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Roger Waters uses Anne Frank’s name at German concerts, prompting calls for punishment from Jewish groups
(JTA) — Roger Waters projected Anne Frank’s name at recent concerts to draw comparisons between Israel and Nazi Germany, leading Germany’s Orthodox rabbinical association to call for a ban on Waters performances in the country.
Observers told the Jewish Telegraphic Agency that Waters, the former Pink Floyd frontman known as a leader in the boycott Israel movement, has lumped Anne Frank together with Palestinian Al Jazeera journalist Shireen Abu Akleh in on-screen projections at concerts on his current tour. Abu Akleh was killed on an assignment in the West Bank last year.
The screen at Waters concerts also frequently shows a pig-shaped balloon emblazoned with the logo of an Israeli armaments firm. He reportedly at times dons an SS uniform and symbolically shoots a machine gun into the crowd.
Some say the 79-year-old rocker plays with antisemitic stereotypes, going beyond political criticism into incitement of hate. German media “went into the shows and were disgusted by them; it is such blunt and disgusting propaganda they are hearing, and the music is really in the background,” said Sacha Stawski, Frankfurt-based pro-Israel activist and founder of Honestly Concerned.
Waters, who won many hearts in Germany through Pink Floyd’s live “The Wall” concert in 1990, recently performed concerts in Berlin and Munich and was on to Frankfurt, where he had successfully appealed a court order to ban the event. That concert is scheduled for May 28.
The city of Frankfurt had called Waters “one of the most widely spread antisemites in the world,” over imagery and Israel critique at his past concerts, in its attempt to ban him from playing there. Munich’s mayor had also unsuccessfully attempted to block a Waters show.
If they cannot stop him in the courts, opponents said they will continue to try to sway public opinion.
“My goal is to educate about his hatred, to make sure less and less people go into these concerts,” said Stawski, a main force behind efforts to challenge Waters in the Frankfurt court, which claim that Waters is antisemitic. Several German cities have passed legislation barring state-funded venues from hosting events for the Boycott, Divestment and Sanctions movement that Waters champions.
Charlotte Knobloch, head of the Jewish community of Munich and Upper Bavaria, said at a protest before Water’s concert last Sunday in her home city that she was frustrated by the courts.
“Since October 2022, there have been arguments about this concert. Legal motions and media headlines have been produced en masse — without yielding any result,” she said. “So that now, in May, we are standing here protesting against a concert that is taking place exactly as Roger Waters always wanted it to.”
Politicians joined in the protest with Knobloch, and even the management of the Olympia Stadium, on monitors ahead of the concert, explicitly distanced itself from the singer’s politics, according to the Suddeutsche Zeitung.
“What do the regular affirmations of ‘Never Again’ by politicians and statements that antisemitism has no place in Germany actually count for, if at the same time errant interpreters and intellectual arsonists are offered a public space to blatantly spread their hatred of Jews and Israel?” read the May 22 statement from the Orthodox Rabbinical Conference of Germany, led by Rabbis Avichai Apel, Zsolt Balla and Yehuda Pushkin. “It is deeply shameful that in no case in Germany has it so far been possible to ban the clearly antisemitic and anti-Israeli concerts of Roger Waters.”
The Belltower journalist Nicholas Potter, who observed the May 17 Berlin concert, argued that Waters promoted antisemitic language.
In speech bubbles on an LED screen in the Mercedes-Benz Arena, Waters blamed the world’s troubles on “THE POWERS THAT BE,” which Potter described as “an ominous, overpowering elite that is not explicitly named — this is an antisemitic blueprint on which many conspiracy narratives work.”
Before the event, BDS supporters outside the arena handed out flyers and held up banners, one of which read, “Jews, Israelis and internationals all agree with the Roger,” added Potter, noting that the average concertgoer appeared to be white, German and around 60 years old.
Waters has had little new to say about the allegations of antisemitism and has not apparently changed his tune. According to the Suddeutsche Zeitung newspaper, hours before his concert in Munich, Waters posted a message on Facebook calling Israel a “tyrannical, racist regime.” He compared the BDS movement to Germany’s Nazi-era White Rose resistance movement, whose leaders, including siblings Hans and Sophie Scholl, were beheaded by the Nazi regime.
His remarks were in keeping with his comments in an interview with Spiegel Magazine in March. He denied that he had ever been an antisemite, and added that it was “bizarre that my career should now be attacked on the basis of allegations made by the Israel lobby.”
“For all I care, they can try to cancel every concert I do in Germany. I will fight them in court,” he told Spiegel. “It’s a tragedy for Germany that they even try. Because the message to the world is: We Germans don’t care about human rights and freedom of expression.”
People should take Waters at his word and stay away if they disagree with his politics, said Stawski, referring to the fact that Waters also tells Pink Floyd fans who don’t agree with him to “f*** off,” via the arena screen.
“If you are a fan of Pink Floyd but do not want to go along with the antisemitism, buy a CD of Pink Floyd and do not damn well go into these concerts,” Stawski said.
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The post Roger Waters uses Anne Frank’s name at German concerts, prompting calls for punishment from Jewish groups appeared first on Jewish Telegraphic Agency.
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Orthodox Jewish man stabbed in midtown Manhattan
(New York Jewish Week) — An Orthodox Jewish man is in stable condition after being stabbed on Wednesday evening in the Diamond District of midtown Manhattan. Police are investigating the attack as a possible hate crime.
Police told the Jewish Telegraphic Agency that the NYPD’s Hate Crimes Task Force is investigating the incident as a possible antisemitic attack, and Manhattan Shomrim — the Jewish community watch group — has asked people to share footage as police search for the suspect. No arrests have been made.
The victim was identified by police as a 26-year-old man, and Orthodox Jewish outlet COLLive identified him as a resident of Crown Heights, the neighborhood that is home to the Chabad-Lubavitch Hasidic movement’s headquarters.
He was taken to Bellevue Hospital in stable condition. Police said they were called at about 5:50 p.m. on Wednesday after the man was stabbed in the back with “an unknown sharp object” on 47th Street near Fifth Avenue. ABC7 reported that the victim told investigators he believed he was stabbed with a needle or syringe.
According to the Chabad website, which published an interview with the victim, he is a recently ordained Hasidic rabbi named Joseph, who commutes to Midtown each day to wrap tefillin with Jewish merchants. The attacker, Joseph told the website, was a woman who seemed to be following him prior to the stabbing.
The attack comes as Jewish New Yorkers have been targeted in more than half of the hate crimes committed in New York City this year, despite making up about 12% of the city’s population.
In July, an assailant stabbed two men on the Upper West Side, including one who was leaving a synagogue, while yelling “Allahu akbar,” and was charged with committing hate crimes.
Louis Keene contributed reporting.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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