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Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice.
(JTA) – The new Netflix comedy “You People,” about an uneasy union between a Jewish man and a Black woman in Los Angeles, was always aiming to provoke its audience.
“I feel like the movie has something to say,” producer Kevin Misher told the Jewish Telegraphic Agency. “It allows different sides to evolve and understand everybody’s point of view on the world. … People grow to understand each other. And when they don’t understand each other, they understand that there are, in fact, differences.”
But when they shot the movie a year ago, director Kenya Barris (“Black-ish”) and his Jewish co-writer and star Jonah Hill couldn’t have predicted how it would land in the midst of several national stories about Black-Jewish relations, including prominent Black celebrities who have dabbled in antisemitism.
For example, the film’s use of a popular song that includes the N-word in its title at two different intervals — first as a joke about Hill’s character being unable to say the title, then at the end under a hora — takes on a heightened meaning today. Kanye West, who now goes by Ye and is one half of the talent behind the song, recently went on a months-long antisemitic tirade that included him expressing his admiration for Hitler.
Misher, who is Jewish, acknowledges that the track is “a difficult song to play in that moment.” Netflix’s original plans to feature the first scene involving the Ye song in the film’s teaser trailer were scrapped amid his onslaught of antisemitic comments.
But the filmmakers felt the scene needed to remain in the final cut of the film — even as they cut another scene in which their actors spoke Yiddish — because it underlined the uncomfortable racial tensions between Hill’s character, a Jew named Ezra, and co-star Eddie Murphy, who plays Akbar, the soon-to-be father-in-law Ezra is trying to win over.
“It was important, I think, for us to have that song remain, so that it portrayed the divide that they would have to cross,” Misher said. “It wasn’t about the artist of the song, it was about the words in the song.”
Misher also justified the song’s reprisal at the end of the film, noting that Ye himself doesn’t sing on the sample: “Jay-Z is singing at the end.”
“You People” was conceived as a mashup of “Meet The Parents” (which Misher also produced) and “Guess Who’s Coming To Dinner.” In a modern-day twist, the white liberal family, rather than expressing anxiety over the race of their child’s partner, fetishizes her family instead.
Julia Louis-Dreyfus and David Duchovny play the Jewish parents. Although the relationship between Jews and whiteness has been a topic of serious academic debate for generations, and although Lauren London, who plays Hill’s Black love interest Amira, herself has an Ashkenazi Jewish father, the Jews in the movie are simply portrayed as white.
Barris’ team was unable to make him available for a JTA interview prior to the film’s release, and Hill has announced he will no longer do press for any of his films, citing his mental health. But Misher told JTA that he thought the film did an admirable job of portraying a specific “culturally Jewish” Los Angeles family. As a Jew himself, he said it was also important to him that the film’s depiction of Judaism be “authentic.”
To that end, he brought on the rabbi and cantor at his own synagogue, Kehillat Israel in Los Angeles, to play the rabbi and cantor at Ezra’s fictional synagogue in the movie. (Scenes depicting a Yom Kippur service were shot at the Skirball Cultural Center, an L.A. Jewish museum.) He also hired an on-set Jewish cultural consultant from Hebrew Helpers, a nationwide Jewish studies tutoring service.
There are other racially charged moments in the film that may sit uneasily with Jewish viewers. A tense dinner-table conversation with Amira’s family includes discussions of the Holocaust and slavery, including Akbar reminding Ezra’s family that some American Jews owned slaves. (The film’s premiere on Netflix on Friday coincides with International Holocaust Remembrance Day.)
Akbar is a follower of Nation of Islam leader Louis Farrakhan, whose antisemitism gets a small acknowledgement, although the wedding at the end of the film is jointly officiated by a cantor and an imam meant to represent the Nation of Islam. (Most Muslims do not consider the Nation of Islam to be part of the religion.)
Also at the film’s end, Louis-Dreyfus, playing Hill’s mother, apologizes to Amira and Akbar for her series of racist microaggressions “on behalf of all Jewish people.” This follows an apology from Akbar — but only for being mean to Ezra, not for committing his spiritual and political life to an antisemite.
