Mitzvah Mania” is sponsored by a number of Jewish organizations, including Maccabi USA, BBYO and the Jewish National Fund. Fife said Beth Am secured a grant from the Jewish Community Foundation of Los Angeles to help put the event on.
Fine said Jewish interest in wrestling has increased in recent years, in part thanks to Maxwell Jacob Friedman (known simply as “MJF”), the current AEW world champion and an outspoken and proud Jew. Earlier this month, for example, Friedman celebrated his “re-bar mitzvah” as part of an “AEW Dynamite” night on TBS. Jewish fans also cheered when Goldberg, one of the stars of the late 1990s and early 2000s WWE craze, returned to the ring in 2015.
Maxwell Jacob Friedman attends a UFC event at T-Mobile Arena in Las Vegas, Dec. 10, 2022. (Cooper Neill/Zuffa LLC)
The overlap between Jews and wrestling extends beyond the ring, Fine said, arguing that the connection is biblical — from Jacob wrestling with an angel in Genesis to rabbis intellectually wrestling in the Talmud.
“If we just take that and put it into the context of wrestling, we at our core, are storytellers,” Fine said. “We’re listening to the stories, and we’re incorporating them into our lives and we’re building up. And so wrestling is the greatest platform to struggle, to wrestle and to very much create stories that present a narrative for us to think and root for what’s good and boo what’s evil. That’s the story of Purim!”
He said it’s important for rabbis to go beyond the usual work of teaching the weekly Torah portion, or speaking about antisemitism and Israel. Many wrestlers Fine has worked with will approach him with questions about Judaism — from asking about holidays to basic questions about what a synagogue or JCC is.
“If we’re really going to defeat antisemitism, if we’re really going to be able to have intellectual conversations about the modern State of Israel, what better way to do that than rabbis getting into niche communities and really having those conversations, and not just talking to the congregants who either agree or have heard it before?” Fine said.
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The post ‘Mitzvah Mania’: A Los Angeles synagogue is hosting a show with Jewish professional wrestlers appeared first on Jewish Telegraphic Agency.
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Could poetry revive Yitzhak Rabin’s legacy among young American Jews?
Perhaps the most enduring phrase from the period following Yitzhak Rabin’s assassination, 30 years ago this week, was then-President Bill Clinton’s valediction for his slain friend: “Shalom, haver” — goodbye, friend. It exemplified not just the genuine kinship between Clinton and Rabin, one amiable and telegenic, the other awkward and camera-shy, but also the ironclad bond between Israel and the United States.
Today, however, the so-called special relationship is under considerable duress — not least because generations of younger American Jews are increasingly suspicious of Zionism. And Rabin? He’s at risk of being forgotten altogether in the US, said Barak Sella, editor of Class of 95, a new English translation of an Israeli poetry anthology about Rabin’s murder and legacy.
Sella, who was born in Texas but came to Israel in 1994 when he was 10, was part of a generation of Israeli schoolchildren for whom Rabin’s death in November 1995 loomed impossibly large. “It was my moment of political awakening,” he said. “The first event I went to at my youth movement was a Rabin memorial ceremony. So for me, the assassination ran parallel to my socialization into Israeli society.”
In 2013, Dror L’Nefesh, the printing press of the Habonim Dror Youth movement to which Sella belonged — he was by this point also a well-established activist and community organizer — published the anthology in Hebrew under the title ‘Machzor 95’. Its publication was something of a happy accident: The movement had wanted to do something literary to mark the 18th anniversary of Rabin’s passing, Sella recalled, “but we couldn’t find any poetry or literature about it — only op-eds and articles.” When they put out an open call for contributors, the response was so overwhelming they had enough material to produce Israel’s first poetry anthology dedicated to Rabin’s passing.
The title, Machzor 95, was a pun of sorts, for in Hebrew Machzor has both a colloquial meaning — class, or generation — and a liturgical one: a Machzor is a prayer book for Jewish holidays. The aim was “to create a tradition of memory that was cyclical,” Sella said, “to create an artifact you can return to year after year.”
