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Re-imagined ‘Merchant of Venice’ in New York Fails Horribly Because of Poor Artistic Choices
“The Merchant of Venice” at Classic Stage Company. Photo: publicity release.
William Shakespeare’s The Merchant of Venice is one of his most powerful plays. In recent years, there have been some who said it should not be taught or performed because of its anti-Jewish themes.
Early on in the new production of the play at Classic Stage Company in Manhattan, one performer on stage calls it a “problem play.”
I’ve taught the play many times at a high school level, and no student came away hating Jews because Shylock, the Jewish moneylender, is the villain of the play. Art is a reflection of reality — and one character does not represent an entire people.
There are surely large antisemitic elements in the play, including that Shylock is bent on getting his pound of flesh, refusing to have multiple times the money he has lent Antonio (who has mocked him in the past and treated him poorly) returned.
I was looking forward to seeing this production, and how Richard Topol as Shylock would give the “Hath not a Jew eyes,” speech, in which he argues for equality and seeing Jewish people’s humanity.
With rising antisemitism in the world and in America, I looked forward to seeing how the play would be “re-imagined” — as Classic Stage Company promised.
Jewish director Igor Golyak has a kernel of genius in having this staged production as a talk show. But the kernel unfortunately never pops. He abandons a possible Jerry Springer idea for some weak slapstick comedy that doesn’t work in the slightest.
The actors are all high energy and talented. Alexandra Silber, who I’ve seen excellently play Tzeitel in a production of Fiddler on the Roof, is a commanding presence on stage as Portia and fun to watch. Jorge Espinoza has great charm as an idealistic and muscular Bassanio. As Shylock, Richard Topol wears Groucho Marx fake glasses and a fake big nose and he is a good actor, but the play is so off-kilter, there is no power in any of his lines. Gus Birney goes all in with a good amount of gusto as Shylock’s daughter, Jessica, and I wouldn’t be surprised if she has a lead role in an upcoming play. T.R Knight who plays Antonio, has some good moments.
But I cannot understand what in the world Golyak is trying to do here. Yes, we get it. He wants to show the absurdity of how in Shakespeare’s times, the play was viewed as a comedy and should not be viewed as funny. But in order to do this, one should make sure there is balance and power, not just things that appear different for the sake of being different.
This production is like a promising microwave meal that looks smoking hot at the beginning, and fails because not enough care and craft was taken.
There are two jaw-droppingly absurd moves. The first is to have Richard as Shylock say “Richard is my name.” This is simply infantile. The biggest miss is to think people will care that you have a painted Jewish star and the chanting of the “kel maleh” the prayer recited at funerals, despite scenes earlier, having a puppet perform a sex act on another. You can choose one of the other to have in your play — but using both together is a cheap trick, and destroys tonal consistency.
There is value to abstract art, and not doing everything “on the nose.” But to try to shock simply to be shocking is pointless.
To have “Hava Nagilah” in the show also serves no purpose. A scene where a character is tied down as was Jack Tripper in Three’s Company also has no relation to The Merchant of Venice.
A woman who sat next to me said she’d seen Golyak’s direction of Our Class, which was a play about five Jews and five Catholics in Poland and is inspired by the 1941 pogrom in the Polish village of Jedwabne. I am sorry I did not see it.
It is sadly ironic that the Classic State Company has done away with a classic play, and turned it into a ball of randomness and banality. That some of the women are scantily clad neither helps nor hurts the production.
When you peel off the plastic, this production of The Merchant of Venice has some smoke, but no fire because Golyak, despite a great cast, fails to go deeper into a depiction of the consumption and understanding of information and more specifically, hate.
The author is a writer based in New York.
The post Re-imagined ‘Merchant of Venice’ in New York Fails Horribly Because of Poor Artistic Choices first appeared on Algemeiner.com.
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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War
Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa
Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.
Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.
“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”
GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’
Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.
“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.
“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.
“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.
After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”
RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL
Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”
Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.
“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.
She added: “Maybe there is a chance the war ends at October 7, two years after it began.”
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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests
A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco
Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.
People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.
“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”
Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.
On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.
Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.
On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.
“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.
Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.
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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan
Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas
Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.