French police arrested on Friday a man on terrorism charges accused of trying to murder a taxi driver with a knife while expressing support for Palestinian terrorist group Hamas, a source at the terrorism prosecutor’s office said.

France is on its highest state of security as it gears up to host millions of visitors, athletes, and world leaders during the Paris Olympic Summer Games, kicking off on July 26.

The man, already known by authorities as someone who had been radicalized, stopped a taxi on Tuesday night while brandishing a gun in the city of Le Mans, and asked to be taken to an isolated area near Ferte-Bernard.

He then forced the driver out of the car, bound him, and attacked his neck with the blade, the source said.

The driver managed to escape to a local resident’s home, where he was eventually treated by emergency services. The assailant was arrested early on Friday morning in Yvelines, west of Paris, the source said.

He is being investigated on terrorism, attempted murder, and kidnapping charges, the source said.

On Thursday, a police officer was critically injured in a stabbing attack in Paris’ Champs Elysees shopping district, in the latest in a string of unrelated security incidents in the French capital this week.

A soldier was stabbed and wounded by a man armed with a knife at a railway station on Monday. Authorities are also investigating whether a man who rammed a car into the terrace of a cafe on Wednesday evening did so deliberately.

The post French Police Arrest Knife-Wielding Assailant Expressing Support for Hamas on Terrorism Charges first appeared on Algemeiner.com.

Soccer’s world governing body FIFA has postponed a decision on a Palestinian proposal to suspend Israel from international soccer tournaments until after the Olympic Games, giving Israel’s men’s national soccer team the opportunity to compete in the Paris Olympics.

“Following requests for an extension from both parties to submit their respective positions, duly granted by FIFA, more time is needed to conclude this process with due care and completeness,” FIFA announced on Thursday. “The assessment will be shared with the FIFA Council for any subsequent decision to be taken no later than Aug. 31, 2024.”

The Palestinian Football Association (PFA) submitted a proposal in May to suspend Israel from all international soccer matches because of its military actions in the Gaza Strip as it targets Hamas terrorists responsible for the Oct. 7 deadly attacks in Israel. FIFA responded to PFA’s proposal, which was backed by the Asian Football Confederation, by ordering an immediate legal evaluation. The FIFA Council had originally promised to address the matter and share insight from its independent legal assessment by Saturday, which is just four days before the start of the Olympic soccer tournament.

The Paris Olympics will be held from July 26 – Aug. 11 and group matches for the men’s soccer tournament start on July 24. Israel is set to play Mali, Paraguay, and Japan in the group phase. The men’s Olympic soccer final is scheduled to take place on Aug. 9.

The PFA said it received a letter from FIFA on Thursday about the postponement. The PFA said it wanted clarification from FIFA regarding its process for the legal assessment.

“FIFA’s letter did not indicate the mechanism by which the independent legal opinion will be dealt with by the Council when it is presented to it,” the PFA said in a statement on Friday, adding that it “has previously addressed the International Federation more than once asking for clarifications regarding this.”

A group of lawyers who specialize in international law and human rights also urged FIFA to ban Israel this week, claiming that the Jewish state has violated several of FIFA’s statutes related to human rights and humanitarian objectives because of its “conduct in Palestine” during the ongoing war in Gaza.

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Marvel Studios, which was founded by various American Jews, recently released the first trailer for Captain America: Brave New World. 

Amid the excitement for the legendary Captain America saga to continue with Sam Wilson at its helm, Jewish and Israeli Marvel fans noticed something odd: Sabra, Israel’s Captain America, will be portrayed as a former Black Widow instead of the superhuman Mossad agent she was originally intended to be.

However, erasing a character’s Jewish identity is not something that is entirely new to Marvel.

Although a recent Wrap report indicates that Sabra will retain her Israeli background in the film following a backlash from fans, Marvel’s approach to dealing with Sabra highlights a complex relationship between the studio and its portrayal of Jewish characters. In short, Marvel has a history of minimizing Jewish representation in its works.

