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No longer a ‘Real Housewife,’ Orthodox influencer Lizzy Savetsky turns to fighting antisemitism

(New York Jewish Week) — Lizzy Savetsky’s life has been turned upside down and inside out over the past eight months. 

The 37-year-old social media influencer, who identifies as “a proud Orthodox Jewish woman,” became practically a household name this summer when she was announced as a cast member for the 14th season of “The Real Housewives of New York.” Having recently relocated from Texas to the Upper East Side, the mom of three kids (Stella, 10, Juliet, 8 and Ollie, 2) was thrust into the spotlight alongside six other New York City-based socialites, including fashion designer (and “Girls” guest star) Jenna Lyons and Israeli real estate agent Erin Lichy. 

But then, in mid-November, after just weeks of filming, Savetsky left the show. At the time, she said it was due to antisemitism she experienced in online forums. In the aftermath of her departure, there were unsubstantiated reports that she clashed with other cast members, and that her husband had been heard using a racial slur.

In a recent interview with the New York Jewish Week, Savetsky declined to comment on those reports. Instead, she spoke about something she considers exceedingly more important: using the joy and light of Hanukkah — and, well, her social media reach of 225,000 Instagram followers — to fight antisemitism. 

Though she’s no longer associated with the reality juggernaut, Savetsky has emerged as a famous Jewish New Yorker nonetheless. These days, she’s making public appearances to talk about community safety and antisemitism, and she even hosted a Hanukkah party at her home where she lit the menorah alongside Mayor Eric Adams.

This Festival of Lights, Savetsky is the face of the Friends of the Israeli Defense Forces’ “Live the Miracle” media campaign. Each night of Hanukkah, a different high-profile Jew lights a candle alongside an Israeli soldier, part of a video campaign intended to stand up against antisemitism while supporting the IDF. Also featured in the videos are stand-up comedian Modi Rosenfeld, Israeli actor and anti-antisemitism ambassador Noa Tishby and rapper Kosha Dillz.

Savetsky and her family lit the candle on the first night of Hanukkah alongside Shahar, a female naval combat sergeant currently serving in the IDF. Savetsky called Shahar “an amazing role model for her daughters” who showed them “you’re never too young or too small to contribute amazing things to the Jewish people.”

“It was really one of the most special experiences that we’ve had as a family,” Savetksy said of meeting Shahar and lighting the candles with her. “From a biblical sense, Hanukkah comes after a very dark time and it’s about bringing light to the darkness. To be able to celebrate this, in this moment, is a profound experience, and to be able to do that with a soldier from the IDF is something that means so much to me and my family and to be able to share that with the world is a really big deal.” 

The FIDF campaign is only the latest move by Savetsky to showcase her Jewish pride. Though she calls herself an “accidental activist” — the NYU grad who grew up in Fort Worth first began her fashion blog, “Excessories Expert,” in the 2010s, and her media accounts then were mostly dedicated to fashion and lifestyle content — she has become well known for talking about Jewish traditions and customs, promoting Zionism and her love for the State of Israel and, perhaps most urgently of late, calling on others to help fight the scourge of antisemitism. 

“I just saw how necessary it was,” Savetsky said of her shift to calling on others to help fight antisemitism. “I want to do everything I can for my people because I want to ensure a future for my children and their children. So I really made a conscious decision to shift my platform to not only fighting antisemitism, but to also share and educate about Judaism because I think a lot of hate is born out of fear.”

“It’s a privilege to stand in solidarity with these influential Jewish figures who will not let darkness prevail,” said Steve Weil, the chief executive officer of Friends of the IDF. “These are people, who, in the face of social media and all sorts of attacks, are standing up for morality, for dignity, and for these young men and young women who are literally at the front line of humanity.” 

“I have always been unapologetic about my support for Israel and calling myself a Zionist,” Savetsky told the New York Jewish Week. “I want to put a face to what that means — it is like a wife and a mother and somebody who’s loving and hard-working.” 

And yet, her beliefs and outspokenness have drawn the ire of many, especially when the “Real Housewives” cast was announced. Her Instagram handle proclaiming her a “proud Zionist” drew broadsides from pro-Palestinian activists, while some Jews on social media also criticized her for not dressing modestly despite being part of a Modern Orthodox Jewish community.