Misher said that while Barris wanted to invoke tense political topics, the core of the film still aimed to be a character-based comedy. Detailed discussions of antisemitism, the filmmakers believed, would have distracted from that.
“If, suddenly, somebody starts standing up at a soapbox and waxing philosophic about the way the world is, I think that would have felt inauthentic to the journey of these specific characters,” he said.
At the end of the day, the makers of “You People” still believe their film has a message worth sharing.
“I feel like we got it right, in terms of how we represented the relationship between these two families,” Misher said.
As for the other conversations about racism and antisemitism these characters could have had, he said, they might come up if Netflix greenlights a sequel.
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The post Netflix’s ‘You People’ digs into Black-Jewish relations. It also plays a Kanye West song, twice. appeared first on Jewish Telegraphic Agency.
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Jewish voters split on giving Mamdani a second term — and see Jessica Tisch as his strongest rival, new poll shows
Jewish New Yorkers divided over Mayor Zohran Mamdani’s handling of antisemitism and criticism of Israel are also split on whether he deserves a second term, with some eyeing his Jewish police commissioner, Jessica Tisch, as a potential challenger, according to a new poll. Mamdani, the city’s first Muslim mayor, won a bitterly contested Democratic primary last year without securing a majority of Jewish voters.
The survey by Honan Strategy Group of 269 Jewish Democratic primary voters across the five boroughs, shared exclusively with the Forward, found that Tisch narrowly leads Mamdani 44% to 42% in a hypothetical head-to-head matchup for mayor in 2029.
Mamdani remains the frontrunner, according to the poll, even among Jewish Democrats in a crowded primary field that hypothetically includes three Jewish rivals. He received 44% support, compared with 25% for Tisch, 7% for City Council Speaker Julie Menin and 4% for Rep. Dan Goldman, in the poll. Another 13% were undecided.
The poll was conducted Oct. 2 through Oct. 7 via text-to-web, with a margin of error of plus or minus 6 percentage points. Among all 967 likely Democratic primary voters surveyed, Mamdani leads Tisch 54% to 17% and enjoys a 73% job approval rating. The margin of error for the overall primary voter sample was plus or minus 3.2 percentage points.
The results highlight the unusual political position of Tisch, who has become one of the most popular figures among Jewish New Yorkers while serving under a mayor whose views on Israel and handling of antisemitism have drawn widespread criticism from the community. Asked whether Mamdani should be reelected in 2029, 44% of Jewish primary voters said it was time for someone new.
But the findings also show the limits of a potential challenge.
Mamdani has a relatively stable base of Jewish support — 45% approve of his job performance, 41% favor giving him another term, and he receives between 44% and 43% in potential head-to-head matchups against Menin and City Comptroller Mark Levine, respectively.
Jewish voters make up only an estimated 16% of the primary electorate, and even before his election, Mamdani had built a coalition of Jews who support him, including some Hasidic sects that continue to embrace him. Mamdani swept progressive Jewish neighborhoods in Brooklyn and Manhattan on his way to a citywide win last November, according to analysis of election districts where at least 10% of voters have Jewish-identifiable surnames.
The results, which seem to show an increase in support for the incumbent mayor, also come nearly three years before the next mayoral election, with no indication that Tisch is considering a run.
Why Tisch stands out among Jewish voters
Tisch, who comes from a prominent Jewish family and has publicly expressed support for Israel, has emerged as a reassuring presence for many Jewish New Yorkers who have deep concerns about Mamdani’s leadership. In the poll, 51% said they disapprove of Mamdani’s job performance, including 39% who strongly disapprove.
A separate Honan poll, conducted during the same period among 503 respondents, found that nearly two-thirds of all Jewish voters disapproved of Mamdani’s handling of antisemitism. By contrast, 75% approved of Tisch’s performance on the issue.
The partnership between Mamdani and Tisch has offered political benefits to both. Earlier this year, Mamdani declined to march at the annual Celebrate Israel Parade, citing his longstanding criticism of the Israeli government. Tisch, however, marched and represented the city.
