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Red Pins at the Oscars: Is the Call for a Ceasefire Antisemitic?
Director Jonathan Glazer, of the United Kingdom, poses with the Oscar for Best International Feature Film for “The Zone of Interest” in the Oscars photo room at the 96th Academy Awards in Hollywood, Los Angeles, California, US, March 10, 2024. Photo: REUTERS/Carlos Barria
JNS.org – A handful of celebrities wore ceasefire pins to the annual Academy Awards ceremony in California on March 10. The red pins represent the organization Artists 4 Ceasefire, which has crafted a letter to U.S. President Joe Biden that has been signed by roughly 400 actors, musicians and other Hollywood personalities. Many pro-Israel activists have taken issue with the pins, some alleging that their wearers are expressing subtle, if not blatant, antisemitism.
While it may be true that some of the signatories to the Artist 4 Ceasefire letter are indeed antisemitic, it is also certain that many of those who have taken up the ceasefire cause—both Hollywood luminaries and average citizens—are motivated not by any animus to Jews, per se, but by an underlying opposition to war of any kind. To recognize this is not to justify or validate the calls for a ceasefire, but it is an important distinction to make for a number of reasons.
First, it is important to reserve the label of antisemite for those who are actually hateful of Jews. To ascribe this virulent bias to those to whom it does not apply isn’t helpful to the Jewish and/or Israeli cause. It waters down the term by equating true racists with those who oppose the war in Gaza for less malicious reasons. It also deafens the public to genuine claims of antisemitism by crying wolf too often. Furthermore, it immediately alienates those who are falsely accused and decreases the likelihood of productive dialogue in which they may be willing to hear an alternate perspective and eventually alter their opinion.
In order to effectively communicate with those who are calling for a ceasefire for reasons other than antisemitism, it is important to maintain objectivity and to discern their authentic motives and feelings. While Jews generally, and Israelis in particular, are extremely sensitive to the ultimate ramifications and consequences of a ceasefire, many who have no direct relationship to the conflict are not. A ceasefire to the vast majority of Israelis (and to the 82% of Americans who support Israel’s continued war against Hamas) means the following:
Hamas will be left intact to commit future Oct. 7-style massacres as they have stated explicitly that they will do;
The 130-some hostages that remain in captivity will not be released;
And the Iranian mullahs, the Muslim Brotherhood and other fascistic extremist groups around the world will be emboldened to carry out further terrorist attacks throughout the world.
There are certainly those within the ceasefire camp who understand these consequences and continue to assail Israel’s right to defend itself because of an antipathy for Jews and/or the Jewish state. Yet to many Western liberals, including some percentage of the 400 Hollywood figures who signed the Artists 4 Ceasefire letter and/or wore red pins to the Oscars, a ceasefire means, quite simply, the end of war and the cessation of civilian casualties. This, in itself, is a noble goal. If one genuinely believes that a ceasefire will result in this humane outcome, then one would be callous to ignore the suffering and horror of war, and to refrain from advocating for a stoppage of violence.
Yet this belief is shortsighted and unrealistic. The reality, of course, is that a ceasefire will result not in fewer casualties but in far more deaths and carnage. Left in power, Hamas will not only regroup and commit further atrocities against both Jews and Palestinians alike; it, along with a host of other terrorist organizations and Iranian proxies, will be emboldened by what it will deem a victory against Israel and the West. This is not merely speculation. The U.S. director of national intelligence, Avril Haines, testified on Monday that groups like ISIS and Al-Qaeda have been motivated by Oct. 7, and this will occasion an upsurge in terrorist attacks around the world. Anything less than a crushing and disabling defeat of Hamas will thus beget additional bloodshed for years and possibly decades to come.
Hollywood endings do not exist outside of Hollywood.
Rather than antisemitism, the refusal of many ceasefire activists to acknowledge this reality can be attributed to naiveté and wishful thinking. The opposition to war and an aversion to violence are shared by all people of morality and conscience. War is indeed horrific, and innocents necessarily suffer—particularly in a case where combatants knowingly embed themselves in civilian populations to exploit them as human shields. Yet there is a time when inaction is not an option. There is a time when a country must defend itself against an enemy that refuses to coexist peacefully. The choice for Israel is not peace or war; it is war now or the inevitable massacre of its innocent civilians again and again until the implacable threat is eliminated once and for all.
It is the obvious reality of Israel’s impossible conundrum that makes it easy to ascribe malice and bias to those promoting a ceasefire: The heinous acts of Oct. 7 (all recorded, publicized, and then scrubbed and denied by the perpetrators); the continued captivity of more than 130 kidnapped and brutalized hostages; the explicit guarantees of future massacres; the clear historic record of Israeli concessions and attempts at peaceful coexistence all met with additional violence and intransigence; the documented indoctrination of Palestinian children with hatred and bloodlust for their Jewish neighbors. How is it possible that a rational person could assess these facts and determine that Israel should be hamstrung in its efforts to finally resolve this conflict by eliminating those who have perpetuated it for generations, and who promise to perpetuate it until there is not a single Jew that remains anywhere in the land?