Savetsky said she and her family received hateful messages and even death threats. Even her husband, plastic surgeon Ira Savetsky, received a letter mailed to his office calling him a “kike” and an “arrogant piece of sh–.”

“I expected to receive negativity. I know that, unfortunately, Israel is a very polarizing topic and I have always been unapologetic about my support for Israel,” she said. “But the amount of hate and the fact that it was coming from all directions — from the far right, from the far left, from so many different groups of people — and the viciousness of it just it really broke my heart.”

The vitriol became overwhelming, Savetsky said. “For the first time I found myself really fearing for my safety and questioning my decision to put myself in this public position,” she said. 

Ultimately, after only weeks of filming, Savetsky insists she decided to leave the show because of the antisemitism she faced. “It was definitely not the path for me and for my family,” Savetsky told the New York Jewish Week. “I have no regrets about going through the process because if anything, it shined a light on just how much hate there is out there.”

“I would rather know and understand the reality of it so that I can use my efforts to fight it,” she added. “The fear that I felt from experiencing all the hate I’ve gotten in the past few months really just motivated me to double down and fight even harder.”

Days after her announcement, Page Six, citing “production insiders,” reported that there was more to the story surrounding Savetsky’s departure — including that Savetsky declined to match a non-Jewish cast member up with a Jewish man, and that her husband repeated anti-Black slurs to a producer.

Savetsky declined to comment on these allegations, nor have the rumors been confirmed by Bravo or a named member of the cast. The show is set to air sometime in 2023.

And while she may not be a “Real Housewife,” Savetsky plans to stay in the city. “New York is the center of the universe,” she joked, citing the large and diverse Jewish community as a huge reason why she wanted to raise her kids here. Living on the Upper East Side, Savetsky’s daughters attend a Modern Orthodox day school, and the family is a member of the newly created Altneu congregation, helmed by Rabbi Benjamin Goldschmidt and his wife Avital Chizhik-Goldschmidt.

Despite leaving the show, Savetsky has no plans to be silent about antisemitism. Savetsky has gained more than 20,000 followers since the “Real Housewives” cast announcement, and the subsequent antisemitism she faced —  as well as the rise in antisemitic incidents, in general — have only inspired her to be more outspoken about her Judaism and Zionism, she said. 

“Everything has changed in the past few months — for me, personally, and I believe for the Jewish people and the world,” Savetsky said. “The world is waking up to the reality that antisemitism isn’t just this looming threat, but it’s real and it’s here and I think people are opening their eyes to that.”

She added: “I’ve never felt like my purpose was so clear as I do in this moment to be loud and proud and to stand up for my people.”


The post No longer a ‘Real Housewife,’ Orthodox influencer Lizzy Savetsky turns to fighting antisemitism appeared first on Jewish Telegraphic Agency.

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For the Jews of Venice, an uneasy history of scapegoating and grudging tolerance

The First Ghetto: Venice and the Origins of Modern Antisemitism
By Alexander Lee
Basic Books, 432 pages, $34

When one thinks of Venice and the Jews, the first figure that probably comes to mind is Shylock, literary history’s famous Jewish villain, a moneylender who demands a “pound of flesh” from the titular character in Shakespeare’s The Merchant of Venice.

In Alexander Lee’s new book, The First Ghetto: Venice and the Origins of Modern Antisemitism, Shylock is mentioned just twice, both times in the introduction, but his ghost hovers over the pages of the book. Much of Lee’s historical account of Jewish life in Venice is devoted to Jewish moneylenders, and the key role they played in keeping Venice’s economy afloat.

The First Ghetto centers on the uneasy and guarded relationship that the Venetian government and its Christian people — first as the Venetian Republic and later as part of the Italian nation — always had with its Jewish population. According to Lee’s account, Venice didn’t want the Jews, but it needed them, largely for their ability to provide credit.

As he tracks the rise and fall of the Venetian Ghetto across more than six centuries, from Venice’s first Jewish visitor in 1315 through the fateful deportation of its Jewish citizens in the Holocaust, Lee’s focus is so narrowly limited to the fluctuations of finance that he very nearly makes the word “Jew” synonymous with “moneylender” or “pawnbroker.”