Tisch has also made her Jewish identity visible in her public role. She placed a mezuzah on the door of her NYPD office, a gesture that resonated with Jewish New Yorkers concerned about rising antisemitism. And she spoke at Central Synagogue, where she’s been a lifelong member, at Shabbat services one week after an attack in the sanctuary.
Gov. Kathy Hochul, who endorsed Mamdani after the primary, revealed in a recent interview with Politico magazine that, before offering her support, she had urged him to retain Tisch as head of the police department, citing her Jewish identity. “I thought it was very important because she’s a credible voice, she is a Jewish woman, has a successful family,” Hochul said. “It’s important that she stays. She knows her role is important. He knows her role is important.”
Asked whether Tisch might eventually run for office, Hochul said, “I don’t know, and she had an opportunity last spring if she wanted to, as well.”
Mamdani has repeatedly defended his decision to keep Tisch in her role despite pressure from his progressive allies. “Jessica Tisch is the police commissioner. I have no plans to change that,” Mamdani said at a recent press conference following an Immigration and Customs Enforcement shooting in Manhattan that sparked protests over the NYPD’s response.
The post Jewish voters split on giving Mamdani a second term — and see Jessica Tisch as his strongest rival, new poll shows appeared first on The Forward.
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The Yiddish theaters and elevated trains are long gone, but the spirit of the Bowery lives on
The oak rolltop desk I write on was once the reception station at the Crystal Hotel on the Bowery. Back in the 1930s, a man could rent a single bed, clean sheets and a foot locker in a large barracks-style room at the Crystal for less than a dollar a night; some lived there until the hotel closed in the late 1960s.
I like to think of myself as a 3rd generation citizen of the Bowery. For 65 years, my grandfather and father worked on the Bowery, manufacturing store fixtures in the building that was once the Crystal Hotel and before that a Vaudeville theater named Miner’s. I remember the signs on the wall that warned against spitting and smoking in bed. Even as I live and work elsewhere, I feel connected to the place.
I love to walk the mile-or-so stretch in lower Manhattan from Chatham Square, where the oldest thoroughfare in New York City begins, to its northern reach on East 4th Street at Cooper Square. And I love the layers of history so visible on its streetscape. First a Lenape Indian pathway and then a popular route for Dutch farmers, the Bowery (from bouwerijs, the Dutch word for farms) hosted later waves of businesses, breweries, bars, theaters, artists’ lofts, lodging houses for people with nowhere else to go and social service agencies to help them; today, there are even some bespoke shops and a Chabad.
While the Bowery has had a reputation as “Skid Row” or “Devil’s Mile” — the title of an engaging exhibit now at The New Museum through Jan. 31, 2027 — for me, it’s alive with stories. It’s a wide avenue where the pace is quick, the energy is high and the architecture is wildly varied, highlighting one of the widest views of the sky in this city.
On a sunny fall day, light bounces off the glass storefronts and the metal restaurant equipment being unloaded onto the sidewalk. The street’s Honey Locust and London Plane trees are lovely but sparse, so there’s no leafy canopy blocking the view. Most seats along the stretch north of Delancey are BYO: Several men face the sunlight, sitting outside buildings in a cluster of abandoned office chairs, crates and a beat-up recliner.
The light wasn’t always this brilliant: From 1878 to 1956, the Third Avenue Elevated train cast the sidewalks and street into shadow, as seen in the celebrated photographer Weegee’s stark image in the New Museum exhibition, “Under the Third Avenue El, 1943-45.”
The exhibition provides a beautifully detailed overview of 400 years of Bowery history, culture and tumult, with early maps, paintings, playbills, contemporary sculpture, photographs by Harvey Wang from the book Flophouse: Life on the Bowery, and a 19th century fire vehicle that hasn’t been seen on the Bowery since 1840. The royal blue, gold-trimmed “Lady Washington Engine Co. No. 40, Hand Pumper Fire Engine,” with painted classical scenes on the front and back was used by a volunteer fire brigade who, despite their elegant carriage, were known as a brutal street gang.