In Captain America: Brave New World, the Israeli-born Mossad super-agent Ruth Bar-Seraph, known as Sabra, has been reimagined as a Russian spy. Her powers include super strength, speed, regenerative healing, and the ability to transfer her life energy to others.

Sabra, an Israeli cactus that’s prickly on the outside and sweet on the inside, is symbolic of the Israeli mindset. This significant reinvention intentionally deprives her of her full Israeli identity and the deeply rooted Jewish trauma embedded in her story, replacing it with a more convenient narrative.

By sidestepping these crucial elements of Sabra’s heroism, Marvel chooses to sanitize complex identities rather than embracing their power. In light of the ongoing war in Gaza, this erasure is particularly painful, as Israelis and Jews worldwide continue their struggle for authentic representation in the media.

Marvel’s deliberate decision to whitewash Sabra’s identity ignores the genuine, contemporary trauma and historical persecution faced by the Jewish people. The decision underscores that the delegitimization of the Jews and their homeland cannot even be escaped on the big screen.

Marvel’s latest attempt at a Jew-free superhero lineup doesn’t begin with Sabra. It has roots in the X-Men, Avengers, and Moon Knight — all major Marvel movie standouts.

Magneto and Hydra

Magneto, born Max Eisenhardt to a Jewish family, was taken by Nazi soldiers to Auschwitz alongside his family. Surviving due to his mutant ability to control metal, he later assumes the identity of Eric Lensherr and befriends Professor Charles Xavier.

In one of the most poignant Jewish scenes in Marvel movies thus far, X-Men: First Class depicts Magneto drawing strength as he remembers lighting candles with his mother before the Nazis uprooted his life and sent his family to Auschwitz. In X-Men: Apocalypse, Magneto returns to the concentration camp and uses his powers to destroy it.

As arguably the most famous Marvel character visibly rooted in his Jewish identity, Magneto exemplifies meaningful representation.

However, he is also one of the most infamous villains in comic book history. Jews have a long history of being demonized and scapegoated, and Marvel’s choice to perpetuate this narrative rather than challenge it is troubling.

Magneto’s mutant legacy lives on in his two children; Wanda and Pietro Maximoff. Wanda possesses intense telepathy and telekinesis, while Pietro can move at superspeed. In the Marvel comics, their Jewish heritage is integral to their identities. With a Romani mother and Jewish father, both Holocaust survivors, the twins are armed with a powerful legacy of resilience. Having fought both with and against the Avengers, the Maximoff twins are among the most compelling characters in the Marvel universe.

However, in X-Men: Days of Future Past, devout fans debate Wanda’s blood relation to Magneto. The fact remains that the Marvel Cinematic Universe (MCU) has presented Wanda and Pietro without a religion, hailing from the fictional country of Sokovia, and devoid of any connection to their Jewish identity.

In the MCU, Wanda and Pietro’s powers result from experiments by the evil Hydra scientist, Baron von Strucker. Originally, Hydra served as the advanced technology and weaponry arm of the Nazi regime during World War II. Hydra soldiers share the fascist red and black, the straight-armed salute (performed with both arms), and an eerily familiar “heil Hydra” chant with their mainstream Nazi counterparts.

Beginning with Captain America: The First Avenger, Marvel has largely downplayed Hydra’s Nazi roots, transforming it into a generic, timeless evil organization. By downplaying or outright ignoring Hydra’s origins as a Nazi faction, Marvel seeks to avoid the disturbing historical implications and instead focuses on Hydra as a broader symbol of tyranny and corruption.

This revisionist approach not only dilutes the gravity of Hydra’s origins but also conveniently sidesteps the uncomfortable reality of depicting true historical atrocities, thereby diminishing the impact of the narrative and the lessons it could impart about the dangers of fascist ideologies.

The ongoing conflict between Captain America and S.H.I.E.L.D. with Hydra, persisting throughout the MCU, is presented as a battle between American strength, embodied by Captain Steve Rogers, and a vague evil represented by Hydra and its endless heads, minimizing the profound impact of Nazi ideology on World War II.