Alexander Lee is an Italian Renaissance scholar at the University of Warwick whose previous books include ‘Machiavelli: His Life and Times.’ Courtesy of Hachette

That’s a pity, because readers can be left with the impression that the primary role Jews played in the life of the city nicknamed  “La Serenissima” — the most serene place — was financial.

“More than once, the Ghetto’s Jews helped keep the Venetian economy from collapse,” writes Lee, an Italian Renaissance scholar at the University of Warwick who has previously published four books, including Machiavelli: His Life and Times. “They founded no fewer than eight glittering synagogues, each a masterpiece of its kind, founded innumerable charities, and administered their own affairs with democratic probity.”

There is, of course, validity to the argument that the Venetian brand of capitalism that emerged in the late Middle Ages and sustained the city through the 20th century was reliant on Jewish labor. Since the mid-12th century, the Catholic Church had prohibited usury, loans offered with interest. But this rule only applied to Christians lending to Christians. They could, however, take out interest-bearing loans from Jewish moneylenders, who were permitted to lend and borrow without, apparently, incurring sin.

The precarious arrangement proved, over time, to be mutually beneficial for the Venetians and the Jews. As long as they were supporting the city’s financial needs, Jews were tolerated — even as they were isolated, overtaxed and frequently attacked. When the Venetians had less of a need for Jewish resources, cruelty against them spiked. They were blamed for most of the city’s woes, including the Black Death, the loss of wars, and various forms of spiritual corruption.

Even if Jews’ contributions were valued by some, the majority of Venice’s Christians “still harbored a horror of moneylending in Venice itself — and almost all regarded Jews with unconcealed hostility,” Lee writes. To balance this necessity against their antipathy, Jews were permitted to live in Venice, as long as they remained apart. Thus the Venice Ghetto was born.

Beginning in 1516, they were segregated to an island of their own on the dilapidated site of a former municipal cannon foundry, Ghetto Nuovo, surrounded by high walls and an iron gate. They were constrained in cramped conditions, and allowed to associate with Christian residents only for business purposes, in daytime. They were marked as outsiders wherever they traveled within the city by a yellow circular patch on their clothing, and an oddly shaped yellow hat.

“The Ghetto was simply the easiest way of allowing Jewish loans to keep flowing,” writes Lee, “while keeping the spiritual ‘risks’ [of associating with Jews] to a minimum.”

Although Jews had been segregated and harassed in other settings for centuries, Venice’s Ghetto was a precursor of the many Jewish ghettos that would later be created throughout Europe. The word ghetto, borrowed from Venice, later “shed its purely Jewish connotations,” Lee writes, and became “shorthand for vulnerability, poverty and powerlessness,” in the living conditions of any minority group.

The first 150 pages of The First Ghetto track the vicissitudes of the explotive financial partnership between Venice and its largely captive population of a couple thousand Jewish residents. The periods of time when Jewish life could be conducted with some sense of security and ease were offset by periods of blame, harassment, and threats of expulsion. But, as Lee argues, the story of Venice’s Jews is one of resilience and survival.

Shakespeare penned The Merchant of Venice between 1596 and 1598, in a period that Lee describes as the Ghetto’s “Golden Age, 1589-1630.” Yet precisely why the character of Shylock emerged in England in this period or how the play related to the true conditions of moneylending and commerce are unfortunately never discussed.

Culture and humanity are strikingly absent from Lee’s account of the history of the Venice Ghetto. Lee notes that the inhabitants of the Ghetto were “poets and scientists, musicians and philosophers; they put on plays and held festivals; and they transformed Venice into the greatest center for Hebrew printing in the world.”

But, apart from a detailed account of the genesis of the book trade, Lee offers little description of these poets and scientists or philosophers, nor does he provide much insight into the daily life experienced in the Venice Ghetto. I yearned for a more vivid sense of how the Ghetto’s people passed their time, what they ate, how they socialized or practiced religious observance — and how they responded to the discrimination they faced.