The Bowery was the city’s first entertainment district, with serious theater in the early 19th century and later on melodrama, magic shows, tap dancing (born on the Bowery), minstrel shows and Yiddish, Chinese and Italian theaters. A host of performers known as human curiosities filled the stages of dime museums. Peter Stuyvesant, George Washington and Abraham Lincoln all showed up on the Bowery, as did P.T. Barnum, who started his career selling “quack medicines and bear grease” at a dry goods store at 101 Bowery.
The site of the New Museum was once the London Theatre, which later became the Lipzen Theatre and Gabel’s Theatre, which staged Yiddish productions. And, a few blocks south is the footprint of the theater in my family’s history, Miner’s Bowery Theatre, established in 1878. Harry Miner was a former police officer, firefighter and pharmacist, who first owned the London Theatre before renovating this one. He helped launch the career of Eddie Cantor; Al Jolson sang and W.C. Fields juggled here. Miner also pioneered Amateur Night — and the “hook,” a wooden cane used to yank lesser performers off the stage. In 1929, the theater burned down.
I came across a photograph online of the top of the Crystal Hotel’s Art Deco façade. I reached out to the person who posted the image and met Kunihide Nakajima, a 3rd generation Japanese master sushi chef who also loves Bowery history. His gorgeous namesake restaurant, Nakaji, opened on the site of the 1826 Bowery Theatre, which later became the Thalia and a home to Yiddish theater. That building burned down six times, was rebuilt 5 times, but was completely destroyed, also in 1929.
“All you have to do is look up,” Nakajima says. “History is still there.”
I had to look twice at a photo in the exhibition that’s part of Martha Rosler’s installation of text and images from the 1970s to see the signage from my father’s business reflected back in the window of a cash register store across the Bowery.
Two decades ago, when I last reported on the Bowery for The New York Times, I walked around with my father, who was treated with much respect as the street’s elder statesman. Then, grand performances at the Amato Opera House were still being staged. The Amato family closed what was billed as the world’s smallest opera house in 2009. The Neoclassical building, originally a cigar factory and then a mission for the homeless, is now a Japanese restaurant with a mezuzah on its door and luxury apartments.
A few blocks north on the corner of Bowery and 1st Street, I couldn’t resist trying a blend of coffee called Marky Ramone’s Bowery Beat, a nod to the neighborhood’s punk history, at Adios Amigos – named for the Ramones’ breakup album. Sipping the robust coffee on a stool at the window, I looked out at the Bowery, much as I enjoyed doing when I was a child in the window of my father’s shop. I used to wave at the passersby back then; this time, I just watched a carnival of dog walkers carrying drinks more likely to be iced matcha than Wild Irish Rose (the favored drink of the Crystal Hotel crowd). I watched people pushing baby carriages or laundry carts filled with belongings, bicyclists, tourists with large shopping bags, a man inching forward trying to get his mismatched shoe back on, a woman with long gray hair pushing a walker, wearing the most colorful jacket I’ve ever seen.
At 202 Bowery, the Plato Gallery is hosting Shuto Okayasu’s solo exhibition of urban scenes. The exhibition’s title, “Impermanence,” seems fitting for this street. The New York-based Japanese artist cites the Buddhist concept that life is changing, constantly, and beauty can be found in fleeing moments.
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Israel’s messy election result: Five scenarios for what could happen next
Israel’s election has produced a messy result: Prime Minister Benjamin Netanyahu’s governing bloc has suffered a major defeat, losing perhaps 11 seats compared with its victory in 2022. Yet the country could still end up with Netanyahu as prime minister. Or a broad unity government that preserves part of the existing order. Or a repeat election.
According to near-final results, Netanyahu and his allies have won just 53 seats in the 120-member Knesset, down from the 64 that gave them a comfortable majority four years ago. The opposition has secured 67 seats, one of the strongest showings for the anti-Netanyahu camp in decades. You might think this would be interpreted as a decisive rejection of the incumbent government and a mandate for political change – yet things are not exactly so.
