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On her 100th birthday, this Holocaust survivor threw out the first pitch at a Yankees-Rays game
(Jewish Press of Tampa Bay via JTA) — She may not have the same velocity on her fastball as an MLB pitcher, but Helen Kahan still had plenty to be proud of as she threw out the ceremonial first pitch before the Tampa Bay Rays and New York Yankees took the field on May 5 — her 100th birthday.
Kahan stood confidently on the Tropicana Field pitcher’s mound with her daughter and son by her side. It didn’t matter that the throw only made it halfway to home plate. The crowd of more than 25,000 gave her a standing ovation as Rays relief pitcher Kevin Kelly, who caught the pitch, congratulated her with a smile and a handshake.
Kahan, of Seminole, Florida, who survived multiple Nazi concentration camps, was triumphant.
“I never could have imagined celebrating a birthday like this, let alone my 100th!” said Kahan. “I’m so grateful that I am here to tell my story and help the world remember why kindness and empathy are so important for us all.”
Helen Kahan turned 1⃣0⃣0⃣ years young today!
Born in Romania, Helen survived Nazi control during the Holocaust until being liberated by the Red Army. She moved to the US in 1967 with her husband and kids and now calls St. Pete home
Tonight, she threw the first pitch pic.twitter.com/pBAXrgBCiG
— Bally Sports Sun: Rays (@BallyRays) May 6, 2023
Born in 1923 in Romania, Kahan was forced into a ghetto as a young adult before being deported to Auschwitz-Birkenau, then Bergen-Belsen and Lippstadt. As the end of the war approached, she escaped from a death march before the camp was liberated by the Soviet army in May 1945. In 1967, Kahan fulfilled a lifelong dream when she and her family immigrated to the United States.
Bally Sports Sun, the Rays broadcaster, featured an in-game segment on her inspiring story.
“They heard how I lived… that I have a number from Auschwitz,” Kahan told the Jewish Press, pointing to the Nazi tattoo on her arm that reads 7504.
Many of Kahan’s family members — two children, five grandchildren and 12 great-grandchildren — were at Tropicana Field to witness the big moment.
Helen Kahan and her family at the Tampa Bay Rays game, May 5, 2023. (Courtesy of the Tampa Bay Rays)
“It was very nice,” Kahan said. “Everybody celebrated; everybody made it bigger than me.”
She said the experience was special because she never got to play sports when growing up, explaining, “I always had to make a penny in the family.”
To prepare, Kahan watched her grandsons and great-grandsons play catch so she could get the pitching motion in her head.
Afterward, Kahan received lots of media attention, including segments on the local news and social media posts from global outlets, including ESPN.
Kahan said she relished the experience and was grateful for the opportunity.
“I love it… I came from a Hitler camp that did not give me anything but numbers,” Kahan said, pointing at her tattooed arm once again.
Kahan’s daughter, Livia Wein, said that watching her mother throw out the pitch was one of the best things she has ever experienced.
“It was probably the coolest thing for our entire family,” Wein said. “Having a lot of our friends in the stands also made it very special.”
Kahan and Wein are both avid Rays fans; however, Kahan prefers to keep her favorite player a secret. She said it was a pleasure to meet several of the players and coaches before the game.
In addition to honoring Kahan, the Rays announced a $10,000 partnership grant with the Florida Holocaust Museum during the pregame festivities. Kahan has been a longtime volunteer educator at the St. Petersburg museum.
Whether it was Kahan’s charisma and courageous spirit or simply great defense and timely hitting, the Rays defeated their rival Yankees by a final score of 5-4.
A version of this story originally appeared in the Jewish Press of Tampa Bay. It is reprinted here with permission.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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