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Re-imagined ‘Merchant of Venice’ in New York Fails Horribly Because of Poor Artistic Choices
“The Merchant of Venice” at Classic Stage Company. Photo: publicity release.
William Shakespeare’s The Merchant of Venice is one of his most powerful plays. In recent years, there have been some who said it should not be taught or performed because of its anti-Jewish themes.
Early on in the new production of the play at Classic Stage Company in Manhattan, one performer on stage calls it a “problem play.”
I’ve taught the play many times at a high school level, and no student came away hating Jews because Shylock, the Jewish moneylender, is the villain of the play. Art is a reflection of reality — and one character does not represent an entire people.
There are surely large antisemitic elements in the play, including that Shylock is bent on getting his pound of flesh, refusing to have multiple times the money he has lent Antonio (who has mocked him in the past and treated him poorly) returned.
I was looking forward to seeing this production, and how Richard Topol as Shylock would give the “Hath not a Jew eyes,” speech, in which he argues for equality and seeing Jewish people’s humanity.
With rising antisemitism in the world and in America, I looked forward to seeing how the play would be “re-imagined” — as Classic Stage Company promised.
Jewish director Igor Golyak has a kernel of genius in having this staged production as a talk show. But the kernel unfortunately never pops. He abandons a possible Jerry Springer idea for some weak slapstick comedy that doesn’t work in the slightest.
The actors are all high energy and talented. Alexandra Silber, who I’ve seen excellently play Tzeitel in a production of Fiddler on the Roof, is a commanding presence on stage as Portia and fun to watch. Jorge Espinoza has great charm as an idealistic and muscular Bassanio. As Shylock, Richard Topol wears Groucho Marx fake glasses and a fake big nose and he is a good actor, but the play is so off-kilter, there is no power in any of his lines. Gus Birney goes all in with a good amount of gusto as Shylock’s daughter, Jessica, and I wouldn’t be surprised if she has a lead role in an upcoming play. T.R Knight who plays Antonio, has some good moments.
But I cannot understand what in the world Golyak is trying to do here. Yes, we get it. He wants to show the absurdity of how in Shakespeare’s times, the play was viewed as a comedy and should not be viewed as funny. But in order to do this, one should make sure there is balance and power, not just things that appear different for the sake of being different.
This production is like a promising microwave meal that looks smoking hot at the beginning, and fails because not enough care and craft was taken.
There are two jaw-droppingly absurd moves. The first is to have Richard as Shylock say “Richard is my name.” This is simply infantile. The biggest miss is to think people will care that you have a painted Jewish star and the chanting of the “kel maleh” the prayer recited at funerals, despite scenes earlier, having a puppet perform a sex act on another. You can choose one of the other to have in your play — but using both together is a cheap trick, and destroys tonal consistency.
There is value to abstract art, and not doing everything “on the nose.” But to try to shock simply to be shocking is pointless.
To have “Hava Nagilah” in the show also serves no purpose. A scene where a character is tied down as was Jack Tripper in Three’s Company also has no relation to The Merchant of Venice.
A woman who sat next to me said she’d seen Golyak’s direction of Our Class, which was a play about five Jews and five Catholics in Poland and is inspired by the 1941 pogrom in the Polish village of Jedwabne. I am sorry I did not see it.
It is sadly ironic that the Classic State Company has done away with a classic play, and turned it into a ball of randomness and banality. That some of the women are scantily clad neither helps nor hurts the production.
When you peel off the plastic, this production of The Merchant of Venice has some smoke, but no fire because Golyak, despite a great cast, fails to go deeper into a depiction of the consumption and understanding of information and more specifically, hate.
The author is a writer based in New York.
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Israel Says Missile Launched by Yemen’s Houthis ‘Most Likely’ Intercepted
Houthi leader Abdul-Malik al-Houthi addresses followers via a video link at the al-Shaab Mosque, formerly al-Saleh Mosque, in Sanaa, Yemen, Feb. 6, 2024. Photo: REUTERS/Khaled Abdullah
The Israeli army said on Saturday that a missile fired from Yemen towards Israeli territory had been “most likely successfully intercepted,” while Yemen’s Houthi forces claimed responsibility for the launch.
Israel has threatened Yemen’s Iran-aligned Houthi movement – which has been attacking Israel in what it says is solidarity with Gaza – with a naval and air blockade if its attacks on Israel persist.
The Houthi military spokesperson Yahya Saree said the group was responsible for Saturday’s attack, adding that it fired a missile towards the southern Israeli city of Beersheba.