By 2022, when a second Hebrew-language edition was published, Sella was already toying with the idea of putting together an English version, as he’d always seen Rabin’s assassination “not as an Israeli event, but as a Jewish event.” Indeed, in 1995, much of American Jewry had mourned Rabin intensely. “It was everything American Jews talked about,” Sella said. “One of the largest ever Jewish gatherings was for Rabin’s shloshim in Madison Square Garden.” (On Dec. 11, 1995, a crowd of more than 15,000 packed the New York arena to mark thirty days, shloshim in Hebrew, since Rabin’s death.)
But Rabin’s legacy faded from view, Sella believed, because Israel itself could not agree on what he represented. “Israel is still so deeply divided about this,” he said. “So it’s very hard to expect American Jews to create some kind of shared culture around Rabin’s memory.”
That’s where the translated anthology comes in, which Sella hopes will serve “as an education tool,” something “teachers and rabbis who want to talk to their community about the assassination can pick up, choose a poem or two, and invite people into a conversation.”
The anthology is at once a guide to the assassination and a window into how Israeli society responded. One poem, Shachar-Mario Mordechai’s ‘Before the Government of Israel Announces With Astonishment’, invokes the official announcement of Rabin’s death. Another, ‘Blank’, by Raanan Ben Tovim, explores the claim, never substantiated, that immediately after the shots rang out somebody shouted “srak, srak” (in English, blank) a phrase that, among Israelis, has become a shorthand for Rabin’s murder — and has fueled conspiracy theories ever since.
Sella’s vision for the anthology is decidedly long-term. “This translation is not only for the thirty-year anniversary,” he said. “I’m thinking about, you know, in 50 years, in 100 years, what are the artifacts of our time that will assist not only the current generation, but also future ones, to build a story, to understand, and to reflect?”
The translation is therefore aimed especially at younger American Jews. “The people who will carry this memory forward are not going to be those who were at the square,” Sella said. He still firmly believes Rabin can be a “symbol for overcoming our differences, for shared destiny and democracy.” In short, American Jews would do well to recall not simply that Yitzhak Rabin was killed, but, no less important, the ideals he died for.
The post Could poetry revive Yitzhak Rabin’s legacy among young American Jews? appeared first on The Forward.
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Hundreds Attend Elie Tahari Runway Show in Miami Honoring Female IDF Soldiers, Hosted at Catholic University
Elie Tahari, right, with wounded IDF solider Dvorah Lea Bart. Photo: Provided
Eight hundred people attended a fashion show on Thursday night in Miami by renowned Israeli fashion designer Elie Tahari that honored female soldiers in the Israel Defense Forces (IDF) and supported Tahari’s new initiative to provide clothing for wounded IDF veterans.
The runway show highlighted 40-50 garments from Tahari’s Fall 2026 collection, assembled into a new collection for the event titled “Threads of Valor.” Its name draws inspiration from a chapter in the Book of Proverbs called Eshet Chayil (“Women of Valor”), which praises a woman as the matriarch of her family and household, and is traditionally sung by a husband on Friday night before the start of the Shabbat meal. “Eshet Chayil” includes lines that talk about a woman making and selling garments.
“Tonight has been the best night of my life,” Tahari said on stage at the runway show. “I’m very proud to be a part of this. Anything I can do for the soldiers — they are my heroes; they are always going to be my heroes. And it makes me feel happy.”
The Israeli-born fashion designer immigrated to New York in 1971 with less than $100 and built a billion-dollar fashion empire that has been successful for over 50 years. Since the Hamas-led terrorist attack in southern Israel on Oct. 7, 2023, he has been passionate about supporting IDF veterans, with 100 percent of his e-commerce going directly to help female IDF soldiers.
Thursday’s runway show took place at St. Thomas University (STU), a Catholic school. It was co-organized by Ashlee Rzyczycki, director of STU’s Fashion Merchandising and Design program, as well as Tobi Rubinstein, who serves on the school’s fashion advisory committee and had a career in fashion for the last 45 years. The show was also organized in collaboration with Yedidim – an organization that assists IDF veterans — and Soireee Events.
The runway show was divided into different segments and each revolved around a different theme – including resilience, command, power, freedom, confidence, and sacrifice – that related to the journey and stories of the IDF soldiers honored at the event. Students in STU’s fashion design program collaborated in picking garments by Tahari that would be featured in the runway show, in line with the chosen themes, but students also helped create the lineup and worked behind the scenes at Thursday night’s event.