The book’s subtitle, Venice and the Origins of Modern Antisemitism, suggests that Lee might dive into the genesis of antisemitic tropes or ideas — why did Christian Venetians believe that Jews ate babies, for example? — but this kind of analysis isn’t provided. Instead, Lee seems to regard antisemitism as a given, a force of nature that merely fluctuates depending on the conditions of the time.

“By 1630,” writes Lee, “Venice was the best place in the world to be a Jew.” And, “Anyone could see that the Ghetto was indispensable to Venice.” The bright moment didn’t last long, however, as that same year, the city was hit by a plague that took about a third of its population. Because they were still relatively isolated, the Jewish community lost only about 15% of its residents, but the larger city’s “glory days were now numbered,” Lee writes. “There would be no recovery — only a gradual slide into irrelevance.”

In 1797, Napoleon Bonaparte marched into Venice and forced its leaders to abdicate, effectively ending the Venetian Republic, and declared all its residents equal. The walls of Venice’s Ghetto were finally torn down; its gates were carried to the town square, smashed to bits, and burned. A member of the national guard, Raffaele Vivante, jumped up and gave a speech. “Here you have toppled the terrible doors which held our Nation as if locked up in a prison,” he cried, and then, as Lee writes, “The dancing went on till dawn.”

In the 1930s and 40s, under Mussolini’s fascist reign, the Venetians’ long-simmering hatred of its Jews rose to a boil. As the Jewish community was still small and somewhat contained, in spite of early 20th-century integration, it was easy to identify and decimate. The emptying of the Ghetto, handled here in about ten pages, resulted in the removal of around 2,100 people in 1943 and 1944, of whom hundreds were murdered.

In the 21st century, while the waves of antisemitism have once again crested, the notion that to be Jewish is to be linked to moneylending, banking, and usury has, sadly, gained new currency. Although this is not the only issue Lee touches upon, I wondered while reading the book if it was truly useful to hammer home this connection once again.

As I read Lee’s history, waiting for a better sense of the dimensions of humanity in the Ghetto, a line from the Merchant of Venice kept popping into my mind: “If you prick us, do we not bleed?” I would have liked to have seen a slightly more sanguine touch on these pages.

The post For the Jews of Venice, an uneasy history of scapegoating and grudging tolerance appeared first on The Forward.

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British Museum postpones a Jewish Culture Month lecture, citing ‘disruption’ concerns

(JTA) — The British Museum has canceled a lecture titled ‘‘Ancient Israel and Judah” that was scheduled to take place today on its premises.

In a statement on Wednesday, the museum said the decision was made because it was informed in recent days that “a significant proportion of registered attendees were individuals intending to deliberately disrupt the event.”

The event was supposed to be jointly led by members of the museum’s senior curatorial team alongside organizers from Jewish Culture Month, with the lecture presented by Dr. Paul Collins, the museum’s Keeper of the Department of the Middle East.

Jewish Culture Month is the first event of its kind in the United Kingdom, organized by the Board of Deputies of British Jews. The festivities opened on May 15 and run through June 16, and include more than 100 events celebrating Jewish heritage, creativity and culture across the U.K.

Major British institutions including the British Library, Tate Modern, Victoria and Albert Museum and the BBC are participating.

The British Museum said it was only postponing and not canceling the event, stating the decision was a joint one “made following conversations with organisers and security partners.” The museum added that the decision was made “to protect the event — not diminish it.”

British Museum Assistant Press Officer Lucy McDonald told JTA that the museum could not comment on “operational or security arrangements” and referred to the statement saying that the event would be rescheduled “to a later date when it can take place in an environment that properly safeguards both the audience experience and the integrity of the programme itself.”

The Board of Deputies of British Jews responded with a statement saying, “It is highly regrettable that individuals have sought to deliberately disrupt a Jewish Culture Month event celebrating Jewish cultural heritage at the British Museum.” A spokesperson for the Board told JTA they could not comment further.

At the launch earlier this month, Board of Deputies Acting President Adrian Cohen said the events were designed for Jewish and non-Jewish community members alike because “British Jewish culture is not something that exists in isolation.

