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Roger Waters Calls Israel ‘Extremely Evil,’ Pushes Antisemitic Tropes While Denying He’s Antisemitic
Former Pink Floyd vocalist Roger Waters on stage in Italy. Photo: Reuters/Mirko Fava
Former Pink Floyd lead singer Roger Waters made a slew of anti-Israel remarks, promoted antisemitic tropes about Jewish power, and made inappropriate Holocaust comparisons in a new interview with Turkey’s TRT World published on Wednesday.
Waters’ interview with TRT World presenter Paul Salvatori focused on the ongoing Israel-Hamas war raging in the Gaza Strip and was conducted ahead of the one-year anniversary of the deadly Hamas terrorist attacks in southern Israel on Oct. 7, 2023, that started the conflict. Salvatori began by asking the British musician to reflect on how he has changed in the last year, since the launch of the Israel-Hamas war.
“I wake up desperately disturbed every morning,” Rogers replied, before talking about wanting to fight against the “evil” in the world including Israel, of which he has been a longtime critic.
“Supremacy of all kinds is the key to understanding why people behave in these extremely evil ways, like the Israelis have done for the last 75 years and are continuing to do so with the support of the American empire including my country, the United Kingdom, which is part of the American empire,” he said. “And it’s deeply, deeply depressing to me.”
Waters said Israel “pretends” to believe in human rights and freedom of speech, just like the United States, United Kingdom, France, Germany, Holland “and all the rest of them.” He added that US and UK leaders — such as US President Joe Biden, Vice President Kamala Harris, former US President Donald Trump, former British Prime Minister Boris Johnson, and current British Prime Minister Keir Stamer — “represent pure evil.”
The ex-Pink Floyd vocalist additionally expressed support for anti-Israel protesters on college and university campuses, specifically the “brave students” at Columbia University, who are protesting against Israel’s “genocide.” He compared efforts to stop these anti-Israel campus protests to the Gestapo, the Nazi secret police during World War II, and promoted antisemitic tropes about an “Israeli lobby.”
“What is incredible is how lots of our brothers and sisters in the student movement all over the world, but particularly where I live in the United States, the students at Columbia University in New York for instance, decided to protest the genocide,” Waters said. “They’re saying there’s a genocide going on … so we’re going to occupy lawns and maybe even a hall somewhere in Columbia. They [the Israeli lobby] sent the Gestapo in to beat them up … the a–holes at the top of Columbia University who are trying to bolster the Gestapo to come in and beat anybody up who wants to stand up for the love of our brothers and sisters and for truth.”
“When that happened we thought, ‘Oh my goodness. Here it is, in front of our very eyes, how much that system has been imposed by the Israeli lobby — by AIPAC [the American Israel Public Affairs Committee] and the ADL [Anti-Defamation League] and all those, in my view, misguided religious supremacists,” Rogers added. “You can see it’s endemic in the whole of the political system of the United States of America and that is terrifying because the United States of America is the most terrifying henchmen at the moment.”
The musician also talked about an Israeli “lobby” trying to cancel his concerts in Europe last year as part of his “This Is Not a Drill” tour. However, he did not explain that local politicians, city councils, and Jewish groups pushed for the cancellation of several concerts because of his remarks and behavior, which include supporting the boycotts, divestment and sanctions (BDS) movement against Israel; pressuring other musicians not to perform in Israel; and his use of antisemitic and Holocaust-related imagery and content in past concerts, such as a balloon shaped like a pig and that was embossed with a Star of David.
Rogers ended his interview with TRT World by again claiming, as he has done numerous times in the past, that he is not an antisemite. “Never was, never will be,” he said. “Not an antisemitic thought ever in my whole life. What I am is somebody who fights for human rights and that is what they cannot allow.”
When asked if musicians like himself should be more vocal in condemning Israel’s “genocidal assault” in Gaza during its ongoing war against Hamas terrorists controlling the enclave, Rogers replied: “Yeah, of course they should. But obviously, it’s not just musicians. Everybody should. Anybody who has a heart.”
Last year, an explosive documentary showed fellow musicians detailing Waters’ long record of anti-Jewish barbs. In one instance, a former colleague recalled Waters at a restaurant yelling at the wait staff to “take away the Jew food.”
The post Roger Waters Calls Israel ‘Extremely Evil,’ Pushes Antisemitic Tropes While Denying He’s Antisemitic first appeared on Algemeiner.com.
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Radio-Canada Suspends Journalist After Antisemitic Comments Spark Outrage
Radio-Canada reporter Élisa Serret. Photo: Screenshot
A journalist at Canada’s national public broadcaster, Radio-Canada, has been suspended after using antisemitic language during a Monday television broadcast, prompting an official apology from the network.
On the news program “Sur le terrain,” correspondent Élisa Serret, reporting from Washington on US Secretary of State Marco Rubio’s visit to Israel, was asked why the US continues to support Jerusalem despite its recent military offensive in Gaza.
Serret responded, saying in French, “The Israelis, in fact the Jews, finance a lot of American politics” and control a “big machine.”
The journalist then went on to claim that the largest US cities and Hollywood are “run by Jews,” echoing long-standing antisemitic stereotypes and hateful rhetoric about supposedly outsized and nefarious Jewish power.
