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Roger Waters uses Anne Frank’s name at German concerts, prompting calls for punishment from Jewish groups
(JTA) — Roger Waters projected Anne Frank’s name at recent concerts to draw comparisons between Israel and Nazi Germany, leading Germany’s Orthodox rabbinical association to call for a ban on Waters performances in the country.
Observers told the Jewish Telegraphic Agency that Waters, the former Pink Floyd frontman known as a leader in the boycott Israel movement, has lumped Anne Frank together with Palestinian Al Jazeera journalist Shireen Abu Akleh in on-screen projections at concerts on his current tour. Abu Akleh was killed on an assignment in the West Bank last year.
The screen at Waters concerts also frequently shows a pig-shaped balloon emblazoned with the logo of an Israeli armaments firm. He reportedly at times dons an SS uniform and symbolically shoots a machine gun into the crowd.
Some say the 79-year-old rocker plays with antisemitic stereotypes, going beyond political criticism into incitement of hate. German media “went into the shows and were disgusted by them; it is such blunt and disgusting propaganda they are hearing, and the music is really in the background,” said Sacha Stawski, Frankfurt-based pro-Israel activist and founder of Honestly Concerned.
Waters, who won many hearts in Germany through Pink Floyd’s live “The Wall” concert in 1990, recently performed concerts in Berlin and Munich and was on to Frankfurt, where he had successfully appealed a court order to ban the event. That concert is scheduled for May 28.
The city of Frankfurt had called Waters “one of the most widely spread antisemites in the world,” over imagery and Israel critique at his past concerts, in its attempt to ban him from playing there. Munich’s mayor had also unsuccessfully attempted to block a Waters show.
If they cannot stop him in the courts, opponents said they will continue to try to sway public opinion.
“My goal is to educate about his hatred, to make sure less and less people go into these concerts,” said Stawski, a main force behind efforts to challenge Waters in the Frankfurt court, which claim that Waters is antisemitic. Several German cities have passed legislation barring state-funded venues from hosting events for the Boycott, Divestment and Sanctions movement that Waters champions.
Charlotte Knobloch, head of the Jewish community of Munich and Upper Bavaria, said at a protest before Water’s concert last Sunday in her home city that she was frustrated by the courts.
“Since October 2022, there have been arguments about this concert. Legal motions and media headlines have been produced en masse — without yielding any result,” she said. “So that now, in May, we are standing here protesting against a concert that is taking place exactly as Roger Waters always wanted it to.”
Politicians joined in the protest with Knobloch, and even the management of the Olympia Stadium, on monitors ahead of the concert, explicitly distanced itself from the singer’s politics, according to the Suddeutsche Zeitung.
“What do the regular affirmations of ‘Never Again’ by politicians and statements that antisemitism has no place in Germany actually count for, if at the same time errant interpreters and intellectual arsonists are offered a public space to blatantly spread their hatred of Jews and Israel?” read the May 22 statement from the Orthodox Rabbinical Conference of Germany, led by Rabbis Avichai Apel, Zsolt Balla and Yehuda Pushkin. “It is deeply shameful that in no case in Germany has it so far been possible to ban the clearly antisemitic and anti-Israeli concerts of Roger Waters.”
The Belltower journalist Nicholas Potter, who observed the May 17 Berlin concert, argued that Waters promoted antisemitic language.
In speech bubbles on an LED screen in the Mercedes-Benz Arena, Waters blamed the world’s troubles on “THE POWERS THAT BE,” which Potter described as “an ominous, overpowering elite that is not explicitly named — this is an antisemitic blueprint on which many conspiracy narratives work.”
Before the event, BDS supporters outside the arena handed out flyers and held up banners, one of which read, “Jews, Israelis and internationals all agree with the Roger,” added Potter, noting that the average concertgoer appeared to be white, German and around 60 years old.
Waters has had little new to say about the allegations of antisemitism and has not apparently changed his tune. According to the Suddeutsche Zeitung newspaper, hours before his concert in Munich, Waters posted a message on Facebook calling Israel a “tyrannical, racist regime.” He compared the BDS movement to Germany’s Nazi-era White Rose resistance movement, whose leaders, including siblings Hans and Sophie Scholl, were beheaded by the Nazi regime.
His remarks were in keeping with his comments in an interview with Spiegel Magazine in March. He denied that he had ever been an antisemite, and added that it was “bizarre that my career should now be attacked on the basis of allegations made by the Israel lobby.”