Board of Deputies Director of Culture, Education and Communities Liat Rosenthal added, “Jewish culture has never been something sealed behind glass. It is a living culture. An argumentative culture. A hospitable culture. A culture of memory and reinvention. Of stories carried across borders and generations, then remade anew.”

The museum’s postponement of the event is a blow to London’s Jewish community, which has weathered rising antisemitic incidents since the Oct. 7, 2023, Hamas attack on Israel.

Shimon Cohen, the campaign director for Shechita UK, an organization that advocates for the Jewish ritual of kosher animal slaughter, told JTA in a statement, “Why has our country descended into mob rule? Why are we signaling that intimidation, vitriolic abuse, and violence against Jews works?”

“The British Museum can ‘celebrate the contribution of our communities’ except the Jewish community,” said Cohen. “Instead, their message is clear: let them cower, be cancelled, and be exposed, through the cowardice of our passivity, to ever more hatred, and why? Simply because Jews don’t count!”

This article originally appeared on JTA.org.

The post British Museum postpones a Jewish Culture Month lecture, citing ‘disruption’ concerns appeared first on The Forward.

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In Miami, rekindling the Black-Jewish alliance that Clarence Jones insisted never died

The day before the March on Washington in 1963, a man who embodied much of what that civil rights action was all about left this world. The march went on, and changed history, in dedication to the life and work of W. E. B. Du Bois. During it, the NAACP’s Roy Wilkins told the crowd, of Du Bois, that “his was the voice that was calling to you to gather here today in this cause.”

A similar scenario is unfolding in Miami today with the start of a major convening of groups committed to the Black-Jewish alliance. It comes in the shadow of the death of Clarence B. Jones, a lawyer and speechwriter for Martin Luther King, Jr., who embodied that alliance and its cause for much of his life. He died last Friday at 95.

Chairman emeritus of the Black-Jewish alliance group Spill the Honey, and long cemented in history as the legal mind behind King’s protest strategies who also contributed passages to the “I Have a Dream” speech, Jones would vociferously argue that despite endless fissures, the alliance never ended.

That is a position I too have long maintained, particularly because a major part of the alliance is acknowledging the existence and power of Black Jews. As I and so many others tirelessly repeat, the two groups are not mutually exclusive. It’s a misnomer to say “Blacks” and “Jews” when each group overlaps with the other.

And if the alliance did die sometime during the last 30 or 40 years, did my existence and that of every other Black Jew not get the memo?

Our reality hasn’t stopped others from restarting the alliance with all the patentability of reinventing the wheel. I’ve lost count over the years of how many times a new Blacks-and-Jews group — again, usually ignoring Black Jews — would form as if it alone had the answer to whatever discord was then going on, from disputes over affirmative action after the Supreme Court’s 1978 Bakke decision to the latest over Israel’s horrific actions in Gaza and Lebanon.

That led me and Bruce Haynes, author of The Soul of Judaism and an African American professor who recently discovered his Jewish ancestry, to wonder last February if it was time to form an umbrella organization for all the organizations so dedicated.

While we discussed it, others were mobilizing.

An influential — and funded — group was already working on exactly that, calling for the National Convening of the Black-Jewish Alliance in Miami this week. Organizers include the Redstone Family Foundation and the EXODUS Leadership Forum, founded by CNN commentator Van Jones.

At 95, Clarence Jones would not have made the trip. But Spill The Honey, the organization he recently chaired and for which Haynes and I both serve as board members, is also among coalition partners.

Nearly 100 Black, Jewish, and Black Jewish leaders (this time, we’re being heard) will gather in what will be a show of unity merely in all of us being together, even if we don’t agree on everything. No coalition does, and those that do succeed (think of the not-always-comfortable bedfellows of the civil rights and labor groups that pulled off the March On Washington) do so despite their differences. What’s important is that we’ll be in the room together.

Will it work? Who knows. The alliance has always been rocky, even if it has also always survived.

And don’t count Clarence Jones out yet. His spirit will definitely be with us, which he foreshadowed in a conversation we had in the Forward three years ago.

“When I die, I’m coming back Jewish,” he said.

“But still Black?” I asked.

“Absolutely!”

The post In Miami, rekindling the Black-Jewish alliance that Clarence Jones insisted never died appeared first on The Forward.

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