“It’s an interfaith collaboration. We are a Catholic school, but we can have conversations about faith. It’s been such an amazing learning opportunity for my students,” Rzyczycki told The Algemeiner. “The fashion show is taking audience members on this journey that these women have gone through, when they are in the army, and what they experience from that. It’s kind of a visual, artistic interpretation of that sacrifice … of what they do and incorporating how fashion can be part of that story and narrative.”
“It’s like bringing New York Fashon Week together with a charity event, blending it together and putting it in a major fashion school,” added Rubinstein, who is also a best-selling author and founder of the House of Faith and Fashion movement. “It’s really quite something, and the irony of it being in a Catholic fashion school that is so pro-Israel just makes it all the most delicious.”
Among the models who walked the runway on Thursday night were IDF soldiers, Jewish STU students, influencers, and pro-Israel activists, including former UC Santa Barbara Student Body President Tessa Veksler, who was featured in the “Blind Spot” documentary; Lawfare Project founder Brooke Goldstein; and artist, designer, and entrepreneur Elizabeth Sutton.
“It was an immense privilege to walk the runway for such a monumental fashion moment in support of Israel — alongside legendary women who have fought for Israel not only on the frontlines of the war itself, but also on the frontlines of the global war against antisemitism. It was humbling,” Sutton told The Algemeiner. “To witness a fashion icon like Elie Tahari commit such bold philanthropy — pledging all e-commerce sales in perpetuity to wounded soldiers — was profoundly inspiring, and reaffirmed my own goals as a Jewish businesswoman, leader, and designer.”
Proceeds from Thursday night’s event when directly to supporting female IDF veterans through Tahari’s new initiative Project Wardrobe, which provides wounded female IDF veterans with clothing so they can feel empowered while acclimating back into society after they finish their army service. As part of the initiative, launched in collaboration with Yedidim and Soiree Events, Tahari gives a clothing allowance to soldiers each month and he covers the cost of shipping, delivery, taxes, and other fees for the garments.
“It’s about giving the wounded soldier a sense of self-esteem and self-worth through clothing,” Rubinstein said of Project Wardrobe. “Clothing is so much more than just what I wear. It can heal you. It can rehabilitate you and give you the strength to move forward.”
“To me Elie’s clothing is like a suit of armor,” added Rzyczycki. “It demonstrates power and showing that you can be confident and powerful in what you wear. And all of the clothing that Elie has, his designs, has always been focused on that. He is a really powerful beacon to demonstrate how clothing can provide power to women.”
Rzyczycki also talked to The Algemeiner about the decision to have STU host the fashion show and collaborate in efforts to support Israeli soldiers.
“It’s all about educating my students on the power that fashion can have … For me, as an educator I think it’s important for me to tell my students about doing things that are bigger than ourselves,” she explained. “I think it’s really important for my students to be able to understand some of the philanthropic efforts that go into fashion. And this event really embodies that – being able to give back and also do things that have a bigger purpose revolving around fashion.”
“Fashion can be a unifier for all religions, all different ways of life, to be able to provide education and camaraderie,” she added. “I think we’re teaching our students valuable lessons on the power that fashion can have in that language and delivering that to people.”
A day before the runway show, Tahari and Rubenstein hosted a fashion masterclass for STU students in the fashion merchandising and design program, where the designer discussed the fashion business but also the combination of faith and fashion.
See below photos from Tahari’s “Threads of Valor” fashion show.
Photo: Threads of Valor
Photo: Threads of Valor
Photo: Threads of Valor
Photo: Threads of Valor
Photo: Threads of Valor
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Brandeis Center Seeks Anonymity for Jewish Victim in Antisemitism Lawsuit
Illustrative: A detained anti-Israel demonstrator on July 19, 2025. Photo: REUTERS/Isabel Infantes
The Louis D. Brandeis Center for Human Rights Under Law has asked a US federal court to allow a whistleblower of antisemitism at the Fashion Institute of Technology (FIT) to pursue her lawsuit anonymously and avoid acts of retaliation which may await those who come forward to report civil rights violations against Jews in higher education.