“For all I care, they can try to cancel every concert I do in Germany. I will fight them in court,” he told Spiegel. “It’s a tragedy for Germany that they even try. Because the message to the world is: We Germans don’t care about human rights and freedom of expression.”
People should take Waters at his word and stay away if they disagree with his politics, said Stawski, referring to the fact that Waters also tells Pink Floyd fans who don’t agree with him to “f*** off,” via the arena screen.
“If you are a fan of Pink Floyd but do not want to go along with the antisemitism, buy a CD of Pink Floyd and do not damn well go into these concerts,” Stawski said.
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The post Roger Waters uses Anne Frank’s name at German concerts, prompting calls for punishment from Jewish groups appeared first on Jewish Telegraphic Agency.
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Tidbits: For the first time, a kosher restaurant has won a Michelin star
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
צום ערשטן מאָל געווינט אַ כּשרער רעסטאָראַן אַ „מישעלין־שטערן“
ייִט״אַ. — ווען מע האָט באַשאָטן דעם ישׂראלדיקן קוכער רז שבתי (ראַז שאַבטײַ) מיט קאָנפֿעטי האָט ער זיך ממש צעוויינט — און זײַנע מיטאַרבעטער האָבן אים וואַרעם אַרומגענומען.
מיט עטלעכע מינוט פֿריִער האָט מען געמאָלדן, אַז זײַן רעסטאָראַן אין מיאַמי, וואָס הייסט „מוטראַ“, איז געוואָרן דער ערשטער כּשרער רעסטאָראַן צו באַקומען אַ „מישעלין־שטערן“ — דעם גרעסטן כּבֿוד אין דער רעסטאָראַן־אינדוסטריע.
„דאָס איז אַ מאָמענט פֿון שׂימחה און פֿון שטאָלץ,“ האָט שאַבטײַ געזאָגט דער ייִדישער טעלעגראַפֿישער אַגענטור. „דעם שטערן באַקומט נישט בלויז ׳מוטראַ׳, נאָר דאָס גאַנצע ייִדישע פֿאָלק.“
שבתי, וואָס האָט שוין געאַרבעט אין אַ צאָל קיכן איבער ניו־יאָרק און ישׂראל, האָט געעפֿנט „מוטראַ“ אין פֿעברואַר 2025, געבנדיק דעם רעסטאָראַן אַ נאָמען נאָך זײַן ירושלים־געבוירענער באָבען, וועמעס קאָכן האָט אינספּירירט זײַן מעניו.
„איך האָב ליב צו באַצייכענען דאָס עסן אין דעם רעסטאָראַן ווי ׳ירושלימער מאכלים׳ אַנטקעגן ׳מיטל־מיזרחדיקע אָדער ישׂראלדיקע מאכלים׳ ווײַל די טעמען וואָס איך פּרוּוו ברענגען צום טיש זענען די טעמען וואָס זענען פֿאַרבונדן מיט מײַנע זכרונות און מיט מײַנע עקסקורסיעס אין מאַרק מיט דער באָבען,” האָט שבתי געזאָגט. „איך דאַרף זײַן געטרײַ די פּאָטראַוועס וואָס די באָבע האָט מיך געהאָדעוועט.“
אַ באַשרײַבונג פֿונעם רעסטאָראַן אויף דער „מישעלין“־וועבזײַט לויבט זײַנע „פּרעכטיקע בוריקעס אין ‘אַהאָ בלאַנקאָ’ (אַ קאַלטע זופּ געמאַכט פֿון מאַנדלען, קנאָבל און עסיק)“ און „שאָפֿנפֿלייש־קאָבאַב מיט גערייכערטן פּאַטלעזשאַן־קרעם און פּאָמידאָרן־בוימל“.
אַ דאַנק דער אָנערקענונג איז „מוטראַ“ געוואָרן איינער פֿון די אָנגעזעענסטע רעסטאָראַנען און באַטרעפֿט אַן אמתן ווענדפּונקט פֿאַר דער כּשרער קיך. פֿאַר שבתי, וואָס האָט אָנגעהויבן היטן כּשרות מיט מער ווי 10 יאָר צוריק, איז די פּרעמיע אַ קלאָרער באַווײַז, אַז קולינאַרע אויסגעצייכנטקייט קען בליִען אין די ראַמען פֿון דער כּשרער קיך.