After Serret’s comments went viral, sparking outrage from political leaders and the local Jewish community, Radio-Canada issued an apology, describing her remarks as “”stereotypical, antisemitic, erroneous, and prejudicial allegations against Jewish communities.”
“These unacceptable comments violate Radio-Canada’s Journalistic Standards and Practices and do not reflect the views of the public broadcaster,” the statement read.
“As a result, the news department has decided to relieve the journalist of her duties until further notice,” it continued. “We are aware that these comments have offended many viewers. We sincerely apologize and regret this.”
The Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, strongly condemned Serret’s comments, accusing Radio-Canada of spreading “antisemitic lies.”
Eta Yudin, CIJA’s vice-president for Quebec, called on the public broadcaster to take concrete measures to keep antisemitic content out of Canadian homes.
“This incident cannot be allowed to pass without serious internal reflection on the damage such hateful rhetoric inflicts on our democratic values,” Yudin said in a statement. “Antisemitism is corroding the fabric of our society.”
Canadian Identity and Culture Minister Steven Guilbeault, who is responsible for overseeing the public broadcaster, also condemned the incident, saying that “antisemitism has no place in Canada” and describing Serret’s remarks as “pernicious antisemitic tropes.”
“When antisemitic language is used by journalists, or anyone in a position of trust, it risks normalizing hatred in deeply dangerous ways,” Guilbeault said.
Anthony Housefather, the government’s special adviser on Jewish community relations and antisemitism, denounced the incident, saying Serret’s remarks echoed “textbook tropes that are antisemitic under the IHRA definition,” referring to the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which was adopted by the government in 2020.
Melissa Lantsman, a member of the opposition Conservative Party, criticized the public broadcaster for failing to “uphold the values of this country” by airing what she described as an “antisemitic rant.”
“Overt antisemitism on TV is part of the deep systemic rot corroding our society, and it flourishes when tax-funded institutions provide it with a platform,” Lantsman said in a statement.
“Canadians deserve better than excuses and carefully worded apologies,” she continued.
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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission
A scene from “The Sea.” Photo: The Israeli Academy of Film and Television
Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.
At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.
The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.
“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.
In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.
“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”
Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.
“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”
Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.
Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.
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HBO Max Acquires US Rights to Scripted Series ‘One Day in October’ About Hamas Attack
Bartender and survivor of the Nova Festival, May Hayat, takes cover as rocket sirens sound, during her first visit to the scene of the attack, on the one-month anniversary of the attack by the Palestinian terrorist group Hamas on Oct. 7, near Re’im, Israel, Nov. 6, 2023. Photo: REUTERS/Evelyn Hockstein
HBO Max has acquired exclusive rights in the United States to “One Day in October,” a scripted series based on real-life, first-hand accounts from the deadly Hamas-led terrorist attack in Israel on Oct. 7, 2023.
“One Day in October” is the first real-time scripted portrayal of personal stories from the massacre in southern Israel, where Palestinians terrorists murdered 1,200 people and kidnapped 251 hostages. The attack was the deadliest single-day slaughter of Jews since the Holocaust.
“One Day in October” will debut on HBO Max in the US on Oct. 7, the two-year anniversary of the attack, FOX Entertainment announced on Monday. Filmed on location in Israel, the four-episode series is co-produced by FOX Entertainment Studios in partnership with Israel’s yes TV, the New York-based production company Sparks Go, and Israel’s ZOA Films, in association with Moriah Media.
The series “presents seven emotionally gripping and artistically interwoven narratives of love, courage, sacrifice and survival,” according to a description provided by HBO Max. “From families torn apart to moments of hope emerging in the face of unspeakable tragedy to incredible bravery against the odds, each episode reveals the human cost and resilience born out of chaos. The series portrays the victims’ and survivors’ experiences of that day and is brought to life by a distinguished cast and acclaimed creative team.”
“One Day in October” is created by Daniel Finkelman, founder of the New York-based production company Sparks Go, and Oded Davidoff, who is also the director and writer on the series. Sparks Go helped co-produce the series.
“The tragic events on Oct. 7 had a profound impact on all of us,” said Fernando Szew, president of FOX Entertainment Studios. “From the very beginning, we approached this series with the utmost care, sensitivity, and urgency to ensure that the stories were told with authenticity and respect and paying homage to the victims and the heroic survivors. Oded and the incredible cast, crew and teams at Sparks Go, ZOA, and yes TV have truly created compelling storytelling that we are proud to showcase.”
The cast includes Swell Ariel Or, Noa Kedar, Naomi Levov, Hisham Suliman, Wael Hamdoun, Yuval Semo, Avi Azulay, Naveh Tzur, Yael Abecassis, Moran Rosenblatt, Michael Aloni, Neta Roth, Sean Softi, Lior Ashkenazi, and Uri Perelman. The series features writing by Liron Ben-Shlush, Davidoff, Amir Hasfari, Keren Weissman, Orit Dabush, and Yona Rozenkier. Jim Berk and Sheldon Rabinowitz with Moriah Media are also executive producers on the series.
“For me, film and television have always been more than entertainment, they are a way to bear witness,” said Finkelman. “These are stories of ordinary people facing extraordinary moments. In a time when truth is fragile, the most powerful thing we can do is to appeal to humanity itself. My hope is that these stories will open hearts and spark meaningful conversation.”