The request comes as an amendment to a suit the Brandeis Center filed earlier this year after its client, Jane Doe, sought representation in a civil suit alleging that FIT allowed what the nonprofit has described as “one of the most alarming antisemitic environments on a campus.” According to the complaint, students there traded antisemitic tropes, allegedly charging that Jews “literally control our school,” calling on the student body to “punch a Zionist,” and denying a Jewish student the presidency of a club by citing his identity as the reason.
Meanwhile, school officials weaponized procedures for investigating discrimination by allowing anti-Zionists to filed politically charged complaints which reversed the roles of victim and perpetrator in order to create new ways of harassing Jews, the Brandeis Center said.
Jane Doe has asked for the chance to tell her story behind the protection of a pseudonym, a courtesy that would minimize the disruption of her life that being forced into litigation has already caused.
“We routinely hear from Jewish students and professionals who are too afraid to come forward publicly,” Brandeis Center founder and chairman Kenneth Marcus said in a statement. “They fear being doxxed, stalked, defamed, or ostracized — and without anonymity, many will simply remain silent. Courts must not allow antisemitism to chill Jewish voices seeking justice.”
He added, “By preventing victims from filing complaints anonymously, more Jewish individuals will be forced to abandon their civil rights rather than face potential consequences from their abusers. Our nation’s legal system was created to protect the most vulnerable populations.”
The Brandeis Center suit comes amid a worsening campus antisemitism crisis that continues to roil Jewish students, faculty, and staff across the Western world.
On Wednesday, members of Toronto Metropolitan University’s Students for Justice in Palestine chapter led a mob that spilled blood and caused the hospitalization of at least one Jewish student after forcibly breaching a venue in which the advocacy group Students Supporting Israel had convened for an event featuring veterans of the Israel Defense Forces (IDF).
The former soldiers agreed to meet Students Supporting Israel to discuss their experiences at a “private space” on campus which had to be reserved because the university denied the group a room reservation and, therefore, security personnel that would have been afforded to it. However, someone leaked the event location, leading to one of the most violent incidents of campus antisemitism since Hamas’s Oct. 7, 2023, massacre across southern Israel sparked a surge of anti-Jewish hostility in higher education.
By the time the attack ended, three people had been rushed to a local medical facility for treatment of injuries caused by a protester’s shattering the glazing of the venue’s door with a drill bit, a witness, student Ethan Elharrar, told The Algemeiner during an interview.
“No one should have known where this event was, but they were setting up when a couple of girls with keffiyehs walked in yelling ‘baby killers!’ and ‘free Palestine!’” Elharrar said. ‘Then more started coming in, and then we closed the door trying to make sure no one could come in, and then these individuals in masks then began banging on the door and trying to open the door.”
“Our universities don’t care, and it comes down to our government, which won’t do anything about it,” he continued. “They don’t want to support us. I’ve had maybe a dozen calls with the human rights division at the university, and they told me specifically that they won’t help with anything having to do with Israel.”
According to a study released by the Combat Antisemitism Movement’s Antisemitism Research Center, there were 53 antisemitic incidents on college campuses in the month of September alone, a 178 percent increase over the previous month, when 19 were recorded despite students not being present on campus during the summer holiday.
“This surge reflects the resumption of the academic year and the persistent problem of antisemitism at colleges and university,” the report said. “In France, students at Sorbonne University in Paris discussed a targeted shooting attack against Jewish students at the school. In Argentina, students at the Universidad Nacional de Córdoba seized control of parts of the campus, protesting Israel’s ‘genocide’ of the Palestinians.”
The report added that the US saw 38 campus antisemitism incidents in September, several of which The Algemeiner reported.
In upstate New York, for example, law enforcement agencies filed hate crime charges against two Syracuse University students who they say forcefully gained entry into a Jewish fraternity’s off-campus house during Rosh Hashanah, the Jewish New Year, and heaved a bag of pork at a wall, causing its contents to splatter across the floor. In Hanover, New Hampshire, an unknown person or group graffitied a swastika, the symbol of the Nazi Party, outside the dormitory of a Jewish student at Dartmouth College.
Follow Dion J. Pierre @DionJPierre.