„איך האָף אַז די דערגרייכונג וועט אינספּירירן אַנדערע כּשרע קוכערס,“ האָט ער געזאָגט.
צו זען דעם אַרטיקל אויף ענגליש, גיט אַ קוועטש דאָ.
To see the article in English, click here.
The post Tidbits: For the first time, a kosher restaurant has won a Michelin star appeared first on The Forward.
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Jewish witchcraft isn’t as weird as it sounds
Madonna, incongruously, may be largely responsible for introducing the public to a mystical, magical image of Judaism — one that went beyond old men bent over books, studying laws for keeping kosher or Shabbat. Her red string bracelet and her studies of kabbalah gave the religion a new air of mystery and occultism.
But Judaism has always been full of mystical, magical traditions. Jews made amulets to protect against the evil eye, or for luck and prosperity. They beseeched and pacified the dead. Rabbis wrote protective charms for their flock. Psychics and palm readers told the fortunes of Jews and non-Jews alike.
A new exhibit, “Jews are Magic: Occult Practices from Palmistry to Psychics” from YIVO and the Center for Jewish History, delves into the history of the occult in Ashkenazi Judaism. The display, which pulls from YIVO’s archives, has examples of occultism drawing from two Jewish communities: the shtetl and the city.
One side of the exhibit showcases letters to great rabbis asking for blessings and remedies, as well as written spells and amulets protecting against demons like Lilith. The other features photos and biographies of professional Jewish clairvoyants and fortune tellers, who worked mostly in urban areas serving both Jews and gentiles with seances, palmistry and the like, advertising in newspapers and performing on stages.
It’s a lot to cover, and it’s complicated not only by the history but by a quote from Deuteronomy, highlighted in the exhibit. It explicitly forbids those who “useth divination” as well as those who are an “enchanter, or a witch, or a charmer, or a consulter with familiar spirits, or a wizard or a necromancer.” It is a comprehensive list, and doesn’t mince words, calling all of these magicians “an abomination.” Yet even great rabbis and Talmudists wrote charms. How could magic be so pervasive in Judaism when it is so expressly prohibited?
This is the fundamental question of the exhibit, but the show is small and has limited space to fully examine the contradictions. Its artifacts span so much time that it is difficult to intuit the connections between, say, Terfren Laila — a traveling psychic born Else Terese Frenkel who wore a ruby-adorned turban and pretended to be from Singapore by way of India (despite her Yiddish accent) — and letters asking a Talmud scholar to heal a loved one.
Thankfully, to open the exhibition, YIVO held a panel discussion between two scholars, Rokhl Kafrissen, an expert in Ashkenazi women’s folk magic, and Samuel Glauber, whose expertise is Jewish occultism in the late 1800s and early 1900s. Moderated by YIVO’s Eddy Portnoy, the panelists discussed the ways that superstitions arose in shtetls and were mined by those looking to make a few shekels.
Kafrissen explained that magic was a normal part of Jewish life for centuries, largely practiced by women; their domain was the home, encompassing everything from health to wealth, including charms and remedies. And just because these women’s rituals weren’t a “normative” part of Judaism — which is to say, institutional or recorded by official religious texts — they were certainly a normal part of life. Women led rituals such as cemetery measuring, a practice in which string was used to encircle the graveyard while praying and later used to make “soul candles” for Yom Kippur, and removed the evil eye from anyone concerned they had been cursed — what Kafrissen called “everyday Ashkenazi magic.”
But over time, these rituals — long central to Ashkenazi life — were pushed out as some Jewish leaders hoped to modernize their religion. Science rose to take the place of folk magic, and people began to dismiss these practices, which were rarely written down, as mere superstition.
This sense that Judaism was full of magic, however, fed easily into Christian suspicions about Jewish witchcraft, and perhaps encouraged some of the urban psychics and spiritualists to lean on Judaism to increase their mystery.
Glauber’s research focuses on this latter, urban category, a far cry from the shtetl folk magic. These Jewish men and women took part in a craze that enraptured far more than just Jews — seances and fortune-telling were trendy throughout the Victorian era and beyond, and its Jewish performers did not only serve Jews. (Though those suspected to be Jewish were covered hungrily by the Jewish press.) They worked magic on stage and sold their services to eager consumers hoping to speak to the dead or know the future.