Yet Hollywood is not known for its moral clarity, and artists are not generally admired for their rationality. They are, rather, feted for their creativity and the pathos that is reflected in their imaginative work. Artists are dreamers, not realists. Israelis, on the contrary, do not have the luxury of indulging in fantasy and ignoring the cold, hard reality that comes from living on the front lines. While all people of hope are inclined to dream of a time of peace, Israelis have long been disabused of the notion that laying down weapons will foster harmony. Sadly, there are those who respect nothing more than force and who perceive any attempt at reconciliation as a sign of weakness and an invitation to further aggression.
Hollywood is not known for its moral clarity, and artists are not generally admired for their rationality.
Western liberals, of whom the Hollywood elite are frequently the most vocal and visible representatives and mouthpieces, do not understand the culture of death and radicalism that pervades Hamas and other terrorist fundamentalists. They are under the thrall of the parochial illusion that all populations think and believe as we do. They are convinced that just as we value life, liberty and the pursuit of happiness, so do those who refer to America as the Great Satan. If only we would lay down our weapons and extend our arms to them, then they would abandon their grievances and welcome our embrace. But Hollywood endings do not exist outside of Hollywood.
Israel supporters and Jews worldwide are facing the greatest challenge they have known in generations. Oct. 7 was the largest massacre of Jews since the Holocaust, and in the past five months, antisemitic incidents have skyrocketed by hundreds of percentages across the Western world. There is certainly the need for vigilance and the development of strategies to combat the resurgence of antisemitism in places where it was erroneously thought to be no more. Yet simultaneously, we must be careful not to cry wolf and misidentify the motives of those who have been misinformed or who have not yet taken the time to rationally evaluate the long-term outcomes of their position.
War is horrific, and the cessation of violence is absolutely the proper goal. Yet were the signatories of the Artists 4 Ceasefire letter presented with the facts of the conflict and reality of the long-term consequences of Israel’s inability to finish Hamas, there is reason to believe that at least some of the red pins would be replaced by yellow ribbons. If one truly cares for humanity—for the lives of Jews, Palestinians, and people of all backgrounds and persuasions—then the only answer is to fight against those who refuse to coexist and to cease fire only when they are unable to murder, maim, rape and torture those who do not accept their tyrannical rule.
The post Red Pins at the Oscars: Is the Call for a Ceasefire Antisemitic? first appeared on Algemeiner.com.
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Anti-Israel Rioters Attack Israeli Cruise Ship, Prevent Tourists From Disembarking in Greece
Greek riot police clash with pro-Palestinian protesters near the port of Rhodes during a demonstration targeting an Israeli cruise ship. Photo: Screenshot
Anti-Israel rioters on the Greek island of Crete have attacked an Israeli cruise ship, preventing tourists from disembarking in the latest incident targeting Israeli visitors in Greece.
The MS Crown Iris — operated by Israeli cruise line Mano Maritime — was targeted once again by pro-Palestinian activists this week.
On Thursday, Israeli tourists were physically assaulted and temporarily blocked from disembarking in Crete by about 25 protesters gathered at the island’s main port to demonstrate against the war in Gaza.
The rioters, waving Palestinian flags and holding banners falsely accusing Israel of genocide, clashed violently with police who were trying to secure a safe passage for the Israeli tourists.
As Israeli tourists tried to disembark, they were attacked by the demonstrators, who threw rocks and metal bars, forcing many to retreat back onto the ship.
After those who first tried to leave the ship were physically assaulted, police advised everyone to return onboard, as protesters appeared to be blocking all exits from the port.
The port then closed its gates, and all passengers returned to the ship while authorities worked to regain control of the situation.
Greek riot police intervened, using pepper spray to disperse the crowd and detaining four protesters, but some passengers were still injured during the incident.
This latest attack marks the third incident in a month in which anti-Israel protesters have targeted Israeli tourists and attempted to boycott the Mano Maritime cruise line.
Greece’s Minister of Citizen Protection, Michalis Chrysochoidis, condemned these targeted attacks, vowing that anyone who tries to prevent a foreign national from legally entering the country will “face prosecution, arrest, and then criminal proceedings under the anti-racism law.”
Las month, approximately 1,600 Israeli passengers expecting a peaceful stop on their cruise were unable to disembark from a ship docked on the island of Syros after a pro-Palestinian protest erupted at the port, raising safety concerns.