The complication is that the opposition’s seats include 19 held by Arab parties, whose dramatic electoral gains appear to have been driven by a surge in turnout among Israel’s Arab citizens. The Jewish-led opposition parties together hold just 48 seats, leaving them well short of the 61 needed for a parliamentary majority. And several of their leaders have promised to avoid a coalition with the Arab parties.
That pledge was always difficult to reconcile with Israel’s electoral math – as well as with the promise of equality in its Declaration of Independence. Indeed, the moderate camp has for decades depended on Arab votes for a parliamentary majority, even when Arab parties remained formally outside the governing coalition. The promises in this round were designed to reassure Jewish voters moving away from Netanyahu’s right-wing bloc, many of whom distrust the Arab parties on security, Palestinian nationalism and the Israeli-Palestinian conflict.
Now opposition leaders may have to choose between their principal campaign objective – removing Netanyahu, which the country needs desperately – and a secondary promise that should never have been made.
Further complicating the picture are Likud allegations of fraud – expected standard operating procedure – which on Thursday received a boost by reports of an investigation that Qatar might have bribed Israeli Arabs to vote.
A major wild card is President Trump, who seems determined to save Netanyahu and may pressure the main opposition leader, Gadi Eisenkot, to acquiesce. No one should be surprised if Trump engineers another Iran war – or, conversely, promises peace plans with the Palestinians and Saudi Arabia – to scramble the Israeli equation in ways that might help his fellow right-wing populist.
There are several possible routes to a government, each involving concessions and risks.
1. An opposition government supported by the Arab parties
The most direct path would be for Eisenkot to accept the parliamentary support of the Arab parties and form a government backed by the 67 lawmakers elected in opposition to Netanyahu’s bloc. This could involve bringing Ra’am, the pragmatic Islamist party led by Mansour Abbas that joined the governing coalition in 2021, into the government, and perhaps relying on outside support from the Joint Arab List, which is less Zionist-friendly.
The latter arrangement would allow the Jewish-led opposition to control the cabinet while giving Arab parties considerable influence without requiring them to assume responsibility for policies they oppose.
They could concentrate initially on domestic priorities, on which they all agree, including restoring democratic institutions, establishing a state commission of inquiry into the Oct. 7 failures, addressing the cost of living, combating crime in Arab communities and reversing controversial authoritarian reforms of Netanyahu’s outgoing government. Additional parliamentary support on individual issues could help reduce dependence on any single faction.
Avigdor Lieberman, the anti-Netanyahu, anti-religious nationalist whose Yisrael Beiteinu party won seven seats, could prove the toughest obstacle. Opposed to a coalition that relies on an Arab safety net, he could potentially demand a turn as prime minister in exchange for his support. Conceivably, some from Netanyahu’s bloc might later join in as well.
2. A unity government under Netanyahu, excluding the far right
A second possibility is a broad national unity government joining Netanyahu’s Likud with most of the Jewish-led opposition while excluding his ultranationalist partners, especially the globally toxic Itamar Ben-Gvir. Such an arrangement would command a substantial parliamentary majority and could be presented as an answer to Israel’s political divisions and security challenges.
Trump, who aggressively endorsed Netanyahu, will probably push for this, and Eisenkot could be receiving some phone calls from the White House.
Netanyahu would argue he should be the prime minister of such a government – or at least go first in a rotation. He’d argue his Likud is still the largest party, but that is actually irrelevant under the Israeli system – only the blocs count.
For Netanyahu, unity would offer an opportunity to shed his most controversial partners while remaining at the helm, claiming national reconciliation.
For Eisenkot and other opposition leaders, the political cost would be enormous. Having campaigned to end Netanyahu’s rule and won a 67-seat majority, they would look weak. They also could find themselves responsible for government decisions that would enrage their supporters, like additional settlements in the West Bank.
3. Defections from the opposition give Netanyahu another majority
A third possibility involves Netanyahu persuading opposition lawmakers to change sides, allowing him to assemble a governing majority despite his bloc’s electoral defeat.