Since the start of Israel’s war in Gaza in October 2023, the Houthis, who control most of Yemen, have been firing at Israel and at shipping in the Red Sea, disrupting global trade.
Most of the dozens of missiles and drones they have launched have been intercepted or fallen short. Israel has carried out a series of retaliatory strikes.
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Iran Holds Funeral for Commanders and Scientists Killed in War with Israel
People attend the funeral procession of Iranian military commanders, nuclear scientists and others killed in Israeli strikes, in Tehran, Iran, June 28, 2025. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Large crowds of mourners dressed in black lined streets in Iran’s capital Tehran as the country held a funeral on Saturday for top military commanders, nuclear scientists and some of the civilians killed during this month’s aerial war with Israel.
At least 16 scientists and 10 senior commanders were among those mourned at the funeral, according to state media, including armed forces chief Major General Mohammad Bagheri, Revolutionary Guards commander General Hossein Salami, and Guards Aerospace Force chief General Amir Ali Hajizadeh.
Their coffins were driven into Tehran’s Azadi Square adorned with their photos and national flags, as crowds waved flags and some reached out to touch the caskets and throw rose petals onto them. State-run Press TV showed an image of ballistic missiles on display.
Mass prayers were later held in the square.
State TV said the funeral, dubbed the “procession of the Martyrs of Power,” was held for a total of 60 people killed in the war, including four women and four children.
In attendance were President Masoud Pezeshkian and other senior figures including Ali Shamkhani, who was seriously wounded during the conflict and is an adviser to Iran’s Supreme Leader Ayatollah Ali Khamenei, as well as Khamenei’s son Mojtaba.
“Today, Iranians, through heroic resistance against two regimes armed with nuclear weapons, protected their honor and dignity, and look to the future prouder, more dignified, and more resolute than ever,” Foreign Minister Abbas Araqchi, who also attended the funeral, said in a Telegram post.
There was no immediate statement from Khamenei, who has not appeared publicly since the conflict began. In past funerals, he led prayers over the coffins of senior commanders ahead of public ceremonies broadcast on state television.
Israel launched the air war on June 13, attacking Iranian nuclear facilities and killing top military commanders as well as civilians in the worst blow to the Islamic Republic since the 1980s war with Iraq.
Iran retaliated with barrages of missiles on Israeli military sites, infrastructure and cities. The United States entered the war on June 22 with strikes on Iranian nuclear facilities.
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Israel, the only Middle Eastern country widely believed to have nuclear weapons, said it aimed to prevent Tehran from developing its own nuclear weapons.
Iran denies having a nuclear weapons program. The U.N. nuclear watchdog has said it has “no credible indication” of an active, coordinated weapons program in Iran.
Bagheri, Salami and Hajizadeh were killed on June 13, the first day of the war. Bagheri was being buried at the Behesht Zahra cemetery outside Tehran mid-afternoon on Saturday. Salami and Hajizadeh were due to be buried on Sunday.
US President Donald Trump said on Friday that he would consider bombing Iran again, while Khamenei, who has appeared in two pre-recorded video messages since the start of the war, has said Iran would respond to any future US attack by striking US military bases in the Middle East.
A senior Israeli military official said on Friday that Israel had delivered a “major blow” to Iran’s nuclear project. On Saturday, Iran’s Revolutionary Guards said in a statement that Israel and the US “failed to achieve their stated objectives” in the war.
According to Iranian health ministry figures, 610 people were killed on the Iranian side in the war before a ceasefire went into effect on Tuesday. More than 4,700 were injured.
Activist news agency HRANA put the number of killed at 974, including 387 civilians.
Israel’s health ministry said 28 were killed in Israel and 3,238 injured.
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Pro-Palestinian Rapper Leads ‘Death to the IDF’ Chant at English Music festival
Revellers dance as Avril Lavigne performs on the Other Stage during the Glastonbury Festival at Worthy Farm, in Pilton, Somerset, Britain, June 30, 2024. Photo: REUTERS/Dylan Martinez
i24 News – Chants of “death to the IDF” were heard during the English Glastonbury music festival on Saturday ahead of the appearance of the pro-Palestinian Irish rappers Kneecap.
One half of punk duo based Bob Vylan (who both use aliases to protect their privacy) shouted out during a section of their show “Death to the IDF” – the Israeli military. Videos posted on X (formerly Twitter) show the crowd responding to and repeating the cheer.
This comes after officials had petitioned the music festival to drop the band. The rap duo also expressed support for the following act, Kneecap, who the BCC refused to show live after one of its members, Liam Óg Ó hAnnaidh – better known by stage name Mo Chara – was charged with a terror offense.
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