Around 300 demonstrators had gathered at the dock to protest against the war in Gaza, while Syros Port Authority police guarded the area and intervened to prevent violence until the ship departed.
Amid the large anti-Israel protest, the cruise company chose to divert the ship to Limassol, Cyprus.
In videos circulating on social media, protesters were seen waving Palestinian flags and holding banners with slogans such as “Stop the Genocide” and “No AC [Air Conditioning] in Hell,” while chanting antisemitic slogans.
In a similar incident, pro-Palestinian protesters clashed with Greek riot police on the island of Rhodes as they attempted to block a Mano Maritime cruise ship from docking at the island’s main port.
More than 600 passengers were set to disembark when tensions escalated and brief clashes broke out as authorities worked to control the protest.
According to videos circulating on social media, riot police can be seen confronting a group of pro-Palestinian protesters gathered near the dock, who shouted slogans such as “Freedom for Palestine.”
Since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, antisemitic incidents have surged to alarming levels across Europe.
These incidents appear to be the latest in an increasing wave of anti-Jewish hate crimes that Greece and other countries have experienced in recent months.
On Friday, a group of Israeli tourists from London were thrown out of a Greek taverna and called “baby killers” after a dispute with the pro-Palestinian restaurant owner.
Last month in Athens, a group of pro-Palestinian activists vandalized an Israeli restaurant, shouting antisemitic slurs and spray-painting graffiti with slogans such as “No Zionist is safe here.”
The attackers also posted a sign on one of the restaurant’s windows that read, “All IDF soldiers are war criminals — we don’t want you here,” referring to the Israel Defense Forces.
In June, an Israeli tourist was attacked by a group of anti-Israel activists after they overheard him using Google Maps in Hebrew while navigating through Athens.
When the attackers realized the victim was speaking Hebrew, they began physically assaulting him while shouting antisemitic slurs.
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‘Nothing Less’: Trump Presses for $500 Million Settlement With Harvard University
US President Donald Trump gestures during a cabinet meeting at the White House in Washington, DC, US, Aug. 26, 2025. Photo: Jonathan Ernst via Reuters Connect
US President Donald Trump has said that Harvard University must pay a minimum $500 million penalty as part of a settlement to restore $3 billion in federal contracts and research grants his administration impounded from the school’s coffers earlier this year.
Trump insisted on “nothing less” in remarks to Education Secretary Linda McMahon during a cabinet meeting held on Tuesday. “They’ve been very bad. Don’t negotiate,” he added.
The comments came just two and a half months after McMahon, representing the Trump administration, hinted at the possibility of reaching a deal with Harvard and unfreezing the federal funds. Speaking to Bloomberg, the education secretary said that Harvard was “making progress” and “already put in place some of the things that we have talked about in our negotiations with Columbia” University, which included some wish-list reforms for which conservatives have spent decades advocating.
At the time, Harvard had filed suit against the administration, seeking a summary judgement which ruled that the funds confiscation was arbitrary and skipped key steps the government must take before taking such an action. The New York Times reported that Harvard expressed interest in paying $500 million to settle the matter, and university officials had begun dismantling initiatives and making other changes to reverse an impression that the institution is doctrinally far left and anti-Zionist.
In July, it announced new partnerships with Israeli academic institutions and shuttered its diversity, equity, and inclusion (DEI) offices, transferring their staff to other sections of the university. These moves came after it “paused” a partnership in March with a higher education institution located in the West Bank. Some reports, according to the Harvard Crimson, even suggested that Harvard is willing to found a “new conservative research institute.”
However, Harvard university’s president, Alan Garber, deluged by inquiries from Harvard faculty outraged at the prospect of settling with the Trump administration, later proclaimed that the Times had reported fake news and that he intended to continue on fighting the government in court.
“In a conversation with one faculty member, [he] said that the suggestion that Harvard was open to paying $500 million is ‘false’ and claimed that the figure was apparently leaked to the press by White House officials,” the Harvard Crimson reported, noting that the Times had defended the veracity of its report. “In any discussions, Garber reportedly said, the university is treating academic freedom as nonnegotiable.”
The conflicting headlines highlighted the competing objectives Garber is being forced to choose between — rescuing Harvard from a perilous fiscal situation or placating its left-leaning faculty, 94 percent of whom donated to Democratic candidates in 2024, as reported by the Crimson.
In July, a Crimson poll of over 1,400 Harvard faculty revealed that 71 percent of arts and sciences faculty oppose negotiating a settlement with the administration and 64 percent “strongly disagree” with shuttering DEI programs. Additionally, 73 percent oppose rejecting foreign applicants who hold anti-American beliefs which are “hostile to the American values and institutions inscribed in the US Constitution and Declaration of Independence,” and 70 percent strongly disagree with revoking institutional recognition from pro-Hamas groups such as the Palestine Solidarity Committee (PSC).