Netanyahu could also attempt to recruit such individual lawmakers through ministerial appointments, policy concessions or promises of political influence. Parliamentary rules governing defections could complicate these efforts, particularly for lawmakers seeking to break away individually. But it is possible. One potential figure is, again, Lieberman, whose Yisrael Beiteinu party has been among Netanyahu’s fiercest opponents. A former defense minister and veteran coalition negotiator, Lieberman holds nationalist positions closer to the traditional right than to the liberal opposition, although his longstanding hostility toward Netanyahu would make any reconciliation dramatic – and he has ruled it out. But he has also ruled out a coalition with the Arabs.
The prospect of major cabinet portfolios, a broader realignment of the right and the avoidance of another election could nevertheless become appealing options.
The broader implication is that Netanyahu could retain power through post-election maneuvering.
4. A unity government under Eisenkot, with Netanyahu in senior ministry
A fourth scenario, albeit unlikely, would flip the odd assumption that Netanyahu must lead a unity-government. Using his leverage in parliament, Eisenkot could become prime minister with Netanyahu accepting a senior cabinet position, perhaps as foreign minister or defense minister. Netanyahu would remain a prominent national figure, potentially representing Israel abroad or overseeing a major policy portfolio, while Eisenkot assumed responsibility for leading the government.
There would, however, be significant legal complications. Netanyahu’s ongoing criminal trial blocks him legally from serving as an ordinary cabinet minister rather than prime minister (which, due to a loophole, is possible). Assigning him a portfolio would require legislation and invite judicial scrutiny.
Another main obstacle: Netanyahu is pathologically fixated on retaining the premiership, and almost no one in Israel thinks he would accept such an arrangement over new elections.
5. Another election
The final possibility is that the parties fail to reach an agreement and Israel returns to the polls.
President Isaac Herzog plays an important procedural role, consulting parliamentary factions and assigning the task of forming a government to a Knesset member. The process could begin next week, and the initial mandate normally lasts 28 days, with a possible 14-day extension. Further procedures allow other candidates to seek a majority before another election becomes necessary.
A prolonged deadlock could leave Netanyahu heading a caretaker government while Israel prepares for another election – which is why he probably would not mind.
Another election would raise questions about whether the exceptionally high Arab turnout that helped produce the opposition’s majority could be sustained. Arab voter participation has historically fluctuated, and the latest result could represent either a lasting political transformation or a temporary surge driven by the campaign – then suppressed by bitterness over their exclusion.
For the Jewish-led opposition, returning to the polls would risk squandering its electoral achievement while giving Netanyahu another opportunity to reshape the contest around security, national identity and the legitimacy of Arab parliamentary influence.
If I wore Eisenkot’s shoes
If I were Eisenkot, I would give Lieberman whatever is needed to buy his cooperation and form a government with an Arab parliamentary safety net, remove Netanyahu and secure the premiership.
I would immediately pursue broadly popular policies: a state commission of inquiry into Oct. 7, universal conscription including Arab and Haredi national service, a crackdown on Jewish terrorism in the West Bank and organized crime, particularly in Arab communities, and reversal of Netanyahu’s authoritarian reforms.
I would maintain a firm line against Hamas, Hezbollah and Iran, and close the legal loophole allowing criminal defendants to serve as prime minister.
I would do all that in the first month. In the second, I would invite Likud into a unity government on these terms. Competent governance, relief from the threats of global economic sanctions and incumbency could build momentum, making any subsequent election prospects more favorable.
All that would require focus, determination and a bit of courage. As a former military chief, Eisenkot should be up to the task.
Netanyahu would scream bloody murder. Give him a megaphone, recommend a valium, and send him a copy of Israel’s Declaration of Independence, which promises equality to the Arabs.
The opposition’s leaders have a chance to show us whether they are worthy of leadership. Their decision will determine whether the election becomes a turning point in Israeli politics or another chapter in Netanyahu’s remarkable record of political survival.
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