Some of these performers tried to hide their Judaism, like the turban-wearing Laila, who managed to become famous enough to tell the fortunes of celebrity clients in Los Angeles and London. Another was trusted by Stalin.
Others, such as Abraham Hochman, were open about their Judaism; Hochman helped the Jewish immigrant community in New York by using his supposed psychic abilities to help women who had arrived in the city find runaway husbands. (The problem was so pervasive that the Forverts had a “Gallery of Missing Husbands” column to do the same.) One branded himself a mystical rabbi, leaning into Judaism’s mystique, which led to an audience, Glauber said, made up mostly of Christian barmaids.
Much of this information discussed by Glauber and Kafrissen is not included in the exhibit, which largely consists of fragments of papers from YIVO’s archives. The end of their discussion touched briefly on yet another rich source of magic: modern Hasidism. But neither the discussion nor exhibit had space to expand on this topic, making it hard to find the throughline between demon-warding amulets and today’s Judaism.
Still, no exhibit or discussion can capture the subject in its entirety. What “Jews are Magic” does best is spark curiosity, and a desire to learn more. That, in itself, is a kind of Jewish magic.
The exhibit ‘Jews are Magic’ is on display from May 26 to Dec. 31 2026 at the YIVO Institute for Jewish Research in the Center for Jewish History in New York City.
The post Jewish witchcraft isn’t as weird as it sounds appeared first on The Forward.
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Staunch Israel critic and Gaza trauma surgeon Adam Hamawy wins NJ-12 primary
(JTA) — Adam Hamawy, the staunch Israel critic who served as a trauma surgeon in Gaza, is expected to join Congress after winning the Democratic primary in New Jersey’s 12th district on Tuesday.
The political novice held a 12-point margin ahead of second-place candidate Brad Cohen with 86% of the vote in, even as he faced questions over his past ties to Omar Abdel-Rahman, the “Blind Sheikh” convicted on terrorism charges in 1995. Hamawy’s camp had called the questions “gross and bigoted” and said the attacks against him were “getting more desperate than ever.”
At a time when Israel is becoming increasingly unpopular among Democratic voters, Hamawy’s victory makes him the latest in a string of vocally pro-Palestinian progressives to win Democratic elections in blue districts in this year’s midterms, following fellow New Jersey candidate Analilia Mejia and Chris Rabb in Pennsylvania.
“The Democratic establishment just got a wake-up call!” wrote PAL PAC, a pro-Palestinian group that had endorsed Hamawy, on X. “This victory proves what we have known all along: Standing firmly and unapologetically for Palestinian freedom is a WINNING platform.”
Hamawy, who is credited with having saved Sen. Tammy Duckworth’s life during the Iraq War, was also boosted by $2 million in spending by American Priorities, a super PAC that aims to counterweight the pro-Israel lobbying group AIPAC by installing pro-Palestinian progressives in Congress. He was endorsed by a slew of left-wing politicians and campaigned alongside the streamer Hasan Piker, who’s been accused of antisemitic rhetoric. He is set to succeed Rep. Bonnie Watson Coleman, who is retiring at the end of her term.
As an opponent of Israel’s Iron Dome missile defense system and a supporter of a complete arms embargo and the right of return for Palestinian refugees, Hamawy will become one of Congress’ sharpest Israel critics if he wins November’s general election, which he is expected to do in the deep-blue district.
Hamawy said that he finds antisemitism “abhorrent” and that he is “deeply worried about its continued rise” in a statement to the Jewish Telegraphic Agency last week.
“As a Muslim, I understand what it feels like to face bigotry, to feel unsafe in your community and to have your loyalty to this country questioned,” Hamawy said. “In this country, we have seen recent attacks at both synagogues and mosques. I see our safety as intertwined.”
Asked about Jewish constituents who disagree with his stance on Israel, Hamawy told JTA, “I hope we can still connect on shared values and goals, including peace, justice, safety and dignity.” He added that his door “will always be open.”
Ken Martin, chair of the Democratic National Committee, did not mention Hamawy’s pro-Palestinian advocacy in a statement congratulating him on his win.
“As a veteran, combat surgeon, and small business owner, Adam Hamawy has continually served his community and our country. He is a proven fighter for working families,” Martin said. “We look forward to welcoming him to Congress, where he will continue the fight to lower costs, expand access to healthcare, and make life more affordable for New Jersey families.”
This article originally appeared on JTA.org.
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