“More than 98 percent of faculty who responded to the survey supported the university’s decision to sue the White House,” The Crimson reported. “The same percentage backed Harvard’s public rejection of the sweeping conditions that the administration set for maintaining the funds — terms that included external audits of Harvard’s hiring practices and the disciplining of student protesters.”
At the same time, Harvard will see annual budget shortfalls of $1 billion if the if the Trump confiscations remain in effect, according to the Wall Street Journal, a loss the university is offsetting by enacting “contingency preparations” predicated on amassing $1 billion in debt with help from Goldman Sachs and Morgan Stanley. Analysts have told The Algemeiner that Harvard’s immense wealth, powered by a $53 billion endowment valued higher than the gross domestic product of countries such the Kingdom of Bahrain and Bolivia, can sustain its borrowing in the short term but not in perpetuity.
“If Harvard is willing to mortgage its real estate or use it as collateral, it can borrow money for a very long time,” National Association of Scholars president Peter Wood told The Algemeiner in April. “But it could destroy itself that way.”
On Friday, Asaf Romirowsky, a Middle East expert and president of Scholars for Peace in the Middle East (SPME), said Harvard should make a deal, arguing that would be in the interest of both the school and the country.
“Universities have begun to rapidly adapt to the new realities. One change being made by universities is increased hiring of Title VI coordinators to handle civil rights complaints,” he said. “Beyond the cosmetic, the US desperately needs to reevaluate what a university is and what it is for. Five decades of universities striving for relevance has had the effect of politicizing the humanities and social sciences.”
He continued, “As faculties have become politically monolithic, students interested in exploring traditions and themselves have been alienated, causing a feedback loop of shrinking disciplines and intensifying politics.”
Follow Dion J. Pierre @DionJPierre.
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Brad Pitt, Joaquin Phoenix, Rooney Mara, and Others Join Gaza Film as Executive Producers Before Venice Premiere
Brad Pitt attends the “F1: The Movie” European premiere in London, Britain, June 23, 2025. Photo: REUTERS/Maja Smiejkowska
Brad Pitt, Joaquin Phoenix, Rooney Mara, and other high-profile figures in the Hollywood film industry have joined the Gaza-based drama “The Voice of Hind Rajab” as executive producers ahead of its world premiere at the 82nd Venice International Film Festival, Deadline reported.
“The Zone of Interest” director Jonathan Glazer is also joining the film as an executive producer as well as “Roma” director Alfonso Cuaron. Meanwhile, Dede Garner and Jeremy Kleiner from Pitt’s production company Plan B. Britain’s Film4 and the Saudi Arabian state-owned MBC Studio are also supporting the film, according to Deadline.
Written and directed by Tunisian filmmaker Kaouther Ben Hania, “The Voice of Hind Rajab” focuses on the real-life death of six-year-old Palestinian girl Hind Rajab, who was trapped in a car that had allegedly come under fire by Israeli military forces in the Gaza Strip in January 2024 and later found dead. Israel claimed its military troops were not in the area at the time. The movie is based on real audio recordings of Rajab’s calls to Red Cresent volunteers, who tried to keep her on the line and get an ambulance to help her. Her death sparked global outrage including at Columbia University, where anti-Israel students broke into the academic building Hamilton Hall and symbolically renamed it as Hind’s Hall in April 2024.
“The Voice of Hind Rajab” will premiere at the Venice Film Festival on Sept. 3 before making its North American premiere at the Toronto International Film Festival.
“I cannot accept a world where a child calls for help and no one comes,” Ben Hania said in a released statement. “That pain, that failure, belongs to all of us. This story is not just about Gaza. It speaks to a universal grief. And I believe that fiction (especially when it draws from verified, painful, real events) is cinema’s most powerful tool. More powerful than the noise of breaking news or the forgetfulness of scrolling. Cinema can preserve a memory … May Hind Rajab’s voice be heard.”
Ben Hania’s film “Four Daughters” was nominated for an Oscar last year and her previous project, “The Man Who Sold His Skin,” was selected as the Tunisian entry for best international feature film at the Academy Awards in 2021.
The 82nd Venice Film Festival opened on Wednesday, almost six weeks to the second anniversary of the Hamas-led terrorist attacks in southern Israel on Oct. 7 2023, that resulted in the murder of 1,200 people while 251 were taken as hostages back to Gaza. The festival ends Sept. 6.
Hundreds of Italian and international artists signed an open letter calling on the Venice Film Festival to condemn what they claim is Israel’s genocide and ethnic cleansing in Gaza. Israel has adamantly denied the charge, noting it’s targeting a terrorist group in Gaza that tries to embed itself among the civilian population to create more casualties.