Considering Marvel’s popularity among young audiences, this depiction misleads impressionable viewers into believing that World War II was merely a struggle between America and a technologically innovative bad-guy. Hydra persists throughout the MCU, threatening the forces of good in Agents of S.H.I.E.L.D. and Captain America: The Winter Soldier.

Yet, as the technology arm of the Nazi party continues fighting, its despicable origins are conspicuously absent. If a young fan beginning their Marvel journey learned lessons about the war from these movies, they would identify a fictional Hydra, not the very real Nazis, as the primary antagonist, thereby doing a disservice to the depravity of the Third Reich.

Kitty Pryde

Kitty Pryde, another mutant in the X-Men universe with repeated movie appearances, is another revealing example of Marvel entirely revising a Jewish character’s identity to be more palatable for the big screen.

Kitty has remarkable phasing abilities, meaning she can pass through solid matter. Various websites, including fan sites and her official Marvel biography, emphasize her commitment to Judaism (see here, here, and here).

In the comics, she has been seen wearing a Star of David, reciting blessings, and drawing parallels between her experiences of being marginalized as a Jew and as a mutant. These sometimes invisible identities deeply influence her worldview.

However, Kitty appears in four X-Men feature films, and her rich cultural and religious background is consistently absent, leaving a void where her Jewish identity should be. This omission not only strips away a layer of her character’s depth but also underscores Marvel’s pattern of erasing Jewish identities to fit a more generalized narrative, thereby failing to represent the nuanced experiences of Jewish characters on the big screen.

I’m Jewish. I don’t have a quote unquote Jewish-sounding name. I don’t look or sound Jewish, whatever that looks or sounds like… So if you didn’t know I was Jewish, you might not know … unless I told you. Same goes for my mutation. I don’t have to wear a visor or have blue fur all over me. I can walk around. Just a young woman of the world. But … I’m not.

— Kitty Pryde, All-New X-Men Vol 1 13

Moon Knight

Unfortunately, Marvel’s belittling of Jewish identity endures on the small screen as well. One of the most highly anticipated TV series on Disney+ was Moon Knight, centered around the titular character, Moon Knight. In the show, Steven Grant is a goofy museum gift shop employee who struggles with dissociative personality disorder. His other identity is Marc Spector, a retired mercenary who becomes the Earthly representative of Khonsu, the Egyptian god of the moon.

Marc’s family embodies the American dream. Having fled Nazi persecution in Europe in the 1930s, Spector’s rabbi father sought a better environment to raise his Jewish family – a story many are familiar with today.

The show switches between Steven and Marc’s perspectives, but hones in on Spector in episode 5, “Asylum.” Spector is immersed in the memory of a shiva from his childhood as a means of confronting his abusive mother. In the scene, mourners can be seen wearing Jewish prayer shawls, and Spector himself is even wearing a kippah.

Given that Oscar Isaac, the non-Jewish actor playing Moon Knight, confirmed Spector’s Jewish identity would be evident in the show, there is no mention of his father’s work, his family’s history fleeing antisemitic persecution, or any significant exploration of his Jewish identity beyond surface-level nods.

This neglect strips away a layer of depth from Marc Spector’s character, reducing his heritage to mere background decoration rather than an integral part of his identity and motivation. Furthermore, it deprives Jewish fans of the same representation Marvel eagerly awards to other minority groups.

Despite its Jewish origins, Marvel continues to sanitize and diminish the Jewish identities of its characters, both on the big screen and in streaming series.

From reimagining Sabra as a Russian spy to neglecting Marc Spector’s rich Jewish heritage in Moon Knight, Marvel consistently misses opportunities to genuinely represent Jewish experiences and identities.

This pattern not only strips characters of their depth and authenticity but perpetuates a troubling erasure of Jewish culture and history as characters ascend from comics to movies. Marvel has demonstrated their commitment to representation as they bring their characters to life on the big screen, so why do they have a Jewish problem?

HonestReporting is a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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